Author: admin

  • New bionic knee connects directly with muscles and bone to feel more like the user’s body

    New bionic knee connects directly with muscles and bone to feel more like the user’s body

    A newly developed bionic knee could help people with above-the-knee amputations walk and climb with greater ease than they could with a traditional prosthesis.

    The new prosthesis, described July 10 in the journal Science, connects to a user’s leg via a titanium rod attached to their femur and permanently implanted electrodes in their leg muscles. In addition to improving movement capabilities, the prosthesis helped users feel a greater sense of ownership and agency over the prosthetic limb, the researchers said.

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  • Rosanna Arquette: ‘You pay the price for being outspoken’ | Film

    Rosanna Arquette: ‘You pay the price for being outspoken’ | Film

    You’ve acted in some killer heels. Which have been your favourite? SarahWales
    I hate high heels! I can’t remember any favourites. In between takes, I’d be in slippers or Uggs. If it’s ladylike to be in heels, then that’s not my type of lady.

    Do you think the entertainment industry still has issues with strong, outspoken, independent women? CaptainLib
    You definitely pay a price for being strong, outspoken and independent. But the women whom I admire, like Jane Fonda and Ava DuVernay, are strong, independent and speak their minds.

    What are your memories of shooting After Hours with Scorsese? Is it true Scorsese later advised you to work on Mike Hodges’ Black Rainbow? Glider and Bauhaus66
    I had a great time. It was one of those experiences that lives with you. We just celebrated the 40-year anniversary. Something happens when on a night shoot. At 4am, there’s a giddiness, a silliness. Working with Scorsese is a dream. And yes, we were on the set of New York Stories and he said: “There’s a script I think you should read, I love this director, Mike Hodges.” So I did it.

    What was it like working with Nick Nolte in New York Stories? Kellysahero1970
    He was such a character. He made me laugh a lot. He is one of the most brilliant, eccentric actors I’ve ever worked with, and he knows how to connect. I loved him a lot.

    ‘He is one of the most brilliant, eccentric actors I’ve ever worked with.’ Rosanna Arquette on Nick Nolte. Photograph: 01/Touchstone Pictures/Allstar

    What led you into directing, and your documentary, Searching for Debra Winger? repoman71
    I made it such a long time ago – gosh, 23 years ago. I was a young mother and I had my career. I wanted to talk to other female actors who were balancing their life with their art. That’s kind of the exploration of the documentary: how do we do it all? Something always seems to take the back seat. For me, it was hard to put motherhood in the back seat. I remember my daughter’s third birthday. I was supposed to have the day off, but we overshot filming, so I wasn’t going to be able to fly home from Vancouver and I was absolutely devastated.

    I thought: “This is the most horrible thing. I’m gonna miss my daughter’s birthday. It’s not worth being an actress.” But then her dad flew her up to surprise me. It got me thinking: how do you make sure your marriage doesn’t take a back seat to your career? It reminds me of Michael Powell’s The Red Shoes, where she can’t make that decision between choosing her life or her art, and she ends up dancing in front of a train. So I think I was just exploring that with other women, asking them how they do it, and it ended up being a really great conversation. I’d like to revisit it now. It’s a whole different world.

    ‘I did end up keeping the jacket, but I gave it to Peter Gabriel’s daughters and now we can’t find it, which is a bummer.’ Photograph: Herb Ritts/Orion/Kobal/Shutterstock

    What was it like making Desperately Seeking Susan, as Madonna went from hip, underground dance act to global superstar? And were you tempted to keep the jacket? HenleyRegatta and thatneilguy
    She exploded as we were making the film. It was pretty intense and overwhelming for her, but she handled it great. She wasn’t a global superstar yet. She became one while we were doing that. She had hits, but then I remember looking at her on the cover of Rolling Stone on set and thinking: “Wow!” And I did end up keeping the jacket, but I gave it to Peter Gabriel’s daughters and now we can’t find it, which is a bummer, as I’d like to have donated it to a museum.

    I saw you recently, speaking at the No Kings rally in west Hollywood. Have you always been an activist? PaulMariner
    I grew up in a family of activists. My mother was an activist. My father was an activist. Our whole family are activists in some way, shape or form. Civil rights, human rights, and the planet’s rights are really what I fight for. And, more than ever now, because I’m living in a country that unfortunately is becoming what seems like an authoritarian dictatorship. It’s very frightening.

    What was your experience of working on the 1996 Welsh/Hollywood short, Valley Girls, and what did you think of the very quintessentially Welsh turns of phrase? johnnylewis
    It was such a long time ago, I can’t even remember doing this. Is that terrible? I can’t remember a lot of the things I did. I just don’t really go and look at my work afterwards. I did see Pulp Fiction in a hotel recently. It was past my scene, so I watched the rest of it. But I don’t sit and secretly watch myself.

