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  • EFFECT OF RESIDUAL STROMAL BED AND POSTOPERATIVE DRY EYE ON QUALITY OF

    EFFECT OF RESIDUAL STROMAL BED AND POSTOPERATIVE DRY EYE ON QUALITY OF

    1Department of Ophthalmology, Faculty of Medicine, Universitas Padjadjaran, Bandung, Indonesia; 2Cicendo National Eye Hospital, Bandung, Indonesia

    Correspondence: Budiman Budiman, Cicendo National Eye Hospital, Cicendo No. 4, Bandung, West Java, 40117, Indonesia, Tel +6222 2005226, Email [email protected]

    Aim: Several studies have highlighted the importance of residual stromal beds (RSB) in the quality of patient vision. Patients with RSB < 350 μm experienced a significant decrease in vision quality over time. A thinner RSB after refractive surgery increased corneal ectasia risk. Dry eye complaints are the leading cause of decreased quality of life post-surgery. These complaints can manifest immediately after surgery and typically improve within 6 months. This study aimed to compare the improvement in patient quality of life pre- and post-refractive surgery procedures in relation to RBS and postoperative dry eye status.
    Methods: This was a prospective, analytical, observational study. A total of 57 patients met the inclusion criteria: 33 underwent a femtosecond laser-assisted in situ keratomileusis (FS-LASIK) procedure, and 24 underwent small incision lenticule extraction (SMILE). Samples were taken using a purposive method at the LASIK Center. Patients were asked to fill out the National Eye Institute Refractive Error Quality of Life (NEI-RQL) 42 questionnaire, and an integrated dry eye assessment (IDRA) ocular surface analyzer examination was conducted at the Aesthetic and Dry Eye clinic.
    Results: Significant differences in characteristics were found, with greater refractive error in the thinner RSB group. A comparison of questionnaire score improvements showed higher scores in the thinner RSB group, especially for distance vision and dependence on corrections. No differences in quality-of-life improvement were observed among the different noninvasive break-up time (NIBUT) postoperative groups.
    Conclusion: Patients with thinner RSB experienced a better quality of life improvement one-month post-surgery.

    Introduction

    Refractive errors are the leading cause of reversible visual impairment. Surveys conducted by the World Health Organization (WHO) and the International Agency for Prevention of Blindness (IAPB) show that the blindness rate in Indonesia is 3%, with refractive errors being the second most common cause of moderate visual impairment. Aldiana et al showed that the prevalence of refractive errors in children in Bandung was 15.9%, with 12.1% remaining uncorrected. Uncorrected refractive errors can significantly reduce the patients’ quality of life, education, and work.1–8

    Treatments for refractive errors include glasses, contact lenses, or refractive surgical procedures. The most common refractive surgeries are laser-assisted in situ keratomileusis (LASIK) and small-incision lenticule extraction (SMILE). Traditional LASIK procedures use a microkeratome to create a corneal flap. However, femtosecond laser use is currently more common because it can produce a more accurate flap and reduce complication rates. SMILE uses a femtosecond laser to create a lenticular layer that is extracted through a small incision in the cornea. This procedure involves minimal modifications to the structure of the cornea and its innervation.9–14

    LASIK surgery requires the stroma thickness after the procedure to be thicker than 280 µm with normal corneal curvature. Several studies have reported the importance of the residual stromal bed (RSB) in determining patients’ quality of vision. Kosuke et al showed that patients with RSB < 350 µm will have a significant decrease in vision over time when compared to patients with RSB > 350 µm. Navid et al also demonstrated a correlation between RSB thickness and visual outcomes. A thinner RSB after refractive surgery increases the risk of corneal ectasia. Postoperative ectasia rates are lowest in the SMILE procedure, which usually has a higher postoperative RSB. Some studies have shown that visual acuity and stability are maintained in RSB >300 µm. To date, the relationship between RSB thickness and subjective visual quality outcomes has not been extensively explored, particularly in the early postoperative period.15–19

    Dry eye complaints are the leading cause of a decreased quality of life post-surgery. The femtosecond laser-assisted in situ keratomileusis (FS-LASIK) procedure involves creating a flap which causes more severe corneal nerve damage and increases postoperative dry eye symptoms. Yingjie et al showed that post-SMILE surgery patients had higher TBUT and minimal dry eye symptoms than post-FS-LASIK surgery patients. Postoperative dry eye symptoms can manifest immediately after surgery and typically improve within six months. Non-invasive modalities such as the integrated dry eye assessment (IDRA) ocular surface analyzer can be used to objectively measure break-up time and obtain results in the form of non-invasive break-up time (NIBUT). Dry eye disease is caused by several risk factors. The surgical techniques chosen have different levels of reduction in corneal nerve thickness. This decrease in nerve thickness often occurs particularly in the temporal region.20–24

    Considering these factors, this study aimed to compare the improvement in patients’ quality of life before and after refractive surgery procedures in relation to RSB and postoperative dry eye status.

    Subjects and Methods

    This analytical, observational study employed a prospective cohort design. The sampling was done using purposive sampling. The study population was recruited from the LASIK Center, Cicendo National Eye Hospital, Indonesia. The study acquired ethical approval from the local ethics committees of Cicendo National Eye Hospital, Indonesia. All procedures conducted in studies were in accordance with the ethical standards of institutional and/or research committee, and with the 1975 Declaration of Helsinki, as revised in 2013. Written informed consent was obtained from all participants, with legal guardians providing consent for minor participants prior to their inclusion in the study. Patients undergoing screening for refractive surgery and NIBUT were examined using IDRA at the Aesthetic Eye Center. Patients were asked to complete the National Eye Institute Refractive Error Quality of Life (NEI-RQL) 42 questionnaire before surgery and one-month post-surgery. The research was conducted from February to May 2024 after obtaining approval from the Cicendo National Eye Hospital Ethics Committee.

