In case anyone was wondering if the headline-grabbing Irish hip-hop insurgents Kneecap were backing down in light of blowback for their pro-Palestine beliefs, the band’s new video makes that answer clear: No.
Two weeks ago, the band officially released “The Recap,” a collaboration with British drum-and-bass producer Mozey that was first heard as a “bootleg” on Soundcloud in May. The group has now followed it with a video, which further addresses the blowback the group has faced during some of its recent live shows at the Coachella and Glastonbury festivals. (At the former, a sign reading “Fuck Israel. Free Palestine” appeared behind them.)
Over frenetic beats, the “Recap” single addressed criticism from the British government and Tory party leader Kemi Badenoch: “It’s Kneecap the Recap/West Belfast/Na na na/Disappear forever you Tories.” Referencing much-despised former Prime Minister Margaret Thatcher, they went on, “The writings on the walls/You like to think that you’re fooling everybody/But you’re not/Just like the iron lady/Your career is gonna rot/You’re just shit/Not in control.” The song ends with: “Onwards and upwards/Free Palestine.”
The video, directed by Finn Keenan, takes those lyrics to the next level. After opening with a barrage of newspaper headlines (“Rapper in court over use of flag”), the clip includes surveillance-camera footage, clips of Buckingham Palace and the Royal guards, an altered sign for a statue of Queen Victoria (“A million Irish dead under her reign”), and a cartoon of British Prime Minister Keir Starmer, who said the thought of the group playing Glastonbury was not “appropriate.” The clip ends with a crowd chant of “Free Palestine” at one of their festival gigs.
The Belfast band, who rap in Gaelic as a political statement of its own, has been in the crosshairs this year more than ever. At Coachella in April, they started one of their sets with a screen message that read, “Israel is committing genocide against the Palestinian people,” followed by, “It is being enabled by the U.S. government who arm and fund Israel despite their war crimes.” At Glastonbury last month, the band led the crowd in a chant of “Fuck Keir Starmer.”
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The description of Israel’s reprisals in Gaza after the Hamas attacks of Oct. 7, 2023, as genocide has been highly contentious. Humanitarian groups including Amnesty International and Human Rights Watch have used that term, as have many others; former president Joseph R. Biden and the American Jewish Committee, among other groups that support Israel, have strongly objected to this framing.
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Following the group’s set at Glastonbury, Kneecap (along with fellow festival act Bob Vylan) are reportedly being investigated by police, who will “consider all appropriate legislation, including relating to hate crimes.” Earlier, band member Mo Chara was charged with a terror offense after he allegedly held aloft a Hezbollah flag onstage last year, and the video for “The Recap” includes footage of him exclaiming, ““Glastonbury I’m a free man!”
Two nights ago, Kneecap opened for fellow Irishmen Fontaines D.C. in London, again accompanied by screen signage that read, “Israel is committing genocide against the Palestinian people.” They once more led the crowd in an anti-Starmer sing-along, but the performance has been described as less incendiary than those in the past.
The revered Swedish actor Stellan Skarsgård will sit down with yours truly to record a special episode of The Hollywood Reporter’s Awards Chatter podcast in front of an audience at the Karlovy Vary International Film Festival on Friday, July 11. The taping will take place at 11 a.m. local time, at Karlovy Vary’s historic Congress Hall. No ticket or pass is required for entry — admission is free — but seating is limited to the first 250 people to arrive.
The 74-year-old is at the fest to receive KVIFF’s Crystal Globe for Outstanding Artistic Contribution to World Cinema, previous recipients of which include Robert De Niro, Judi Dench, Michael Caine, Isabelle Huppert, Richard Gere, Helen Mirren, John Travolta, Willem Dafoe, Julianne Moore, Mel Gibson, John Malkovich, Susan Sarandon, Johnny Depp, Jude Law and Russell Crowe.
He is being celebrated for a film career that has included standout performances in numerous Lars von Trier projects (1996’s Breaking the Waves, 2000’s Dancer in the Dark, 2003’s Dogville, 2011’s Melancholia and 2013’s Nymphomaniac), as well as 1988’s The Unbearable Lightness of Being, 1990’s The Hunt for Red October, 1997’s Good Will Hunting and 2011’s The Girl with the Dragon Tattoo; the Dune, Pirates of the Caribbean and Mamma Mia! franchises; and several Marvel films. His TV credits include the 2019 limited series Chernobyl, for which he won a Golden Globe and was nominated for an Emmy, and the drama series Andor, which ran from 2022 through 2025.