    I absolutely love the 1988 Luc Besson movie, The Big Blue. Was the shoot as sun-kissed and blissful as I’ve always imagined or was it a real slog being dragged to all those beautiful locations? 11LFO11
    It was nine months of sun-kissed and blissful. My daughter [Zoë Bleu Sidel] is about to star in Luc Besson’s Dracula – A Love Tale, with Christoph Waltz and Caleb Landry Jones. She had to screen test and go through all the process that actors go through. She’s the same age I was when I did The Big Blue, which seems wild.

    ‘It was nine months of sun-kissed and blissful’ … with Jean-Marc Barr in The Big Blue. Photograph: Moviestore/Shutterstock

    What was it like working with John Cleese in Silverado? PeteTheBeat
    I would call him “The Professor”. He was such a wonderful man and suggested books because I was very upset that I’d never been to college. So he was like my professor.

    If you had a time machine, like in your new film Futra Days, where would you go? TurangaLeela2
    I’m still trying to learn how to be in the present. But, if I had a time machine, I’d probably turn back time to the last election in America.

    Arquette in her new film, Futra Days. Photograph: Archstone Entertainment

    Am I gonna be in trouble if I say that? Because it seems like you can’t say anything. I’m just trying to understand: are we in America? Are we in Russia? That’s what seems to be happening here.

    Do you do Rosanna by Toto at karaoke? McScootikins
    God, no. Please. It would be so embarrassing. I’ve done Patti Smith, and Nirvana. If I do anything, I’ll do that.

    Has there been a role you wanted that would have taken your career to new heights? Kal_85
    Years ago, before it became the gigantic movie, there was an incredible script called 3000, that I was going to do with Sean Connery. It ended up going away and then coming back in its new form: Pretty Woman with Julia Roberts and Richard Gere. It originally didn’t have a happy ending. I’ve heard my sister [Patricia Arquette] tell the same story. Apparently, she was also up for it, but was too young. I dunno. Maybe?

    Futra Days in on digital platforms from 21 July

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  • Should kids use retinol? What beauty companies are selling children.

    Should kids use retinol? What beauty companies are selling children.

    It’s not an exaggeration to say that Jessica DeFino transformed my relationship with skincare. After reading her newsletter, The Review of Beauty, I started questioning the purported “anti-aging” benefits of the products I was putting on my face and asked myself what it meant to buy into a philosophy of “anti-aging” in the first place. DeFino has probably saved me thousands of dollars on skincare.

    I am, however, aging. The newest target audience for beauty advertising is decades younger than me: the teens, tweens, and even younger kids flocking to brands like Evereden. And despite some movement toward body positivity since I was a teenager, it feels like young people are growing up in a world with more exacting beauty standards than ever, from viral challenges that pressure them to work on their bodies all the time to ultra-normalized plastic surgery to weird ideas about guys’ eyelashes. To be young today is to be bombarded with a dizzying variety of messages about your own beauty or ugliness, coming from some of the world’s biggest companies as well as from influencers who are ostensibly your peers.

    To help me unpack all this, I reached out to DeFino, who got her start as an editor on the Kardashian-Jenner beauty apps, then became disillusioned with the beauty industry and evolved into one of its most incisive and influential critics. In a conversation that has been condensed and edited, she and I talked about MAGA beauty, the potential harms of slathering your skin with retinol at age 8, and why helping young people push back against our disordered beauty culture has to start with examining our own anxieties.

    Kids’ interest in skincare is often portrayed as fun or harmless, DeFino told me. But beauty “is a multibillion-dollar industry that is built on insecurity, whose physical products and procedures often have very serious physical consequences, whose messaging has very serious psychological consequences,” she said. “We must take it seriously.”

    How common is it for kids to be using skincare products that once would have been marketed to adults? And how big of a business is skincare for young people?

    It’s a huge business right now. US households with 6- to 12-year-olds spent 27 percent more on skincare in 2023 versus the year before. Beauty spending among teens increased 23 percent year over year. I don’t have this year’s statistics in front of me, but I would say it’s a very powerful growth sector for the industry.

    More brands that were formerly targeted toward adults are expanding to target teens and tweens. And at the same time, we have a lot more beauty brands entering the market that are specifically meant for infants, babies, tweens, teenagers. A year or two ago, Dior launched the Dior baby lines, which included skincare and perfume for babies. I swipe through TikTok or Instagram, and I will see mothers putting sheet masks on their 1-year-old babies, 2-year-old toddlers.

    There’s this really interesting trend that started a while ago on TikTok, where moms will hand their babies different beauty products and see if they know intuitively what to do with them. It is fascinating to see these 1-, 2-, 3-year-olds know exactly what to do with the blush brush or a serum or eyebrow pencil.

    Why has this been happening? Why are we seeing these expansions into younger markets?

    First of all, I think the collapse of age-appropriate spaces and age-appropriate media has been a huge factor. Just speaking from personal experience, growing up, there were a lot of teen- and tween-focused magazines. There were TV channels where the shows and the commercials were geared towards a specific age group.

