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  • British & Irish Lions Tour Stats

    British & Irish Lions Tour Stats

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  • Nothing’s over-ear headphones are all about the buttons

    Nothing’s over-ear headphones are all about the buttons

    Nothing has launched its first pair of over-ear headphones, imaginatively named the Headphone 1. At $299, these are priced to compete with flagship fare, distinguished primarily by their distinctive Nothing design language — right down to the buttons.

    While the boxy outline calls to mind Apple’s AirPods Max, the semi-transparent detailing on the outside of each ear cup is all Nothing. So are the buttons, all differently shaped, with some you press, some you flick, and some you toggle. They’re meant to be more intuitive to use by touch alone, so you don’t have to take the headphones off to remind yourself which button turns on pairing.

    With active noise canceling, spatial audio, and support for lossless playback, these tick off most of the usual high-end headphone features. There’s 35 hours of battery life with noise cancellation on and an IP52 rating for water resistance, and the audio itself was developed in partnership with HiFi brand KEF, with custom 40mm drivers.

    My colleague Andru Marino has already reviewed the Headphone 1, so check out his review to find out how they stack up. Preorders launch on Friday, July 4th, with a full release on the 15th.

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  • Nothing’s ‘first true flagship’ phone plays it a little safe

    Nothing’s ‘first true flagship’ phone plays it a little safe

    “The Glyph interface is not a gimmick,” Nothing founder and CEO Carl Pei told the press as he revealed the Nothing Phone 3 for the first time, shortly before announcing that its new iteration lets you play Spin the Bottle on the back of the phone.

    It’s mixed messaging, but in Nothing’s defense, you couldn’t accuse them of making that mistake elsewhere. The Phone 3, we’re told, is Nothing’s “first true flagship phone,” a point the company is keen to hammer home: flagship chip, flagship camera, flagship price. In fact, it’s so flagship that the company is even springing for a true US launch, its first since 2023’s Phone 2, which Pei tells me only makes sense for their “premium” phones.

    At $799, the Phone 3 is priced to match the iPhone 16, Galaxy S25, and Pixel 9, as Nothing positions itself firmly outside its mid-range origins, and Pei says the company feels ready “to compete with products in that price level.” Preorders open Friday, July 4th, with general sale starting from the 15th from Nothing’s own webstore and Amazon in the US. Nothing says the phone is fully compatible with T-Mobile and AT&T, with “more limited 5G support” on Verizon.

    The Phone 3 will include five years of Android OS updates.
    Image: Dominic Preston / The Verge

    Nothing’s signature design language still runs through the OS.
    Image: Dominic Preston / The Verge

    There are small hardware touches too, like this red square that illuminates when you’re recording video.
    Image: Dominic Preston / The Verge

    This is Nothing’s most expensive phone yet, but on paper the specs should keep pace with the price. The Snapdragon 8S Gen 4 chip isn’t the most powerful around right now, but its performance should cope with all but the most demanding mobile games, especially paired with up to 16GB of RAM. Storage starts at 256GB, and for an additional $100, you can get 512GB.

    The Nothing Phone 3 uses a silicon-carbon battery, a relatively new technology that makes it easier to fit big batteries into small phones. Here, that means a generous 5,150mAh capacity, combined with a 65W wired charging speed and 15W wireless charging speed. The 6.67-inch OLED screen is more than twice as bright as the Phone 2’s, and the IP68 water- and dust-resistance rating is a first for Nothing too. All four of the cameras — three on the back, one on the front — are 50-megapixel, though it’ll be impossible to say whether they’re any good until we get to test the phone out properly. Nothing’s camera processing has lagged a little behind the competition in the past, so this’ll be the area to watch.

    All that’s in line with other flagship phones, so what makes the Phone 3 feel like Nothing? That’s where that new, gimmick-free Glyph design comes in. While previous Nothing phones have featured an array of light strips that can glow and flash in custom patterns for notifications and ringtones, here, those have been swapped out for a small, circular dot matrix LED display in one corner of the back of the phone.

