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  • Big-spending Liverpool aim to build on their Premier League title success | Liverpool

    Big-spending Liverpool aim to build on their Premier League title success | Liverpool

    Almost £300m worth of talent added to a squad that cruised to the Premier League title last season and Liverpool may not be spent yet. Whatever they’re smoking in Boston is having an unusual effect on a global fanbase.

    Big-spending Liverpool, blowing competitors from Bayern Munich to Newcastle out of the water with their pulling and spending power, may be a strange reality for supporters who not so long ago sang: “The Reds have got no money, but we’ll still win the league.” The chant can be retired now that the first part is demonstrably untrue. It always was.

    When Hugo Ekitiké completes his move from Eintracht Frankfurt, for a deal that Liverpool would be delighted to reach £79m because it would represent further success at club and individual level, the champions will have made two of the three biggest signings in their history in the space of five weeks. Fenway Sports Group, Liverpool’s Boston-based owner, would have been prepared to break the club’s transfer record twice in that timeframe but for Newcastle’s insistence that Alexander Isak is not for sale.

    It appears a radical departure by FSG to build so ambitiously from a position of strength, while sending an ominous warning to Premier League rivals with designs on closing the gap. But Liverpool maintain there has been no change in strategy and that the club continue to be run along self-sustaining lines. The approach that enabled them to transform Jürgen Klopp’s team in 2018 by buying Alisson and Virgil van Dijk with the proceeds of Philippe Coutinho’s £142m sale to Barcelona has also shaped plans for sustained success under Arne Slot. The benefits of thinking long term have paid off. No profitability and sustainability issues here.

    The answer to how Liverpool have been able to spend heavily this summer is dull, out of step with many clubs throughout the English football pyramid and anathema to those besotted with winning the transfer window over genuine prizes: financial discipline.

    Liverpool last spent big in the summer of 2023 when rebuilding Klopp’s midfield to the tune of £145m while recouping £52m from the sales of Fabinho and Jordan Henderson to the Saudi Pro League. Not a penny was spent in the January transfer windows of 2024 and 2025, and last summer, Slot’s first in charge, brought an outlay of only £10m for Federico Chiesa, the amount received from Salzburg for Bobby Clark. Liverpool made a profit of £42.5m last summer with the sales of Fábio Carvalho and Sepp van den Berg to Brentford (if taking the initial £25m for Valencia’s goalkeeper Giorgi Mamardashvili – agreed 12 months ago – into this year’s expenditure). The club’s faith in the rebuilding work of 2023 explained their reticence to re-enter the market in three successive windows, and was vindicated with title No 20 in April.

    Liverpool’s spending this summer may not have finished as they remain keen on Crystal Palace central defender Marc Guéhi. Photograph: Adam Davy/PA

    The importance of Champions League qualification to Liverpool’s financial health was evident in their last set of published accounts, for the year to 31 May 2024, which showed a £57m loss mainly as a consequence of missing out that year and competing in the Europa League. Revenue for this year is projected to pass £700m for the first time with the club making more than £80m from the return to the Champions League and about £180m from the triumphant Premier League campaign. Matchday and commercial revenue will have increased as Liverpool continue to benefit from the redevelopments of the Main Stand and Anfield Road Stand.

    This summer’s transfer business – with Ekitiké soon to join the record signing Florian Wirtz, Mamardashvili, Jeremie Frimpong, Milos Kerkez, the young Hungarian goalkeeping prospect Armin Pecsi and goalkeeping cover Freddie Woodman – leaves the champions looking stronger on paper before their title defence. Any predictions for Liverpool this season, of course, must be tempered by the unknown and unimaginable factor of a team dealing with the tragic death of one of their own in Diogo Jota.

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    There is certainly greater depth and versatility to Slot’s squad, plus more opportunity to rotate beyond domestic cup competitions. Slot tended to stick with a trusted core of players in the Premier League last season. There is no disputing the methods of a coach who wins the title in his debut season at Liverpool with ease and four matches to spare, although Slot himself suspected fatigue played a part in the Carabao Cup final defeat by Newcastle.

    Ekitiké, a France Under-21 international who scored 22 goals in his one and only season at Eintracht, may not be Liverpool’s final signing of a statement summer. The Premier League champions remain keen on Crystal Palace’s central defender Marc Guéhi and there would be appetite for another forward should Bayern eventually succeed in their pursuit of Luis Díaz.

