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  • Court suspends ban on another YouTube channel

    Court suspends ban on another YouTube channel





    Court suspends ban on another YouTube channel – Daily Times


































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  • SECP transforms public offering regime

    SECP transforms public offering regime





    SECP transforms public offering regime – Daily Times


































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  • Ricoh recognized as a CDP Supplier Engagement Leader for the fifth consecutive year | Global

    Ricoh recognized as a CDP Supplier Engagement Leader for the fifth consecutive year | Global

    Ricoh is a leading provider of integrated digital services and print and imaging solutions designed to support digital transformation of workplaces, workspaces and optimize business performance.

    Headquartered in Tokyo, Ricoh’s global operation reaches customers in approximately 200 countries and regions, supported by cultivated knowledge, technologies, and organizational capabilities nurtured over its 85-year history. In the financial year ended March 2025, Ricoh Group had worldwide sales of 2,527 billion yen (approx. 16.8 billion USD).

    It is Ricoh’s mission and vision to empower individuals to find Fulfillment through Work by understanding and transforming how people work so we can unleash their potential and creativity to realize a sustainable future.

    For further information, please visit

    ###

    © 2025 RICOH COMPANY, LTD. All rights reserved. All referenced product names are the trademarks of their respective companies.

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  • a graphic biography of Jane Austen is subtly sophisticated

    a graphic biography of Jane Austen is subtly sophisticated

    This year is the 250th anniversary of Jane Austen’s birth and she hasn’t aged a bit as the cultural touchstone of classy romance. Her Pride and Prejudice anti-hero, Mr Darcy, perennially pops up in his breeches in Instagram memes, while Regency feminist, Elizabeth Bennet has been brought to life by a host of contemporary actors.

    Along with new screen versions of Austen’s Sense and Sensibility (starring Daisy Edgar-Jones) and a Netflix version of P & P, there have been adaptations of her classics Persuasion, Emma, Northanger Abbey, and Mansfield Park. And, there are numerous biographies and biopics including a TV drama about Jane’s sister, Cassandra, who burnt most of Jane’s letters.


    Review: The Novel Life of Jane Austen: A Graphic Biography –
    Janine Barchas, Isabel Greenberg (Hachette)


    Now, there is also a graphic biography: The Novel Life of Jane Austen, written by Janine Barchas and illustrated by Isabel Greenberg.

    Together, they have co-created a storyboard for the domestic life that framed Austen’s writing, encompassing her closeness to both Cassandra and her brother Frank, who joined the navy and liked to sew.

    Unlike a “cradle to grave” biography, Barchas begins with a teenage Jane in London with Frank touring an exhibition about Shakespeare and his work. We then follow her, in illustrative comic boxes and speech bubbles, through her publishing rejections, her breakthrough debut Sense and Sensibility, and her rise to become one of most beloved writers in the canon of English literature.

    The book ends beyond the grave, flashing forward to the present, in a scene where contemporary fans – Janeites – visit Jane Austen’s House, the cottage in Hampshire where Austen lived when she revised and published her six novels.

    It’s also a sign of subtle structural polish. Now Jane Austen is as deserving of her own gallery as Shakespeare was when we first met Jane as a young, unpublished author.

    Thinking in pink

    Barchas – an “Austenite”, as Austen scholars are called – is the author of The Lost Books of Jane Austen, a study of the mass market editions of Austen’s work. (The Novel Life touches on Austen’s posthumous appeal with a scene where readers buy Austen books for one shilling at a railway station after her death, aged 41.)

    Barchas also wrote Matters of Fact in Jane Austen: History, Location and Celebrity, which links Austen’s characters to well known locations and figures in her era.


    Isabel Greenberg

    Barchas is the co-creator of the interactive digital exhibition, What Jane Saw, which invites us to visit two art exhibitions witnessed by Jane Austen: the Sir Joshua Reynolds retrospective in 1813 or the Shakespeare Gallery as it looked in 1796. The Novel Life, however, is a more definitive life story. It’s also best read in print (although it is available as an e-book) to appreciate Greenberg’s illustrations and graphic format.

    The Novel Life is a gentler, less dramatic style than traditional comics with six-pack superheroes or Japanese manga, similar to Greenberg’s previous literary graphic biography foray, Glass Town, about the Bronte sisters.

    For the Novel Life, Greenberg has drawn a world in which Austen is whimsical, with expressive eyes looming under her signature bangs. She and her sister Cassandra appear in bright yellow or blue empire line dresses.

    Most scenes are illustrated in a muted palette of yellow, blue and grey. This palette, Barchas reflects in the preface, represents “the relative quiet of her (Austen’s) life”.

    When Jane is thinking or writing however, the pages transform into vivid shades of pink to symbolise her imagination and inspiration. In these pages, The Novel Life is at its best, showing graphic biography can be both captivating and deceptively sophisticated.