    The inclusion criteria were as follows: patients undergoing the SMILE or FS-LASIK procedure in both eyes, willing to participate in the study and fill out a questionnaire before and 1 month after the SMILE or FS-LASIK procedure, and had never undergone a surgical procedure. Exclusion criteria were patients who experienced complications during and after the SMILE or FS-LASIK procedure and those who could not visit 1 month after the SMILE or FS-LASIK procedure.

    The required sample size for this study is 20 subjects in each group of SMILE and FS-LASIK. The sample size calculation was based on the following formula:




    where n represents the sample size, z denotes the chosen alpha and beta values for significance and power tests, s represents the standard deviation, and x1x2 represents minimum clinically significant difference in means between the two groups. After accounting a non-response rate of 10%, the final sample size consisted of 44 eyes.

    Each patient undergoing SMILE or FS-LASIK surgery was examined for uncorrected and best corrected distance and near visual acuity, followed by comprehensive refractive surgery screening. All patients then underwent ocular surface analysis using IDRA ocular surface analyzer conducted by a single examiner to minimize inter-examiner variability. The results were interpreted by ophthalmologist. Patients were asked to complete a validated local-language version of NEI-RQL 42 questionnaire. At one-month follow-up, patients were re-evaluated for uncorrected and best corrected distance and near visual acuity and were asked to complete the same questionnaire.

    Analysis of research data was performed using SPSS version 24.0 for Windows. Data are presented as percentages (%) for categorical variables and mean ± standard deviation (std) and median for numerical variables. Statistical tests were used to compare the means of numerical variables between the two groups using the unpaired t-test and Mann–Whitney U-test. Meanwhile, statistical analysis for categorical data was performed using the chi-square test if the chi-square requirements were met; if not met, Fisher’s exact test was used for 2×2 tables and the Kolmogorov Smirnov test for tables other than 2×2. The chi-square test requirement is that no expected values <5 are in 20% of the table Statistical significance was set at p <0.05.

    Results

    In this study, 59 patients met the inclusion criteria during the study period: 35 patients who underwent the FS-LASIK procedure and 24 patients who underwent the SMILE procedure. There are two patients who underwent FS-LASIK were lost to follow-up and did not return for the one-month postoperative evaluation.

    Table 1 summarizes the demographics and clinical characteristics of patients in the RSB <350 and NIBUT group. The mean age in RSB <350 µm group is significantly higher compared to that of the RSB ≥350 group. This study showed a greater proportion of patients in <350 µm group with higher myopic corrections compared to the RSB ≥350 µm group with mean SE −5.22 ± 2.820 D and −2.21±1.951, respectively. The highest percentage in RSB <350 µm group is >−6.00 D category. No significant differences in RSB group regarding sex, education, occupation or NIBUT values. Similarly, in NIBUT group, there are no statistically significant differences in age, sex, education, occupation or spherical equivalent. Continuous variables (age and SE) were analyzed using Mann–Whitney test, while categorical variables were assessed using chi-square, Fisher’s exact, or Kolmogorov–Smirnov tests.

    Table 1 Baseline and Clinical Characteristics of Patients Stratified by Residual Stromal Bed Thickness and Postoperative Tear Film Stability (NIBUT)

    Table 2 presents postoperative quality of life using NEI-RQL 42 questionnaire scores stratified by RSB thickness and postoperative NIBUT. Patients with RSB < 350 µm group demonstrated significantly greater improvements in several quality of life (QoL) categories. In comparison to the RSB ≥350 µm group, this group reported superior distance vision (p=0.005), significant reduction in glare symptoms (p=0.016), reduced dependence on corrective lenses (p=0.004) and higher overall average QoL scores (p=0.023). Clarity of vision, near vision, diurnal fluctuations, symptoms and satisfaction with correction were not significantly different between the RSB group in the first month following surgery. In contrast, the comparison of postoperative NIBUT revealed no statistically significant differences in any QoL categories (p>0.05). Clarity of vision, dry eye symptoms, glare, dependence on correction, and overall satisfaction were comparable in both NIBUT group. This suggests that subjective visual quality did not significantly affected by early postoperative tear film stability as evaluated by NIBUT during the first month follow-up period. For NIBUT comparison, unpaired t-test and Mann–Whitney tests were used based on data distribution.

    Table 2 Comparison of Quality of Life Outcomes by Residual Stromal Bed Thickness and NIBUT Categories

    Discussion

    Stromal thickness measurement is a mandatory examination that must be carried out before refractive surgery. In a study conducted by Hashmani et al, no differences were found in the stromal thickness between men and women. They also found that age was negatively correlated with stromal thickness. This aligns with the demographic data in this study, in which the group of patients with an RSB <350 µm was significantly older. The SMILE and FS-LASIK procedures involve stromal modification using an excimer or femtosecond laser. The thickness of the modified stroma is in accordance with the degree of refractive error, which must be corrected. In accordance with this theory, it can be seen in this study that the lower postoperative stromal bed residual group had a higher preoperative refractive error.14,17,24–26

    When comparing the improvement in quality of life in patients with RSB <350 µm and >350 µm, it was found that there was a significant difference in the RSB group of <350 µm, especially in the variables of distance vision and dependence on correction. This is because the two groups differed in the severity of refractive errors. The lower RSB group had a more severe degree of refractive error; therefore, after surgery, they felt their distance vision was clearer. In addition, patients with severe degree of refractive errors often use assistive devices for their daily activities; thus, after surgery, there is an increase in delta dependence on correction.27–32

    The lower RSB group also has a higher score in clarity of vision, near vision, and activity limitation but not statistically significant. However, the mean scores in clarity of vision, near vision and activity limitations suggest a trend toward better subjective visual outcomes. The difference in refractive error status may also contribute to the difference in quality of life overtime. Several studies showed that the efficacy index of post-operative high myopia was worse at 5 years post-operatively when compared to mild and moderate myopia. This might have been due to lower RSB that affect the corneal biomechanic, and long-term growth of axial length in high myopia. A long term study to assess the difference in quality of life score after long-term surgery may be helpful to address this problem.33–35