The honor comes at the outset of an awards season that could bring Skarsgård his first Oscar nomination. Indeed, he has received some of the best reviews of his career for his portrayal of a famous filmmaker who has a complicated relationship with his daughters (Renate Reinsve and Inga Ibsdotter Lilleaas), but has charmed the star of his latest film (Elle Fanning), in Joachim Trier’s dramedy Sentimental Value. It premiered — and was awarded the Grand Prize — at May’s Cannes Film Festival, and will be released by Neon in the U.S. on Nov. 7.
Feinberg’s Awards Chatter podcast is nearing its 10th anniversary and 600th episode. Past guests have included Martin Scorsese, Sean Penn, Oprah Winfrey, Elton John, Barbra Streisand, Jerry Seinfeld, Al Pacino, Meryl Streep, Steven Spielberg, Jennifer Lawrence, Bruce Springsteen, Snoop Dogg, Julia Roberts, Norman Lear, Sophia Loren, George Clooney, Will Smith, Carol Burnett, Robert De Niro, Angelina Jolie, Kevin Hart, Lorne Michaels, Kate Winslet, David Letterman, Lady Gaga, Eddie Murphy, Will Ferrell, Natalie Portman, Lin-Manuel Miranda, Julia Louis-Dreyfus, Bono, Nicole Kidman, Daniel Craig, Dolly Parton, Spike Lee, Tom Hanks, Margot Robbie, Denzel Washington, Ariana Grande, Kevin Costner, Jane Fonda, Robert Downey Jr., Olivia Rodrigo, Quincy Jones, Billie Eilish, Michael B. Jordan, Selena Gomez, Timothée Chalamet, Tina Fey, Adam Sandler, Ken Burns, Malala Yousafzai, Bill Gates, Hillary Clinton, Al Gore, Jane Goodall, Kobe Bryant, Gloria Steinem and Buzz Aldrin.
Three previous episodes of the podcast were recorded at KVIFF: Clive Owen (2024), Robin Wright (2023) and Liev Schreiber (2022).
Crazy Rich Asians and Wicked director Jon M. Chu is set to helm the live-action Hot Wheels feature, the big screen take on Mattel’s iconic toy cars for Warner Bros.
The screenwriting duo of Juel Taylor and Tony Rettenmaier will pen the script, with J.J. Abrams’ Bad Robot Productions, which has longstanding ties with Warner Bros., and Chu’s Electric Somewhere producing.
The hiring of the director and writers is a major development for the project that originated with Warner teaming with Mattel Studios in January 2019 to develop and produce a big-screen project. The action film promises to bring the iconic Hot Wheels franchise to the movies screen.
“Jon’s ability to craft rich, elaborate worlds with a distinct point of view makes him the ideal storyteller to bring Hot Wheels to life. His films are visual spectacles — true eye candy — but what sets them apart is how he weaves unforgettable narratives within those stunning frames. Paired with Juel and Tony’s compelling storytelling, this team is uniquely positioned to capture the heart, adrenaline, and spirit of Hot Wheels, a leading brand in car culture.,” Robbie Brenner, president of Mattel Studios and chief content officer, said in a statement on Monday.
The collaboration between Warner Bros. and Mattel Studios follows the box-office success of the Greta Gerwig-directed Warner Bros. tentpole Barbie.
Chu added in his own statement: “Hot Wheels has always been about more than speed — it’s about imagination, connection and the thrill of play. Bringing that spirit to the big screen is an incredible opportunity. I’m excited to partner with Mattel Studios, Warner Bros. Pictures and Bad Robot to create an adventure that honors Hot Wheels’ legacy while driving it somewhere entirely new.”
Chu recently directed Universal Pictures’ Wicked starring Cynthia Erivo and Ariana Grande. He also directed In the Heights for Warner Bros.
The film’s producers — including Mattel as it looks to its toy properties to become a franchise-driven entertainment giant — have yet to lift the hood on the movie’s plotline. “We already felt incredibly lucky to collaborate with Mattel on this special film. Having Jon, Juel and Tony come aboard takes our excitement to a whole new level,” said Abrams in his own statement.