    The Glyph Matrix is immediately less striking than the older phones’ designs, and less unique too — Asus has included dot matrix displays on the back of its ROG gaming phones for years. Pei told me that the advantage is that custom notifications can be “much more immediate,” with easily recognizable images or emoji tied to specific apps and contacts rather than abstract animations that might be hard to grok at a glance.

    The Glyph Matrix can be used for functional stuff like a stopwatch.
    Image: Dominic Preston / The Verge

    Or less functional games including Spin the Bottle.
    Image: Dominic Preston / The Verge

    It’s much smaller and subtler than the glaring Glyph lights of previous models.
    Image: Dominic Preston / The Verge

    Then there are the Glyph-focused games, officially dubbed Glyph Toys, designed to add a touch of fun that’s “severely lacking in the space right now.” The Phone 3 launches with Spin the Bottle, Rock Paper Scissors, and more functional fare like a stopwatch and battery indicator, which you can cycle between using a haptic button hidden among the many shapes on the semi-transparent rear. Pei suggests you could use Spin the Bottle to help decide how to split the bill at dinner, one of those jokes that plays well during a keynote speech but doesn’t make much sense when you really think about it.

    Pei insists that Nothing isn’t done iterating on the Glyph Matrix. He calls the “expandability” the most exciting part of the new design, citing Glyph Toys already developed based on ideas from the company’s “community” of fans, like a magic eight ball. “I think they might invent some novel use cases we haven’t even thought of yet,” Pei says.

    The Phone 3 also sees the return of the Essential Key, a side button that debuted on the Phone 3A and 3A Pro earlier this year. It’s customizable, but by default launches Essential Space, an AI-powered app that stores and analyzes screenshots to give you reminders about events or travel plans. New to this phone is the option to transcribe and summarize meeting audio, along with a universal search bar that can track down everything from contacts to photos and answer basic factual queries.

    The Phone 3 is a big swing for Nothing. It’s the company’s first move into the flagship market, and its first effort to crack the US in two years, so perhaps it’s no surprise that the phone’s new Glyph design is a little more conservative than we’re used to. Still, Nothing playing it safe has produced a bolder and more divisive phone than any Samsung or Apple has put out in years — just don’t call it a gimmick.

    Photography by Dominic Preston / The Verge.

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  • Max Best-Performing Local Original Production Is Turkey’s ‘The Prince’

    Max Best-Performing Local Original Production Is Turkey’s ‘The Prince’

    And the best-performing local original production, or LOP, for Warner Bros. Discovery‘s Max, soon-to-be-rebranded as HBO Max, globally is … drum roll, please … Turkish satire series The Prince (Prens).

    On Friday, the final episode of the third season of the hit series became available and seems to have helped seal the deal, according to company data.

    Starring Giray Altınok as the Prince, the show is “set in the imaginary kingdom of Bongomia and follows the comedic adventures of the prince, a very unpopular member of the kingdom whose own family didn’t even bother to give him a name,” according to a synopsis.

    Over the past month, the Turkish Max original achieved “the highest level of engagement of any Max local original production globally,” with 74 percent of subscribers in the country tuning in to it, according to WBD.

    Over the same period, The Prince proved to be a key driver for new subscribers, becoming “the first show that almost three in four (73 percent) of new Max users watched — the highest nominal acquisition volume for a local original production” in a country in the Europe, Middle East and Africa (EMEA) region, company data shows.

    During its finale week, season three of The Prince accounted for 72 percent of all viewing on Max in Türkiye, WBD said, adding: “The final episode (season three episode eight), released just three days ago, became the most viewed episode of the week with 54 percent of total viewers already having watched the finale.”

    Deniz Şaşmaz Oflaz

    Courtesy of Warner Bros. Discovery

    WBD’s transition of its streaming service BluTV to Max in Turkey became official in mid-April as the Hollywood giant underlined its “commitment to increasing its investment in local content” and “bringing a compelling slate of new local stories” to its streamer in the country.