    As media collapses and everything moves online and more into social media, we’re all hanging out in the same spaces. It’s very easy for a child to get adult content on their “For You” page. And it’s very easy for adults to be fed this teen and tween content to get outraged about.

    How many stories were there about the Sephora tweens? Which really only fed the trend.

    There’s also basic everyday capitalism: The market always needs to expand. In the past couple of years, especially, we’ve seen it expand not only to children, but to women who are 70 and 80, who are getting these full-body makeover routines. We’re seeing more and more young boys and men becoming interested in cosmetic interventions as well. This is not only a phenomenon for young girls. The market is really saturating every demographic right now.

    Filters on social media are created with cultural beauty standards in mind. Young girls might not necessarily be conscious of the fact that, like, I want to look younger, so I’m going to be using retinol or anti-aging creams. But they might be saying, I want to look just like that filter, and that filter is created with standards that prioritize looking very smooth, no lines, no wrinkles, no pores. I think the AI beauty standard and the standard of anti-aging actually share a lot of surface-level qualities.

    What are the medical or physical implications of using a lot of skincare, especially with active ingredients like retinoids, if you’re super young?

    There are a ton of potential physical consequences the more beauty products you are putting on your face, and that goes for all ages, but especially for younger people whose skin is still developing and can be more vulnerable to potential issues.

    This new study from Northwestern Medicine looked at the skincare routines of children and teens on TikTok, specifically ages 7 to 18, and how those might damage their skin long term. There’s an average of 11 potentially irritating active ingredients in the skincare routines in these videos, and some potential consequences of that are making the skin more sensitive to sunlight, which of course increases your risk of skin cancer over time; allergies; and dermatitis, which is an inflammatory condition. Any inflammation that can arise from that can also trigger psoriasis, rosacea, eczema, acne.

    Anything that you put on your skin affects the environment of bacteria that actually is there to keep the skin safe and healthy and functioning. Interfering with the skin barrier and the microbiome by layering on product after product after product can — for anyone of any age — make you dry or oily or dehydrated or sensitized. But particularly in the case of babies, there have been studies linking the overuse of soaps and scented products to developing eczema that carries on throughout a child’s whole life.

    What about the psychological and emotional aspects being initiated into this skincare industrial complex from a young age?

    The most basic place to start is just to look at the data that we have for how beauty standards affect everyone who is subject to them. We have really strong data that shows that the pressure to adhere to a particular appearance ideal increases instances of appearance-related anxiety, depression, facial dysmorphia, body dysmorphia, disordered eating, obsessive product use and overuse, self-harm, and even suicide. Personally, I think the risks are even higher when you are indoctrinated into beauty culture at younger ages. The psyche is still as vulnerable as the skin is at that point. The younger you internalize a lesson like, I must look XYZ way in order to be beautiful, the harder it is to challenge that later in life.

    I also think a lot of it reinforces gender essentialism and these ideas of traditional femininity and traditional masculinity that have other sorts of consequences beyond one’s own psychological health. These reinforce the conditions of a very oppressive society that believes women should act one way and look one way, and if you don’t, you’re not good, or you’re not a woman, or you’re not living up to your biological destiny.

    Since you brought up gender roles, I’m sure you’ve seen the discourse around MAGA beauty and conservative “chic.” I’m curious if you think some of these politicized beauty standards are trickling down to young people.

    I do, and I don’t actually think that’s out of the ordinary. What we’re seeing in, for example, Evie, which is sort of a right-leaning women’s magazine, these are the lessons that are embedded in all sorts of mainstream beauty culture, whether a brand is coded as conservative or liberal. It’s hitting in a different way now that conservatives are saying this out in the open, but these conservative messages are sort of the hidden messages in almost all beauty content that suggests you should look different than the way you currently look in order to be beautiful or healthy or happy or worthy.

    If outrage about Sephora tweens just feeds into more marketing, what is a good social response to some of the trends that we’re seeing?

    When we see our adult behaviors mirrored back to us by children, we can see some of the absurdity of it, and we can see some of the danger of it. I don’t think the correct or useful response is to be like, Okay, we’ve got to stop young girls from doing this. We have to look at ourselves.

    We have to look at the adult beauty culture that we have created and we’re participating in and we’re perpetuating. And if we don’t think that is something for a young girl to see or to participate in, we have to be part of the project of dismantling that, not just for young girls, but for all women.

    This is a problem for adults to solve, and we’re not going to solve it by pointing and laughing at children and saying, look at how dumb they are. They care about anti-aging because you care about anti-aging, and it’s just as ridiculous when you do it, because you are hurtling toward death. It’s not going to change if you have a few fewer wrinkles.

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  • Apple News+ introduces Emoji Game

    Apple News+ introduces Emoji Game

    Today, Apple News+ debuted Emoji Game, an original puzzle that challenges subscribers to use emoji to complete short phrases. Emoji Game is now available in English for Apple News+ subscribers in the U.S. and Canada.1

    “Emoji Game is the perfect addition to the Apple News+ suite of word and number puzzles, turning the emoji we use every day into a brainteaser that’s approachable and fun,” said Lauren Kern, editor-in-chief of Apple News.