    Archival nods

    Is a graphic biography really a biography in the conventional understanding of the genre? It can upset the perceived rules. Anticipating this, in the preface, Barchas reminds us:

    Any biography of Austen, and there are many, exists at the intersection of speculation and research.

    This book is at this intersection. While the dialogue is largely invented, it is grounded in Barchas’ expertise and there is a glossary of sources at the end.

    Throughout, there are also nods to the archive. Barchas begins with a scene of Jane in 1796 writing a letter to Cassandra at a desk while staying in London – one of the few not burnt.

    A speech bubble quotes an extract from it:

    Here I am once more in this scene of dissipation and vice, and I begin already to find my morals corrupted.

    There are also Post-it style notes, separate to the bubbles, offering extra biographical context for readers less familiar with the intricacies of Austen’s story. A key scene happens when Jane, 22, receives her first rejection by a publisher for her manuscript “First Impressions” and is comforted by the loyal Cassandra. The note reads:

    Jane would carry out more than a decade and a half of revisions before she dared to offer the manuscript to another publisher, who released it in 1813 as Pride and Prejudice.

    Because of their visual casualness, importantly the notes don’t interfere with the intimate, engaging tone of the story.

    A page from the book, illustrated in soft blues and greens.
    A page from The Novel Life.
    Isabel Greenberg

    ‘Easter eggs’

    For Austen’s committed “Janeite” fan base, Barchas promises “cheeky easter eggs” in the preface. Janeites can delight in well-quoted lines from the novels that appear as dialogue or a character’s thoughts.

    Look, for instance, for Jane reading at a dinner party from P & P: “It’s a truth universally acknowledged […]” and “she is tolerable but not handsome enough to tempt me […]”.

    It’s a truth universally acknowledged too that graphic biography can be confused with the graphic novel, now the third most popular literary genre in sales after general fiction and romance.

    But, dear reader, there’s a tradition of life writing in the medium. The Pulitzer Prize winning graphic biography/memoir, The Complete Maus, told Art Spiegelman’s father’s story of the Holocaust to his son, (Art) who struggled to understand his father. Maus portrayed Jewish people anthropomorphically as mice and Nazis as cats. It was described by The New Yorker “as the first masterpiece of comic book history”.

    Other high points in graphic biography include Peter Bagge’s Woman Rebel, the story of birth control campaigner Margaret Sanger, published in 2013.

    Not everyone will appreciate a work diverging so dramatically from the expectations of a traditional biography. And those who will most appreciate or scrutinise The Novel Life are yes, the Janeites and Austenites.

    Regardless, Austen comes to graphic life in the mind and hands of Barchas and Greenberg. More generally, for those of us who like our biographies in vivid colour – literally – and enjoy experiments in nonfiction storytelling, it’s a delightful reading experience, just like Jane Austen.

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  • 8-Core ARM Pocket Computer Runs NixOS

    8-Core ARM Pocket Computer Runs NixOS

    What has 8 ARM cores, 8 GB of RAM, fits in a pocket, and runs NixOS? It’s no pi-clone SBC, but [MWLabs]’s smartphone– a OnePlus 6, to be precise.

    The video embedded below, and the git link above, are [MWLabs]’s walk-through for loading the mobile version of Nix onto the cell phone, turning it into a tiny-screened Linux computer. He’s using the same flake on the phone as on his desktop, which means he gets all the same applications set up in the same way– talk about convergence. That’s an advantage to Nix in this application, compared to the usual Alpine-based PostMarketOS.

    Of course some of the phone-like features of this pocket-computer are lacking: the SIM is detected, and he can text, but 4G is nonfunctional. The rear camera is also not there yet, but given that Mobile-NixOS builds on the work done by well-established PostMarketOS, and PostMarketOS’ testing version can run the camera, it’s only a matter of time before support comes downstream. Depending what you need a tiny Linux device for, the camera functionality may or may not be of particular interest. If you’re like us, the idea of a mobile device running Nix might just intrigue you,

    Smartphones can be powerful SBC alternatives, after all.  You can even turn them into SBCs. As long as you don’t need a lot of GPIO, like for a server,a phone in hand might be worth two birds in the raspberry bush.

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  • Netflix enlists AI for first time to cut costs and boost creativity

    Netflix enlists AI for first time to cut costs and boost creativity

    Netflix says it has used visual effects created by generative artificial intelligence (AI) on screen for the first time in one of its original TV shows.

    The streaming giant’s co-CEO Ted Sarandos said AI, which produces videos and images based on prompts, was used to create a scene of a building collapsing in the Argentine science fiction show, The Eternauts.

    He praised the technology as an “incredible opportunity to help creators make films and series better, not just cheaper.”

