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  • Founder of $5 billion AI firm that Nvidia bought in 2023 reveals Jensen Huang’s Sunday ritual that shaped company’s success

    Founder of $5 billion AI firm that Nvidia bought in 2023 reveals Jensen Huang’s Sunday ritual that shaped company’s success

    Nvidia CEO Jensen Huang has an unusual Sunday ritual that played a key role in shaping the success of AI voice technology firm SoundHound, its founder Keyvan Mohajer has revealed. In an interview with Fortune, Mohajer said that nearly a decade ago, Huang began sending Mohajer research papers with notes on Sunday mornings, expecting detailed feedback. The routine, Mohajer said, not only pushed him to sharpen his ideas but also influenced SoundHound’s growth into a $5.4 billion company.“It’s been one of the good things in my life to cross paths with Jensen and Nvidia,” Mohajer told Fortune. “He had a passion for what’s the next big thing, and he became very interested in our field.”

    How it started

    Keyvan Mohajer, who first launched SoundHound in 2004 from his Stanford dorm room, met Jensen Huang about 10 years ago. What began as a chance encounter turned into a long-term relationship that combined mentorship, tough assignments, and inspiration.On several weekends, Huang would personally share technical research and ask for responses. “I had to read it and give my feedback,” Mohajer recalled.The commitment impressed Huang, who later backed SoundHound both personally and through Nvidia. By 2022, SoundHound had gone public, and Nvidia purchased around 1.73 million shares in the company the following year.“He’s an amazing person, engineer and leader,” Mohajer said. “Our relationship with him has been great.”

    Work-life balance through passion

    Mohajer said his passion for building SoundHound blurred the lines between personal life and work. “Work-life balance is not a problem because I really enjoy it,” he explained. “If you work to live, then work-life balance is a big question… but in my case, I really enjoy my work.”The SoundHound chief described waking up before 5 a.m. to get what he called his “golden hours” of productivity. Even while doing household chores or exercising, he said, ideas for work often flowed naturally.“I do spend a lot of hours working. And even sometimes I go wash dishes and I’m still thinking about my work,” Mohajer said. “That can be therapeutic, and it can give you really good ideas.”

    Google’s Great Escape: How ChatGPT Saved the Tech Giant


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  • Sombr Makes MTV VMAs Debut With ‘Back to Friends’ and ’12 to 12′

    Sombr Makes MTV VMAs Debut With ‘Back to Friends’ and ’12 to 12′

    The 20-year-old musician continued his breakout year with a medley featuring “Back to Friends” and “12 to 12”

    Sombr is only looking ahead with his debut performance on the MTV Video Music Awards main stage. The 20-year-old musician added more fuel to the fire of his breakout year with a medley featuring the hit single “Back to Friends” and the standout record “12 to 12.”

    Sombr’s set started off in a photo booth, where he emerged with the opening lines of “Back to Friends.” As the song progressed, he worked his way over to a performance stage with NYC club posters plastered across the walls as his band played on. Then it was time to really get the party started. “This one’s for the girls that get it,” Sombr announced before launching into “12 to 12.” His dancers made out under disco ball lights while he partied with a bunch of girls. Whatever sadness lingered from his heartbroken opening song was gone by the time he reached the “12 to 12” bridge.

    Sombr also received his first VMAs nominations at this year’s show. The singer-songwriter was up for Best New Artist against Ella Langley, Gigi Perez, Lola Young, Alex Warren, and the Marías. He took home the award for Best Alternative for “Back to Friends,” while “12 to 12” appeared as a contender for Song of the Summer but lost out to Tate McRae.

    “It’s hard to step back and be like, ‘Wow, this is amazing’ when everything is happening so fast, but it is the best thing that has ever happened to me,” he told MTV about his quick rise when he was named MTV’s Global Push Artist for September. “Being able to meet all these people, go to all these countries, and see all these new faces and beautiful people who connect with my music — it’s all I ever wanted to do in my life, so it’s the best thing ever.”

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  • The 7 Must-See Projectors Unveiled at IFA 2025

    The 7 Must-See Projectors Unveiled at IFA 2025

    IFA 2025 has showcased an impressive array of projectors, particularly in the 4K portable category. This year’s event highlights a trend towards enhanced brightness and portability, making these devices more appealing for both home entertainment and on-the-go use. Among the standout models are the Xgimi Horizon 20 Max, Valerion VisionMaster Max, and Anker Nebula X1 Pro, each boasting unique features that cater to different user needs.

    Xgimi Horizon 20 Max: A Premium Choice

    The Xgimi Horizon 20 Max leads the pack as the flagship model in its series. This 4K projector utilizes a triple-laser RGB system, supporting advanced features like Dolby Vision and IMAX Enhanced. With an impressive brightness of 5,700 ISO lumens, it significantly outshines competitors such as the Hisense PX3 Pro, which offers only 3,000 lumens. The Horizon 20 Max is particularly appealing to gamers, featuring a rapid 1ms input lag and a refresh rate of up to 240Hz. Its digital lens shift and optical zoom capabilities allow for precise adjustments without sacrificing image quality. During demonstrations at IFA, the projector delivered stunning visuals, particularly evident in fast-paced gaming scenarios. Priced at $2,999.99, it positions itself at the higher end of the portable projector market, but its performance suggests it could be worth the investment.

