Moog says the Messenger is the first of more “much more universal” gear from the iconic synth brand

The launch of Moog’s new Messenger monosynth marks the start of what the brand calls “much more universal” gear.

Released this June, Messenger is the first instrument developed entirely under InMusic’s ownership, and it demonstrates Moog’s intent to reach beyond its traditional fanbase while staying true to the analogue roots that made it legendary.

At $799, the Messenger is one of Moog’s most accessible instruments in decades – both in price and in playability. The synth retains the brand’s signature warmth and tonal richness while integrating features aimed at modern players, from recallable presets and a 64-step sequencer with generative capabilities to extensive I/O options, including six CV patch points and high-resolution MIDI over USB-C.

Its one-knob-per-function layout and familiar left-to-right signal path, inspired by the Minimoog Model D of the 70s, make it intuitive for newcomers while still giving experienced users plenty of flexibility.

Speaking with MusicTech, Erik Norlander, Moog’s Director of Keyboard Product Development, says the goal was to create “a compact analogue synthesiser that has all the mojo of Moog’s glorious past, along with some cutting-edge new features for the present… [all] in an accessible package that’s within reach for all musicians.”

For Moog president Joe Richardson, the Messenger signals a broader strategic shift.

“The Messenger is going to be the beginning of a new category of instruments,” he explains. “It’s much more universal than the other gear we’ve got. You should expect to see more of that going forward.”

And while he remains tight-lipped on the specifics, Richardson hints that the digital side of synthesis will play “an important part of the future”. Fans can also expect a broader focus on efficiency, creative flow, and deep sound design from the brand moving forward.