Can you imagine watching a classic movie like Psycho, Citizen Kane or even To Kill a Mockingbird in colour?
The technology exists to make it happen, but does that mean it should?
As manager of film digitisation at the National Film and Sound…

Can you imagine watching a classic movie like Psycho, Citizen Kane or even To Kill a Mockingbird in colour?
The technology exists to make it happen, but does that mean it should?
As manager of film digitisation at the National Film and Sound…