Taylor and Rettenmaier have worked on projects like Creed II and They Cloned Tyrone, which marked Taylor’s directorial debut. Brenner is producing for Mattel Studios alongside Chu, Abrams and Michael Bostick.
Northern Districts pace bowler Matt Fisher has been called up to the BLACKCAPS for the first time as part of the 15-strong squad for the two Test tour of Zimbabwe later this month.
Widely regarded as one of the fastest bowlers in the country, the former New Zealand Under-19 representative has taken 51 First Class wickets at an average of 24.11 across 14 matches.
Fisher has been contracted to Northern Districts since 2018 when he began his recently completed Bachelor of Laws at Otago University. He played a key role early in the associations’ victorious 2024/25 Plunket Shield campaign, taking 14 wickets at 17.71 across just three matches, before being sidelined by injury.
BLACKCAPS head coach Rob Walter said Fisher’s pace was a valuable asset.
“Matt’s someone we’re really excited about,” said Walter.
“He’s one of the fastest bowlers in the country and we think he’s got an X-factor.
“We’re blessed to have a large number of strong fast bowlers in this country and we’re looking forward to adding Matt into that mix now, giving him a little bit of touring experience and a taste of what it means to be part of the BLACKCAPS.”
Red-ball captain Tom Latham will lead a largely settled squad on New Zealand’s first Test tour to Zimbabwe since 2016.
Fisher’s opportunity comes during a transitional period for the BLACKCAPS Test bowling attack, following the departure of veteran Tim Southee, and the emergence of Wellington duo Nathan Smith (two Test caps) and Ben Sears (one Test cap), alongside uncapped Otago Volts quick Jacob Duffy.
Sears was ruled out of the white and red-ball tours of Zimbabwe with a side injury which will require a further two to four weeks recovery, while Kyle Jamieson made himself unavailable as he awaits the birth of his first child.
Kane Williamson also made himself unavailable as he manages his playing commitments, while Michael Bracewell was unavailable due to his commitments at The Hundred – which was previously agreed and factored into his NZC central contract.
Walter said he understood and respected the decision of both players.
“Kane and Michael were up front with New Zealand Cricket about their availability for this tour during the contracting process.
“While all Test matches are hugely special and important, the fact these Tests aren’t part of the ICC World Test Championship did influence the discussions on this occasion.
“We will obviously miss their talent and class, but it allows an opportunity to others and we’re lucky to be able to call on the likes of Ajaz and Henry who are both proven performers at Test level.”
The remainder of the squad mirrors that which took part in the home Tests against England, with additional recalls of specialist spinner Ajaz Patel and batsman Henry Nicholls.
Patel’s last outing with the BLACKCAPS was a Player of the Match performance (5-103 and 6-57) in the historic three-nil sweep over India last November.
Left-handed Nicholls returns to the Test squad for the first time since December 2023, bringing 56 Test caps of experience and nine Test hundreds to his name.
BLACKCAPS Test squad v Zimbabwe
Tom Latham (C)Canterbury Tom BlundellWellington Firebirds Devon ConwayWellington Firebirds Jacob Duffy*Otago Volts Matt Fisher*Northern Districts Matt HenryCanterbury Daryl MitchellCanterbury Henry NichollsCanterbury Will O’RourkeCanterbury Ajaz PatelCentral Stags Glenn PhillipsOtago Volts Rachin RavindraWellington Firebirds Mitch SantnerNorthern Districts Nathan SmithWellington Firebirds Will YoungCentral Stags
*Uncapped
The squad will assemble in Bulawayo on July 27 following the BLACKCAPS T20I Tri-Series in Harare.
Matches will be streamed LIVE and free in New Zealand on ThreeNow, with live scoring at nzc.nz and the NZC App.
For months, Donald Trump has ranted on social media and, at one point, threatened to fire the Federal Reserve chair, Jerome Powell. Last week, he took on a new, unusual tactic: a handwritten note.
“You have cost the USA a fortune and continue to do so. You should lower the rate – by a lot!” Trump wrote to Powell, whom he calls “Too Late” in one of his less compelling nicknames.
That Trump has targeted the Fed isn’t surprising. In the midst of Trump’s trade war, consumers and business owners alike have expressed anxiety about the economy. The stock market tanked in April, when the president announced the highest of his tariffs, and only went on the upswing when he pulled back the bulk of his levies.
