A pair of smudged blue lips at the center of Joyce Wieland’s The Kiss (1960) are pursed impasto atop a deep green field. From below, an arrow points up at the bulge, drawing the viewer’s attention to the paint itself. In the 1960s, this and…
A pair of smudged blue lips at the center of Joyce Wieland’s The Kiss (1960) are pursed impasto atop a deep green field. From below, an arrow points up at the bulge, drawing the viewer’s attention to the paint itself. In the 1960s, this and…