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  • Meet Natasha Anasi-Erlingsson – the former U.S. junior all in for Iceland

    Meet Natasha Anasi-Erlingsson – the former U.S. junior all in for Iceland

    From Texas to Iceland – Natasha Anasi-Erlingsson’s football journey to the UEFA Women’s EURO 2025 has been one of a kind.

    A little more than 10 years ago, the defender never would have thought she would play at the European championships one day. At that time, the Texas-born footballer was pursuing her goals with the U.S. U23 squad and hoping to play in the National Women’s Soccer League.

    When the deal fell through, she got an offer to move to Europe. The young player ended up in Iceland, a stark contrast from the warmth of Texas where was raised by parents of Kenyan descent.

    “I looked for an agent and started looking at moves abroad. When the offer from Iceland came, initially I definitely found it a bit random. But after I did my research, I thought there was something really charming about it and I ended up taking the plunge,” she said in an interview with FIFA.com.

    “The landscape and the weather here could hardly be any more different from Texas… But I came here with the mindset of just wanting to explore and have a great time. I was lucky too that the team I joined had a real family environment and took great care of me, so I settled in and enjoyed it right from the start.”

    The now 33-year-old acclimatised quickly and ended up staying longer than expected. She married an Icelander and, in 2019, was granted citizenship and received her first call up to the national team.

    “There was a brief thought of, ‘Am I really going to do this?’ But at the same time there was no hesitation at all,” said the mother-of-two. “My roots here are so deep now that I really do feel like I’m an Icelander.

    “I’ve learned the language and my teammates are constantly praising me about how well I do with it. And I love that they all speak to me in Icelandic. Even if I ever struggle to get a word out, they just help me – they never switch to English. They’ve embraced me as an Icelander from the first minute I met them.”

    Anasi-Erlingsson is the experienced spine that Iceland will be counting on as they play in their fifth consecutive UEFA Women’s EURO. The national team, coached by Thorsteinn Halldórsson, are seeking their first win at the EUROs since 2013.

    Iceland kicks off the UEFA Women’s EURO 2025 against Finland in Group A on Wednesday, 2 July in Thun, Switzerland.

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  • Sinner speeds past Nardi in Wimbledon opener – ATP Tour

    1. Sinner speeds past Nardi in Wimbledon opener  ATP Tour
    2. Wimbledon 2025 LIVE: Krejcikova vs Eala, Sinner vs Nardi on day two – watch stream, order of play, scores & updates  BBC
    3. Jannik Sinner looks to bury Roland Garros demons in bid for 1st Wimbledon title  India Today
    4. Coco Gauff vs Dayana Yastremska (7/1/25) FREE LIVE STREAM: Watch Wimbledon match online | Time, TV Channel  NJ.com
    5. Britain Wimbledon Tennis  WV News

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  • Brentford hold latest fan advisory board meeting | Brentford FC

    Brentford hold latest fan advisory board meeting | Brentford FC

    Brentford held its most recent fan advisory board (FAB) meeting in June.

    FAB meetings are a part of the club’s ongoing commitment to consulting and involving fans in key decisions and are a key element of the Premier League’s fan engagement standard.

    The meeting was attended by club executives together with FAB members drawn from Bees United and Brentford Independent Association of Supporters (BIAS). The current FAB members are: Stuart Hatcher (co-chair), Don Tanswell, Chris Tate, Sharon Wright (all Bees United), Angelo Basu (co-chair), Dave Minckley, Matthew White and Allyson Woyak (all BIAS).

    The FAB focuses on off-pitch matters and provides a sounding board for the club to discuss strategic issues with fan representatives.

    A number of working groups focusing on specific topics and projects such as ticketing, food and drink, fan atmosphere and sustainability also report into the FAB, providing more detailed feedback to help steer the club’s decisions and policies.

    In the most recent meeting, the FAB discussed the club’s plans to move to digital ticketing, including detailed implementation plans and how Brentford will help fans transition to the new technology.

    The group also spoke about plans for fan consultation and involvement for the season ahead, including the suggested outline plan for the FAB meetings and ongoing working group meetings. Ahead of the meeting, an overview of the working group meetings was shared, totalling some 60 meetings over the last season.

    Fan atmosphere was also on the agenda. The group discussed how fans and fan groups could help the team by improving the atmosphere during home games at Gtech Community Stadium. Plans are in place for the fan atmosphere working group to meet ahead of the new season.