    Liverpool maintain Díaz is not for sale and that their €100m (£86.8m) valuation of the Colombia international is for accounting purposes rather than an asking price. That may be so but if that valuation is met and Díaz departs, and Liverpool get what they want for Darwin Núñez (£55m), Harvey Elliott (£40m-plus), Chiesa (£10m) and Tyler Morton (£15m), the club could yet recoup more than £200m before the transfer window closes on 1 September. A well-run champion does not ease up.

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  • Switch 2 owners can play Borderlands 4 on October 3

    Switch 2 owners can play Borderlands 4 on October 3

    Switch 2 owners won’t have long to wait for Borderlands 4. On Tuesday, Gearbox founder and CEO Randy Pitchford said it will arrive on October 3. While some had worried the game would be pushed back to 2026, it will land on Nintendo’s console less than a month after other platforms.

    Pitchford’s video begins with a sober build toward what sounds like bad news. Just when you think he’s about to announce a delay, he turns into an excited 10-year-old, yelling about the game’s October release date. “That date is October 3! It’s October 3, you guys!! It’s not next year; it’s not even the holiday! It’s so much before Christmas; it’s so much before Thanksgiving! It’s October 3, you guys!!!” Pitchford, who is a magician on the side, clearly relished this.

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    Borderlands 4 is Gearbox’s first major release since 2K Games bought the studio last year. That followed the epic, messy implosion of its former owner, Embracer Group.

    In the game, you’ll play as a vault dweller taking on the dreaded Timekeeper and his ruthless army. It’s set on a new planet, Kairos. It also introduces new gameplay mechanics (a grappling hook!), seamless world transitions (no loading screens) and fluid co-op (asynchronous difficulty levels). Best of all, it won’t cost $80. Tone-deaf comments Pitchford made in May sparked speculation that the game might pull a Mario Kart World. (His magic failed him that day.)

    The game first launches on PC, PlayStation and Xbox on September 12. Unlike those platforms, Borderlands 4 for Switch 2 isn’t yet available for pre-order.

    If you buy something through a link in this article, we may earn commission.

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  • Rs244bn fraud committed by eight power distribution companies, audit report reveals

    Rs244bn fraud committed by eight power distribution companies, audit report reveals

    ISLAMABAD (Web Desk) – An audit has uncovered significant overbilling and financial fraud by eight power distribution companies (Discos), resulting in the misappropriation of Rs244 billion from consumers, a media report says, citing a latest audit report by the Auditor General of Pakistan.

    The report names Islamabad Electric Supply Company (Iesco), Lahore (Lesco), Hyderabad (Hesco), Multan (Mepco), Peshawar (Pesco), Quetta (Qesco), Sukkur (Sepco), and Tribal Areas Electric Supply Company (Tesco) as the key offenders. These companies overcharged consumers to conceal inefficiencies, line losses, and electricity theft.

    The audit reveals that five of these companies overbilled 278,649 consumers by Rs47.81 billion in just one month. Over the 2023–24 fiscal year, more than 900 million extra units were billed to customers, but no action has been taken against the officials involved.

    In some instances, companies claimed to have refunded billions of rupees, but the audit found no evidence to verify these claims and demanded relevant records. Another disturbing finding showed that Rs22 billion in overbilling was carried out under the guise of “adjusting load” to cover technical losses.

    Qesco is highlighted as the worst offender, having overbilled agricultural consumers by Rs148 billion. The company reportedly inflated tube well bills to cover up poor performance.

    Additionally, 1,432 feeders across the companies were used to issue inflated bills amounting to Rs18.64 billion. Despite repeated requests, relevant records were not provided to the audit teams.

    While some consumers did receive refunds, including Rs5.29 billion for incorrect meter readings and Rs2.18 billion in credit adjustments from Pesco, audit officials have demanded explanations from all eight power distribution companies.

     


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  • Your Comic-Con 2025 Friday panel guide: What to see based on what you love

    Your Comic-Con 2025 Friday panel guide: What to see based on what you love

    Friday brings the Oscars of the comics industry as Comic-Con hosts the 37th annual Will Eisner Comic Industry Awards, a highlight of any year.

    But if you don’t want to attend an awards show, check out the panel recommendations below. Also, remember to stop by the Comic-Con International Independent Film Festival (CCI-IFF), held daily in the Marriott Grand Ballroom 6, for films on geeky topics and a refreshing, air-conditioned break from the crowds and lines. There is also an anime room playing your favorite shows all day and into the night at Grand 4 in the Marriott for additional relaxed viewing.