    “The response to Prens just shows how strong the demand for high-quality, locally produced originals is and highlights Max as the home of this type of content,” Deniz Şaşmaz Oflaz, vp of local original productions, local channels and streaming operations lead for Türkiye, tells THR. “As one of our first original series since launching the platform direct-to-consumer in Türkiye earlier this year, it’s exciting to see Prens playing a key role in attracting new viewers to the platform.”

    In a recent THR interview, she described the series this way: “It looks like a comedy, but it’s more of a dramedy. … The lead character is the prince, who doesn’t want to be on the throne and is not really that smart. And then we see all these typical things happening in this kingdom that we’ve been seeing in such series as Game of Thrones. So it’s a satire.”

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  • A tiny, playful dot-matrix screen in the company’s most expensive phone yet

    A tiny, playful dot-matrix screen in the company’s most expensive phone yet

    With the third generation of its smartphone series, Nothing made the unusual move to launch the cheaper ‘a’ line first, unveiling . Now, it’s time for its latest flagship. The Nothing Phone 3, starting at $799 (with a $899 option with 16GB of RAM) goes up against giants like the Google and — a competitive slice of the smartphone world. Once again, though, there’s nothing in the market that quite resembles a Nothing, as the company attempts to balance distinctive design with flagship (and some not-quite-flagship) components.

    The big change this time around is that Nothing is swapping the flashing lights of its Glyph Interface for a tiny dot-matrix display on the rear of the device and is calling it the Glyph Matrix.

    Nothing Phone 3 hands-on

    Image by Mat Smith for Engadget

    It’s the shiny design lynchpin of Nothing’s Phone 3. The matrix is made of 489 LEDs, and offers more utility than a light show. Nothing says it’s an evolution of the flashing lights of the Glyph Interface into something more practical. With that aim, there’s a Glyph button that sits under the glass back. Another benefit of this shift, Adam Bates, is that removing the Glyph lights freed up more space within the phone.

    Instead of having the lights on the back flash in patterns to indicate when certain contacts are calling, the Phone 3’s new tiny screen can display monochromatic images instead. At first, these will be preset shapes, but eventually, you’ll be able to customize your own animation (or static dot-matrix image — it’s unclear) for each of your contacts. Ahead of launch, Nothing shared a that lets people take photos and turn them into Glyph patterns, but it’s like a very, very small Gameboy camera (but worse). The one I took kinda looks like my head? I guess? At least there’s a contrast, and gives a glimpse of what users might be able to show on the matrix screen

    Nothing Phone 3 hands-onNothing Phone 3 hands-on

    That’s me? (Image by Mat Smith for Engadget)

    Alongside Glyph-style notifications, the matrix will be able to display simple widgets, such as weather and battery levels. It can be a stopwatch, and even a low-res mirror (more on that later). It can also be used as a visual countdown when using a timer with the camera, too. And there will even be games, like rock-paper-scissors and er, spin the bottle. Thankfully, Nothing didn’t make the assembled media test this at its big global launch. You’ll be able to make your own Glyphs through an SDK being released by Nothing. It’ll be interesting to see how difficult it is to program your own glyphs. You know what I want, already? A .

    My first impression is that it’s a little more restrained than the light show of the Glyph Interface on previous phones. Additionally, a dot-matrix design really aligns with the era of design inspirations that Nothing is drawing from. You can lightly interact with the matrix through the Glyph button, which is intriguingly built under the rear cover of the Nothing Phone 3. It’s a single button, so learning the quirks of a long-press and a short-press, especially when there’s no tactile response, takes a bit of time.

    Flanked by other eager photographers, YouTubers and media, I took a little too much time making the Glyph mirror work. Weirdly, you can’t use it as a selfie guide with the primary cameras, or at least I didn’t figure out how to during my hands-on.

    Elsewhere, the design is inspired by the lines and shapes of the New York City subway map, while the see-through back of the Phone 3 has a three-column design that divides the component curves, camera modules and glyph matrix.

