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A new documentary about Merseyside indie band The Coral is a “coming-of-age portrait of six friends”, its director has said.

Dreaming of You: The Making of The Coral, had its premiere screening on The Wirral, where the band is from, on Friday at The Light cinema ahead of its nationwide release on 12 September.

Director James Slater said the film, which is narrated by the band, follows The Coral’s six original members from their childhood in Hoylake to becoming “this really influential band”.

He said: “For me, The Coral are a little bit unheralded in terms of the influence they’ve had on many bands, many artists.”

“There was something different about them, they had their own inner language,” he said.

The Coral, who were formed in 1996 and became a five-piece after the departure of guitarist Bill Ryder-Jones in 2008, broke on to the British indie music scene with their single Dreaming of You in 2002 from their Mercury Music Prize-nominated debut album.

They were also nominated for three Brit Awards, and have gone on to release 12 albums.

Frontman James Skelly said the film featured archival footage the band filmed themselves over years, which captured the importance of their friendship.

“It was more about the friendship than anything else,” he said.

“Music was just a by-product.”

Skelly said the group came together because they did not fit in anywhere else when they were growing up.

He said: “We were the freaks that the freaks did want to hang around with.

“We weren’t quite lads, but we weren’t quite art school or trust fund kids, so we had our own little world.”

Skelly said, as well as friendship, the band’s home had also been a major influence on the music.

“There’s something about the twitching curtain aspect of suburbia I’ve always been drawn to in art,” he said.

“And I could never be away from the sea, I think I’d feel its call wherever I went.”

“Music is the heart and soul of this place,” says Reverend Mike Trotman as he reflects on his church being used as a venue for midweek live gigs.

The 19th Century St Peter’s Church in Parkstone, Poole, has been hosting a series of sell-out gigs with performers on a stage on the nave, under its large vaulted ceiling.

At a time when musicians are struggling with a lack of venues, it introduces a 400-seat-capacity setting to the local music scene.

Rev Trotman admitted the idea “raised a few eyebrows” when he was initially approached by a music promoter.

The collaboration with the Warm agency has brought artists such as acclaimed Mississippi family band Annie and the Caldwells and Watford indie folk-duo, The Staves.

Although the vicar described himself as a music lover, he insisted the “right” kind of music was needed in the church.

“Maybe thrash metal is a no,” he said.

He said the church has been “flourishing” since the series began.

“I think it actually deepens our role because it enhances the beauty, the sense of gathering, and the sense of being a community in this space.

“I’m not going to lie, it does put some money in the coffers and it helps to actually sustain us as a functioning church, and it keeps the show on the road on Sundays.”

Classed as a major parish church, its size means St Peter’s is known locally as “Poole’s cathedral”.

“It’s designed to create a sense of awe and wonder as we look down the nave, it’s a really special place,” the vicar added.

“It’s really exciting that people still identify this as being their church.

“And churches are designed to be a community hub and a cultural hub and it’s great that we’re getting new, old and familiar faces returning.”

For the musicians, it makes a change from typical concert venues.

Folk duo The Staves described the church as “a gorgeous space”.

Camilla Staveley-Taylor said: “It’s just a beautiful room – really large, high ceilings and loads of reverb, which is everything you want when you’re singing harmonies together.

“It makes one voice sound huge. And it makes two voices sound even bigger.”

They admit playing in a church can be testing.

Her sister Jessica said: “I think the challenge sometimes is to make the audience relax, because there’s a certain mindset that if you’re going into church, you’re going to be quiet and well behaved.

“So I think we try and just put people at ease and say, ‘it’s a gig, we can chill’.

Figures from the Music Venue Trust show that on average two grassroots music venues per month are permanently closing across the UK, and over two fifths ran at a loss in the last year.

Camilla Staveley-Taylor said: “Especially post-Covid, lots of the small and mid-sized venues died out

“They’re just the lifeblood of what we do. We need them,

“Especially as people don’t buy records anymore, playing live is incredibly important and having a place to do that and new places like this is really, really important.”

With forthcoming acts including Tom Smith from Editors, Fionn Regan and Chartreuse, promoter Ali Tillett is already looking at booking dates well into 2026.

“There isn’t anything of this size in terms of venue in the local area, and that’s why they love it,” he said.

“It’s very hard to find amazing spaces. And that’s the best thing about this place is it’s unique.

“And just seeing from the first concert how people come into the church and how they embrace it is remarkable and it’s so lovely to see.”

“It was quite a small action but it had a really big ripple effect.”

Dolly Mavies found herself at the centre of worldwide media attention when she pulled out of a gig after a tip-off the US Vice-President JD Vance could be attending.

The folk-rock singer-songwriter and her band chose to leave the venue in Daylesford, near Kingham, and she says she was inundated with supportive messages and received a big boost in social media followers after news of their decision spread across the globe.

Someone familiar with the vice-president’s plans has told the BBC he did not attend the gig, and had never planned to, though it has been widely reported that he was at the venue that day.

The north Oxfordshire musician, whose real name is Molly Davies, says she and her band were “suspicious” when they turned up at the venue, situated in a farm shop and there was a “lot of security around, which there isn’t normally, and then a huge convoy of police motorbikes and very big cars”.

Afterwards Molly posted a short video about her experience online, and “shared it with a few followers and people we know, and then it went into the news, and made its way all the way to the White House”.

Molly says this exposure led to her receiving “wonderful comments and support from people all across the world”.

She adds: “Obviously there’s an overwhelming sense of support in America… I think for a lot of American people there’s a lot of uncertainty, and a lot of people are scared, and it was amazing to feel like they’d been heard.”

Molly also received some comments accusing her of a PR stunt.

“We definitely didn’t do that at all,” she says. “If we were that clever we would have done something before now.”

Molly, who released her debut album The Calm & The Storm last year, says though she received criticism for her actions, “nobody’s ever going to agree with everybody, and that’s totally fine”.

“It riled some people up and that’s for them to decide… but I do think it’s really interesting because in the grand scheme of things we just chose not to do something.

“We could’ve done something much more extravagant… leaving is the most peaceful way of protest in some way.”