    Emoji Game challenges players to use a selection of emoji — including Genmoji created using Apple Intelligence — to fill in the blanks of three short phrases using as few moves as possible. Each phrase is accompanied by a clue, which the user can choose to reveal, but that will count toward the player’s total number of moves. Results can be tracked on Game Center leaderboards, or shared with friends and family through Messages, Mail, social media, or other platforms. Subscribers can access daily and archived Emoji Game puzzles in the Puzzles section of the Apple News app. Apple News+ subscribers will also be able to access Emoji Game this fall through the Apple Games app, an all-new destination designed to help players jump back into the games they love, find their next favorite, and have more fun with friends. Emoji Game joins existing Apple News+ puzzles like crossword, crossword mini, Quartiles, and sudoku.

    Apple News+ provides subscribers with access to content from more than 400 top publications, including an expansive selection of local publications like the recently added Tampa Bay Times, The Minnesota Star Tribune, and The Washington Post. In addition to Apple News+ Puzzles, subscribers also get access to a dedicated Sports section featuring content about users’ favorite teams from local and national publications, as well as a newly introduced Food section, which offers subscribers access to tens of thousands of recipes and culinary stories from top food publishers.

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  • Children under seven should not drink slushies containing glycerol, says regulator | Health

    Children under seven should not drink slushies containing glycerol, says regulator | Health

    Children under seven should not drink slushies containing glycerol because of the serious health risks they can cause, the Food Standards Agency (FSA) has said.

    Glycerol is a naturally occurring alcohol and sugar substitute that helps slushies maintain their texture by preventing liquid from freezing solid.

    Children who become ill as a result of drinking slushies develop glycerol intoxication syndrome, which causes symptoms such as decreased consciousness and low blood sugar. Other symptoms include lactic acidosis, which occurs when the body produces too much lactic acid, and hypokalaemia, or low potassium.

    Previously, the FSA, the food safety body for England, Wales and Northern Ireland, had advised that children under four should not have slush ice drinks containing glycerol, and that consumption should be limited to no more than one slushie a day for children aged between five and 10 years. The FSA has revised its guidance before an expected seasonal spike in slush ice drink sales at children’s indoor play areas, leisure facilities and outdoor events over the summer holidays.

    This latest advice also applies to ready-to-drink slush ice drinks with glycerol in pouches and home kits containing glycerol slush concentrates.

    There have been nine confirmed cases of glycerol intoxication in young children who were admitted to hospital in the UK over the past three years.

    In March, paediatricians warned that children under eight should not drink slushies that contain glycerol, after a review of the medical notes of 21 children who became acutely unwell shortly after drinking one.

    Prof Robin May, the chief scientific adviser at the FSA, said: “As we head into the summer holidays, we want parents to be aware of the potential risks associated with slush ice drinks containing glycerol. While these drinks may seem harmless and side-effects are generally mild, they can, especially when consumed in large quantities over a short time, pose serious health risks to young children.

    “That’s why we’re recommending that children under seven should not consume these drinks at all, and children aged seven to 10 should have no more than one 350ml serving.

    “We’re working closely with industry to ensure appropriate warnings are in place wherever these drinks are sold, but in the meantime we are asking parents and carers to take extra care when buying drinks for young children, particularly during warmer months when consumption of ‘slushies’ typically increases.”

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  • Prospect of a ‘home’ Rugby World Cup is inspiring Zimbabwe’s Ian Prior to play on

    Prospect of a ‘home’ Rugby World Cup is inspiring Zimbabwe’s Ian Prior to play on

    Zimbabwe’s Ian Prior admits it is hard to ignore the prize at stake this weekend.

    The reigning Rugby Africa Men’s Cup champions face Namibia in Namboole, Uganda, this Saturday, with the winner of the final qualifying for Men’s Rugby World Cup 2027.

    While Namibia have been ever-present at the Men’s Rugby World Cup since their debut in 1999, the Sables have failed to qualify since the last of their two tournament appearances in 1991.

    As an Australian born to Zimbabwean parents, Prior is especially excited by the prospect of representing Zimbabwe on home soil at the Rugby World Cup.

    “These are the games that you play for as a player – Grand Finals. Games like this can change the course of people’s careers, not only players but also administrators, coaches. It’s really exciting and it’s great to be a part of it this weekend,” said the former Western Force player.

    “We’ve given ourselves a shot, which is very pleasing, given all the hard work that has gone in from a lot of people from inside and outside of the team over the last 12 to 18 months to get us to this position.

    “And now it is time to go and enjoy it for what it is. Playing for that spot in the World Cup is really exciting, and the cool thing from a team perspective is that we haven’t really played to our potential yet in this tournament.”

    POINTS MACHINE

    Zimbabwe defied wet conditions and determined opponents to ease past Morocco 43-9 in the Rugby Africa Men’s Cup quarter-finals before edging out Kenya, 29-23, in a thrilling semi-final last Sunday.