    The Phone 3 is Nothing’s thinnest phone yet and is 18 percent thinner than the Phone 2. The new Nothing flagship also lacks the chonky camera unit that’s on the Phone 3a Pro. This is because, this time, Nothing has the budget to do so: the Phone 3 costs $350 more, so it can use smaller (even custom-made) components to shrink the footprint.

    Instead, the three-camera layout reminds me a lot of the latest Galaxy S24 Ultra, with only slightly protruding camera lenses. It’s not flush, but perhaps I’m asking for too much — the only contemporary smartphone with an entirely flat camera unit is the Pixel 9a.

    Despite its slimmer profile, the device still features a periscope zoom on a 50-megapixel sensor. It goes up to 3x optical zoom, 6x digital zoom and a 60x AI Super Res Zoom. (Yes, we all blame Google and Samsung for this nonsense.) This will also serve as a macro camera, allowing for clearer close-up shots.

    The main camera is also 50MP, with an f/1.68 aperture (Nothing says it’s 70 percent faster at capture than the Phone 2) and even includes a lossless 1.5x zoom. There’s also an ultrawide camera with a 114-degree field of view and, you might have guessed, a 50MP sensor. Even the front-facing camera is 50MP. Expect the usual Android array of shooting features across the camera system, including Auto Tone, Portrait Optimizer, Night Mode Macro Mode and Action Mode. There are also several shooting presets to browse for your favorite shooting aesthetic, which I enjoyed playing with on a demo unit.

    Nothing Phone 3 hands-onNothing Phone 3 hands-on

    Image by Mat Smith for Engadget

    I’m hopeful that the Phone 3 will be a capable enough smartphone camera. Taking some early shots, during a hectic hands-on session at the launch event, the camera app seemed faster than past Nothing devices and low-light processing seemed pretty close to the likes of Google’s Pixel.

    Imaging has typically been the weakest part of Nothing’s phone strategy, but each iteration it gets better. It’s something I’m looking forward to putting to the test. Nothing has added an LED light that flashes red to indicate video recording. This can still be disabled in settings, but it’s a nice touch that taps into the red splashes you’ll see throughout Nothing’s hardware and software.

    The Phone 3 also packs the company’s brightest display yet, reaching up to 1600 nits at its maximum brightness settings, peaking at 4,500 nits with compatible HDR content, The 6.67-inch screen has a higher 1.5K resolution than the Phone 2. There’s also IP68-rated protection against dust and water.

    Rounding out the spec sheet, the phone has a Snapdragon 8s Gen 4 processor, marking the biggest compromise this year. Nothing told me that the Phone 3 wasn’t chasing specs like phones that cost several hundred dollars more. However, the Galaxy S25 has the more powerful Snapdragon 8 Elite, and it’s also $800.

    Nothing Phone 3 hands-onNothing Phone 3 hands-on

    Image by Mat Smith for Engadget

    The good news is that the Phone 3 shouldn’t be perceptibly slow or laggy — the company says it’s five times faster than the Phone 3a. Nothing added there should be a 60 percent improvement on AI performance compared to the Phone 2. I’m intrigued to see how battery life fares, but not too worried. The OnePlus 13 Pro had the same processor and performed very well in our battery rundown test.

    The 5,150mAh silicon-carbon battery can be charged to 50 percent in 20 minutes with a compatible 65W charger, and up to 100 percent in under an hour. It’s one of the first phones to arrive in the West with a silicon-carbon cell, adding further intrigue to how well the battery life will perform. There’s also 15W wireless charging, which Nothing seems to be keeping exclusive to its most premium phones.

    The Phone 3 runs Android 15 out of the box, but with Nothing’s spin on things, featuring custom icons and native apps. That includes Essential Space, which works with a hardware button launcher first introduced on the 3a. While there were rumors that Nothing might fold the feature into a subscription, it’ll be free for the foreseeable future. However, Smart Collections, which was meant to collate screenshots and other files is still being worked on and won’t be available at launch.