    Brentford staff also provided an update on the work that’s required to confirm that the club has met the requirements set out in the Premier League’s Fan Engagement Standard for the 2024/25 season.

    The club is required to publish a fan engagement plan and other key documents such as a revised Supporter Charter ahead of the start of the upcoming campaign.

    Read more about the points discussed at our recent FAB meeting

    Get to know your fan advisory board members

    FAB member Sharon Wright recently spoke to the club’s sustainability manager James Beale about why sustainability is so important to her and how she’s engaged with Brentford to support our efforts in this area.

    If you’d like to find out more about the work that the FAB does or have any points that you’d like to raise with them, you can send an email to [email protected] or [email protected], or contact the club via email at [email protected] and your email will be passed onto the FAB members.

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  • Wimbledon 2025: Sinner brushes aside Nardi in all-Italian battle, moves to second round

    Wimbledon 2025: Sinner brushes aside Nardi in all-Italian battle, moves to second round

    Top seed Jannik Sinner eased into the Wimbledon second round on Tuesday, brushing aside fellow Italian Luca Nardi in straight sets.

    Unfazed by the searing heat, Sinner barely broke sweat in a 6-4, 6-3, 6-0 victory lasting just one hour and 48 minutes on Court One.

    “I’m very happy to come back here to such a special place for me,” Sinner said.

    “Playing an Italian is very unfortunate but one has to go through and luckily it was me.”

    Sinner last week insisted his surprise decision to part with two of his coaching staff on the eve of Wimbledon would not affect his bid to win the tournament for the first time.

    He opted to move on from Marco Panichi and Ulises Badio, his trainer and physiotherapist, as he looks for a new direction following his painful French Open final loss to Carlos Alcaraz.

    READ | Elisabetta Cocciaretto stuns Jessica Pegula in first round of Wimbledon

    The pair had been employed by Sinner since September 2024, helping him retain the Australian Open crown in January and reach the Roland Garros showpiece in June.

    Asked if the decision might jeopardise his Wimbledon challenge over the next fortnight, Sinner was adamant it would be beneficial, with coaches Simone Vagnozzi and Darren Cahill still on his staff.

    On the evidence of his dominant display against Nardi the world number one, who returned from a three-month doping ban in May, will be just fine regardless of the coaching shake-up.

    “We worked a lot after Halle (grass-court tournament) on the serve and in important moments I felt I was serving very well,” Sinner said.

    “First matches are never easy, so I’m very happy with the performance. It’s a new tournament, new challenges.

    “If you don’t enjoy to play on these courts, I don’t know where you will enjoy. I will try to keep going.”

    Sinner has won three of the past six Grand Slams, but the 23-year-old blew a two-set lead and wasted three match points as Alcaraz staged a comeback for the ages to win the French Open final.

    Sinner has failed to reach the Wimbledon final in his four visits, with a last-four appearance in 2023 ranking as his best effort.

    The Italian’s Wimbledon preparations were also dented by a shock last-16 defeat against Alexander Bublik at Halle.

    Playing world number 95 Nardi for the first time, Sinner had little trouble dispatching the 21-year-old in his first Grand Slam match since that bitter defeat at Roland Garros.

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  • Apple weighs using Anthropic or OpenAI to power Siri in major reversal

    Apple weighs using Anthropic or OpenAI to power Siri in major reversal

    Apple Inc. is considering using artificial intelligence technology from Anthropic PBC or OpenAI to power a new version of Siri, sidelining its own in-house models in a potentially blockbuster move aimed at turning around its flailing AI effort.

    The iPhone maker has talked with both companies about using their large language models for Siri, according to people familiar with the discussions. It has asked them to train versions of their models that could run on Apple’s cloud infrastructure for testing, said the people, who asked not to be identified discussing private deliberations.

    If Apple ultimately moves forward, it would represent a monumental reversal. The company currently powers most of its AI features with homegrown technology that it calls Apple Foundation Models and had been planning a new version of its voice assistant that runs on that technology for 2026.

    A switch to Anthropic’s Claude or OpenAI’s ChatGPT models for Siri would be an acknowledgment that the company is struggling to compete in generative AI — the most important new technology in decades. Apple already allows ChatGPT to answer web-based search queries in Siri, but the assistant itself is powered by Apple.

    Apple’s investigation into third-party models is at an early stage, and the company hasn’t made a final decision on using them, the people said. A competing project internally dubbed LLM Siri that uses in-house models remains in active development.