    The Sables are known for playing with freedom and scoring some fantastic tries from deep rather than relying on goal-kicking. 

    But Prior’s boot had a big say in both wins, scoring 37 points – just over half his team’s overall total – including a crucial late drop goal against Kenya’s Simbas.

    “We had a wet game, first game, and in the second game, Kenya put us under defensive pressure, and they were quite physical, so we haven’t been really able to unlock our (attacking) game as much as we’d have wanted to.

    “But I think we have adjusted really well, to show we are a test match side in terms of how we have adapted our game to suit the conditions and to suit the teams we are playing.”

    Prior expects another physical battle against Namibia, who Zimbabwe beat 32-10 in last year’s semi-finals, their first win over the Welwitschias in 23 years and only their third in history. 

    “They’re a quality side, they have shown that in the last seven (Rugby World Cup) campaigns,” he stated. 

    “They’re a well-drilled side, they’ll bring some defensive pressure, they’re strong in the set-piece, and it is up to us to make sure we utilise our tools in the game and put our best foot forward in the 80 minutes.

    “At the end of the day, that’s what it comes down to, who executes it best for those 80 minutes.”

    MAKING IT COUNT

    Prior has a Super Rugby winner’s medal from his time at Queensland Reds, as well as being one of only three Force players to make over 100 appearances before giving up full-time rugby last year.

    He’ll be 37 by the time the next tournament kicks off, and appearing at a Rugby World Cup for Zimbabwe would be the perfect way for him to hang up his boots for good.

    “I don’t know too much about the history of previous campaigns, where we have made it to the final and had a shot. I can’t remember the last time when that was as a nation. So to have earned our way here is really exciting,” he said.

    “Obviously, that World Cup carrot has been a goal of mine to keep going, to keep waking up at 5.30 and go to gym before I go to work and then coming back from work, picking up the kids and going to do extra training on my own, because I am not in a full-time, professional environment anymore, kicking balls down to the local park and at my local club, Associates RUFC, 

    “It’s almost taken me back to when I was trying to make it as a pro, doing all hours, outside of your work, outside of your study, and now I have got a young family and a wife.

    “They’ve been very understanding of the sacrifices I have had to make; it is time away from them, so I am looking forward to making that count on Saturday.”

    In his six caps, Prior has amassed 80 points and is yet to lose in a Zimbabwean jersey, one which he wears with pride.

    “For someone who has plied his trade in Super Rugby for 14 years and always had test ambitions, to represent my heritage nation where my family all come from – I am the only Aussie born in my family – is pretty special,” he confessed.

    ‘AN UNBELIEVABLE EXPERIENCE’

    National pride is something that Namibia’s head coach, Jacques Burger, has in abundance. 

    The devil-may-care flanker played at three Rugby World Cups for Namibia and would love to get to a fourth, this time as coach, so his players can experience what he experienced in 2007, 2011 and 2015.

    The Welwitschias are still on course to qualify for an eighth straight tournament after booking their place in this year’s Rugby Africa Men’s Cup final with a 21-7 win over Algeria in last weekend’s semi-finals.

    “It’s a sense of pride you can’t explain, standing there singing your national anthem, and knowing people back home are supporting you, and obviously, people are supporting you there as well.

    “Getting an opportunity to play against the world’s best rugby players is an unbelievable experience, and I have been fortunate enough to experience that.

    “Everybody here, all the teams, that’s what they fight for, to get that opportunity, to represent their country at a World Cup.

    “Careers don’t last forever, but the memories you make as players are everlasting. 

    “We want to make sure we make some great memories together, and in order to do that, we have to be successful. We have to work hard, fight hard, and stick together through the tough times.

    “The World Cup is the ultimate goal and we’ll make sure we do everything possible to qualify.”

    Photo: Rugby Africa

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  • Slack bolsters search with AI, adds transcriptions and summaries for huddles

    Slack bolsters search with AI, adds transcriptions and summaries for huddles

    As the race to bake in AI features into productivity apps intensifies, Slack is bolstering search on its app with AI features, adding transcription and summaries for huddles, and a way to see recaps of channels and threads.

    Using AI, Slack now lets you search across channels as well as connected apps (like Google Drive, Salesforce and Teams) to surface relevant files and conversations. This feature will be available on Slack’s Business and Enterprise plans.

    Image Credits: Slack

    The company is also using AI to bolster Huddles, the company’s voice and video chat feature, with call transcriptions, summaries, and the app will automatically highlight key action items brought up in calls.

    And to help users catch up on conversations, Slack will offer summaries of messages in a channel or thread if you were away.

    The company said that it will roll out a way for users to get a summary of another user’s profile, showing their role and recent work. There are also plans for a feature in the Activities tab that will surface action items when you’re looking at a message mentioning you.

    Image Credits: Slack

    Slack added that it is working on a feature that would let you use AI to explain a message in the context of the given conversation.