    The use of generative AI is controversial in the entertainment industry and has sparked fears that it will replace the work of humans.

    The comments came after the company unveiled revenue of $11.08bn (£8.25bn) for the three months to the end of June,16% higher than the same time last year.

    Netflix said the better-than-expected performance was boosted by the success of the third and final series of South Korean thriller Squid Game, which has so far attracted 122 million views.

    Asked about Netflix’s use of AI, Mr Sarandos said the technology has allowed productions with smaller budgets to use advanced visual effects.

    The generative AI used in The Eternauts helped its production team to complete a sequence 10 times faster than if they had used traditional special effects tools, he said.

    “The cost of it would just wouldn’t have been feasible for a show in that budget.”

    “That sequence actually is the very first [generative] AI final footage to appear on screen in a Netflix original series or film. So the creators were thrilled with the result,” said Mr Sarandos.

    AI was among the key concerns raised during a Hollywood strike in 2023.

    During the three-month walkout, the Screen Actors Guild–American Federation of Television and Radio Artists union called for tighter regulation of the use of AI.

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  • A Gaping Hole Full of Milky Blue Water Has Appeared at Yellowstone : ScienceAlert

    A Gaping Hole Full of Milky Blue Water Has Appeared at Yellowstone : ScienceAlert

    In April, when Yellowstone National Park geologists made their first visit this year to the Norris Geyser Basin, they encountered a new feature they hadn’t seen before.

    They were checking the area’s temperature logging stations, a routine maintenance job – but since their last visit, something was different.

    Where previously there had been a rather featureless patch of ground at the northwestern tip of a landmark known informally as ‘Tree Island’, there was now a gaping hole about 4 meters (13 feet) wide, filled with milky, light blue water.

    Related: Yellowstone’s Supervolcano Could Give Less Warning of an Eruption Than We Thought

    The new thermal pool appeared sometime at the start of 2025. (Mike Poland/USGS)

    Evidence of a violent birth lay scattered around the tranquil, warm waters: many rocks about 30 centimeters (1 foot) across, covered with a fine silt of light gray mud that matched the exposed walls of the young spring.

    All this was evidence of a hydrothermal explosion. The team checked satellite images of the park to narrow down the timing. In December 2024, there was no sign of the hole, but by 6 January 2025, a small depression had formed. By February 13, the water-filled hole was well and truly established.

    gif showing satellite images of the region. In December 2024, there was no sign of the hole, but by January 6, 2025, a small depression had formed. By February 13, the water-filled hole was well and truly established.
    Satellite images of the Porcelain Basin area of Norris Geyser Basin, Yellowstone National Park, revealed the development of a new thermal pool in the circled area. (R. Greg Vaughan/USGS/WorldView satellite system)

    But the equipment Yellowstone park geologists use to detect hydrothermal activity had received no signal of the kind of major explosive event that could form this pool in one dramatic burst.

    “Clearly the new thermal feature did not form in a single major explosive event,” USGS geophysicist Michael Poland and Yellowstone National Park geologist Jeff Hungerford write.

    “Rather, it appears that the feature formed via multiple small events that initially threw rocks and later threw silica mud a short distance, creating a small pit that became filled with silica-rich water.”

    This is good news, really. One of the reasons we keep such a close eye on Yellowstone’s hydrothermal activity is because of the caldera’s propensity for massive, explosive eruptions. It is a supervolcano, after all.

    The report was published in the USGS Caldera Chronicles.

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  • 1973 Chrysler crash sparks viral debate over car safety evolution

    1973 Chrysler crash sparks viral debate over car safety evolution

    A recent crash involving a 1973 Chrysler New Yorker has ignited an online debate over car safety standards then and now.

    The Michigan-based owner shared that the vintage vehicle sustained minimal damage after being rear-ended by a modern car—drawing viral attention to the collision and prompting thousands to weigh in on whether older or newer vehicles are safer.

    Many classic car enthusiasts praised the Chrysler’s heavy steel frame, calling it a testament to the durability of older models.

    However, automotive safety experts pushed back, pointing out that modern vehicles are designed to crumple on impact. These crumple zones absorb collision energy, reducing the force transmitted to occupants—ultimately saving lives even if the vehicle appears more damaged.

    Critics of the older vehicle noted the lack of key safety features like airbags, anti-lock brakes, and reinforced cabin structures. While the 1973 Chrysler may have fared well externally, experts emphasized that passenger safety in high-speed collisions would likely be much lower compared to today’s standards.

    The incident underscores the evolution in automotive engineering, which has shifted from preserving the car itself to prioritizing passenger protection. As viral discussions continue, safety professionals urge the public to understand that vehicle damage does not equate to poor performance—modern cars are designed to protect what matters most: the people inside.