    Valerion VisionMaster Max: A Strong Contender

    Another notable entry is the Valerion VisionMaster Max, a 4K RGB laser projector that boasts a brightness of 3,500 ISO lumens. It supports a range of formats, including Dolby Vision and HDR10+, and features AI-driven picture enhancements. One of its standout claims is its ability to deliver ‘rainbow-free’ images, ensuring deep blacks and vibrant colors. Observations from IFA confirmed that the VisionMaster Max excels in contrast and color accuracy, even in well-lit environments. Scheduled for release in October 2025 at a price of $4,999.99, this projector aims to compete at the top tier of the 4K market, and many are eager to see if it lives up to its promises.

    Anker Nebula X1 Pro: Enhanced Audio and Visual Experience

    The Anker Nebula X1 Pro takes a different approach by integrating a full sound system into its design. This upgraded model features a 7.1.4 Dolby Atmos system with detachable speakers, enhancing its audio capabilities significantly. With a brightness level of 3,500 ISO lumens, it maintains the high-quality visuals that Anker is known for. Previous iterations of the Nebula series received high praise for their picture quality and ease of setup, and the X1 Pro aims to build on that success. Demonstrations at IFA showcased its impressive sound output, making it suitable for larger spaces. The Nebula X1 Pro is set to launch on Kickstarter at the end of September for $2,999.99, positioning it as a versatile option for those seeking both audio and visual excellence.

    Dangbei S7 Ultra Max: Brightness Leader

    The Dangbei S7 Ultra Max stands out with its remarkable brightness of over 6,000 ISO lumens, making it one of the brightest projectors at IFA. This 4K device supports both Dolby Vision and HDR10+ formats, promising a vivid viewing experience. Initial impressions indicated that it performed well in bright conditions, showcasing bold colors and accurate textures. The S7 Ultra Max is expected to launch first in China, with plans to reach the US market by January 2026. While pricing details remain undisclosed, its high brightness and performance make it a model to watch closely.


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  • Kazakh FM arrives today

    Kazakh FM arrives today


    ISLAMABAD:

    Deputy Prime Minister and Foreign Minister of Kazakhstan Murat Nurtleu will undertake an official visit to Pakistan from September 8 to 9, the Foreign Office said on Sunday.

    The visit comes as a precursor to the upcoming state visit of the Kazakh president to Pakistan in November 2025, which is expected to further deepen bilateral ties.

    According to the FO, Mr Nurtleu will be accompanied by a high-level 13-member delegation, including the minister of transport of Kazakhstan.

    Meetings of the joint working groups on agriculture and information technology will also be held on the sidelines of the trip.

    During his stay in Islamabad, the Kazakh deputy premier and foreign minister will hold a one-on-one meeting with his Pakistani counterpart, Senator Ishaq Dar, followed by delegation-level talks.

    He is also scheduled to call on the president and prime minister of Pakistan.

    The discussions will focus on preparations for the November presidential visit and cover the full spectrum of bilateral cooperation, with emphasis on trade and investment, agriculture, education, cultural and tourism exchanges, regional connectivity, logistics and collaboration at multilateral fora.

    Pakistan and Kazakhstan enjoy longstanding relations rooted in history, culture, and religion, with both countries part of the Organisation of Islamic Cooperation (OIC) and Shanghai Cooperation Organisation (SCO).

    Islamabad sees Central Asia as a crucial partner for its vision of enhanced regional connectivity, particularly under the China-Pakistan Economic Corridor (CPEC), which could provide landlocked Kazakhstan access to ports in the Arabian Sea.

    In recent years, both sides have been working to boost trade and people-to-people exchanges. Current trade volumes remain modest, but officials believe there is significant untapped potential, particularly in agriculture, energy and transit connectivity.

    The involvement of Kazakhstan’s transport minister in the delegation indicates a focus on advancing logistics and connectivity initiatives.

    The FO expressed confidence that the visit would “further cement the longstanding Pakistan-Kazakhstan ties and contribute to deepening bilateral engagements in diverse fields, for the benefit of the people of the two countries”.

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  • “Nuremberg” Debuts at TIFF, Oscar Buzz for Russell Crowe & Leo Woodall

    “Nuremberg” Debuts at TIFF, Oscar Buzz for Russell Crowe & Leo Woodall

    James Vanderbilt’s courtroom drama “Nuremberg” may be rooted in history, but it’s also quite possibly one of the season’s most timely and awards-worthy films. Centered on the first international tribunal that put Nazi leaders on trial, the film is a riveting psychological thriller that could be a formidable player across multiple Oscar categories.

    What makes “Nuremberg” particularly compelling in today’s political landscape is how it interrogates the very foundations of justice itself. At a time when democratic institutions face unprecedented challenges globally, Vanderbilt’s film recounts historical events and forces audiences to confront uncomfortable questions about how societies reckon with evil and whether justice can truly be impartial when confronting the unthinkable.

    At the heart of “Nuremberg” is Russell Crowe‘s towering turn as Hermann Göring, Hitler’s second-in-command. The Oscar winner hasn’t delivered work this commanding since Ron Howard’s “Cinderella Man” (2005). Here, Crowe captures the paradox of Göring’s charisma and monstrosity, portraying a man capable of seducing the room even as his crimes repulse the world. Crowe’s German dialogue, which he learned specifically for the role, adds a layer of authenticity, with his cat-and-mouse exchanges with Rami Malek’s Army psychiatrist Douglas Kelley crackling with intensity. It’s the kind of transformative, fully inhabited performance that could catapult him back into the thick of a very competitive best actor race.

    The genius of Crowe’s portrayal lies in how he doesn’t take any shortcuts in portraying Göring entirely. A risky and morally complex character like this serves a crucial purpose: it reminds us that evil often wears a human face, speaks eloquently, and can even be charming. That’s also a credit to Vanderbilt’s complex script, which is based on “The Nazi and the Psychiatrist” by Jack El-Hai.