The Fed has the ability to sway the US economy through its ability to adjust interest rates. When rates are high, as they have been for the last few years, borrowing money becomes more expensive. This means higher rates for mortgages, business loans, credit card debt and more. People are less likely to invest when interest rates are high, which can slow activity in the economy. The Fed lowering interest rates would excite investors and spur economic activity, but the price could be steep in the long run.
But how much sway does Trump really have over the Fed?
While Trump’s aggression toward the Fed, particularly his personal attacks against Powell, are a remarkable departure from the relationship a US president typically has with the Fed, economists say the structure of the central bank limits the amount of power Trump actually has – at least in the short term.
Historically, the Fed has been a nonpartisan, independent central bank within the federal government. Economists have found that countries without central banks are prone to high inflation and unemployment.
“A central bank’s independence is pretty much the only thing macroeconomists know of that’s a free lunch,” said Jason Furman, a former economic adviser to Barack Obama. “When you look at authoritarian leaders that have effectively taken over the central banks, like in Turkey, you can end up with 70% inflation rates and really, really big economic problems.”
In late June, Trump told reporters that he has zeroed in on “three or four people who I’m going to pick” to replace Powell. When the treasury secretary, Scott Bessent, whose name has been floated, was asked if he would take the job, Bessent said: “I will do what the president wants.”
That the White House is already talking about replacing Powell almost a year out from the end of his term has raised concerns that a new appointee would act as Trump’s “shadow chair”, or someone who has power over Powell before he leaves office.
But those familiar with the Fed’s structure say that a powerful “shadow chair” is unlikely, especially since the Fed’s structure encourages consensus among its leaders.
When setting interest rates, the Fed chair doesn’t act alone. The chair is one of 12 members of the Federal Open Market Committee (FOMC), which meets eight times a year to vote on any adjustments to the interest rate.
The amount of control Trump has over who gets on to the FOMC is limited. The committee has seven Fed governors who serve 14-year terms. Those governors are appointed by the president and confirmed by the Senate. The other five members are presidents of regional Federal Reserve banks, who are selected within the Federal Reserve system.
During the next four years, because of upcoming term limits, Trump will have the ability to appoint two of the 12 members of the FOMC – what would be a small fraction of the committee.
“They’re going to have a hard time persuading other people on the committee to go along with anything like what Trump wants,” Furman said.
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Ryan Sweet, chief US economist for Oxford Economics, said that Fed governors on the FOMC already voice dissenting views on the economy in public, but come together to form a consensus during their meetings.
“It’s built [into the Fed] that they go into a meeting and they’ve got to come to a consensus on what the outcome is,” Sweet said.
And even though Trump may want to replace Powell before his term is up, the supreme court signaled that the president can’t constitutionally fire him. Sweet pointed out that the court’s preemptive protection of the Fed chair has likely soothed stock markets, which had gone into a panic when Trump first threatened to oust Powell.
Powell, whom Trump first appointed in 2018, has publicly resisted the president’s efforts to sway the Fed. He has said he would not step down if Trump asks and has said the Fed will not lower interest rates prematurely, at risk of raising inflation.
In his most pointed statement against Trump’s economic policies, Powell said that the Fed paused interest rate cuts “when we saw the size of the tariffs”.
“Essentially all inflation forecasts for the United States went up materially as a consequence of tariffs,” Powell said. “We didn’t overreact, in fact we didn’t react at all.”
This article was amended on 7 July 2025. Powell said the Fed paused interest rate cuts due to Trump’s tariffs, not interest rate increases.
How did Earth, alone among the Solar System’s rocky planets, become the home for life? How, among all this frigid lifelessness, did our planet become warm, hospitable, and life-sustaining? The answer to these questions is complex and multi-faceted, and part of the answer comes from cosmochemistry, an interdisciplinary field that examines how chemical elements are distributed.
The Solar System is a busy place where everything is in motion. It was even more chaotic 4.5 billion years ago, with planets still forming and planetesimals and planetary embryos whizzing around and crashing into one another. Somehow, in all that chaos, Earth received more than its share of carbonaceous chondrites and the amino acids and other life-enabling chemicals that came with them.