    In this study, there are significant difference in glare variable, where people with higher RSB have more significant glare complaint post-operatively. Glare, halos, and starburst can happen after refractive surgery and is caused by induction of Higher Order Aberration (HOA). HOA may be caused by intraoperative issues such as eye movement or poor fixation that cause decentered ablation, central island, and small ablation zone. In this study, there are no noticeable complication intra-operatively. Study by Elsa et al also shows that HOA post-refractive surgery is higher in high myopia group that caused by ablation-induced change in corneal asphericity and may be positively correlated with the amount of refraction correction. This is different from the results of our study where people with higher myopia complain less glare than patient with lower myopia. This may be caused by the fact that patient with higher myopia usually already have more severe glare than lower myopia, so they did not feel any significant difference post-operatively. Future study need to address this variable quantitatively using wavefront analysis to determine the difference in HOA induction in both groups.27–32

    In this study, no significant differences existed in the population with postoperative NIBUT <10s or >10s. Previous studies stated that SMILE resulted in a lower degree of dry eye than FS-LASIK; however, no difference was found in this study. This can be attributed to providing artificial tears to all patients after refractive surgery, which disguises dry eyes. In addition, there was no statistically significant difference in the increase in quality of life scores in the two groups.11,14,20,21,24,30

    A limitation of this study is that no matching was performed in the study population. This study also only compared the quality of life one-month post-surgery, when the influence of corneal ectasia caused by a thinner stromal bed is usually more significant in the longer term. All postoperative patients were administered artificial tear drops so that dry eye symptoms could be disguised and affect the patient’s quality of life. Another limitation in this study is that potential confounders such as age, refractive error, and preoperative dry eye were not fully controlled, which may have influenced the outcomes. A future study is needed to understand the long-term effect on patient’s quality of life and also use the objective HOA measurement such as wavefront aberrometry and contrast sensitivity.

    Conclusion

    In this study, there was a greater improvement in quality-of-life scores average in patients with RSB <350 one month postoperatively. This suggest that patients with higher refractive error usually have better subjective benefit post-operatively. Glare was more pronounced in the lower refractive error group subjectively and still needed further study to confirm these findings quantitatively. No differences were observed in quality-of-life improvement among the different NIBUT postoperative groups, however this may be caused by surgeon providing artificial tears to all patients after refractive surgery, which disguises dry eye symptoms. These findings provide insight for clinician when counseling patients, particularly in early postoperative follow-up and with high myopia. Further long-term studies are needed to assess quality of life, dry eye progression and visual quality beyond the first postoperative month.

    Disclosure

    The authors report no conflicts of interest in this work.

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  • Clues for Dinosaurs’ Diets Found in the Chemistry of Their Fossil Teeth | Jackson School of Geosciences

    Clues for Dinosaurs’ Diets Found in the Chemistry of Their Fossil Teeth | Jackson School of Geosciences

    Some of the dinosaurs and other prehistoric creatures that roamed the western U.S. during the Late Jurassic about 150 million years ago. Depicted from left to right: the Allosaurus, Apatosaurus, a herd of Diplodocus, two Camptosaurus, and an Eutretauranosuchus along the riverbank. Credit: National Park Service/Bob Walters and Tess Kissinger

    You are what you eat, it turns out — even if your last meal was 150 million years ago.

    While the grub itself may be long gone, a record of dinosaurs’ favorite foods has been stowed away in their ancient tooth enamel over the last eon. When researchers at The University of Texas at Austin took a close look, they discovered that some dinosaurs were discerning eaters, with different species preferring different plant parts.

    Tooth enamel contains calcium isotopes that reflect the range of foods the dinosaurs ate; different types of plants have different chemical signatures, and discrete parts of trees — from buds to bark — can also have unique signatures. According to the study’s lead author Liam Norris, the results help explain how so many behemoth creatures all lived together in the same area at the same time.

    “The ecosystem that I studied has been a mystery for a long time because it has these giant herbivores all coexisting,” said Norris, a recent doctoral graduate at UT’s Jackson School of Geosciences. “The idea is that they were all eating different things, and now we have found proof of that.”

    The findings were published in Palaeogeography, Palaeoclimatology, Palaeoecology.

    A man in a hardhat sits on a steep, rocky quarry wall, which is dotted with dinosaur bones.
    Liam Norris takes a small sample from the teeth of a Camptosaurus in the Carnegie Quarry at Dinosaur National Monument. Credit: Liam Norris

    Norris inspected teeth from four dinosaur species and one crocodyliform, both herbivores and carnivores, that roamed the Western U.S. during the Late Jurassic. The plant-eaters are the long-necked Camarasaurus; the short-armed Camptosaurus; and the trunk-legged Diplodocus. The meat-eaters are the bipedal Allosaurus and the comparatively small, crocodile-like Eutretauranosuchus. The bones and teeth of these ancient creatures were all found in the Carnegie Quarry deposit in northeast Utah, which is thought to have formed during an extreme drought in as little as six months to a few thousand years.

    “We were very lucky to be able to study fossils of dinosaurs that lived together and were all rapidly preserved in a single deposit,” said Rowan Martindale, an associate professor at the Jackson School’s Department of Earth and Planetary Sciences. “The Jurassic tomb preserved a unique paleontological gem and these skeletons are beautifully displayed at Dinosaur National Monument.”

    Norris, who now works at the Texas Science & Natural History Museum, studied teeth from 17 individual animals across these five species. The specimens were loaned by the Utah Field House of Natural History State Park Museum or accessed in the field at Dinosaur National Monument. He shaved off a dusting of their enamel, which he took back to the Jackson School for calcium isotope analysis. Jackson School Professor John Lassiter and Radiogenic Isotope Laboratory Manager Aaron Satkoski, both co-authors on the paper, helped to analyze and interpret these data.

    Previously, scientists believed that large herbivorous dinosaurs coexisted by munching on different levels of the tree canopy according to height. However, Norris’s research shows that plant height wasn’t the only factor driving the differentiation of their diets — instead, it was specific plant parts.