    But Crowe isn’t the only standout. Rising star Leo Woodall, best known for “The White Lotus,” and who is currently starring in another TIFF film “Tuner,” cements himself as a force with his emotional turn as a translator caught in the tribunal’s web. Though he entered the project without speaking German, Woodall committed himself to mastering the language for the role, delivering a performance brimming with resonance and restraint. One scene he has late in the film reduces the audiences to tears, marking him as a dark horse worthy of serious supporting actor attention.

    Beyond the acting showcases, “Nuremberg” has the goods to compete in several craft categories. Crisp production design meticulously recreates the claustrophobic cells and tribunal courtroom, while Dariusz Wolski’s camera work transports audiences back in time.

    Adapted screenplay is another opportunity with Vanderbilt, best known for scripting “Zodiac” and “Truth,” finding a unique entry point into a well-documented chapter of history by focusing on the psychological duels between Kelley and Göring.

    With Academy voters traditionally having shown an appetite in recent years for historical works that double as cautionary tales — such as “Oppenheimer” and “The Trial of the Chicago 7” — “Nuremberg” could also emerge as a sleeper candidate for best picture. But that will require a strong push from Sony Pictures Classics, no stranger to awards races.

    The film’s timing is particularly prescient. As democracies face internal threats and international law struggles to contend with new forms of warfare and authoritarian manipulation, “Nuremberg” could be what the Oscars need at this moment.

    It’s a film about the past that also has the fierce urgency of now.

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  • ‘Task’ Creator, Tom Pelphrey and Emilia Jones Break Down Episode One

    ‘Task’ Creator, Tom Pelphrey and Emilia Jones Break Down Episode One

    SPOILER ALERT: This interview contains spoilers for the series premiere finale of “Task,” now streaming in HBO Max.

    “Task,” Brad Ingelsby’s follow-up to “Mare of Easttown,” starts out like a slice-of-life drama before erupting in explosive violence in the last half of its first episode.

    Viewers are introduced to Tom Brandis, a former priest-turned-FBI agent, played by a paunchy Mark Ruffalo. He’s struggling — drinking too much, and sleeping too little — clearly haunted by a tragedy that the show has yet to fully reveal (though it’s known his son is in prison). Tom doesn’t seem too interested in his job. He’s on career fair duty, until he grudgingly gets assigned to run a task force to look into a string of robberies targeting the drug houses of a motorcycle gang called the Dark Hearts. And your ears don’t deceive you — the characters in “Task” speak with the same regional Pennsylvania honk as the characters in “Mare of Easttown.” Both shows are set in the blue collar communities around Delaware County.

    Unlike “Mare of Easttown,” which was a whodunit, “Task” doesn’t disguise who is behind the crime spree. That would be a garbageman named Robbie Prendergast (Tom Pelphrey), who uses his route to scope out potential targets. He may be a criminal, but he seems like a decent guy: He’s a single dad who is raising his kids with his niece, Maeve (Emilia Jones). Even when her uncle messes up her date, interrupting Maeve while she making out with the guy and getting in a shoving match with him, it’s hard to root against Robbie. Well, at least until Robbie and his fellow bandits Cliff (Raúl Castillo) and Peaches (Owen Teague) sneak into a drug house and fail to get the upper hand on the dealers, leading to a savage confrontation. (Peaches, we hardly knew ya!).

    But there’s one more surprise in store. A young boy is in the house too, leaving Robbie and Cliff with no choice other than kidnapping him since he’s seen them without their masks. Having crossed that moral rubicon, can a confrontation between Robbie and Tom be far off?

    Ahead of “Task’s” debut, Ingelsby, Pelphrey and Jones unpack the explosive first episode of the seven-part HBO limited series.

    Brad, when you wrote this show, why did you decide to have it unfold in Delaware County, the same place where “Mare of Easttown” was set?

    Brad Ingelsby: It’s just laziness. It’s the people I know. It’s the blood in my veins. If I can write stories about this area for the rest of my life, I’d be satisfied. If I write a story about a group of people in Wisconsin or in Minnesota, I’ve got to do some research. I’ve got to spend time there to get a sense for the rhythms of their life. So for me, it’s about wanting to tell a story about the people that I grew up with. Even though I don’t know an FBI agent or a cop, my uncle was a priest who left the priesthood. So there are connected pieces of my own life. I also felt like I had more stories to tell there. It wasn’t as if “Mare” exhausted that in me. “Mare” was very much about a mother and a son. In “Task,” with Tom especially, it’s about guy who has seen the pillars of his life and everything he held as true come crumbling down. He’s trying to make sense of his suffering.

    Is this story part of the same of universe as “Mare of Easttown”?

    Ingelsby: Absolutely. We wanted to embrace that. We never said, “Let’s try to make it not like ‘Mare.’” In fact, a lot of the same crew from “Mare” worked on this show, because we wanted there to be a consistency, and we wanted the audience to watch the show and think, “This is ‘Mare’s’ world, but the story is different.”

    What were you hoping to set up with this first episode?

    Ingelsby: The first episode is trying to establish the collision course of the show. It was important to establish the two leads and their home lives and their jobs. I wanted to have an audience leaning in to the emotional arcs of the characters. They know something’s going on with Mark’s character and something’s going on with Tom’s character, but we don’t know too much. Then we also have to have the plot get on the tracks, and by the end of the first episode, establish that Mark’s character is going to be investigating a string of robberies led by Tom’s character. We needed to establish the dual tracks of the story, which are the dual tracks of the entire series — the emotional lives of these characters and then the procedural element of the show.