    Also a reminder: You can visit fan tables in the mezzanine, the art show at the Manchester Grand Hyatt and Artist Alley inside the exhibit hall.

    Cosplay | Comics History| Creators | Monsters | TV + Film | Women | Culture | Academic | Games

    More picks are coming for Saturday and Sunday, so stay tuned. You can also find the full official Comic-Con schedule here.

    All panels listed below are on Friday, July 25.

    If you love costumes, cosplay and creativity on display:

    • Costume to Cosplay: How It’s Changed in 50 Years | 10 a.m., Grand 12 & 13, Marriott Marquis San Diego Marina
    • Cosplay 102: Taking It to the Next Level and Beyond | 11 a.m., Grand 12 & 13, Marriott Marquis San Diego Marina
    • * Celebrating the Puppetry Arts | 12 p.m., Grand 12 & 13, Marriott Marquis San Diego Marina

      I have never been to a puppetry panel, so I am intrigued!

    • * Witch House: Set Decoration of the Supernatural | 2 p.m., Room 9

      This has a Halloween vibe, courtesy of the Set Decorators Society of America.

    • 3D Printing the Star Wars Universe | 3 p.m., Room 7AB
    • How to Build Cosplay Armor and Props with Anvil Station | 6 p.m., Grand 12 & 13, Marriott Marquis San Diego Marina
    • * The 501st Legion: Star Wars Villainous Costuming | 6 p.m., Room 7AB

      I failed in my attempt to join the 501st in 2022 (I will try again!), but you can get tips on how you can join and create a villainous costume.

    501st invites you to the dark side

    If you like comics history, legends and the Eisners:

    Act 4 Publishing/Skybound

    One of Scott Dunbier’s Artist’s Editions from his new Act 4 Publishing and Skybound: “Wally Wood’s EC Stories Artist’s Edition – EXPANDED.”
    • * Eisner Hall of Fame | 10 a.m., Room 29CD

      This used to be part of the evening ceremony, but the Eisners were running a bit long — so now the inductees are celebrated at a separate event.

    • The Birth of Comics: How Anarchy and Innovation Led to the Comics of Today | 11:30 a.m., Room 10
    • * Artist’s Editions: What’s Next from Act 4 Publishing? | 1:30 p.m., Room 24ABC

      Check in with San Diego-based comics creator Scott Dunbier and his Act 4 Publishing.

    • Celebrating 75 years of Peanuts | 1:45 p.m., Room 6DE
    • Remembering Trina Robbins and Her Underground Comix | 2:30 p.m., Room 26ABC
    • The New Yorker: Cartoons, Comics, and Covers | 3 p.m., Room 4
    • Beyond Borders: 80 Years of American Comics “Down Under” | 4 p.m., Grand 10 & 11, Marriott Marquis San Diego Marina
    • Best and Worst Manga of 2025 | 6 p.m., Room 4
    • * The Will Eisner Comic Industry Awards | 8 p.m., Indigo Ballroom, Hilton San Diego Bayfront

      Attend the Oscars of the comics industry and see if your favorite titles win.

    If you want to hear from the people who make the comics you love:

    Celebrate Letterer Appreciation Day with Stan Sakai

    • Spotlight on Marcos Martín | 10 a.m., Room 29AB
    • Spotlight on Paul Karasik | 10 a.m., Room 23ABC
    • Spotlight on Jonathan Maberry | 10 a.m., Room 24ABC
    • Spotlight on Stephanie Phillips | 12 p.m., Room 23ABC
    • * Spotlight on William Stout | 12 p.m., Room 29AB

      As a kid obsessed with dinosaurs, I have always loved William Stout’s art — his murals can be found at the San Diego Natural History Museum.

    • * The Groo Panel | 12:30 p.m., Room 10

      I miss Sergio Aragonés, who has been absent since the pandemic, but his work continues to be celebrated with Mark Evanier and Stan Sakai.

    • Spotlight on Bilquis Evely | 1 p.m., Room 25ABC
    • Spotlight on ChrisCross | 1 p.m., Room 4
    • Spotlight on Greg and Karen Evans | 1:30 p.m., Room 29C
    • Spotlight on Todd Klein | 1:30 p.m., Room 10
    • * Two Marks Explain Everything | 2:30 p.m., Room 10

      Mark Waid and Mark Evanier field questions — and if they do not have the answers, then no one does.

    • Julio Anta Spotlight with Chris Condon | 3 p.m., Room 29AB
    • Spotlight on Max Allan Collins | 4 p.m., Room 28DE
    • * Manga Legend Katsuya Terada Live Draws | 4 p.m., Room 11

      Live draw panels are always fun.