    Image Credits: Slack

    For Canvas, a collaborative panel that lets users share guides, documents, and information, the company plans to add an AI-powered writing assistant that would help users create a canvas from any conversation or change the existing content’s formatting.

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    The app’s also getting a design makeover — we’re getting a unified space for all shared files, lists, and Canvas items.

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  • Disney IP anchors theme parks. Here’s why it works

    Disney IP anchors theme parks. Here’s why it works

    General views of Sleeping Beauty Castle at Disneyland on April 06, 2024 in Anaheim, California.

    Aaronp/bauer-griffin | Gc Images | Getty Images

    The “Happiest Place on Earth” turns 70 this week.

    Disneyland, a pillar of the Anaheim, California, community since 1955, was a passion project of founder Walt Disney, a place where adults and their children could have fun together. It also served as a place where the longtime media company could show off and weave together different pieces of its business from films, television shows and comic strips to music and merchandising.

    Disney’s portfolio of intellectual property has been the bedrock of its theme parks since the very first location opened its doors. These days, the company’s experiences division, which includes parks, resorts, cruises and consumer products, remains one of its best profit drivers. Operating income for the unit for fiscal 2024 was more than double that of the content-centric entertainment division, where the IP originates.

    Disneyland in Anaheim began with more than a dozen attractions, many of which were pulled directly from Disney’s archive of theatrical films. Among them were Mad Tea Party based on “Alice in Wonderland,” Mr. Toad’s Wild Ride from “The Adventures of Ichabod and Mr. Toad,” Peter Pan’s Flight, Snow White’s Enchanted Wish and Dumbo the Flying Elephant.

    Over the past seven decades, Disney has opened a total of 12 theme parks across the United States, Europe and Asia, with another set to open in Abu Dhabi, United Arab Emirates, in the coming years. It also has a fleet of cruise ships, which is set to double by 2031, and nearly 60 resort hotels and vacation properties globally.

    “If you go back now 70 years ago, Walt knew the great stories that he was creating, if he combined those with the technologies that were at hand at the time with this idea of an immersive experience that he could create something that no one else had ever done,” said Josh D’Amaro, chairman of Walt Disney’s parks and resorts. “And it really set the Disney brand apart.”

    Vice president Richard M Nixon, Mrs. Patricia Nixon, Tricia Nixon, 9 years, Julie Nixon, 7 years, Donnie Nixon (nephew), Fess Parker (actor), CV Wood, Junior (General manager of Disneyland), Anaheim, California, August 11, 1955.

    University Of Southern California | Corbis Historical | Getty Images

    The first rides at Disneyland were interspersed with original creations like Jungle Cruise, Autopia and the Disneyland Railroad.

    While Disney would bring a number of non-IP attractions to life over the next few decades — Matterhorn Bobsleds, Pirates of the Caribbean, Haunted Mansion, Big Thunder Mountain and Space Mountain, among them — in the last decade, the company has committed to utilizing its existing catalog of stories to fuel new and updated attractions in its domestic and international theme parks.

    Collecting stories

    Much of that strategy has come in the wake of CEO Bob Iger’s acquisition of four major studios — Pixar (2006), Marvel (2009), Lucasfilm (2012) and 20th Century Fox (2019) — which brought coveted franchises under the House of Mouse roof.

    “I think we’ve been fortunate now in that we have gone after that IP, brought it into the Disney fold, and just made the brand even more powerful,” D’Amaro said.

    Many of these brands already appeared in the company’s parks as part of licensing deals, like Star Tours, which opened in 1987; Indiana Jones Adventure, added in 1995; and Buzz Lightyear Astro Blaster, which debuted in 2005.

    The company also opened entire lands — curated areas that have themed rides, food and entertainment centered on one piece of IP. This included A Bug’s Land, which opened in 2002 at Disney’s California Adventure park, based on Pixar’s “A Bug’s Life” and Pandora — The World of Avatar, set on the fictional planet Pandora from Fox’s “Avatar” film and built at Animal Kingdom in Florida.

    General views the Pandora The World Of Avatar Dedication at the Disney Animal Kingdom on May 23, 2017 in Orlando, Florida.

    Gustavo Caballero | Getty Images Entertainment | Getty Images

    Many of these additions came under the leadership of then-CEO Michael Eisner, who helmed the company from 1984 until 2005.

    Chief among his acquisitions was securing the IP for Star Wars and Indiana Jones — two of the biggest franchises of the time — according to Gavin Doyle, founder of MickeyVisit.com. Eisner “went and licensed it and brought it into the parks,” Doyle said.

    Attendees sit in the Millennium Falcon: Smugglers Run ride following the unveiling of Star Wars: Galaxy’s Edge at Walt Disney Co.’s Disneyland theme park in Anaheim, California, U.S., on Wednesday, May 29, 2019.

    Bloomberg | Getty Images

    Decades later, Disney acquired Lucasfilm, which owns both film franchises, and expanded their presence.