    For example, Norris found that the Camptosaurus was a rather discerning eater, preferring softer, more nutritious plant parts such as leaves and buds. The Camarasaurus ate mostly conifers, with a preference for woody plant tissues. The Diplodocus ate more of a mixed diet that included soft ferns and horsetail plants lower to the ground, as well as tougher plant parts.

    “This differentiation in diet makes sense with what we see from the morphology of these animals: the different height, the different snout shape. Then, we bring in this geochemical data, which is a very concrete piece of evidence to add to that pot,” Norris said.

    This research also provides interesting food for thought to a theory about long-necked dinosaurs having flexible necks that could be used to reach many areas of vegetation without having to expend the energy to move the rest of their body. This research, which shows that the dinosaurs ate from different levels of the tree canopy, furthers that line of thinking.

    The carnivores in the study — the Allosaurus and Eutretauranosuchus — had an overlap in calcium isotope values, which could mean that they ate some of the same things. However, the results also showed that the Eutretauranosuchus is more likely to have eaten fish, while the Allosaurus primarily ate herbivorous dinosaurs — possibly including the three other dinosaur species mentioned in this study.

    For this ancient ecosystem to have supported so many enormous dinosaurs with such specific dietary proclivities helps to paint a picture of the vegetation and plant productivity of the time.

    “It’s really just more proof that this ecosystem was as spectacular as we thought it was,” Norris said.

    Henry Fricke of Colorado College also co-authored the study.

    A set of long, sharp teeth are embedded in an ovular rock.
    A set of Diplodocus teeth sampled by researcher Liam Norris. Credit: Liam Norris

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  • American Airlines restores forecast amid economic uncertainty | Travel News

    American Airlines restores forecast amid economic uncertainty | Travel News

    Booking tumbled in the summer months as consumers pulled back on travel expenses

    American Airlines has restored its full-year outlook as broader economic uncertainty continues to weigh on domestic consumer demand across the travel industry.

    The Fort Worth, Texas-based carrier on Thursday offered a wide range for its full-year forecast on the heels of its earnings report, saying the broader economic uncertainty is hobbling consumer spending. The airline had suspended financial guidance in April.

    The airline says it expects an adjusted loss per share of 20 cents a share to a profit of 80 cents a share in 2025. The midpoint of the forecast is 30 cents per share, compared with analysts’ average estimate of 61 cents a share, according to LSEG data.

    American, which generates more than two-thirds of its passenger revenue from the US domestic market, said that if domestic travel demand continues to strengthen, it expects to hit the top end of its outlook. But if the economy weakens, it only expects to be at the bottom end of the forecast.

    “The domestic network has been under stress because of the uncertainty in the economy and the reluctance of domestic passengers to get in the game,” CEO Robert Isom told analysts on an earnings call.

    American said tepid domestic travel demand affected its bookings in July. Isom, however, said the performance is expected to improve sequentially in August and September.

    “We expect that July will be the low point,” he said.

    The company expects its domestic unit revenue, or revenue generated from each seat, to remain lower year-over-year in the third quarter. Its non-fuel operating costs are estimated to be up as much as 4.5 percent in the September quarter.

    American expects an adjusted loss per share in the range of 10 cents to 60 cents in the third quarter, compared with analysts’ estimates of a loss of 7 cents, according to data compiled by LSEG.

    The company’s outlook contrasts with upbeat forecasts of rival Delta and United Airlines. Alaska Air Group has also reported improvements in passenger traffic and pricing power.

    Most US airlines withdrew their financial forecasts in April as President Donald Trump’s trade war created the biggest uncertainty for the industry since the COVID-19 pandemic. While some have reinstated their expectations, there is lingering uncertainty as to how the economy will fare in an ever-evolving tariff landscape.

    Demand in the domestic travel market has remained subdued, with budget travellers approaching their plans with caution, hurting carriers that primarily service the US domestic market and price-sensitive customers.

    Even summer, typically the peak money-making season for airlines, is falling short this year, with unsold standard economy seats forcing carriers to cut fares.

    It dented the second-quarter earnings of Southwest Airlines, the largest US domestic airline.

    At American, the domestic market was the weakest in the second quarter, with its unit revenue declining 6.4 percent from a year ago. The company’s unit revenue in international markets was up, led by a 5 percent annual jump in the transatlantic market.

    On Wall Street, the stock is taking a hit and was down 7.2 percent from the market open as of 11:30am in New York (15:30 GMT).

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  • Thousands unable to make calls as EE and BT networks down

    Thousands unable to make calls as EE and BT networks down

    Imran Rahman-Jones

    Technology reporter

    Getty Images Person walking outside an EE storeGetty Images

    Thousands of EE and BT customers have reported they are unable to make or receive calls as the mobile phone and landline networks face an outage.

    Outages tracker Downdetector, which relies on self-reported user data, showed over 2,500 EE customers experiencing outages at 14:00 BST, with many also reporting issues with other networks.

    Some customers reported issues with making 999 calls, but the government said these had “now been restored”.

    A spokesperson from BT, which owns EE, apologised and said the firm was “currently addressing an issue impacting our services”.

    “We’re working urgently to fix this issue and will provide a further update as soon as possible,” they said.

    Vodafone and Three have confirmed to the BBC they do not have network issues.

    Other networks have seen spikes in reports of outages on Downdetector – but these are likely to be customers from networks unable to connect to EE or BT phone numbers.

    Social media users have been posting about a loss of services of both EE and BT mobile and landline services.

    999 calls

    BT said customers should use 999 as normal.

    However, earlier in the afternoon, Devon and Somerset Fire and Rescue Services posted on social media to say there was “a fault with the mobile phone network, including 999 calls”.

    But they posted an update at 15:01 BST on X to say 999 calls had returned to normal.

    South Western Ambulance Service then posted on X to confirm there was an issue.

    The Department of Science, Innovation and Technology said the outage had “impacted some customers’ ability to make and receive calls between EE and other networks.

    “EE and BT digital voice calls to 999 have now been restored.”

    A spokesperson added: “Communications providers have statutory obligations to ensure their networks and services are appropriately resilient.”