Cosmochemistry studies have shown that between 5% and 10% of Earth’s mass came from carbonaceous chondrites that crashed into the young planet. Studies also show that a large chunk of that came from the Theia impactor that created the Moon. To test these ideas more rigorously, a trio of researchers used dynamical simulations of the Solar System’s formation to see if they could replicate it.
The research is titled “Dynamical origin of Theia, the last giant impactor on Earth.” The lead author is Duarte Branco from the Institute of Astrophysics and Space Sciences at the Lisbon Astronomical Observatory in Portugal. The research will be published in the journal Icarus.
One of the critical distinctions in cosmochemistry is the difference between carbonaceous chondrites (CCs) and non-carbonaceous meteorites (NCs). It divides the Solar System’s meteor population into two groups and suggests that the Solar System contains two distinct reservoirs of material. CCs formed further from the Sun, likely beyond Jupiter, and carry more volatiles like water and organic compounds with them. NCs include things like iron meteorites, and contain fewer volatiles.
In order to test the idea that Theia delivered CCs and volatiles to Earth, the researchers ran detailed simulations of the Solar System. These were N-body simulations of the later stages of the growth of terrestrial planets.
The simulations began in the late stages of planetary growth after the Solar System’s gaseous disk was dispersed. The available solid mass was divided into planetesimals and planetary embryos. The simulation included CCs that were scattered inward as Jupiter and Saturn were still growing and accreting matter. Because of the size distinction between planetesimal and planetary embryos, embryos have a higher possibility of interacting with the terrestrial planets and delivering CC material.
The researchers ran three types of simulations. The first they call small only and includes only small CC objects, or planetesimals. The second they call large only and includes only large CC objects, planetary embryos. The third includes both CC planetesimals and embryos and is called the mixed scenario.
For a subset of 10 simulations from each of those scenarios, they included the effect of the giant planet dynamical instability. This is known as the “Nice model” in astronomy and describes how the giant planets shifted their orbits from where they initially formed.
The goal was to determine how CCs and NCs were distributed in the Solar System and to understand how Earth ended up with more CCs than the other rocky planets, especially Mars. The researchers also wanted to understand if the Theia impact could be responsible for delivering a large amount of Earth’s CC material.
One clear result is that the role of giant planet instability, especially Jupiter’s shift to a different orbit, had a pronounced effect on Earth’s accretion of CC material.
This figure shows snapshots from the mixed simulation scenario without giant planet dynamical instability. In early times, CC objects and NC bodies mix together where the terrestrial planets are forming. Some CCs remained orbiting between planets or were still too far to collide. By the simulation’s end, four terrestrial planets existed, including good analogues for Earth and Mars. Image Credit: Branco et al. 2025. Icarus
When the researchers added giant planet dynamical instability, things looked even more interesting. “The giant planet instability dramatically changed the evolution of the system causing a strong pulse of eccentricity excitement, which lead to a wave of collisions and ejections,” the authors write. However, the final state of the system didn’t change much.
This figure shows eccentricity and position snapshots over the time of the simulation, including giant planet dynamical instability. The final snapshot is the real Solar System. Image Credit: Branco et al. 2025. Icarus
A critical part of the simulations concerns the Theia impactor. Previous research suggests that Theia may have been a carbonaceous object. If that’s true, much of Earth’s life-giving habitability may have resulted from that collision.
“In the mixed scenario with no giant planet instability, Earth’s final impactor included a CC component in more than half of all simulations. In 38.5% of simulations, the final impactor was a pure CC embryo, and in another 13.5%, the impactor was an NC embryo that had previously accreted a CC embryo,” the researchers write.
Overall, the simulations paint a picture of the early Solar System where two distinct rings of planetesimals. An inner ring consisting of rocky planetesimals and an outer ring of carbonaceous chondrites. Later, as the ice giants migrated inward, they propelled CC material into the inner Solar System. Some of these were trapped in the asteroid belt, while more massive ones were preferentially scattered into the orbits of the rocky planets. “The late-stage accretion of the terrestrial planets
involved a series of giant impacts between NC embryos and planetesimals, with occasional impacts of CC objects,” the authors explain.
This scenario explains several things about the Solar System. It explains the masses and orbits of the terrestrial planets, and the orbital distribution of asteroids. It also matches the CC mass fraction of Earth and Mars, where Mars lacks the same concentrations of CC material as Earth. If the small only simulation were correct, where CC material was only in the form of planetesimals, the CC mass fraction of Mars and Earth would be roughly the same.