    We get a real sense of Robbie and Maeve’s domestic life in the episode, and the warmth and chaos of their house. What do you remember about filming those scenes?

    Tom Pelphrey: It was beautiful. It was out there in a place called Downingtown. It was a bit of a drive from where we were normally filming stuff. But it was amazing, because it was the actual house, there was no recreation on a stage somewhere. Our set decorators did such an incredible job. It felt so lived-in, down to the messiness of how the toys weren’t put away. That made our jobs easier.

    Emilia Jones: I loved filming there because no one had any phone connection. There was no distraction. We could all really muck in. We were entertaining the kids in between scenes and takes. We were all just hanging out constantly. That helped us bond. That was important because we’re supposed to be a close family.

    That comes through in the scene where Maeve has made dinner using Ree Drummond’s recipe and no one wants to eat her food.

    Jones: Maeve spends a lot of time cooking and cleaning and trying to create structure for these kids. And then Robbie comes in and messes with it. Maeve is tired. She’s really, really tired. But those scenes were a lot more fun to shoot than I thought they were going to be. I had to constantly remind myself, “I’m tired, I don’t like it.” I was having a good time, you know? I mean, Oliver [Eisenson], who plays Wyatt, says “chicken butt” a lot in the show, and he said it a lot off camera as well. Our director, Jeremiah Zagar, did a lot of handheld stuff and followed us around, which helped make it seem more chaotic.

    Maeve’s frustration with her life comes out in the scene where she goes on a date for the first time in forever and brings a guy home. What’s she hoping for when her evening begins?

    Jones: Maeve has been feeling stuck and is kind of losing her sense of identity. She’s very excited to hang out with someone new outside her family and not talk about farts and things. She’s sick of always picking up after the people in her family — first her dad, and now Robbie as he spirals into criminal activity. When Robbie doesn’t let her go out and have some fun on her date, she just snaps. Maeve is trying to be patient because she does love family.

    What does it say about Robbie that by scrounging around his niece’s room, he messes up her evening?

    Pelphrey: Well, there you go. That pretty much sums up Robbie. He’s just going for a stroll around the house, checking that all the chickens are laid to rest. He gets a little nostalgic, and then he’s in a bad situation.

    Are there parallels between what Mark Ruffalo’s character is going through and the struggles that Tom’s character is experiencing?

    Ingelsby: There are parallels. As the story builds, you’ll find even more parallels up to the point where the two characters collide. It’s a story about two fathers, whereas “Mare” was a story about mothers. It’s also about two guys who are processing loss in different ways. With Robbie, it’s the loss of his brother and the absence of his wife and the real uncertainty as to whether she’s ever going to come home. With Tom, it’s understanding a profound loss in his life. They both love their families and are trying to take care of their families. They feel like maybe they let their families down. The deeper the show goes, the more you start to see how close these characters are. When they ultimately have scenes together, they see that as well and discover these pieces that connect them.

    What was it like to shoot the invasion of the drug house scene, which goes spectacularly off-the-rails?

    Pelphrey: That was our first week. Jeremiah had mapped out exactly what we were going to do. He knew how he wanted the frame to be filled, when the camera moved, where and why. We rehearsed the physical action of it so the timing was in sync with the cameraman. Wearing the mask was cool. It’s a powerful thing to to not have your face to express anything. You have to think about how you use your body; how turning your head a certain way helps communicate something to the audience that you’re not doing with your voice and you can’t do with your eyes.

    The violence is really brutal.

    Ingelsby: The idea was to lull the audience into loving Rob. But then the audience needs to understand the stakes at play. The structure of the first episode is a bit of a build. It doesn’t start with the crime, and then we’re in the immediate aftermath. We actually live with the characters quite a bit, and we get into their lives. And then only at the end of the episode is it punctuated with this violence that is startling. Then it’s like, “Oh, wow.” These are the consequences of what they’ve done. Because at that point in the story, we really like Robbie and Clinton. We’re kind of like, “These guys are cool. I can hang out with Peaches.” And now one of our crew is dead, and now they have this little boy they have to take care of. We wanted it to be really violent. In fact, I talked to Jeremiah and we went over the pistol whipping moment. Every time we talked about that, I said it needed to be really shocking. We did a similar thing in “Mare” where the body doesn’t turn up until the very end of the first episode. In “Task,” it’s kind of a character piece, and at the very end, the plot takes hold.

    Can you talk about that last image of Robbie returning home with the kid in his arms?

    Ingelsby: We wanted to end with that haunting shot where you think, “What’s going on in that house right now?” We wanted to leave the audience with the door closing and have them going, “Oh my God.” We need them to have an unsettled quality when the credits roll.

    This interview has been edited and condensed.

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  • Beijing vows stronger Pakistan-China future

    Beijing vows stronger Pakistan-China future


    ISLAMABAD:

    Chinese Ambassador to Pakistan Jiang Zaidong has reaffirmed Beijing’s commitment to accelerating the building of “an even closer China-Pakistan community with a shared future in the new era”, following Prime Minister Shehbaz Sharif’s official visit to China from August 30 to September 4.

    At the invitation of President Xi Jinping, Prime Minister Shehbaz attended the 25th meeting of the Council of Heads of State of the Shanghai Cooperation Organisation (SCO) and the commemoration of the 80th anniversary of the victory of the Chinese People’s War of Resistance Against Japanese Aggression and the World Anti-Fascist War.

    During the visit, he held meetings with President Xi and Premier Li Qiang, where the two sides conducted in-depth discussions on bilateral ties and regional and international issues.