    Making a change — which is under discussion for next year — could allow Cupertino, California-based Apple to offer Siri features on par with AI assistants on Android phones, helping the company shed its reputation as an AI laggard.

    Representatives for Apple, Anthropic and OpenAI declined to comment. Shares of Apple closed up over 2% after Bloomberg reported on the deliberations.

    The project to evaluate external models was started by Siri chief Mike Rockwell and software engineering head Craig Federighi. They were given oversight of Siri after the duties were removed from the command of John Giannandrea, the company’s AI chief. He was sidelined in the wake of a tepid response to Apple Intelligence and Siri feature delays.

    Rockwell, who previously launched the Vision Pro headset, assumed the Siri engineering role in March. After taking over, he instructed his new group to assess whether Siri would do a better job handling queries using Apple’s AI models or third-party technology, including Claude, ChatGPT and Alphabet Inc.’s Google Gemini.

    After multiple rounds of testing, Rockwell and other executives concluded that Anthropic’s technology is most promising for Siri’s needs, the people said. That led Adrian Perica, the company’s vice president of corporate development, to start discussions with Anthropic about using Claude, the people said.

    The Siri assistant — originally released in 2011 — has fallen behind popular AI chatbots, and Apple’s attempts to upgrade the software have been stymied by engineering snags and delays.

    A year ago, Apple unveiled new Siri capabilities, including ones that would let it tap into users’ personal data and analyze on-screen content to better fulfill queries. The company also demonstrated technology that would let Siri more precisely control apps and features across Apple devices.

    The enhancements were far from ready. Apple initially announced plans for an early 2025 release but ultimately delayed the launch indefinitely. They are now planned for next spring, Bloomberg News has reported.

    People with knowledge of Apple’s AI team say it is operating with a high degree of uncertainty and a lack of clarity, with executives still poring over a number of possible directions. Apple has already approved a multibillion dollar budget for 2026 for running its own models via the cloud but its plans for beyond that remain murky.

    Still, Federighi, Rockwell and other executives have grown increasingly open to the idea that embracing outside technology is the key to a near-term turnaround. They don’t see the need for Apple to rely on its own models — which they currently consider inferior — when it can partner with third parties instead, according to the people.

    Licensing third-party AI would mirror an approach taken by Samsung Electronics Co. While the company brands its features under the Galaxy AI umbrella, many of its features are actually based on Gemini. Anthropic, for its part, is already used by Amazon.com Inc. to help power the new Alexa+.

    In the future, if its own technology improves, the executives believe Apple should have ownership of AI models given their increasing importance to how products operate. The company is working on a series of projects, including a tabletop robot and glasses that will make heavy use of AI.

    Apple has also recently considered acquiring Perplexity in order to help bolster its AI work, Bloomberg has reported. It also briefly held discussions with Thinking Machines Lab, the AI startup founded by former OpenAI Chief Technology Officer Mira Murati.

    Apple’s models are developed by a roughly 100-person team run by Ruoming Pang, an Apple distinguished engineer who joined from Google in 2021 to lead this work. He reports to Daphne Luong, a senior director in charge of AI research.

    Luong is one of Giannandrea’s top lieutenants, and the foundation models team is one of the few significant AI groups still reporting to Giannandrea. Even in that area, Federighi and Rockwell have taken a larger role.

    Regardless of the path it takes, the proposed shift has weighed on the team, which has some of the AI industry’s most in-demand talent.

    Some members have signaled internally that they are unhappy that the company is considering technology from a third-party, creating the perception that they are to blame, at least partially, for the company’s AI shortcomings. They’ve said that they could leave for multimillion-dollar packages being floated by Meta Platforms Inc. and OpenAI.

    Meta, the owner of Facebook and Instagram, has been offering some engineers annual pay packages between $10 million and $40 million — or even more — to join its new Superintelligence Labs group, according to people with knowledge of the matter. Apple is known, in many cases, to pay its AI engineers half — or even less — than what they can get on the open market.

    One of Apple’s most senior large language model researchers, Tom Gunter, left last week. He had worked at Apple for about eight years, and some colleagues see him as difficult to replace given his unique skillset and the willingness of Apple’s competitors to pay exponentially more for talent.

    Apple this month also nearly lost the team behind MLX, its key open-source system for developing machine learning models on the latest Apple chips. After the engineers threatened to leave, Apple made counteroffers to retain them — and they’re staying for now.

    In its discussions with both Anthropic and OpenAI, the iPhone maker requested a custom version of Claude and ChatGPT that could run on Apple’s Private Cloud Compute servers — infrastructure based on high-end Mac chips that the company currently uses to operate its more sophisticated in-house models.