    Customer impact

    EE and BT customer service phone lines are currently down.

    One customer posted on an EE forum to say they could not access the help line to arrange an “urgent refund,” while another was unable to get through on behalf of their elderly parents, who made an order with EE.

    The UK communications regulator Ofcom says it is in contact with BT “to establish the scale and cause of the problem as soon as possible”.

    “Mobile networks and landlines are vital to reach essential and emergency services, it’s important for customers to be reconnected as soon as possible – and kept up to date with developments,” said Ernest Doku, Uswitch mobiles expert.

    “If your landline stops working, you will be entitled to compensation if it has not been fixed within two days, but make sure to report the issue to your provider as soon as it happens,” he said.

    The issue may have also impacted some customers of mobile phone operators which “piggyback” on EE’s network, with 1pMobile saying it was aware of some issues “affecting a small number of customers”.

    “We apologise for any inconvenience caused and the EE network engineers are working on the issue currently,” it said.

    Lyca Mobile and Spusu have been contacted for comment.

    BT Group has more than 30 million customers in the UK and made £20.4bn revenue in the last financial year.

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  • CUPRA in as Official Race Partner of the London finale

    CUPRA in as Official Race Partner of the London finale

    Building on its successful collaboration with Kiro Race Co for the 2024/25 season, the CUPRA KIRO team has turned heads with standout performances and a striking copper-and-yellow livery, unveiled in Mexico City in January 2025.

    CUPRA KIRO is making an impact both on and off track. With investment from actor Idris Elba and exciting content with the world’s biggest YouTube star, the team is bringing electric racing to an entirely new audience. The collaboration with Mr Beast saw the YouTuber take on CUPRA KIRO driver Dan Ticktum in a Gen3 EVO Formula E high-speed challenge, which exemplified CUPRA’s commitment to pushing boundaries and embracing the future of racing.

    On track, the team continues to push boundaries and raise its performance race after race. The progress made this season was clearly demonstrated with a milestone victory in Jakarta — the team’s first win — following its debut podium finish in Tokyo just weeks earlier. These results reflect CUPRA’s unstoppable ambition and the team’s relentless drive to challenge the status quo in electric racing.

    The brand’s bold vision of electrification will be embodied by three standout models — the CUPRA Terramar, CUPRA Tavascan, and CUPRA Born — which will serve as the Official Course Cars of the race weekend. These vehicles represent CUPRA’s progressive performance DNA and will play a key role in bringing the unconventional spirit of the brand to the heart of the ABB FIA Formula E World Championship.

    Marcus Gossen, Managing Director of SEAT and CUPRA UK said: “London is a global stage for sustainable innovation and high-energy competitive racing. This partnership brings together brands that share a bold vision for the future of mobility: one that is disruptive, and electric.”

    “By aligning with Formula E at its flagship home event, CUPRA is demonstrating its commitment to connecting with a new generation of drivers through performance, disruption and sustainability.”

    Xavi Serra, Global Head of CUPRA Racing, at CUPRA KIRO, said: We’re proud to be an official partner for the London double-header. It’s a special race for the whole team — and for Dan in particular — so coming back here feels meaningful. We’re fully focused and ready to give it everything we’ve got, both on and off the track.”

    Formula E is the all-electric city racing series accredited by the FIA. As the only net-zero certified motorsport series, it brings high-performance EV racing to the world’s most iconic cities. The 2024/25 season features races across ten cities, culminating in the Marvel Fantastic Four London E‑Prix with CUPRA as Official Race Partner.

    SCHEDULE: Where, when and how to watch or stream the 2025 Marvel Fantastic Four London E-Prix Rounds 15 & 16

    Free Practice 1: 16:00 local (15:00 UTC), Friday 25 July
    Free Practice 2: 10:00, (09:00 UTC) Saturday 26 July
    Qualifying: 12:20 (11:20 UTC), Saturday 26 July
    Round 13: 17:00 (16:00 UTC), Saturday 26 July

    Free Practice 3: 10:00, (09:00 UTC) Sunday 27 July
    Qualifying: 12:20 (11:20 UTC), Sunday 27 July
    Round 14: 17:00 (16:00 UTC), Sunday 27 July

     

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  • Xbox lowers the price of The Outer Worlds 2 from $80 to $70

    Xbox lowers the price of The Outer Worlds 2 from $80 to $70

    Xbox has officially lowered the price of The Outer Worlds 2 from $80 to $70, mere months ahead of its release on October 29.

    Developer Obsidian Entertainment announced the news via social media through the lens of in-game speech. In a statement to IGN yesterday, an Xbox spokesperson said the company will keep its “full-priced holiday releases, including The Outer Worlds 2, at $69.99—in line with current market conditions.”

    In addition, refunds and reimbursements for those who have already pre-ordered the game for the original price will be available via the storefront or location it was bought at. Xbox added that customers should expect refund notifications as well.

    Microsoft announced the price back on June 8, making The Outer Worlds 2 the first Xbox Game Studios game to cost $80. The news came a month after Xbox announced an increase in console and controller prices in all eligible markets worldwide, as well as the possibility that first-party games could be priced $80 moving forward.

    “We understand that these changes are challenging, and they were made with careful consideration given market conditions and the rising cost of development,” the company said in the announcement at the time, following quarterly financial reports stating a decline in Xbox hardware revenue.

    Related:Update: Mobile developer Sandsoft is laying off 21 internal developers to ‘double down’ on publishing

    Pricing changes at Xbox and Nintendo

    The news around The Outer Worlds 2 pricing echoes the case of the Nintendo Switch 2 and Mario Kart World, which launched alongside the console at $80. In April, Nintendo of America boss Doug Bowser said the situation is an example of the “variable pricing” philosophy that has been adopted by the company. Similar to Xbox, it‛s not the universal price tag moving forward, but depending on the game, first-party titles could be sold for $80.Elsewhere, the latest wave of redundancies at Xbox impacted workers across a myriad of levels, teams, and geographies. Staffers at the company’s ZeniMax Media subsidiary told Game Developer how they were blindsided by the way the cuts were communicated to employees, and what they meant for the studio, especially to people who had been there for over a decade.”Some people were here for 15 years and cut out,” ZeniMax Media senior QA tester and ZWU-CWA member Autumn Mitchell said. “Making it so that people have to rush to type a goodbye message into Slack to their colleagues that they’ve been working with on various projects, that have been making your corporation money for 15 years, is disgusting. It’s disgusting. If I could get any message to any executive right now it would be review this process because it’s not normal and it’s not okay.”