    In 2019, the company opened two identical Star Wars-themed lands, one in Florida at Hollywood Studios and one in California at Disneyland. A new Indiana Jones attraction is planned for Disney’s Animal Kingdom as part of the park’s new Tropical Americas area. It is set to open in 2027.

    Fueling Disney parks with IP

    Last year, revenue growth in Disney’s experiences division was the strongest of any Disney division.

    Experiences posted record revenue and profit for fiscal 2024, with revenue rising 5% for the full year to $34.15 billion and operating income up 4% to $9.27 billion.

    Heading into 2025, the company said it expected to see 6% to 8% profit growth for experiences in fiscal 2025 — and that’s before it breaks ground on a slew of planned land expansions, new rides and re-themed attractions.

    “While investor focus understandably remains on near-term attendance and consumer spending trends, renewed momentum in creating successful content with Disney’s premium IP play a crucial role in generating long-term earnings power across parks, Disney+ and accelerating the unique advantage of the Disney flywheel across its portfolio,” said Robert Fishman, analyst at MoffettNathanson.

    Disney is relying heavily on IP as part of its 2023 pledge to invest $60 billion in experiences over the next decade.

    On the docket is a new villains land coming to Magic Kingdom, a “Monsters Inc.” land at Hollywood Studios, an “Encanto” ride at Animal Kingdom and the expansion of Avengers Campus with two new attractions. Disneyland is also expected to open a new Avatar area inspired by the scenery in the upcoming “Avatar: Fire and Ash.”

    Of course, these new developments also come with some drawbacks. Fan-favorite rides and even whole lands have shuttered or been re-themed as a result.

    Anaheim’s A Bug’s Land closed in 2018 so the space could be used to build Avengers Campus, a Marvel-themed land. DinoLand at Animal Kingdom is disappearing to make space for the new Tropical Americas area. At Magic Kingdom, Rivers of America, Tom Sawyer Island and the Liberty Square Riverboat have shut down to make room for an area called Piston Peak — a second Cars-themed land modeled after America’s natural parks.

    For individual rides, the most recent change was the re-theming of Splash Mountain at both Disneyland and Walt Disney World. It was refreshed as Tiana’s Bayou Adventure, based on the characters from “The Princess and the Frog.”

    People pass by while riding in the Tiana’s Bayou Adventure log flume thrill ride at the Magic Kingdom Park at Walt Disney World on April 3, 2025, in Orlando, Florida.

    Gary Hershorn | Corbis News | Getty Images

    While some Disney parks fans have balked at the changes the company has made to the parks, the strategy has expanded the company’s fan base and driven revenue growth across its global footprint.

    “It’s interesting because the IP is not always for the most vocal theme park fan,” Doyle said. “By definition, the IP is meant to broaden the audience.”

    “The whole company’s premised on entertaining, great storytelling,” D’Amaro said. “And in all of our stories, whether they be in animation or through our traditional characters or Star Wars or Marvel or Pixar, there’s this sense of connection to these characters. There’s this emotion that’s created, and then we carry that through into the theme parks.”

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  • Oral Semaglutide Offers Kidney Benefits in T2D

    Oral Semaglutide Offers Kidney Benefits in T2D

    TOPLINE:

    The administration of up to 14 mg oral semaglutide for about a year led to a reduction in the urinary albumin-to-creatinine ratio (UACR) by over 40%, without changing the rate of kidney function decline in patients with type 2 diabetes (T2D).

    METHODOLOGY:

    • Researchers in Spain conducted a retrospective cohort study to evaluate the real-world effectiveness of oral semaglutide on kidney outcomes in patients with T2D.
    • They included 819 patients (median age, 63 years; 45.8% women) with T2D who initiated oral semaglutide (up to a dose of 14 mg/d) between 2021 and 2022, had undergone kidney function tests within 3 months before starting oral semaglutide, and had at least one follow-up measurement at 3 months.
    • In this cohort, the baseline median estimated glomerular filtration rate (eGFR) was 88.1 mL/min/1.73 m2, and the median UACR was 12 mg/g; 33.5% of patients had an UACR ≥ 30 mg/g, 47.2% had chronic kidney disease (CKD), and 57% were on background SGLT2 inhibitor treatment.
    • Co-primary endpoints were changes from baseline in the UACR and eGFR slope at 6 and 12 months.

    TAKEAWAY:

    • At 12 months, oral semaglutide use led to a reduction in the UACR by 40.0% in the overall cohort and by 50.7% and 49.9% in those with an UACR of 30-299 mg/g and ≥ 300 mg/g, respectively (P < .001 for all).
    • Across all albuminuria levels and CKD stages, the median eGFR remained stable, with median values of 88.1 and 87 mL/min/1.73 m2 at 6 and 12 months, respectively.
    • Low risk for liver fibrosis (measured using the fibrosis-4 index) was associated with over fivefold higher odds of achieving a more than 30% reduction in the UACR (adjusted odds ratio, 5.50; P = .006).
    • Fewer than 5% of patients had a major adverse kidney event by follow-up, and those who stopped semaglutide or had higher low-density lipoprotein cholesterol levels faced a higher risk.