    Apple believes that running the models on its own chips housed in Apple-controlled cloud servers — rather than relying on third-party infrastructure — will better safeguard user privacy. The company has already internally tested the feasibility of the idea.

    Other Apple Intelligence features are powered by AI models that reside on consumers’ devices. These models — slower and less powerful than cloud-based versions — are used for tasks like summarizing short emails and creating Genmojis.

    Apple is opening up the on-device models to third-party developers later this year, letting app makers create AI features based on its technology.

    The company hasn’t announced plans to give apps access to the cloud models. One reason for that is the cloud servers don’t yet have the capacity to handle a flood of new third-party features.

    The company isn’t currently working on moving away from its in-house models for on-device or developer use cases. Still, there are fears among engineers on the foundation models team that moving to a third-party for Siri could portend a move for other features as well in the future.

    Last year, OpenAI offered to train on-device models for Apple, but the iPhone maker was not interested.

    Since December 2024, Apple has been using OpenAI to handle some features. In addition to responding to world knowledge queries in Siri, ChatGPT can write blocks of text in the Writing Tools feature. Later this year, in iOS 26, there will be a ChatGPT option for image generation and on-screen image analysis.

    While discussing a potential arrangement, Apple and Anthropic have disagreed over preliminary financial terms, according to the people. The AI startup is seeking a multibillion-dollar annual fee that increases sharply each year. The struggle to reach a deal has left Apple contemplating working with OpenAI or others if it moves forward with the third-party plan, they said.

    If Apple does strike an agreement, the influence of Giannandrea, who joined Apple from Google in 2018 and is a proponent of in-house large language model development, would continue to shrink.

    In addition to losing Siri, Giannandrea was stripped of responsibility over Apple’s robotics unit. And, in previously unreported moves, the company’s Core ML and App Intents teams — groups responsible for frameworks that let developers integrate AI into their apps — were shifted to Federighi’s software engineering organization.

    Apple’s foundation models team had also been building large language models to help employees and external developers write code in Xcode, its programming software. The company killed the project — announced last year as Swift Assist — about a month ago.

    Instead, Apple later this year is rolling out a new Xcode that can tap into third-party programming models. App developers can choose from ChatGPT or Claude.

    Gurman writes for Bloomberg.

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  • Turkiye evacuates more than 50,000 residents from wildfire-affected areas of Izmir province – RADIO PAKISTAN

    1. Turkiye evacuates more than 50,000 residents from wildfire-affected areas of Izmir province  RADIO PAKISTAN
    2. PM expresses sorrow over wildfires in Türkiye’s Izmir province  Ptv.com.pk
    3. Watch: Wildfires rage in Turkey as flames engulf houses  BBC
    4. Turkiye battles wildfires in Izmir for second day, 50,000 people evacuated  Al Jazeera
    5. Firefighters race to contain wildfires in western, southern Türkiye | Daily Sabah  Daily Sabah

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  • Red-hot Sinner breezes through – Wimbledon

    1. Red-hot Sinner breezes through  Wimbledon
    2. Wimbledon 2025 LIVE: Muller v Djokovic, Yastremska v Gauff on day two – watch stream, order of play, scores & updates  BBC
    3. Sinner cruises as Pegula, Zheng fall at Wimbledon  Dawn
    4. Sinner soars, seeds fall in scorching Wimbledon showdowns  nation.com.pk
    5. Top seed Sinner eases into Wimbledon second round  ARY News

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  • Family therapy breakthrough eases childhood anxiety – study

    Family therapy breakthrough eases childhood anxiety – study

    Involving parents in therapy helps children with anxiety and depression feel safer, communicate better, and recover more quickly, a new study shows.

    Levels of anxiety and depression in children have soared globally since the COVID-19 pandemic, leaving many parents grappling with feelings of helplessness. But fresh research from Murdoch University offers renewed hope: when therapy includes parents and caregivers, it can make a profound difference.

    The study, led by Dr Kim Lee Kho, tested the efficacy of Behaviour Exchange and Systems Therapy – Foundations (BEST-F) in the treatment plans of children aged 3-11. This involved a family-based approach where the parent-child relationship was a primary focus. 

    BEST-F was developed in Melbourne and Perth by a team of researchers including Dr Kho’s primary supervisor Professor Andrew Lewis. 

    Dr Kho said results of her study showed this approach had a large influence on reducing how often a child internalised symptoms of depression and anxiety. 