    The visit concluded with the release of the Action Plan to Foster an Even Closer China-Pakistan Community with a Shared Future in the New Era (2025-2029).

    Ambassador Jiang said that the plan “is dedicated to building a China-Pakistan community with a shared future with even stronger political mutual trust, closer economic and trade ties, deeper security cooperation and a more solid popular basis”.

    He noted that the plan would serve as “the general guideline, roadmap and construction plan for advancing the all-weather strategic cooperation between our two countries at present and in the time ahead”.

    Ambassador Jiang stressed that high-level trust remained the cornerstone of ties. Quoting President Xi, he said: “China and Pakistan share a resilient bond, a brotherly bond, and also a bond built on trust and common values — an ironclad friendship that was forged through historical twists and turns and has grown ever stronger over time.”

    He added that PM Shehbaz underscored that “the Pakistan-China ironclad friendship has taken root in the hearts of the over 200 million Pakistani people, and that no force can shake this unbreakable bond”.

    Over the past year, frequent high-level visits, including those by Prime Minister Shehbaz in June, former Premier Li Qiang in October and President Zardari in February, have “enabled our two sides to reach important common understandings on advancing the all-weather strategic cooperation,” Ambassador Jiang said.

    He also highlighted economic cooperation as a priority. Quoting President Xi, he said: “China supports Pakistan in maintaining unity, focusing on development, and enhancing national strength. China is ready to work with Pakistan to build the China-Pakistan Economic Corridor 2.0 and upgrade the China-Pakistan Free Trade Agreement”.

    He cited major milestones this year, including the launch of the New Gwadar International Airport, operation of the China-donated seawater desalination plant, production at the Rashakai Special Economic Zone and Pakistan’s PRSS-1 satellite launch from China.

    Pakistani exports such as beef, seafood and fruit have also gained traction in Chinese markets, he noted.

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  • Unforgotten Season 6 Episode 3 Recap: Gerry, Gerry, quite contrary

    Unforgotten Season 6 Episode 3 Recap: Gerry, Gerry, quite contrary

    Last time, the threads connecting our murder victim to the various characters we’ve met this season started to make themselves known. And this week, we’re starting off with an update: DS Beanpole has managed to find some of the victim’s staff from the bar, who hopefully can shed some light on the tips Sunny and Jess got from DCI Suspect and Markaj. Even better, Pathologist calls Sunny to let him know that she’s had a breakthrough: she found a pub near the office that isn’t too loud. LOL.

    Meanwhile, Martin’s out and about applying to jobs (without much luck, unfortunately), and Jess has stopped in at Juliet’s house for another visit.

    Jess: From what we’re finding, it looks like the money your husband owed to that loan shark actually was paid back before he went missing. We’ve got receipts.
    Juliet: Huh.
    Jess: Yeah. We’ll confirm, of course, but it seems as though Markaj isn’t a suspect.
    Juliet: Great. This is just as useless as the last time.
    Jess: One thing that the previous detective looked into was the idea that the attack on your husband was committed by an angry employee. A young man who hadn’t been furloughed? Does that ring any bells?
    Juliet: No, sorry.
    Jess: Last question: was there ever any indication that your husband was having an affair?
    Juliet: Are you kidding? That’s offensive! No, absolutely not!

    Hm. Methinks the lady doth protest too much, and so does Jess. Even Taylor, who’s been low-key snooping on the interview from the kitchen, has questions. But like Juliet did to Jess, she brushes her kiddo off: no, no affair! Juliet also tries to beg off of the therapy session for that evening, but when her daughter insists, reluctantly agrees to attend. Beaten down, she even agrees to go along with the union requirements. For now.

    Meanwhile, Melinda does something that is both a little unwise and very on brand for her job: she starts looking up what happened with Gerry. While she watches a news report on the case, Hassan and Asif go to the beach. While they’re having a great day at first, the ocean reminds Asif of his own immigration journey, which involved an overcrowded and unseaworthy boat that capsized during the voyage. He called the coast guard, but despite the fact that there were children in the boat, it took them 40 minutes to arrive. At that point, seven of his fellow passengers had been lost, including his brother.

    Later, DC Babyface starts looking over the archived police footage from the parking lot, while DS Beanpole chats with a woman who used to work at Gerry’s bar. The former employee says that while her boss was a nice guy, he was also an older white dude who had some rough edges. She also says that it looked like Juliet wasn’t super thrilled with her husband running a pub, and while she was nice to the employees, she seemed to have a tense relationship with her husband. She could be dismissive, and sometimes the employees heard fighting through the walls. Also, the employees all got along fine with their boss… until lockdown.

    DS Beanpole: One of your coworkers didn’t get furloughed, right?
    Former Employee: Yeah… his name was Martin.

    Another dot connected! Back with Melinda, she’s visiting her fiance’s doc to ask a hard question: would it be possible for her partner to conceive a child?

    Rehab Doc: Well, in almost all cases with his injuries, no. But everyone is different. There’s also sperm harvesting, as an option, if that’s of interest?
    Melinda: No, thanks, that’s all I needed to know.

    And with that, she hightails it out of the office to have a private cry session in the hallway. Also an inch away from needing a private cry session? Jess, who’s just gotten a text from Dirtbag Husband saying he’ll need to stay over at work that evening because of meeting rescheduling. She sends an annoyed text but keeps it together, because she’s in a meeting with Sunny and DS Beanpole about their new lead Martin. Basically, it sounds like Martin and Gerry had a falling out, which led to a physical altercation witnessed by another staff member who’s unfortunately out of the country right now. Then, Martin moved across the country to his hometown almost immediately after Gerry disappeared. That’s promising, but so is the infidelity angle: Juliet’s reaction has everyone’s antennae up.