    If you’re drawn to monsters, villains and horror fandoms (as Beth is):

    Cover art from EC Comics' "Summer of Fear: Cruel Universe" from Oni Press.

    Cover art from EC Comics’ “Summer of Fear: Cruel Universe” from Oni Press.
    • The Kaiju Kingdom Podcast: Legacy of Ultraman and Godzilla | 2 p.m., Neil Morgan Auditorium, San Diego Central Library
    • Celebrating Dark Shadows: Comic-Con Premiere of a New Original Graphic Novel and More | 3 p.m., Room 32AB
    • * Godzilla at 70: Seven Decades of the King of the Monsters | 4:15 p.m., Room 6DE

      A celebration of Big G — collectibles (from Super 7 and Mondo), comics (IDW) and films — with “Shin Godzilla” director Shinji Higuchi as a panelist.

    • Villains We Love: Why We’re Drawn to the Dark Side | 4:30 p.m., Room 24ABC
    • The Bold Voice of Contemporary Horror | 4:30 p.m., Room 5AB
    • * EC Comics: The Summer of Fear | 5 p.m., Room 23ABC

      EC Comics, a name to trust for horror, has risen from the grave at Oni Press, which is launching “The Summer of Fear.”

    • * Surviving the Zombie Apocalypse: Do You Have the Guts? | 8 p.m., Room 32AB

      I think I have the guts, but you can never have too much survival information when it comes to zombies.

    If you love TV, movies and behind-the-scenes stories:

    • Adult Swim’s Rick and Morty Season 8: The Panel | 1 p.m., Indigo Ballroom, Hilton San Diego Bayfront
    • * Collider’s Inside Hollywood with Bob Odenkirk | 1:30 p.m., Ballroom 20

      I love Bob Odenkirk’s work in “Better Call Saul,” and he was also fun in “Nobody,” which has a sequel coming up.

    • King of the Hill | 4 p.m., Indigo Ballroom, Hilton San Diego Bayfront
    • You’re Still Wrong, Leonard Maltin | 4 p.m., Room 23ABC
    • TRON: Ares | 5:30 p.m., Hall H
    • * Spike and Mike’s Sick and Twisted Festival of Animation | 9 p.m., Room 5AB

      This Comic-Con tradition lives up to its name. Expect some deliciously sick and twisted animation.

    If you want to celebrate women making movies in comics and film:

    Art from "Mary Shelley's School for Monsters" Kickstarter.

    Art from “Mary Shelley’s School for Monsters” Kickstarter.
    • Girls Who Tell Stories: Shaping the Future of Comics and Creativity | 11 a.m., Omni San Diego Hotel, Omni Grand Ballroom DE, 4th Floor
    • Latinas Directing from Within | 2 p.m., Room 23ABC
    • * Wonder Women: Female Comics CEOs | 2 p.m., Grand 10 & 11, Marriott Marquis San Diego Marina

      Real wonder women!

    • * Independent Women: Female Filmmakers in Indie Movies | 2 p.m., Grand 6, Marriott Marquis San Diego Marina

      I’d go just for Barbara Crampton, scream queen and star of “Re-Animator.”

    • * Monstrous Women: From Revered to Reviled | 8:30 p.m., Room 10

      This panel explores the cultural roots of horror tropes that turn independent women into witches, vampires and villains. Oh, my!

    If you like smart panels on identity, justice and pop culture:

    Keithan Jones of Kid Comics and author John Jennings pose for a photo at Comic-Con Special Edition, 2021.

    Keithan Jones of Kid Comics and author John Jennings at Comic-Con Special Edition, 2021.
    • * The Black Panel | 10 a.m., Room 5AB

      Don’t miss this one! Panelists include Kevin Grevioux (“Underworld”), Keithan Jones (Black Comix Day founder, “The Power Knights”) and Dr. Stanford Carpenter.

    • Comics Arts Conference Session #6: The Knack for Seeing Things in a Different Light: How Comics (Re)Imagine and Challenge Sciences of the Past and Future | 12 p.m., Room 26AB
    • * Joy and Resistance | 12:30 p.m., Room 24ABC

      “Joy is an act of resistance,” said poet Toi Derricotte. Yeah, could use some of that.

    • * Queer Horror | 2 p.m., Room 4

      Prism Comics and moderator/screenwriter Michael Varrati explore horror through a queer lens.

