Fabian Zimmer
Sarah Bernhardt’s Studio, 1890. From “The Decorator and Furnisher,” New York, 1891. The bourgeois interior of the late 19th century as the epitome of false comfort in Siegfried Giedion, Mechanization Takes Command: A Contribution to…
Sarah Bernhardt’s Studio, 1890. From “The Decorator and Furnisher,” New York, 1891. The bourgeois interior of the late 19th century as the epitome of false comfort in Siegfried Giedion, Mechanization Takes Command: A Contribution to…