    While the detectives get to work, Asif continues to suggest to Hassan that the legal route to immigration is pretty fraught. Asif was assaulted in the detention centre many times, and it was awful. Yes, he’ll soon pass his citizenship test and have full legal rights to settle and work in the UK, but he insists that if he could do it again, he’d take the less legal path. He’s just wrapped up his argument when they’re interrupted by the arrival of a man in full army uniform. A man who recognizes Hassan right away.

    Asif: You’re back a week early.
    Army Guy: Yeah, our exercise got cancelled… Can someone explain what the hell is happening here?

    Hassan, quite understandably, flees the room and leaves the other two to hash everything out. Army Guy? He’s Asif’s partner, Sam, and he’s pretty mad that Asif has clearly planned this whole thing behind his back.

    Asif: Well, you were supposed to be gone! Why bother telling you about a thing you’d just try and stop me from doing?
    Sam: So the only issue is that you got caught?
    Asif: Don’t talk to me like you’re my boss, ok? You’re not in charge of me!
    Sam: Well don’t talk to me like I did something wrong! I just came home and found an illegal immigrant in my house!
    Asif: Yeah, OUR friend Hassan! It’s not illegal for someone seeking asylum to cross the channel however they need to!
    Sam: I know! And it’s horrible that he had to do that! I’m sorry I sound unsympathetic, but the fact remains that until he formally seeks asylum, he’s here illegally. How did he get here?
    Asif: In a truck. And yes, I paid for it! I owe him so much more than that, and so do you; he saved both of our lives. Or did you forget?
    Sam: No, I didn’t forget. What’s his plan?
    Asif: He’s going to stay with a friend, and then he’ll get documents, and live here.
    Sam: Illegal documents.
    Asif: Yep.
    Sam: I can’t be here, if he’s here. I’ll go stay at my sister’s house tonight, but he needs to be gone by tomorrow.

    So, that’s not great. Also not going great? Caretaker has brought a social worker to visit Martin and his mum. Basically, they’ve decided that Martin’s Mum really does need to move into a care home where she can be looked after properly, and while they say this doesn’t have to be permanent, it does sort of seem like that might be a better outcome — for Martin’s Mum, at least.

    Martin: But what about me?
    Social Worker: We’re actually also recommending some help for you; either here, or in a similar house to where your mother will be.
    Caretaker: I know this is a lot to process.
    Martin: Um, YEAH.
    Social Worker: None of this has to happen right away — it takes a while to set this type of thing up. If you have any concerns, just call us!

    Is this probably a safer outcome for everyone in the long term? Yes. Am I also quite concerned that Martin’s going to have a hard time coping with the change, and might lash out? Also yes! He’s pretty mad, and lest we forget, was just given a higher dose of medicine that can have a side effect of violent outbursts. Not good!

    Another tense family standoff is happening at the family therapist office, where Juliet and Taylor are sharing what they hope to get out of therapy.

    Juliet: Well, I guess it’s not fair for me to hope that Taylor is happy, given everything, but I want her to be able to cope with school, and life. And me, I guess.
    Therapist: Ok. And what do you want for yourself?
    Juliet: The same. But if she’s ok, I’ll be ok?
    Therapist: Taylor, what about you?
    Taylor, no hesitation: Honesty. I’d like real honesty between me and my mom.

    Reader, she knows something, I’m almost sure of it. Anyway, while they continue their session, Martin listens to more conspiracy talk in his online chat, takes his medicine, and ignores his mother calling to ask if he’s ok from the next room. And, back in the city, Sunny and Pathologist meet up at the promised quiet pub and chat about their respective families. Reader, while so far these two have been firmly in the coworker space, their convo is trending into the kind of stuff you might ALSO ask on a date. And given how Sunny’s relationship seems to have fully imploded at the end of last season, I can’t say I blame him; Pathologist is cool! But speaking of possibly imploding relationships, Jess arrives at her sister’s house and comes inside to find what I can only describe as a total depression cave. There’s mess everywhere, every dish is dirty, and there’s no basic groceries. Horrified, and taking some pity on her sibling, Jess sends her sister out for milk while Jess makes a start on the dishes.

    Back at the bar, Pathologist is telling Sunny that it’s annoying how everyone assumes she’s sad that she’s single. Her life rocks, actually: she’s got money, freedom, cool family members, and great friends. Crushing it! Sunny toasts to that, but honestly, reader, I’m not so sure he’s as happy about his relationship status. Anyway, later, leaving the pub, they both agree that they had a lot of fun, and then Pathologist totally plants a kiss on Sunny. She apologizes and plays it off immediately, heading off into the night, but somehow I feel this is going to make work a little weird.

    Later, after Jess’ sister’s place is more or less put to rights, Jess asks how she’s doing. Well, the answer is… OK? She’s gotten new meds, which seem to be working, kinda, and she turns down help from Jess when offered.

    Jess: Look, I wanted to talk to see if we can move forward. Because you’re my sister and I love you.
    Jess’ Sister: I love you too.
    Jess: The thing is, I have be sure you’re being totally honest with me. Did mom tell you what Dirtbag Husband said about the two of you? That you lied to me about sleeping with him, and it was just a kiss, just a weird emotional thing. Was that true?
    Jess’ Sister: I don’t know what to say. I want you to forgive me.
    Jess: Just tell me the truth. That’s all.
    Jess’ Sister: Ok. It WAS a weird emotional thing. I was pretty lost, and he seemed to be in the same boat, and we just kinda connected for a bit. But it also wasn’t just a kiss. We did sleep together, like I told you. And… it wasn’t just one time.