    • Reconciling and Reckoning with the Past | 3 p.m., Room 28DE
    • Native American Creation Stories in Popular Media | 4 p.m., Room 4
    • Always the Sidekick: Psychology of Pop Culture Companions | 5 p.m., Grand 10 & 11, Marriott Marquis San Diego Marina
    • * This Panel Has Been Banned! | 5:30 p.m., Room 10

      More panels on censorship — this one looks at the legacy of EC Comics.

    • Diversity in Fantasy | 6 p.m., Room 9
    • The BHM Panel: When Representation Becomes Resistance | 7 p.m., Room 28DE
    • Deaf Representation in Popular Culture | 7:30 p.m., Room 3
    • Conspiracy Theories and Propaganda Throughout Pop Culture | 7:30 p.m., Room 26AB
    • * Camera, Culture, Combat: Unveiling Filipino Martial Combat Legacy in Comics, Film, and Television | 8 p.m., Grand 12 & 13, Marriott Marquis San Diego Marina

      I love action films and any exploration of the genre. This one focuses on Filipino Martial Arts (FMA) in popular culture.

    If you like comics that intersect with science, law and academia:

    • * Space Is the Place: Comics and Spatial Narratives in Black Speculative Popular Culture | 10:30 a.m., Room 26ABC

      John Jennings and Stanford Carpenter make any panel worth checking out.

    • * STEM, Space, and Afrofuturism *| 12 p.m., Omni San Diego Hotel, Omni Grand Ballroom DE, 4th Floor

      Dr. Lawanda Richmond, co-founder and organizer of Afrofuturism Lounge, is one of the panelists — worth checking out.

    • More Science in Your Fiction with The League of Extraordinary Scientists & Engineers | 1 p.m., Omni San Diego Hotel, Omni Grand Ballroom DE, 4th Floor
    • * Death Strikes: An Opera Survives WWII and Comes to Comics | 5 p.m., Room 4

      In 1943, two prisoners in a Nazi concentration camp wrote a sci-fi/fantasy opera imagining Death going on strike to protest a dictator’s forever wars. Eighty years later, Berger Books/Dark Horse published the acclaimed graphic novel adaptation, “Death Strikes: The Emperor of Atlantis.” That sounds fascinating.

    • The Science of Severance: Exploring Identity, Memory, Technology, and Beyond | 7 p.m., Room 11
    • * The Law of Daredevil Born Again | 7 p.m., Room 25ABC

      I thoroughly enjoy The Legal Geeks, a group that uses pop culture to teach law. This time, they will ask: Can Bullseye sue Daredevil for injuries from being thrown off a building? Does Matt Murdock understand how the attorney-client privilege works?

    If you’re into games, voice acting and animated oddities:

    Seth Allyn Austin was a voice actor for the video game "Star Wars Jedi: Fallen Order." He will be on a panel at Comic-Con.

    Seth Allyn Austin, a voice actor in “Star Wars Jedi: Fallen Order,” will appear on a Comic-Con panel.

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  • Lahore set to launch Pakistan’s first electric tram

    Lahore set to launch Pakistan’s first electric tram

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    LAHORE:

    Lahore is set to see electric trams on its roads, marking a new milestone following the Metro Bus, Orange Line Metro Train, Speedo feeder buses, and Electro Green buses. The first electric tram, imported from China, has arrived in the city and is currently being assembled at the Ali Town Depot. 

    Officials said the tram, designed to operate without a conventional rail track, will initially run as a pilot project along the Canal Road. A demonstration for senior government officials and transport specialists is expected in the first or second week of August at the Lahore Expo Centre. 

    The state-of-the-art tram consists of three interconnected compartments and can carry more than 200 passengers. Fully electric, it can travel up to 27 kilometres on a 10-minute charge.

    Although capable of autonomous operation through a digital navigation system, it will be manually operated by drivers in Pakistan due to safety considerations. The vehicle is equipped with steering controls and is designed to operate alongside regular traffic without requiring significant infrastructure changes. 

    “This is the latest technology, recently introduced in cities like Abu Dhabi and two Chinese urban centres, and soon to begin operations in Budapest,” said Punjab Transport Minister Bilal Akbar Khan. “We are optimistic that Lahore and Gujranwala will see this service before Budapest.” 

    Also Read: Eight SBCA officers get bail in building collapse case

    The minister added that the tram would operate along the Canal Road corridor, from Thokar Niaz Baig to Harbanspura, during the trial phase. Authorities will monitor the tram’s interaction with existing traffic and assess whether a dedicated lane is necessary.