    Related:Itch.io deindexing adult content to appease payment providers


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  • Hulk Hogan: Wrestling legend dies aged 71

    Hulk Hogan: Wrestling legend dies aged 71

    Wrestling’s first superstarpublished at 17:21 British Summer Time

    Jamie Whitehead
    Live reporter

    Hulk Hogan poses in the ringImage source, Getty Images

    Hulk Hogan
    is arguably the most famous name in professional wrestling history.

    Born Terry Boella in 1953, Hogan dominated the professional wrestling world
    throughout the 80s and 90s before expanding into films, and later reality TV.

    Joining the World Wrestling Federation (now World Wrestling
    Entertainment, WWE) in 1979 but leaving shortly after in 1981, Hogan headlined
    the first WrestleMania in New York in 1985, where he and Mr T defeated Paul Orndorff
    and Roddy Piper.

    Throughout the 90s, Hogan’s popularity transcended the wrestling
    ring, appearing in films including Mr Nanny and Suburban Commando.

    It was a surprise to no-one when Hogan was inducted
    into the WWE Hall of Fame in 2005 (he would later be inducted again in 2020 as
    a member of the NWO), but he was removed from the hall in 2015 when his WWE
    contract was terminated after a tape of him emerged using a racist slur.

    In 2018, the company reinstated him, saying he deserved a second
    chance, but several WWE superstars, including the New Day and Titus O’Neil, said
    it would be “difficult to simply forget” what Hogan had said.

    In recent years, Hogan had appeared at Trump rallies and on
    the US election campaign trail last year.

    Hogan was booed by the crowd at his most recent WWE appearance,
    when he appeared on the company’s flagship Monday Night Raw programme to promote
    his beer brand.

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  • BBC, AFP and other news outlets warn journalists in Gaza at risk of starvation | Israel-Gaza war

    BBC, AFP and other news outlets warn journalists in Gaza at risk of starvation | Israel-Gaza war

    Some of the world’s biggest news outlets, including BBC News, have joined forces to voice concern over the desperate plight of journalists in Gaza, warning they are “increasingly unable to feed themselves and their families”.

    Agence France-Presse (AFP), the Associated Press, BBC News and Reuters said they were “desperately concerned” about the journalists in Gaza after widespread warnings of mass starvation.

    With international reporters barred by Israel from entering the strip, Palestinian journalists have been the only ones able to report from the ground in the war zone.

    “We are desperately concerned for our journalists in Gaza, who are increasingly unable to feed themselves and their families,” the news outlets said in a rare joint statement.

    Gaza facing man-made mass starvation, WHO chief says – video

    “For many months, these independent journalists have been the world’s eyes and ears on the ground in Gaza. They are now facing the same dire circumstances as those they are covering.

    “Journalists endure many deprivations and hardships in war zones. We are deeply alarmed that the threat of starvation is now one of them. We once again urge the Israeli authorities to allow journalists in and out of Gaza. It is essential that adequate food supplies reach the people there.”

    News agencies have been pleading for months with Israeli authorities to allow journalists freer movement to and from Gaza, but those requests have become more desperate in recent weeks after concern over the physical condition of some of those who had been trying to cover the conflict.

    This week, AFP asked Israel to allow the immediate evacuation of its freelance contributors and their families from the strip. It followed its warning that those contributors were struggling to work because of the threat of starvation.

    Aftermath of an Israeli strike on a tent housing journalists in Khan Younis, southern Gaza. Photograph: Hatem Khaled/Reuters

    Freelance journalists working for international outlets have warned that hunger and a lack of clean water were leading to illness and exhaustion.

    A group of journalists working at AFP said this week that “without immediate intervention, the last reporters in Gaza will die”.

    The Society of Journalists at AFP said: “We have lost journalists in conflicts: some have been injured; others taken prisoner. But none of us can ever remember seeing colleagues die of hunger.”

    A photographer working for AFP sent a message on social media at the weekend stating: “I no longer have the strength to work for the media. My body is thin and I can’t work any more.”

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  • Celebrating 20 years of DNEG & Christopher Nolan!

    Celebrating 20 years of DNEG & Christopher Nolan!

    We asked our crew just that! Scroll for a closer look at each film, and to hear insights from our talented teams.


    Batman Begins

    The film that started it all. As the lead partner on Batman Begins, we contributed approximately 300 VFX shots to bring the expansive landscape of Gotham City to life, including large-scale miniatures, matte painting and highly detailed digital environment work. We also handled all of the monorail train work, the Batman digital stunt double shots, the miniature rooftop car chase sequence and the opening Himalayan Monastery sequence!



    “Sometime in 2004, Dan Glass hired me to work on the shoot for Batman Begins. I supervised a small VFX Stills unit, getting photos of the Chicago locations for use in BGs and environments. I wasn’t working for DNEG at that time, but I met Paul Franklin who invited me to come visit the office the next time I was in London, which I did. Clearly a good impression was made! In 2009 I relocated from Australia to work at DNEG in London. I’ve been here ever since – by far the longest I’ve worked at any one place in my career!”

    • Tom Proctor, VFX Supervisor

    Batman Begins - still 1


    “My first shot that made it all the way to the screen was for Batman Begins – I got to help out on some rig removal. The shot was when the SWAT team bursts into Arkham Asylum and charges up the stairs with their torches on. Being from the local area I knew that location very well, it was the Grand Staircase in what is now the St Pancras hotel. Back then it was a fairly derelict site used for underground exhibitions and events. One of the moments etched in my memory is the cast and crew launch held in the Odeon Leicester Square – it was very early on a Sunday morning when I went to listen to Christopher Nolan talking about making the film and thanking all the crew.

