The Albuquerque Foundation is proud to announce Nina Beier: Goods, the first solo exhibition in Portugal by Danish artist Nina Beier. Opening this autumn, the exhibition continues the Foundation’s contemporary program, which launched in February 2025 with US-artist Theaster Gates’s critically acclaimed show, The Ever-Present Hand.
Nina Beier’s sculptures, installations, and performances are marked by an ambiguity that allows them to be read through cultural, economic, and psychological lenses. Her practice often begins with objects that have long been coveted or valued—materials and iconographies that embody power, wealth, and social status across time and geography. Nearly every element in her work carries a prior, often utilitarian life, making her practice a sustained reflection on use and exchange value.
Rather than crafting her artworks in the conventional sense, Beier assembles her materials through a meticulous process of searching the market—an approach that reflects her ongoing engagement with global capitalism and the way economic and symbolic values intersect. One recurring element in her practice is porcelain, a material deeply intertwined with notions of prestige and global trade.
The foundation’s director Jacopo Crivelli Visconti has curated a selection of the artists’ work that resonates strongly with the Albuquerque Collection of Chinese Ceramics, one of the most significant collections of its kind. The collection is the core of the foundation, and its preservation and exhibition are part of its mission. Comprising exceptional Chinese export porcelain—primarily from the Ming and Qing dynasties—these works were produced in China for European markets, especially Portugal, and represent centuries of a rich cultural exchange, imperial ambition, and global trade. Their hybrid and surprising forms and symbols offer a lens into the complex interplay between East, West, and the Global South.
Goods positions Beier’s contemporary practice in direct dialogue with the historical narratives embedded in the Albuquerque Collection, particularly its inaugural long-term exhibition Connections, guest-curated by Becky McGuire, which features over 300 works spanning the 8th to the 18th century.
Beier’s exhibition is part of a broader initiative that explores the role of ceramics in the expanded field—both historically and in contemporary art—as a vessel for power, identity, and global movement. The upcoming solo exhibition by guest artist Phoebe Calling-James opening early 2026 will follow Beier’s in building up the contemporary exhibition program.
In addition to its exhibitions, the Albuquerque Foundation hosts a specialized library with more than 1,000 volumes and supports a growing residency program. The first residents, artist Moisés Patrício and researcher Antonio de Caro, joined the Foundation in summer 2025, further enriching its commitment to critical engagement with material culture, history, and contemporary practice.