    The focus, software-wise, may be the new Glyph Matrix, but you can expect some of the typical AI-assisted features like natural language search that Nothing calls Essential search. It will be able to tap into everything on the Nothing Phone 3. Nothing’s cheaper 3a devices leaned into software too, but with the Phone 3 there’s more importance on the specs. The question is: Is this flagship enough?

    Nothing Phone 3 hands-onNothing Phone 3 hands-on

    Image by Mat Smith for Engadget

    The Phone 3 is priced at $799 with 12GB of RAM and 256GB of storage. An $899 model will also launch with 16GB of RAM and 512GB storage. Both black and white versions will be available to pre-order on July 4, with sales starting July 15 on its own store at . The company plans to launch its own drops in select physical locations on July 10.

    If you buy something through a link in this article, we may earn commission.

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  • Nothing’s New Phone (3) and Headphone (1) Look Nothing Like You’ve Seen Before

    Nothing’s New Phone (3) and Headphone (1) Look Nothing Like You’ve Seen Before

    The phone has a grid design with three columns, representing the flexible printed circuit boards underneath. The triple-camera system is laid out along the top of these grids with the Glyph Matrix display—more on that in a second. It’s an unusual style that breaks from circular or rectangular camera modules in most phones.

    The Glyph Matrix is an evolution of Nothing’s famous Glyph LEDs on prior phones. Originally designed to light up when notifications arrived, it also used the lights creatively to show how much time was left on a timer, or how close your Uber driver was to your location. The new Glyph Matrix can do all that and more, because it acts more like a display.

    Nothing showed off several new “Glyph Toys” launching with the phone, like the ability to see a pixelated preview of yourself so you can take selfies with the rear cameras. There’s also a spin-the-bottle game, a Magic 8 Ball that gives you an answer when you shake the phone, and even a game of rock-paper-scissors. Intuitively, there’s a little touch-sensitive circle below you can use to cycle through these modes, instead of having to constantly switch back and forth to the settings menu on the phone’s front screen. Nothing has launched a software developer kit, so anyone can create Glyph Toys for the phone.

    Another fun feature is the little red square on the back. Originally on the Phone (2a), it’s now more than just a design accent. It lights up when you’re recording a video, just like a recording light.

    The phone may not have the top-of-the-line Snapdragon 8 Elite, instead opting for the slightly lesser Snapdragon 8s Gen 4, but it still should deliver flagship-grade performance, and the rest of the specs rival competitors, especially at the $799 price. Especially notable is the use of a silicon-carbon battery, a relatively new technology that enables denser batteries in thinner designs. While it’s slightly thicker than its predecessor (by 0.2 mm), the 5,150 mAh is decently larger than the 4,700 mAh in the Phone (2).

    Courtesy of Julian Chokkattu

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  • Kasatkina’s very good Tuesday at Wimbledon: Wins, meets Cate Blanchett

    Kasatkina’s very good Tuesday at Wimbledon: Wins, meets Cate Blanchett

    Daria Kasatkina’s first Wimbledon win as a naturalized Australian citizen wasn’t the only highlight of her Tuesday at the All England Club.

    After beating Colombia’s Emiliana Arango in straight sets in the first round, Kasatkina and her fiancée Natalia Zabiiako met Australian actress Cate Blanchett.

    A smiling selfie posted to Instagram by Zabiiako commemorated the occasion, a meeting that the former Olympic figure skater confessed was a “dream come true.”

    Two-time Academy Award winner Blanchett was just one of many famous faces in the star-studded Royal Box guest list across the first two days of the tournament.

    The roster of attendees has also included another Australian movie star, Rebel Wilson — who is ubiquitous to the tennis tour — as well as Russell Crowe, Eddie Redmayne, David Beckham, and Maria Sharapova.