    These experiences have held a lasting impression on me and they’re probably what hooked me into this world ever since. 20 years have passed since then and countless other shots on many many films, but that simple bit of rig removal is still one of my proudest achievements!”

    • Eliot Hobdell, MGFX Supervisor

    Batman Begins - still 3



    The Dark Knight

    Returning to Gotham for The Dark Knight, we once again acted as lead VFX partner, recreating Gotham City environments, creating a CG Batmobile, CG Batpod and digi-doubles, and working at 5.6K, and sometimes 8K, for IMAX resolution. We contributed 370 VFX shots to the final film, winning a VES Award for ‘Outstanding Created Environment’.


    The Dark Knight - VFX Still 1



    Inception

    The film of our dreams, Inception marked our third collaboration with the acclaimed auteur – and scored us our very first Academy Award for ‘Best Visual Effects’! For this mind-bending film, we crafted 500 VFX shots across the film’s most exciting sequences including the cafe explosion, Paris folding effect, hall of mirrors, zero gravity fight, “Limbo” city scenes and more. In addition to the Oscar, our team’s work was recognized with the BAFTA Award for ‘Special Visual Effects’ and three VES Awards.


    Inception - VFX still 2


    “I’m lucky enough to have worked on Inception, The Dark Knight Rises, and Interstellar. Working on each of these movies was a unique and rewarding experience in my career. Being part of dynamic teams, I have learnt a lot from working alongside so many talented people. I have very fond memories of working on Inception (as a Junior Artist back then), it was such a unique show and the craft that went into it was magnificent! I remember vividly working on the iconic scene of the Paris cafe explosion, especially the intricacy that went into removing all the practical wires and their shadows in this scene.

    I’m grateful to have been part of these projects, and on a personal note I will forever remember the sheer joy of my family seeing their kid’s name on the silver screen for the first time associated with such beautiful movies.”

    • Jean-Francois Leroux, DFX Supervisor, DNEG Animation

    Inception - VFX still 1


    “My time working on Chris Nolan’s films are some of the absolute highlights of my career, and I’ll be forever grateful to Paul Franklin for giving me the opportunities I had to work with him on Batman Begins, Inception and The Dark Knight Rises in particular, because I got to go on set with him for those movies and see and learn so much about filmmaking from one of the greatest directors making films today.

    Inception will always hold a special place in my heart though because I also got to PREVIS and work out the mechanics of the Paris folding city shot – Chris Nolan loved the PREVIS I did so much, they had it on set as reference to help them shoot the shot to match what I’d done!

    The whole team at DNEG was just incredible on those films, with so much talent coming together to create the VFX – I was constantly so inspired by everyone I was working with, and I still look back on those movies now and can’t quite believe how magical it was to be a part of working on those films with those people. I am so very grateful to have been a part of it!”

    • Alison Wortman, Lighting TD

    DNEGxNOLAN20 - Inception VFX still - paris folding


    “Working on Christopher Nolan’s Inception provided my first opportunity in the VFX industry to supervise a team. Back then it was in-camera tracking and I had a young, fresh-faced crew of around 25 artists in the London office who had only recently left University – just like myself. For the show to go on and win the Oscar for VFX was the proudest moment of my young professional career, and the film remains the one I’m most proud to have worked on!

    Fast forward 15 years later and I’m still working at DNEG, but now I’m a VFX Supervisor overseeing the work of hundreds of global artists. I’m still chasing an Oscar with my actual name on it though!”

    • Daniel Baldwin, VFX Supervisor

    DNEGxNOLAN20 - Inception VFX still - limbo city



    The Dark Knight Rises

    To finish off the iconic Dark Knight trilogy, we returned one more time to Gotham for The Dark Knight Rises – this time as sole VFX partner! Our work on this action-packed installment included bringing to life the stunning aerial hijacking that opens the film, the destruction of Gotham Rogues Stadium and the final battle for Gotham City.


    The Dark Knight Rises - VFX Still 5



    Interstellar

    For our fifth project, we traversed space and time for the stunning Interstellar. Again working as sole VFX partner, we crafted a number of sequences including the creation of the Tesseract, the space craft Endurance, the robots TARS and CASE, alien world landscapes, frozen clouds and ice, massive waves, and the most accurate depiction of a blackhole and wormhole yet seen. Our team’s incredible work was recognized with an Academy Award, BAFTA and VES Award!


    Interstellar - VFX still


    “From Runner to FX Artist, working on Christopher Nolan films represents a huge portion of my VFX career at DNEG. As a Runner, I still remember running film reels of The Dark Knight across Soho, which truly seems like another world now!

    Inception was my first film credit, and my first Academy Award – so a pretty good start to a career! I cut my artistic teeth in the world of MatchMove. The film was shrouded in secrecy and delivered with no audio; I remember spending many an hour with the team desperately trying to figure out the plot. On The Dark Knight Rises, I earned the honor of being MatchMove Supervisor. I learnt a lot more about all the departments and especially the incredible world of FX, which would go on to shape my career path moving forward. I still remember the artists working on the epic Gotham Stadium destruction shot, which became such an iconic image in that movie.

    My final Nolan project before I joined the world of Feature Animation was Interstellar, which was an incredible experience. Working with talented peers watching the creation of Black Holes, impossibly large Tidal Waves, Tesseracts and other worlds was amazing from start to finish!”

    – Matt Sadler, FX Supervisor


    Interstellar - VFX Still 6



    Dunkirk

    After traversing space and time, we returned to Earth for our sixth collaboration with the acclaimed director: Dunkirk. Based on the gripping true story, this film depicts the Dunkirk evacuation of World War II. Working again as sole VFX partner, we contributed 429 shots across the film, and earning a VES Award for ‘Outstanding Supporting Visual Effects in a Photoreal Feature’.