    Supervisor and co-author Dr Renita Almeida said the psychological distress experienced by both children and caregivers globally supported the need for the research.

    “We know that children are embedded within many systems, and the family system is of prime importance,” Dr Almeida said.

    “There is substantial evidence that caregiving and family environmental factors have an impact on the transmission of depression and anxiety – what this also means is that the family base is full of potential to enable change, and that families can have a significant role in supporting a child’s affect regulation.” 

    A critical element of the study was the safety and trust that parental participants felt within the therapy setting – fostered by empathy, care, and understanding for their unique situations. 

    One parent who was quoted in the study said BEST-F therapy transformed the way they communicated with their family and the world around them, which also impacted the way their child communicated.

    “I felt heard and seen by you [therapist] when we talked about what I’ve experienced in the past. I felt safe and that changed everything for me, and my family could tell the difference too.”  

    In turn, the participant’s child mirrored that sense of safety and felt encouraged to open up about their own feelings.

    “I feel it’s safe talking about it here… now I can tell mum when I am upset if something happens at school or with dad.” 

    Dr Almeida said the key finding was that as improvements occurred across various parts of the family system, the changes continued to unfold into further improvements, as observed at follow-ups.

    “Evaluation studies of Behaviour Exchange and Systems Therapy demonstrate that when you engage the whole family system in the therapeutic intervention, improvements are seen not only in the child’s mental health, but also in the parent’s mental health and family functioning,” she said.

    Dr Kho said these results could influence the future of the treatment of childhood depression and anxiety.

    “We are hoping that the results of this study motivate a larger clinical trial in the near future with the vision of potentially being offered as an intervention option in the community,” she said. 

    The original version of this story first appeared in a media release from Murdoch University.

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  • After ‘F1’ speeds off, what’s next for Apple’s film business?

    After ‘F1’ speeds off, what’s next for Apple’s film business?

    The $145-million global opening of Apple’s “F1 The Movie” came as a relief — both for the iPhone maker itself and theater operators hoping for an original hit during this sequel-dominated summer of blockbusters.

    The expensive Brad Pitt action sports drama, directed by Joseph Kosinski (“Top Gun: Maverick”) and produced by Jerry Bruckheimer, was a high-stakes gamble by the Cupertino-based tech giant, which until now has enjoyed little success at cinemas.

    In the U.S. and Canada, the film did better than expected, generating $57 million in ticket sales through Sunday, according to studio estimates. Analysts were projecting $40 million to $50 million, based on prerelease tracking. Warner Bros. Pictures, which is on a much-needed hot streak, distributed “F1” in partnership with Apple.

    Because the movie cost at least $200 million to make (and perhaps far more, according to some reports) after tax breaks and before significant marketing costs, the picture is still far from profitable. But with strong reviews from audiences and critics — an “A” CinemaScore, 83% “fresh” on the Tomatometer and 97% approval from moviegoers on Rotten Tomatoes — the film should continue to perform well in the coming weeks.

    It’ll face some serious competition, with Universal Pictures’ “Jurassic World: Rebirth” arriving in theaters Wednesday for the Fourth of July holiday weekend and Warner Bros.’ “Superman” from James Gunn coming shortly afterward.

    Nonetheless, “F1” has the all-important Imax screens locked down until “Superman,” and that should be an advantage, given that the movie plays like both an old-school blockbuster and a thrill ride.

    The question now: What does this mean for Apple’s film business and how the company approaches theatrical releases in the future?

    Since Apple got into Hollywood six years ago with the launch of Apple TV+, the movie slate has struggled to come up with a big-screen success, despite huge spending on prestigious projects and big-name talent.

    Its Sundance acquisition “CODA” won the 2022 best picture Oscar, albeit in a weird year, in a first for a streaming company.

    But Martin Scorsese’s “Killers of the Flower Moon” and Ridley Scott’s “Napoleon” weren’t commercial hits. “Argylle” and “Fly Me to the Moon” flopped, and “Wolfs” was scaled back from its planned theatrical release. The Miles Teller–Anya Taylor-Joy feature “The Gorge” went straight to streaming.

    Analysts and movie industry insiders have speculated that the performance of “F1” would heavily influence whether Apple dove further into blockbuster filmmaking or abandoned theaters altogether. Apple certainly treated it like a high-stakes release, having Chief Executive Tim Cook give an interview with Variety and promoting the film through various parts of the company, including its retail stores and its music, fitness, maps and podcast apps.