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  • MLR Referee Lex Weiner to Referee World Rugby U20 Championship Third-Place Match

    MLR Referee Lex Weiner to Referee World Rugby U20 Championship Third-Place Match

    News Jul-17-2025

    MLR Referee Lex Weiner to Referee World Rugby U20 Championship Third-Place Match

    Historic appointment represents highest level of competition reached by an American male MLR referee.

    WHAT – World Rugby has appointed Major League Rugby referee Lex Weiner to officiate the third-place match in the 2025 World Rugby U20 Championship between France and Argentina. His appointment marks the highest level of rugby reached by an American official as a referee.

    In addition to a historic opportunity for an American official, Weiner’s appointment demonstrates the continued progress for American officials under MLR’s development model for its referee group that was crafted by David Wilkinson, the league’s Director of Match Officials.

    WHO – An MLR official since 2021, Weiner served as referee in 10 matches during the 2025 season, including a Western Conference Semifinal match between RFCLA and the Houston SaberCats. He received appointments as an assistant referee in two other matches, including the Eastern Conference Finals between the New England Free Jacks and Chicago Hounds.

    Earlier in the year, Weiner became the first MLR official to be selected for World Rugby’s men’s U20 Six Nations competition, earning appointments at referee for England-Italy and France-Scotland tilts in March. 


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  • FX dips to $19.96b despite SBP’s uptick

    FX dips to $19.96b despite SBP’s uptick

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    KARACHI:

    Pakistan’s total liquid foreign exchange reserves stood at $19.96 billion as of July 11, 2025, marking a marginal decline of $71.6 million over the previous week, according to data released by the State Bank of Pakistan (SBP) on Thursday.

    The reserves held by the SBP rose by $23 million, reaching $14.53 billion, compared to $14.50 billion recorded a week earlier. This reflects the second consecutive weekly increase in central bank reserves. However, commercial banks saw a notable dip in their net foreign holdings, which fell by $95 million to $5.43 billion.

    The current foreign reserves provide Pakistan with over three months of import cover. Out of the SBP’s total foreign exchange holdings of $14.5 billion, approximately $9.4 billion comprises deposits from friendly countries. In June 2025, China rolled over $3.4 billion in commercial loans, with $2.1 billion deposited directly with the SBP. Saudi Arabia and the UAE have provided up to $2 billion and $1 billion, respectively, while Qatar has contributed around $3 billion through deposits and direct investments.

    Moreover, the central bank conducted two separate Open Market Operations (OMOs) on Thursday to inject a liquidity of Rs902.5 billion into the banking system – one under the Shariah-compliant Mudarabah-based framework and the other through a conventional reverse repo arrangement. Both operations were conducted with an eight-day tenor.

    In the Shariah-compliant OMO, the central bank accepted all three submitted quotes within a narrow rate band of 11.13% to 11.15% per annum. The total injection was Rs37.39 billion (realised value) against a face value of Rs37 billion, with the rate of return fixed at 11.13%.

    Simultaneously, the SBP carried out a conventional reverse repo OMO, receiving 13 quotes, of which 11 were accepted. The accepted bids amounted to a face value of Rs883.2 billion, with a realised value of Rs865.13 billion. The rate of return was 11.08% per annum.

    In the latest Pakistan Investment Bonds’ (PIBs) auction held on July 16, the government raised Rs311.82 billion, surpassing its target of Rs300 billion, mainly through five-year bonds.

    Cut-off yields dropped significantly across all tenors by 19 to 54 basis points compared to June, which reflected strong market confidence and expectations of policy rate cut amid easing inflation and improving macroeconomic indicators. Notably, the two-year and five-year bonds saw the steepest decline in yields, while the 15-year bond got no bids.

    “The sharp decline in yields signals growing market anticipation of a policy rate cut in the upcoming monetary policy, likely driven by easing inflation and improved macro indicators,” noted Ali Najib, Deputy Head of Trading at Arif Habib Limited.

    The Pakistani rupee remained stable against the US dollar on Thursday, closing at 284.97, down by just one paisa from 284.96 a day earlier.

    Meanwhile, gold prices in Pakistan continued to slide, mirroring a downturn in the international market, where bullion extended losses following robust US economic data. The data bolstered expectations that the Federal Reserve would remain cautious in resuming monetary easing this year, putting pressure on safe-haven assets like gold.

    According to the All Pakistan Sarafa Gems and Jewellers Association, the price of gold dropped by Rs900 per tola, settling at Rs355,100.

    Interactive Commodities Director Adnan Agar noted, “After dipping slightly, the market has rebounded somewhat. The $3,300 level is acting as a strong support,” he said. “If prices fall below that, we could see a bearish trend. However, if this level holds, resistance lies ahead at $3,350, then $3,380 and eventually at $3,400.”

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