    Back on the court, Kasatkina’s win snapped a four-match losing streak, and marked her first win on grass this summer. She had previously gone 0-3 with opening exits at the Queen’s Club, Berlin and Eastbourne. But she’ll hope that historic good results at SW19 will parlay into another deep run at the grass-court major. She has reached the third round at Wimbledon in each of the last two years and also had a 2018 quarterfinal appearance.

    The No. 16 seed will look to keep the good vibes going when she faces Romania’s Irina-Camelia Begu in the second round.

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  • Glastonbury festival-goer shares ‘cool’ encounter with Emily Eavis

    Glastonbury festival-goer shares ‘cool’ encounter with Emily Eavis

    Ross Crane

    BBC News, Somerset

    Family handout 12-year-old Ava Rapson-Woods, wearing a gold jacket and with long brown hair, poses for a photo with Glastonbury Festival organiser Emily Eavis, who is wearing a white hat and red jacket.Family handout

    Ava Rapson-Woods met Emily Eavis a year after her first visit to the festival

    A 12-year-old girl has spoken of her joy after a chance meeting with Emily Eavis, months after exchanging letters with the Glastonbury Festival organiser.

    Ava Rapson-Woods, who lives in Faversham, Kent, wrote to the festival boss expressing her love for the event after visiting Somerset’s Worthy Farm for the first time in 2024.

    She received a handwritten letter from Ms Eavis in response and could “not believe it” when she and her father bumped into her at this year’s event.

    Ava said she was struck by Ms Eavis’ kindness during the “really cool” encounter and was shocked when the Glastonbury boss said she remembered Ava’s letter.

    Ava decided to write to Ms Eavis after it was announced that Olivia Rodrigo – her favourite artist – would headline the festival.

    When she received a response weeks later, Ava said she “immediately started crying”.

    Along with her dad, she was exploring the site on the Thursday, when she noticed the festival boss.

    Ava said she “couldn’t believe” how kind Ms Eavis was.

    She said the “really cool” encounter was made all the better when Ms Eavis suggested they take a picture together.

    Family handout A handwritten card from Glastonbury Festival organiser, Emily Eavis to 12-year-old Ava Rapson-Wood. Family handout

    Ava was “so excited” when she received a handwritten card from Emily Eavis

    Ava’s dad Mike said she “had the time of her life” at the festival and has been “slightly obsessed” since her first visit in 2024.

    They will “100%” be trying for tickets when the festival happens again in 2027, Ava said.

    “It’s paradise. You don’t have to worry about a thing and everyone is so friendly,” she added.

    Family handout 12-year-old Ava Rapson-Woods poses for a photo with her father Mike Woods at the front of the Pyramid stage crowd at the Glastonbury Festival 2025Family handout

    Ava and her dad Mike waited 12 hours at the Pyramid Stage for Olivia Rodrigo’s headline set

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  • Eagle Nebula: Carving light from darkness

    Eagle Nebula: Carving light from darkness

    Today’s Image of the Day from the European Space Agency features the Eagle Nebula, also known as Messier 16, which is located about 7,000 light-years away in the constellation Serpens.

    The Eagle Nebula is one of the most iconic star-forming regions in our galaxy. It’s a vast cloud of gas and dust stretching roughly 70 light-years across. 

    Pillars of Creation 

    What makes it especially famous is a portion of the nebula captured by the Hubble Space Telescope in 1995 – an area called the “Pillars of Creation.” 

    Some of these towering columns of gas are several light-years tall. The towers resemble sculpted fingers reaching out into space. Inside these pillars, new stars are being born as gravity pulls material together into dense cores that eventually ignite nuclear fusion.

    The Pillars of Creation are often cited as a poetic example of the cosmic cycle of birth and destruction – where new stars are born even as the surrounding material is slowly destroyed by radiation.

    Hubble image of the Eagle Nebula 

    “This towering structure of billowing gas and dark, obscuring dust might only be a small portion of the Eagle Nebula, but it is no less majestic in appearance for it,” said ESA.