This figure compares the timing of the last giant impacts in 10 mixed simulations that were run both with and without the giant planet instability. The black line represents the point where both values are equal. Each point has two halves with the left half representing the impactor type in the simulation without the giant planet instability and the right half representing the simulation with the giant planet instability. Dry NC impactors are black, CC embryos are blue and CC+NC mixed embryos are green. Image Credit: Branco et al. 2025. Icarus
The researchers set out to show that, in line with other research, Theia could’ve been Earth’s final large impactor and that it contained ample CC material. They appear to have succeeded.
In the simulations, Earth’s final giant impact was with Theia, and that object had higher concentrations of CC material which helped make Earth habitable. That result is in line with scientific thinking. The work shows that the last impact was after between 5 to 150 million years after gas dispersal. A large fraction of those were within 20 to 70 million years. There are uncertainties in the timing of the Theia impact and these results work within those.
The simulations also support other conclusions showing that CC embryos and planetesimals could’ve been accreted throughout Earth’s growth, but were concentrated in later phases of growth.
“Within the context of this scenario, the last giant impactor on Earth contained a CC component in roughly half of all of the mixed simulations,” the authors write. “In the majority of these (38% of simulations), Theia was a pristine CC embryo, and in the remainder of cases Theia was an NC embryo that had previously accreted a CC embryo.”
The research also shows that Jupiter played an important role in the Solar System’s architecture. It not only truncates the asteroid belt, but played an important role in determining the final composition of the terrestrial planets by scattering CC material from the outer Solar System into the path of the rocky planets, especially Earth.
A million things had to be just right for Earth to become the life-sustaining world it is today. How likely it is that there are other worlds out there like it is unknown. It may take more than being in a habitable zone for an exoplanet to support life. There may be a bewildering number of variables that have to go right, including outer giant planets that migrate and deliver carbon to rocky worlds in habitable zones.
Microsoft’s Game Pass subscription is likely the best deal around: For a fraction of the price of a full game, you get access to hundreds of titles every month, some of which are brand new. But when video games cost millions to make, and news of studio layoffs are constant, you don’t need to look at an Xbox balance sheet to know the numbers aren’t adding up for a service where the introductory price is a mere dollar. This dissonance is at the heart of a recent discussion on social media site X, where Raphael Colantonio, founder of Arkane Studios, has spent the last few days breaking down why the service is arguably doing more harm than good.
“I think Gamepass is an unsustainable model that has been increasingly damaging the industry for a decade, subsidized by MS’s ‘infinite money,’ but at some point reality has to hit,” Colantonio said in a reply to a post from a follower. “I don’t think GP can co-exist with other models, they’ll either kill everyone else, or give up.”
According to a Bloomberg report in 2024, Microsoft spends a billion dollars a year to get third-party games on its subscription service. That’s in addition to the billions the console-maker has spent acquiring marquee studios like Bethesda Softworks and Activision Blizzard.
For contrast, the most recent numbers for users set the tally at 35 million Game Pass subscriptions, some of which include the people who are only paying a dollar or otherwise bought the subscription through one of its periodic sales. The service went up in price a year ago, which means that up until somewhat recently, Game Pass was making even less money than it’s making now. At first blush, these numbers seem promising inasmuch as they suggest that the service is growing. In 2022, Game Pass had a reported 25 million subscribers. But it’s worth noting that in 2023, Microsoft shifted all existing Xbox Live Gold subscribers to a lower tier of Game Pass subscriptions. This would suggest that Game Pass has actually lost subscribers over the last few years, which coincides with an admission from Phil Spencer in 2022 that subscriptions are slowing down on console.
Though it may appear nonsensical, this approach is a tried and true model in the world of tech. Services like Uber, for example, spend years operating at a loss until they capture the entire market. Once the competition is obliterated, the product in question can move freely in ways that might hurt the consumer. Prices can go up, the service could get worse, and so on — but at that point, users already rely on the service and there are no other viable options. Similarly, while other companies have attempted their own versions of subscription models, none of them have managed to amass the userbase Game Pass has thus far. What appears to be a good deal now may, in fact, be a ticking time bomb.