    Jess doesn’t say anything, she just takes a second to process and then gives her sister a big hug. Yeah, based on Dirtbag Husband’s behavior, I’d believe my sister over him too. The next day, Jess calls to ask her mom to come over that evening before heading into work. Across the parking lot, Sunny’s calling Pathologist to see if she wants to get dinner later that week. Once again, everyone’s personal lives are about to make this weird, I can just tell. Anyway, inside, the team gathers to share updates. DS Beanpole reports that a friend of the victim’s from childhood said that he had also seen Gerry with a not-Juliet woman, who he’d been introduced to by name (first name only, alas, but yes, it’s Melinda). The friend had also been able to give a specific day for when he met not-Juliet, because it was the day after the second lockdown had ended and pubs reopened.

    Jess: Well it’s something – let’s put in a request for Gerry’s mobile data.
    Sunny: And we can look at social media and email too.
    DC Babyface: I was able to track down two addresses for Martin.
    DS Beanpole: Nice, and I think we can start with the one in Kent, since he moved home in March 2021.
    DC Babyface: I also got three USBs of video footage from the parking lot. Just have to go over those.
    DS Grumpy: My update is that Juliet dropped off a bunch of documents yesterday, which is great. But I’m actually starting with looking at the attack on Gerry. He said he was struck from behind by someone in a hoodie. We found two CCTV clips that showed a person like that, but the footage was set about 30 minutes after we thought the attack happened. The thing is: Gerry was knocked out, so when his wife found him she assumed he’d just been attacked. But he could have been out for a while.
    Sunny: Which would make the timing for that CCTV footage actually match.

    Sure would! DS Grumpy plays the footage, which appears to show a man walking down the street and gesturing with his hand in the air. Reader, we know, but they don’t yet, that the man in the video is Martin. After a few minutes, Sunny realizes that the man on the tape might be stimming; moving repetitively to relieve stress, and that only makes Jess more certain that they need to go interview Martin quickly since his former coworker thought he might be autistic.

    While uniforms head to Martin’s address, DS Beanpole continues her research on their victim, and pulls up the name of the person Gerry had assaulted: don’t forget, he’d been attacked, but he also had a record as an attacker. Life’s complicated! DS Grumpy talks to a woman who had managed rental contracts for Gerry, who pretty freely volunteers that working with him was a nightmare.

    Rental Lady: He was a huge cheapskate; never wanted to spend money, even on safety stuff or regulations. And look, not only did that cause us legal issues, it’s also obviously unethical! The year before we stopped working with him we actually scaled back from doing property management on his behalf and JUST found tenants for him. He was a pretty combative guy; he’d solve problems with threats or intimidation.
    DS Grumpy: Were there any particular disputes you remember from 2020 that might have been a big problem?
    Rental Lady: I’d need to go over emails to get you specifics, but yeah. That happened a few times.
    DS Grumpy: That’d be really helpful, thank you. What kind of people did he rent to?
    Rental Lady: Almost all asylum seekers. He had some kind of deal with the council I think. Actually, there’s one case you should start with — there was a long-running issue between him and a very nice Afghan family, the Dowaris. I’d start by talking to the man who interpreted for them.

    And wouldn’t you know it: that man is none other than Asif. Speaking of whom: he’s out having coffee with Sam, and things are a little tense.

    Asif: Look, I’m just sick of everyone acting like I should be grateful about my situation.
    Sam: Nobody is saying that!
    Asif: No? It’s how you responded to what I did; that I had the gall to bring Hassan here.
    Sam: That’s not why I was angry! I was upset that you didn’t seem to care about how your actions might impact me.
    Asif: Dude, you’re fine. Your government doesn’t want to kill you for being gay.
    Sam: It’s my house, which makes me part of criminal activity! My career could be over if someone finds Hassan! They’d also probably charge YOU, which would end your path to citizenship, your ability to stay here, and would be the end of our relationship. I’m very ashamed of what the government did to you, but I don’t think this fixes anything!
    Asif: It makes it better for HIM.
    Sam: Yes, but at a lot of risk to US.
    Asif: Look, he would have been killed if he hadn’t left. I don’t feel at all bad about ignoring the system; turnabout is fair play.

    Blerg. I totally get where both of them are coming from; this is just a tough situation all around. Meanwhile, Sunny and Jess arrive in Kent to speak with Martin. Inside, Martin’s Mum insists that he can’t have had anything to do with a murder. Martin tells her to shut up, and tells our friends that he doesn’t want to talk there. So while Jess escorts Martin to the car, Sunny calls the office to request an advocate for their conversation later. The advocate explains her role to Martin, to which he asks if he should lie… so he probably knows SOMETHING.

    While that’s happening, DS Beanpole talks to Gerry’s friend, a boxing gym owner, who saw him out with Melinda.

    DS Beanpole: So you’d known each other for a long time. The assault he was charged with — that was at a rally? Did you go to that together?
    Gym Owner: Uh, no. We ran into each other. It was right around the Brexit vote; I voted remain, but he was pro Brexit. Everything started out friendly, but we started talking about the vote and things got pretty unpleasant pretty quick. We had both been drinking, which didn’t help. He made me so mad.
    DS Beanpole: Explain?
    Gym Owner: I’m sure I was partly at fault; he’s got a right to his opinions, and I admit I was enjoying winding him up. But then he poked me, I swiped his hand away, and then he hauled off and punched me in the face. Hard. You know, we’d fallen out of touch, but over the last ten years he got more and more bitter.
    DS Beanpole: About what?
    Gym Owner: Well, like he thought people like him deserved more. He felt like he’d been abandoned politically.
    DS Beanpole: And was the anger aimed at anyone in particular?
    Gym Owner: No, it was kind of across the board; all conspiracy theory related. But in 2016 he made an online forum called UK United. It was exactly what you’d expect: anti-immigration, racist garbage about getting back to the good old days.