    “The new Hubble image is part of ESA/Hubble’s 35th anniversary celebrations. The cosmic cloud shown here is made of cold hydrogen gas, like the rest of the Eagle Nebula. In such regions of space new stars are born among the collapsing clouds.” 

    The hot, energetic stars emit intense ultraviolet light and powerful stellar winds that erode and sculpt the surrounding gas. The result is the creation of fantastical structures – like the narrow pillar with a blossoming head featured in the new image.

    Light and shadow in the Eagle Nebula

    The thick material in the pillar blocks most light, appearing dark and heavy against the backdrop. However, its edges glow where light from the more distant nebula shines through. 

    The striking colors reflect the chemistry and physics at play: blues signal ionized oxygen, reds indicate glowing hydrogen, and orange shows where starlight has managed to pierce the dust.

    A structure under siege

    Just out of frame lie the very stars responsible for shaping this dramatic pillar. Their radiation and winds continue to batter the cloud, compressing the gas and potentially triggering the birth of even more stars within.

    For now, the pillar holds firm, but this stability is temporary. Over time, the relentless energy from newly formed stars will eventually erode the entire structure.

    “While the starry pillar has withstood these forces well so far, cutting an impressive shape against the background, eventually it will be totally eroded by the multitude of new stars that form in the Eagle Nebula,” explained ESA.

    Life cycle of the Milky Way

    The nebula’s location in the Sagittarius Arm – one of the Milky Way’s major spiral arms – places it in a zone bustling with similar star-forming regions. This highlights the role of the Eagle Nebula in shaping the structure and the future of our galaxy.

    Studies of the Eagle Nebula have revealed that the region is rich in young, hot stars – some of which are only a few million years old. These stars are in various stages of development, providing a natural laboratory for astronomers to study stellar life cycles. 

    Evolution of the Eagle Nebula 

    Within the Eagle Nebula, there is a variety of stellar processes occurring in close proximity. Some stars are still forming within dense clouds of gas, while others have already matured and begun to emit powerful ultraviolet radiation. 

    The ongoing interaction between young stars and their environment drives the evolution of the nebula itself. 

    As newly formed stars heat and disperse the gas and dust around them, they trigger further waves of star formation – or in some cases, halt it altogether. 

    This feedback loop not only influences the pace of star birth in the Eagle Nebula but also contributes to the broader life cycle of matter within the Milky Way, enriching the galaxy with heavier elements forged in stellar cores.

    Image Credit: ESA/Hubble & NASA, K. Noll

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  • K-pop supergroup BTS announces comeback for spring 2026 | BTS

    K-pop supergroup BTS announces comeback for spring 2026 | BTS

    The K-pop supergroup BTS have announced their comeback in the spring of 2026 with an album and world tour.

    South Korea’s most lucrative musical act has been on a break since 2022 as its members undertook the mandatory service required of all South Korean men under 30 due to tensions with the nuclear-armed North.

    With five members discharged from military service in June, many in the industry have been anticipating their comeback.

    “Starting in July … we’re planning to make something massive, so from then (this month), we’ll probably gather together and stay focused on making music,” band leader RM said on their superfan platform Weverse.

    “Our group album is officially set to be released next spring,” RM said during a live chat.

    “Starting next spring, we’ll of course be going on tour, so please look forward to seeing us all around the globe,” he added.

    The band also revealed their plans to head this month to the US, where all seven members will gradually regroup to begin music production and prepare for upcoming performances.

    If released in the spring of 2026, their comeback album would be their first in four years since Proof, which was the best-selling album of 2022 in South Korea, with nearly 3.5m copies sold.

    Before their mandatory military service, the boy band generated more than 5.5tn won ($4bn) in yearly economic impact, according to the Korea Culture and Tourism Institute.

    That accounts for roughly 0.2% of South Korea’s total GDP, according to official data.

    BTS holds the record as the most-streamed group on Spotify, and became the first K-pop act to top both the Billboard 200 and the Billboard Artist 100 charts in the US.

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