Add in the fact that people are spending way less on games in 2025 than last year, and that Microsoft has undergone multiple rounds of layoffs that have shuttered entire studios and fired thousands of workers in the last year alone, and it starts to paint an ugly picture for an industry that’s already in crisis. It’s a worrying trend that might illuminate why publishers are greenlighting fewer games and taking fewer risks: A game can sell millions, and the studio still might be shut down. The mere existence of Game Pass cuts into those numbers, which could then motivate some studios to take deals with the service just to be safe. That’s guaranteed money and visibility over the murky uncertainty of releasing a game into the void.
Colantonio’s post has unsurprisingly lit a fuse on social media, where developers and gamers alike are chiming in. Some creatives in the industry agree with Colantonio’s assessment. “The infinite money thing never made any sense,” responded Larian Studios director of publishing Michael Douse.
But for the people on the other side of the equation — gamers — the Game Pass critique has gone down poorly. Some of the replies to Colantonio’s post have gotten ugly, but rather than presenting an actual argument, the exchange has devolved into potshots. Some point out that Colantonio has worked on titles that are available on Game Pass. It certainly doesn’t help that text-based social media strips away tone and makes it easy to dehumanize the person on the other side of the exchange.
Still, Colantonio has spent time trying to reason with people who are misreading his post as an attack on people who subscribe to the service. “I understand gamers like it: it’s a great deal, but the maths don’t work for GP, it only works because MS injects billions into it to make it a good deal for the players… for now,” he wrote in one thread.
“I understand, you can look at it just from your standpoint, but when a deal is too good, there is a reason that might reveal itself later and will hurt everyone including you,” he wrote in another. “At the moment you have access to a fair amount of good games for a fraction of the actual cost.”
Image: Xbox
Part of what complicates this conversation is the knowledge that for all of its shortcomings, Game Pass has been a boon to some studios that might have otherwise had trouble finding funding or garnering an audience. Becoming available on the service puts you in front of millions of eyeballs, and guarantees mention on articles that detail what’s new and noteworthy on the service. Other times, being on Game Pass gives titles another shot at finding an audience. Games like Sea of Thieves and No Man’s Sky saw an influx of players after hitting Game Pass, for example, despite already being available beforehand and largely offering the same experience once there. I know that I’m more likely to give an indie game a try if it hits Game Pass.
Despite the trolls, there are definitely people who understand Colantonio is saying. But when games are starting to cost $79.99, the price of accessories is going up, and with no shortage of microtransactions to consider, it’s no wonder people feel so strongly about the value of Game Pass.
“I’m sure it isn’t good for devs but if my wage isn’t going up but my rent is and so are gas prices and groceries then I’ll look for the best deal,” one user said. “And if it stops being a good deal then I’ll find an alternative.” Colantonio’s response? The underlined 100 emoji.
Tim Merlier pipped Jonathan Milan on the line in a sprint finish to win a crash-marred stage three of the Tour de France.
The Belgian edged the Italian by the slenderest of margins with Germany’s Phil Bauhaus in third on a day when Mathieu van der Poel retained the race leader’s yellow jersey and stage one winner Jasper Philipsen was forced to abandon.
“It was difficult to be in position in the battle before the last corner and I must say, my team did an incredible job to the last 5km and then the real battle started,” said Merlier.
“I was able to get some slipstream next to Milan. It’s always difficult to beat him but I’m happy I can take today my second win in the Tour de France.
“At first I was sure [I had won] and put my hands in the air but then I was not sure anymore so I was waiting until I was.”
Belgian Philipsen, who would almost certainly have contested the race to the finish line, fell heavily around 60km from the end of the 178.3km route from Valenciennes to Dunkirk when Frenchman Bryan Coquard unintentionally diverted into his path.
Philipsen’s team Alpecin later said the 27-year-old had sustained a fractured collarbone that will require surgery and had broken at least one rib.
There were three more crashes including two in the final 5km of the stage with Olympic champion Remco Evenepoel and Geraint Thomas seemingly involved.
The two main general classification favourites, Tadej Pogacar and Jonas Vingegaard, finished safely in the main pack and remain in second and third place overall behind Van der Poel.
Meanwhile, the 11 bikes stolen from the Cofidis team truck on Sunday morning were all found before the stage concluded.
Five of them had been abandoned in a forest with the others being located by the police later on Monday.