    However, constructing such a lane could involve cutting trees and road expansion — options the government aims to avoid to keep project costs under control. A test run is also proposed for Main Boulevard, Gulberg.

    If successful, the tram system may be expanded to other cities, including Faisalabad and Gujranwala, during the current fiscal year. 

    The initiative is part of Punjab’s five-year transport modernisation strategy approved earlier this year. At a February meeting chaired by Chief Minister Maryam Nawaz, officials outlined plans for an Automated Rapid Transit (ART) system, a cutting-edge, trackless electric bus network modelled after systems already operational in Abu Dhabi, Malaysia, and Qatar. 

    Read More: Commercial waste pollutes water bodies in K-P

    The ART vehicles will feature three coaches, accommodating up to 300 passengers, with onboard Wi-Fi, CCTV surveillance, and rapid charging capabilities at solar-powered smart stations. The system is designed to reduce the need for specialised tracks, making it cost-efficient and space-saving. 

    “The goal is to introduce modern public transportation not just in major urban centres, but also in smaller cities across Punjab,” said the CM. “This initiative will improve quality of life and reduce disparities across the province.”

    The ART system is expected to be rolled out in 10 cities over three phases, beginning with Lahore, Faisalabad, and Gujranwala.

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  • All the Costumes From ‘The Devil Wears Prada 2’ (So Far)

    All the Costumes From ‘The Devil Wears Prada 2’ (So Far)

    The first batch of images from The Devil Wears Prada 2 has surfaced, and I’m…withholding opinion. One thing 20th Century Studios didn’t have to contend with during the making of the original was round-the-clock paparazzi surveillance, the dispatches from which invite all sorts of misinformed assumptions about the lives of its characters. For example, Andy looks like she runs a “disruptive” talent agency in her vest suit.

    But who’s to say this person is even interested in fashion? (The last film ended with Andy getting hired at the New York Mirror thanks to some amateur reporting on janitors’ unions.) And even if she is, who’s to say that being into, or working in, fashion is anything like it once was? (There are more vest suits than town cars outside today’s Vogue offices.) I don’t yet know the circumstances that have led to Andy’s fashion choices, but what is certain is that it’s Emily Charlton (now rumoured to be an executive at Dior) and Miranda Priestly (navigating the collapse of traditional print media in the age of SEO) who will be the real litmus test for the sequel’s style.

    Scroll down to see all the looks from The Devil Wears Gabriela Hearst Prada sequel, here.

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  • How Formula 1 has cut its carbon footprint by 26%

    How Formula 1 has cut its carbon footprint by 26%

    Formula 1 has announced it’s over halfway towards achieving its target of becoming Net Zero by 2030, according to numbers released on Wednesday as part of its Sustainability Update. Here’s a round-up of the key takeaways…

    Okay, you’ve got my attention. What’s this all about?

    I’m glad you asked. Formula 1 launched its sustainability strategy in 2019 with the aim of becoming Net Zero by 2030. To do that, it committed to a minimum absolute carbon emission cut of at least 50% versus 2018, before considering credible offsets.

    The sport has been working hard at that target over the six years since – and it’s been a team effort, with F1 working hand in hand with teams, promoters, partners and governing body the FIA to reduce the sport’s carbon footprint.

    Nice. So what’s been the progress so far?

    F1 delivered a 26% reduction in its carbon emissions by the end of 2024 compared to its 2018 baseline, putting it over halfway towards hitting its target with five years to go.

    At the end of last season, F1’s carbon footprint was 168,720 tCO2e (tonnes of carbon dioxide equivalent), down from 228,793 tCO2e in 2018 – that’s a reduction of more than 60,000 tonnes of CO2.

    This has been achieved during a period of strong growth for the sport, with the calendar growing from 21 events in 2018 to 24 in each of the last two seasons.

    Meanwhile, race attendances have swelled from 4 million to 6.5 million – pushing the sport’s global fanbase to over 826 million.

    Sounds impressive. How have they done it?

    Through a plethora of initiatives.

    Emissions from factories and facilities have reduced by over 34,000 tCO2e compared to 2018, courtesy of the transition to renewable energy sources to power Formula 1 and F1 teams sites. That’s a 59% reduction in this area alone.

    Emissions from travel have been cut by almost 20,000 tCO2e compared to 2018, representing a 25% reduction in this area. This has been achieved through the rollout of remote broadcast operations and F1 teams making investments in Sustainable Aviation Fuel (SAF) for their business travel operations.

    I like it. What else has been done?