    Hey remember how I said things were about to get weird at work between Sunny and Pathologist? Yeah, she’s sending him to voicemail. But Sunny’s got bigger fish to fry at present: he and Jess are about to interview Martin. Everything starts off pretty chill; Martin’s got an excellent memory for detail, and quickly gives the overview of how he came to work at the pub, including the exact time and day he was hired.

    Jess: And did you get along with your boss?
    Martin: Oh, definitely! He was also a chatty guy, just like me!
    Jess: What did you guys like to talk about?

    Oh, yah know. A bunch of racist conspiracy theory stuff. Everyone sort of lets that sit, and they move on to what happened after Martin was laid off.

    Sunny: Can I ask you, were you given furlough? We have a note from a fellow employee who thought you weren’t.
    Martin: Gerry applied for me, and got the money, but then he didn’t pay me.
    Sunny: And how did you find out about that?
    Martin: My dad found out. And then I talked to Gerry about it, and he said he WOULD pay me but he was in a temporary pickle and needed to wait. But then he never paid me.
    Sunny: That doesn’t sound very fair! Did that make you angry?
    Advocate: Please be careful putting words into his mouth.
    Sunny: I’m sorry about that. How did that make you feel Martin?
    Martin: Angry.
    Advocate: Ok, one second. Martin, do you need a break?
    Martin: No thank you!
    Sunny: Did you ever argue with Gerry about the money?
    Martin: Yes, and it was heated.
    Sunny, thinking through how to ask this in a way the advocate will approve: Did it ever get physical?
    Martin: Yes. It did.
    Sunny: When was that?
    Martin: One time, outside of the pub in the parking lot. He pushed me, I pushed him back up against the wall, and then I walked away. That’s all.
    Sunny: You didn’t hit him?
    Martin, affronted: Violence is never the answer.
    Sunny: You’re absolutely right, of course, but can I tell you why I’m asking? We have some CCTV footage of someone who looks a lot like you walking away from the pub around the time we know your boss was pretty badly beaten.
    Martin: I would like to take my break now please so I can get my story straight.

    Tense! Also tense? Juliet and her boss are meeting with a group of students, including the one who filed a complaint. They argue that Juliet giving a book that isn’t on the syllabus is at best being unwilling to change and at worst a deliberately antagonistic move. Juliet fires back that it was meant to be educational and address the student’s concerns. Things get heated, and end with Juliet blowing up and telling the students that she knows more than them: she’s lived almost four decades longer! She also insists that two white people talking about race in an empty classroom is unlikely to actually do much to change anything, which isn’t a bad point (but doesn’t change the fact that the syllabus remains all white authors, so I don’t know that I think either of these arguments are totally watertight). She then rather emotionally tells the student to get a life, and storms out.

    Meanwhile, DS Beanpole has returned from the gym, and, in the middle of scrubbing through the victim’s social media feeds, she’s found a clip from the pub which includes Melinda. Alas, there’s a price to fame: not only does DS Beanpole recognize her, she also puts two and two together: this must be the potential affair partner! And Melinda’s not the only new mystery for us to unravel. In Kent, Martin’s Mum calls his phone and leaves a message which basically amounts to: I don’t know if they’re listening, but don’t say anything about dad. What did Martin’s dad do? We’ll just have to wait until next week for answers!


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  • Watch Lady Gaga Perform “Abracadabra” and “The Dead Dance” at 2025 MTV VMAs

    Watch Lady Gaga Perform “Abracadabra” and “The Dead Dance” at 2025 MTV VMAs

    Lady Gaga’s anticipated performance at the 2025 MTV Video Music Awards was tonight. In a pre-taped segment recorded at her Madison Square Garden concert last night (September 6), the pop star sang “Abracadabra” from her new album Mayhem and “The Dead Dance,” her new single for Netflix’s Wednesday. “The category is dance or die,” Gaga declared from atop the massive red ballgown that has become a staple of her Mayhem Ball tour. For “The Dead Dance,” she busted out some disco moves while dressed as a decrepit Little Bo-Peep. Watch a replay below.

    With a total of 12 nods, Lady Gaga is the most nominated artist at tonight’s award show. She won Artist of the Year earlier in the evening, and is still up for Video of the Year for her Bruno Mars duet “Die With a Smile.”

    Gaga is no stranger to the VMAs. Her previous performances at the awards show include a famous 2009 set, where she delivered a star-making rendition of “Paparazzi,” and her 2020 performance alongside Ariana Grande. Mariah Carey and Sabrina Carpenter both took the stage tonight, with Aerosmith’s Steven Tyler also slated to perform.

    Read about Mayhem in “The Best Music of 2025 So Far” and follow along with all of Pitchfork’s coverage of the 2025 MTV Video Music Awards.

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  • Is the U.K. a Canary in the Coal Mine for a Heavily Indebted World? – The Wall Street Journal

    1. Is the U.K. a Canary in the Coal Mine for a Heavily Indebted World?  The Wall Street Journal
    2. The UK is a fiscal saint, not a sinner  Financial Times
    3. UK feels the heat as investors and critics question its future  CNBC
    4. EMEA Morning Briefing: France Confidence Vote in Focus  Morningstar
    5. How to make a tax free profit from rocketing cost of government debt  MSN

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