    Dunkirk - VFX Still 7


    “I’ve worked on two Christopher Nolan projects, first as a Coordinator and then as a Show Production Manager, and both times one of the highlights was the team I worked with! I learned so much on both projects, and winning the Oscar for Tenet was definitely a highlight of my career.

    But the best thing that came out of it was I met my now husband whilst working together on Dunkirk! 8 years later we’re both still at DNEG and have been married for 3 years.”

    • Liz Dawkes, Central Production Manager

    Dunkirk - VFX Still 2


    “Working on Christopher Nolan’s films has always been a great experience. From camera tracking aerial shots over water on Dunkirk to working on shots with miniatures on Interstellar, each project has had something new to think about. Watching The Dark Knight Rises and Dunkirk on a proper IMAX screen was awe inspiring!”


    Dunkirk - VFX Still 6



    Tenet

    Our seventh collaboration with Christopher Nolan was the time-melting Tenet. Once again working as sole VFX partner, we contributed approximately 300 shots to visualize the film’s complex concepts of ‘reverse entropy’ and ‘time inversion’ – and scored an Academy Award and BAFTA for doing it!


    Tenet - still 4


    “The concept behind Tenet made making this film so unique and mindblowing. Working without knowing how the shot will be in the final is just as usual, but after the final output the same scenes had a dramatically different feel. We worked with 100% precise roto of objects in some scenes, which was very challenging. Overall a great experience of working in this show!”

    • Sabari K, Senior Roto Artist

    Tenet - still 7


    “I worked on Tenet back in 2020, which was an incredible film to participate in. It was fantastic to see the work finally on the big screen, but even better on the slightly smaller screens in the office; it was always great fun watching everyone constantly trying to remember if we’re going backwards or forwards! I was on the project for around 6 months, we had a fab team, and it’s been one of my DNEG highlights.”

    • AJ Mulley, Production Supervisor

    Tenet - still 8


    “It was a great experience working on Tenet. One of my dreams has always been to work on a film by the legendary director Christopher Nolan, and I’m truly grateful to have been part of it. I’m eagerly looking forward to the next project. Big thanks to DNEG for making this possible!”

    • Vinothkumar S, Body Tracking TD

    Tenet - still 6



    Oppenheimer

    The visionary biopic Oppenheimer marked our eighth collaboration with Christopher Nolan. As sole VFX partner, we embraced innovative practical effects and complex compositing treatments to help visualise physical phenomena, ranging from subatomic particles and huge nuclear blasts to exploding stars and the formation of black holes. For our work, we earned the Critics Choice Award for ‘Best Visual Effects’!


    Oppenheimer - VFX still - Black Hole


    “Working with real film while on Oppenheimer (like all of Mr. Nolan’s projects, for that matter!) is amazing and challenging from a grading perspective. Due to the nature of that movie we had the idea to try watching it on the biggest IMAX screen possible and a 70mm film projection. When planning for the summer holidays that year, we discovered the biggest IMAX was situated near Stuttgart at Traumpalast Leonberg. Lucky circumstances allowed us to make it for the last original english version on a stormy Friday at 23h15. It was so worth the detour that the expensive Uber back to the hotel at 3:30am was (almost) forgotten!”

    • Christian Ganea Reitmeier, Senior Colourist Supervisor

    Oppenheimer - VFX still Explosion


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  • Strike-Slip Fault Earthquake Movement Caught On Camera For First Time Ever In Myanmar

    Strike-Slip Fault Earthquake Movement Caught On Camera For First Time Ever In Myanmar

    From CCTV and smartphones to dashcams and smart doorbells, cameras follow your every step in the 21st century. While the constant threat of ever-watching eyes may be turning us into a self-conscious surveillance society, it does make for some interesting science occasionally. Case in point: a security camera in Myanmar captured something never before seen on film: a strike-slip fault in action.

    In a new study, geophysicists at Kyoto University have used the first-of-its-kind footage to study the movement of Earth’s fault in real time.

    A strike-slip fault is a geological feature where two blocks of the Earth’s crust slide past each other horizontally, like two cars brushing by on a narrow road. During bouts of tectonic activity, these blocks can suddenly shift in opposite directions, releasing energy that can trigger earthquakes.

    Most of what we know about this tectonic activity is from the analysis of seismic data gathered from seismology tools that are some distance from the event. However, this footage from Myanmar provides researchers with a front-row seat to the action.

    The event occurred on March 28, 2025, in the city of Mandalay, the second-largest city in Myanmar. It was part of a magnitude 7.7 earthquake, which was felt as far away as Thailand, leaving at least 4,900 people dead. The massive earthquake began along the Sagaing Fault, a massive 1,400-kilometer (870-mile) crack in the Earth’s crust that separates two tectonic plates, the Burma Microplate and the Sunda Plate.

    It then tore through the ground at incredible speed, covering more than 460 kilometers (286 miles). In some places, the ground shifted horizontally by several meters, which was captured by the CCTV footage.

    The researchers studied the video frame-by-frame using a technique known as pixel cross-correlation. This revealed that the fault slipped sideways 2.5 meters (over 8 feet) in just 1.3 seconds, with a maximum speed of 3.2 meters (10.4 feet) per second.

    The total movement is normal for this type of earthquake, but the speed at which it happened is a surprising and important discovery.

    “The brief duration of motion confirms a pulse-like rupture, characterized by a concentrated burst of slip propagating along the fault, much like a ripple traveling down a rug when flicked from one end,” Jesse Kearse, corresponding author from the Department of Geophysics at Kyoto University, said in a statement.

    The analysis also shows that the slip path is slightly curved, as opposed to being completely linear, just as previous studies have suggested. 

    “We did not anticipate that this video record would provide such a rich variety of detailed observations. Such kinematic data is critical for advancing our understanding of earthquake source physics,” said Kearse.

    On the other side of the planet in eastern Canada, a family’s doorbell camera captured the video and audio of a meteorite as it struck the Earth right outside their house. It’s a good job the homeowner set off promptly on his dog walk, otherwise he could have become the second person in history to have been confirmed to be hit by a meteorite.

    The study is published in The Seismic Record.

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