    I like this interest! Courtesy of investments in remote broadcast operations, F1 deploys the world’s largest intercontinental remote production system every race weekend from the company’s Media & Technology Centre in the UK.

    It now has around 140 personnel working remotely at each race weekend, reducing the number of people travelling to races, which in turn reduces the carbon footprint.

    F1 has made a significant investment in new freight containers, which has allowed use of more efficient 777 planes. The sport has also invested in SAF for freight operations and expanded the use of biofuel trucks for freight in Europe. This has triggered a 9% reduction in this area, relative to 2018, after a cut of 6,438 tCO2e.

    And while total event operations emissions for the 24-race calendar have increased slightly by 247 tCO2e because of the addition of three more Grands Prix, they have decreased by 12% on a per-race basis.

    Ah yes, talking of the calendar – I’ve noticed some races have been moving around…

    They have indeed – and that’s part of F1’s plan to improve the geographical flow of races around the world.

    It’s seen the Japanese Grand Prix move from September to April to create an Asia-Pacific segment, and moving the Azerbaijan Grand Prix to align with Singapore.

    There’s a swing in the Middle East to end the season, with Qatar slotting in as the penultimate race of the year ahead of the closer in Abu Dhabi.

    And from next year, the Canadian Grand Prix is moving to May. This avoids an additional transatlantic crossing and allows freight to head straight from the Sunshine State after Miami to Montreal.

    As part of this tweak, Monaco moves into June to create a European leg of the season in a single period.

    Collectively, this rationalisation of the calendar delivers significant associated carbon reductions.

    So what’s the plan to maintain momentum and ensure F1 hits its target?

    Further investment will be pumped into its alternative fuel strategy, including the increasing use of SAF.

    From next season, the entire F1 grid will be powered by advanced sustainable fuels for the first time in the sport’s history.

    That fuel, developed by F1 and which debuted in F2 and F3 this season, will be a ‘drop in’ that could be used in road cars as well, with the potential to reduce emissions well beyond our racetracks.

    The sport will continue to move towards the use of sea freight and regional hubs and work on cross-sport solutions to drive efficiencies in its global logistics network.

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  • How Formula 1 has cut its carbon footprint by 26%

    How Formula 1 has cut its carbon footprint by 26%

    Formula 1 has announced it’s over halfway towards achieving its target of becoming Net Zero by 2030, according to numbers released on Wednesday as part of its Sustainability Update. Here’s a round-up of the key takeaways…

    Okay, you’ve got my attention. What’s this all about?

    I’m glad you asked. Formula 1 launched its sustainability strategy in 2019 with the aim of becoming Net Zero by 2030. To do that, it committed to a minimum absolute carbon emission cut of at least 50% versus 2018, before considering credible offsets.

    The sport has been working hard at that target over the six years since – and it’s been a team effort, with F1 working hand in hand with teams, promoters, partners and governing body the FIA to reduce the sport’s carbon footprint.

    Nice. So what’s been the progress so far?

    F1 delivered a 26% reduction in its carbon emissions by the end of 2024 compared to its 2018 baseline, putting it over halfway towards hitting its target with five years to go.

    At the end of last season, F1’s carbon footprint was 168,720 tCO2e (tonnes of carbon dioxide equivalent), down from 228,793 tCO2e in 2018 – that’s a reduction of more than 60,000 tonnes of CO2.

    This has been achieved during a period of strong growth for the sport, with the calendar growing from 21 events in 2018 to 24 in each of the last two seasons.

    Meanwhile, race attendances have swelled from 4 million to 6.5 million – pushing the sport’s global fanbase to over 826 million.

    Sounds impressive. How have they done it?

    Through a plethora of initiatives.

    Emissions from factories and facilities have reduced by over 34,000 tCO2e compared to 2018, courtesy of the transition to renewable energy sources to power Formula 1 and F1 teams sites. That’s a 59% reduction in this area alone.

    Emissions from travel have been cut by almost 20,000 tCO2e compared to 2018, representing a 25% reduction in this area. This has been achieved through the rollout of remote broadcast operations and F1 teams making investments in Sustainable Aviation Fuel (SAF) for their business travel operations.

    I like it. What else has been done?

    I like this interest! Courtesy of investments in remote broadcast operations, F1 deploys the world’s largest intercontinental remote production system every race weekend from the company’s Media & Technology Centre in the UK.

    It now has around 140 personnel working remotely at each race weekend, reducing the number of people travelling to races, which in turn reduces the carbon footprint.