    IN PRACTICE:

    “Our data strongly suggest the renal benefits of oral semaglutide in a broad population of PWT2D [people with T2D]. Given the global supply chain issues for subcutaneous GLP-1 RAs [receptor agonists], the results of this study may be helpful in supporting clinical decision making,” the authors wrote.

    SOURCE:

    This study was led by Oscar Moreno-Pérez, General University Hospital Dr Balmis of Alicante, Alicante, and Rebeca Reyes-Garcia, University Hospital of Torrecárdenas, Almería, both in Spain. It was published online on July 11, 2025, in Clinical Kidney Journal.

    LIMITATIONS:

    This study was limited by its retrospective observational design without a control group and by potential variability in UACR measurements. The lack of adherence data and a short follow-up period may have led to an underestimation of kidney events. Additionally, selection bias could not be ruled out despite adjustment for confounders.

    DISCLOSURES:

    This study received a grant from Novo Nordisk to subsidise publication costs. Some authors reported receiving honoraria and/or consulting fees from several pharmaceutical companies, including the funding agency.

    This article was created using several editorial tools, including AI, as part of the process. Human editors reviewed this content before publication.

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  • Tecno Claims Thinnest Tri-Fold With Phantom Ultimate G Fold Concept

    Tecno Claims Thinnest Tri-Fold With Phantom Ultimate G Fold Concept

    Most of the mobile phone players are showing their cards right now, and many are folding — on purpose. Tecno is the latest phone-maker to show off a new foldable phone, but this one bends in a different way than some others: a three-screen tri-fold concept.

    The Phantom Ultimate G Fold Concept follows in Tecno’s tradition of showcasing its mobile design prowess. This one looks like a reworking of the Phantom Ultimate 2 the company previewed in August 2024 (and which has not shipped). As a tri-fold phone, Tecno’s phone joins Huawei’s Mate XT Ultimate, which is available now outside the US, and a rumored Samsung Galaxy G Fold that execs have hinted is coming later this year. (Meanwhile, at least one prominent phone-maker is sitting out the foldable game, but maybe not for long.)

    A hand holds a folded version of a tri-fold phone, revealing how the hinges between panels works.

    The Phantom Ultimate G Fold Concept, folded.

    Tecno

    Unlike the Mate XT Ultimate, which unfolds in a Z-pattern like an accordion, the three panels of the Phantom Ultimate G Fold Concept fold in on each other (hence the “G” moniker when you look at the phone from the bottom).

    But just engineering a foldable phone isn’t enough these days — it has to be slim. And in this respect, Tecno is trying to thin the field. The Phantom Ultimate G Fold measures 3.49mm thick when unfolded, exposing a 9.49-inch display with “minimal creasing,” according to Tecno. By contrast, the Huawei Mate XT Ultimate is 3.6mm at its thinnest point, and Samsung’s latest two-panel Galaxy Z Fold 7 is 4.2mm thick when unfolded.

    Looking at a tri-fold phone from the top edge. A person holds it with one hand and uses the other to point at the screen.

    The top-down view of the Phantom Ultimate G Fold Concept shows just how thin it is when unfolded.

    Tecno

    When folded, Tecno’s device measures 11.49mm, making it thinner than the Huawei’s at 12.88mm but still chunky compared to non-folding phones like the iPhone 16 Pro (8.25mm) or the single-fold Samsung Galaxy Z Fold 7 (8.9mm). But that’s a trade-off to be expected.

    Thinness by itself is impressive, but as we’ve learned, it needs to be backed up by stability. Tecno says the Phantom Ultimate G Fold includes a custom-engineered dual-hinge system that incorporates a waterdrop hinge anchoring the panel to the right to fold first, and a larger primary hinge holding the left panel. Thanks to a dual-cam design, that large hinge can be set in a partially folded configuration, presumably propping it up to do things like watch content or take video calls.

    A tri-fold phone on a table, looking at it sideways.

    The two hinges of the Phantom Ultimate G Fold can be seen when looking at it from the top in its folded state.

    Tecno

    Other specs for the Phantom Ultimate G Fold are currently scarce, other than it will include an “over 5,000-mAh” battery. That’s pretty good for most phones, but it’s unclear how much power will be siphoned by that big 9.49-inch display in regular use. When looking at the Mate XT Ultimate last year, CNET’s Sareena Dayaram felt that its 5,600-mAh battery could be an issue due to the large inner screen.

    Tecno says it will include a “high-performance chipset” and a “versatile triple-camera system,” but did not supply further details. While the latest mobile silicon can handle multiple screens, we’ll wait to see if the Ultimate G Fold can run apps well with its unique display system.

    There’s also no anticipated price or shipping target; Tecno expects to showcase it at Mobile World Congress 2026.


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