    Apple lacks an in-house theatrical distribution arm and instead enlists traditional studios for those duties. Burbank-based Warner Bros. worked with Apple on the marketing side while also contributing financially to the campaign, according to people close to the studios.

    As of now, it’s unclear what Apple’s ambitions are for the multiplex.

    Spike Lee’s Denzel Washington-starring thriller “Highest 2 Lowest,” a reimagining of the 1963 Akira Kurosawa classic “High and Low,” is getting a miniature theatrical window from A24 ahead of its September streaming release on Apple TV+. Apple has already inked a deal for another upcoming Kosinski-Bruckheimer collaboration, about UFOs.

    An Apple spokeswoman did not respond to a question about future movie plans.

    Theater owners want to see more from Apple at a time when they’re often struggling with a lack of compelling material, especially for grown-ups. With “F1,” they saw a glimpse of hope.

    “F1” is a racing movie with throwback vibes, which is no guarantee of success. But the F1 brand is strong, especially internationally, where the movie is doing particularly well ($88.4 million so far). The companies sold the movie as a sort of “Top Gun: Maverick” on wheels, an approach that resonated with audiences. People familiar with the data say the film is drawing in audiences who don’t typically go to theaters, which the theaters desperately need.

    The box office performance bodes well for the title’s eventual streaming release on Apple TV+.

    With the exception of Netflix, which remains set against doing a true traditional theatrical business, film studios say movies that open in theaters do better on streaming than if they’re simply dumped onto a crowded service. Amazon has again committed to theaters since acquiring MGM Studios after slinking away from the business model years ago.

    On the other hand, theatrical releases are risky, especially for a company that cares about its reputation the way Apple does. Flops are embarrassing, even for a company that’s worth $3 trillion and can afford to subsidize a filmmaker’s vision.

    In both movies and TV, Apple has been selective with its programming strategy.

    It doesn’t have a vast library or a deluge of new releases to keep people interested the way Netflix does. Thus, its subscriber counts have lagged the bigger rivals with more voluminous offerings, according to analysts. (Apple doesn’t disclose subscriber numbers.)

    Ask anyone in Hollywood why, exactly, Apple is in the movie business at all and you’ll get varied answers.

    Of course, the company wants to grow Apple TV+, which Apple views as part of a larger play to boost its services business. Having a hit movie, in theory, should help with that. People who work with Apple will often argue that the company is more interested in the branding glow that comes with a great movie than whether any particular title makes money.

    The company has developed a reputation for quality, especially with buzzy TV projects including Jon Hamm’s “Your Friends & Neighbors,” Seth Rogen’s “The Studio” and, more recently, “Stick” starring Owen Wilson.

    “We studied it for years before we decided to do [Apple TV+],” Cook told Variety. “I know there’s a lot of different views out there about why we’re into it. We’re into it to tell great stories, and we want it to be a great business as well. That’s why we’re into it, just plain and simple.”

    For Apple, the question of whether to commit to the blockbuster business is a billion-dollar component of a $3-trillion car.

    Stuff we wrote

    Number of the week

    California legislators voted Friday to more than double the amount allocated each year to the state’s film and television tax credit program, raising that cap to $750 million from $330 million.

    The increase is a win for the studios, producers, unions and industry workers who have lobbied state legislators for months on the issue, Samantha Masunaga reported.

    Gov. Gavin Newsom proposed the increase to help lure productions back to the state at a time when local film and TV employment is sparse.

    But other states have not given up the arms race.

    New York recently upped its film tax credit cap to $800 million. Texas is also ramping up its incentive program to compete with regional rivals.

    Finally …

    Watch: “Becoming Led Zeppelin.”

    Listen: Dream Theater, “Night Terror.”

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  • West Indies v Australia – Australia in West Indies 2025, 3rd Test – Cricket Score Centre – Australian Broadcasting Corporation

    West Indies v Australia – Australia in West Indies 2025, 3rd Test – Cricket Score Centre – Australian Broadcasting Corporation

    1. West Indies v Australia – Australia in West Indies 2025, 3rd Test – Cricket Score Centre  Australian Broadcasting Corporation
    2. Pacers inspire Australia to victory in first West Indies Test  Dawn
    3. ‘Had a few hits’: Smith takes steps towards return  Cricket.com.au
    4. However you get ’em – Head, Carey and Webster show the way to Australia top order  ESPNcricinfo
    5. Cummins hails match-winners as Australia get going in WTC27  ICC

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