    F1 has made a significant investment in new freight containers, which has allowed use of more efficient 777 planes. The sport has also invested in SAF for freight operations and expanded the use of biofuel trucks for freight in Europe. This has triggered a 9% reduction in this area, relative to 2018, after a cut of 6,438 tCO2e.

    And while total event operations emissions for the 24-race calendar have increased slightly by 247 tCO2e because of the addition of three more Grands Prix, they have decreased by 12% on a per-race basis.

    Ah yes, talking of the calendar – I’ve noticed some races have been moving around…

    They have indeed – and that’s part of F1’s plan to improve the geographical flow of races around the world.

    It’s seen the Japanese Grand Prix move from September to April to create an Asia-Pacific segment, and moving the Azerbaijan Grand Prix to align with Singapore.

    There’s a swing in the Middle East to end the season, with Qatar slotting in as the penultimate race of the year ahead of the closer in Abu Dhabi.

    And from next year, the Canadian Grand Prix is moving to May. This avoids an additional transatlantic crossing and allows freight to head straight from the Sunshine State after Miami to Montreal.

    As part of this tweak, Monaco moves into June to create a European leg of the season in a single period.

    Collectively, this rationalisation of the calendar delivers significant associated carbon reductions.

    So what’s the plan to maintain momentum and ensure F1 hits its target?

    Further investment will be pumped into its alternative fuel strategy, including the increasing use of SAF.

    From next season, the entire F1 grid will be powered by advanced sustainable fuels for the first time in the sport’s history.

    That fuel, developed by F1 and which debuted in F2 and F3 this season, will be a ‘drop in’ that could be used in road cars as well, with the potential to reduce emissions well beyond our racetracks.

    The sport will continue to move towards the use of sea freight and regional hubs and work on cross-sport solutions to drive efficiencies in its global logistics network.

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  • Bitcoin could pull back with equities in the coming weeks, warns Piper Sandler

    Bitcoin could pull back with equities in the coming weeks, warns Piper Sandler

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  • Brett Jones Unpacks Kettlebells, Mobility Gaps and Nasal

    Brett Jones Unpacks Kettlebells, Mobility Gaps and Nasal

    Beverly Hills California, July 22, 2025 (GLOBE NEWSWIRE) — In the latest episode of Health is a Skill, Todd Vande Hei, CEO of Stark, explores what “minimalist muscle” really means with Brett Jones, a StrongFirst Master Instructor renowned for bridging kettlebells with functional movement. Jones details how training just five kettlebell lifts, cleans, presses, squats, swings and Turkish get-ups continues to build his strength after decades in the industry.

    The secret? Jones “minds the gap” by screening for hidden issues first. As a long-time Functional Movement Systems (FMS) educator, he begins with ankles, hips and the thoracic spine to find restrictions that quietly sabotage power and stability. “When your hip stops, your back starts,” Jones says. “If I can’t rotate my T-spine or dorsiflex my ankle, my body will compensate, and that’s where problems show up.”

    Jones outlines how his own severe hip impingements (FAI) forced him to become meticulous with warm-ups, from half-kneeling ankle drills to ribcage-focused T-spine rotations. He also credits nasal-only breathing at rest for balancing the nervous system. “Most people are mouth breathing all day, stuck in fight-or-flight,” he explains. “Nasal breathing restores parasympathetic tone, so your body can move better, lift better, and even digest better.”

    Listeners will also hear why minimalist shoes and barefoot sessions are game-changers for foot-to-glute strength, why high heels and rigid work boots require counter-mobility at day’s end, and how Turkish Get-Ups act as “insurance against falling.” Jones believes these ground-to-stand moves are foundational: “The number one fear for many aging adults is falling. The second is not being able to get up.”

    The conversation wraps with practical takeaways: start with an FMS screen to see where your real gaps are, then layer in three core mobility drills—ankle dorsiflexion, hip runners’ lunges, and T-spine “bretzels.”

    “Don’t chase 150 random exercises,” Jones adds. “Be brutally skilled at the basics. That’s how you build resilient strength for life.”

    Find the full episode on Spotify, Apple Podcasts, and YouTube. For details on personalized labs, strength and nutrition coaching, visit stark.health.

    About Health Is a Skill
    Health is a Skill, hosted by Todd Vande Hei, shares strategies from world-class coaches, physicians and everyday high performers to extend healthspan and improve quality of life at every age.

    Media Communications

    adamtorres@missionmatters.com

    • Brett Jones explains why three kettlebell moves and ankle-to-hip mobility outperform random workouts.

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