DZOFILM just announced the DZOFILM Vespid2 line of full-frame prime lenses. They come with a faster, uniform T1.9 aperture across six focal lengths and, for the first time, Cooke /i Technology metadata support. These updates make them feel more in line with the way productions are run today, where consistency, data capture, and portability really matter.
We first checked out the DZOFILM Vespid2 primes at Cine Gear 2025, which you can read/watch about here in case you missed it.
From the first Vespid Primes to Vespid2
Back in 2020, DZOFILM released the original Vespid primes. They were compact, budget-friendly, and quickly became a go-to option for indie filmmakers. You can revisit our coverage from that launch here: DZOFILM Releases Set of Full-Frame Prime Lenses.
I had the chance to work with the original line a few years ago and really enjoyed them. They were light, sharp, and easy to manage on smaller rigs. I can’t wait to get my hands on the DZOFILM Vespid2 set when the time comes to see how much further they’ve pushed the design.
DZOFILM Vespid2 Series key features
- T1.9 to T22 aperture range
- Full-frame and VistaVision coverage
- 46.5mm image circle
- Aspherical element
- Cooke /i Technology metadata support
- Interchangeable PL and EF mounts
- Consistent 80mm front diameter
- 300-degree focus rotation with 0.8 MOD gear pitch
- Minimal distortion and focus breathing
- Aberration control and close-focus performance
- Compact 1.76 lb lightweight design
- Upgraded sharpness across the series
The Vespid2 primes are a clear step up from the first generation. They’re brighter, more consistent, and now equipped with metadata support for productions that need it. The upgraded optics promise sharper results, while their small size and light weight enable them to handle everything from drones to handheld rigs.
For indie shooters and smaller production companies, they strike an interesting balance: pro-level features without stepping into the pricing of high-end cine primes.
Final take
The Vespid2 primes take what worked in the originals and polish it. They’re faster, better matched across the set, and bring features that align with current workflows. Having enjoyed the first Vespids myself, I’m looking forward to trying these out and seeing how they hold up in real-world production.
Availability & pricing
The Vespid2 family includes six full-frame primes, available individually or as a complete kit. Current B&H pricing is as follows:
- 18mm T1.9 Prime – $1,299
- 24mm T1.9 Prime – $1,199
- 35mm T1.9 Prime – $1,199
- 50mm T1.9 Prime – $1,199
- 85mm T1.9 Prime – $1,199
- 105mm T1.9 Prime – $1,299
- DZOFILM Vespid2 6-Lens Kit (18, 24, 35, 50, 85, 105mm) – $6,289
The DZOFILM Vespid2 kit of six lenses runs about $6,300 in total, which is less than a quarter of the cost of a single Cooke S7/i prime. With S7/i lenses priced around $25,000 each, you could literally buy four full Vespid2 six-lens sets for the price of one Cooke. That puts the Vespid2 series in a very different category, opening up full-frame cine primes to filmmakers who could never get near the cost of high-end glass like Cooke.
Have you shot with the original Vespids, or are you thinking about adding these to your kit? I’d love to hear what you think.