Tuesday’s fourth stage is a rolling 174.2km run from Amiens Metropole to Rouen, with five categorised climbs in a demanding finale.
Astronomers have turned the Atacama Large Millimeter/submillimeter Array (ALMA) into a time machine to peer back in cosmic time to 1 billion years after the Big Bang.
This has revealed previously hidden structures within the universe’s first galaxies, which could help us understand how the modern cosmos, including our galaxy, the Milky Way, took shape.
The data was collected as part of the CRISTAL survey ([CII] Resolved ISM in STar-forming galaxies with ALMA), which zoomed in on 39 typical star-forming galaxies in the infancy of the 13.8 billion-year-old universe. ALMA had infrared assistance from the James Webb Space Telescope (JWST) and Hubble. The target galaxies were selected to represent the main population of galaxies shortly after the Big Bang.
“Thanks to ALMA’s unique sensitivity and resolution, we can resolve the internal structure of these early galaxies in ways never possible before,” CRISTAL principal investigator Rodrigo Herrera-Camus said in a statement. “CRISTAL is showing us how the first galactic disks formed, how stars emerged in giant clumps, and how gas shaped the galaxies we see today.”
How ancient structures were revealed by CRISTAL
The CRISTAL findings were possible thanks to the sensitivity of ALMA, consisting of 66 radio antennas in the Atacama desert region of northern Chile, to a specific emission of ionized carbon atoms in cold interstellar gas. This is called the [CII] line emission, and it acts as a tracer of cold gas and dust.
Thus, the CRISTAL team was able to create a complex and detailed map of interstellar gas, the nebulous matter between stars, in galaxies.
One of the key things this cosmic map revealed was stars being born in vast clumps, each stretching for several thousand light-years. Additionally, in many of the CRISTAL galaxies, the [CII] emission was seen to extend far beyond the population of stars of those galaxies.
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That indicates the presence of more cold gas that could go on to form more stars or could be driven out of these galaxies by the powerful stellar winds of infant stars. This hints at how star-forming regions gather and evolve.
A family portrait of galaxies from the CRISTAL survey. The image shows the gas traced by ALMA’s [CII] observations. Blue and green represent starlight captured by the Hubble and James Webb Space Telescopes. (Image credit: ALMA (ESO/NAOJ/NRAO) / HST / JWST / R. Herrera-Camus)
Several of the galaxies seen by CRISTAL seemed to be spinning, which indicates how they could eventually flatten out into disk-like structures. These disk-shaped galaxies are thought to be the progenitors of spiral galaxies like the Milky Way.
“What’s exciting about CRISTAL is that we are seeing early galaxies not just as points of light, but as complex ecosystems,” team member and National Radio Astronomy Observatory (NRAO) scientist Loreto Barcos-Muñoz said. “This project shows how ALMA can resolve the internal structure of galaxies even in the distant universe — revealing how they evolve, interact, and form stars.”
Two CRISTAL galaxies are real gems
As stunning and scientifically important as these 37 galaxies are, two seem to be something really special.
One galaxy that really stood out from these ALMA observations was CRISTAL-13 which is shrouded in vast and massive clouds of dust that block the visible light from its newborn stellar population.
These clouds absorb this light and reemit it in wavelengths that ALMA can detect, allowing it to see structures that would be hidden from telescopes observing CRISTAL-13 in visible light or even in infrared light as used by the JWST and Hubble.
Artist’s illustration of CRISTAL-13. Dust-rich regions obscure newborn stars, whose energy is re-emitted at ALMA’s millimeter wavelengths (Image credit: NSF/AUI/NRAO/B. Saxton)
Also exceptional, but arguably more mysterious, is CRISTAL-10. This ancient galaxy has ionized carbon that seems to be unusually faint compared to how bright the galaxy is in infrared.
This is a characteristic usually only seen in galaxies that are heavily obscured, like the local galaxy Arp 220. The fact that it is seen for CRISTAL-10 implies there are extreme physical conditions at work within its interstellar medium. Another possibility is that there is something within the interstellar medium of CRISTAL-10 that is pumping out energy.
“These observations highlight ALMA’s potential as a time machine, allowing us to peer into the early ages of the Universe,” ALMA head of science operations Sergio Martín said. “Programs like CRISTAL demonstrate the power of ALMA’s Large Programs to drive high-impact science. They allow us to tackle the big questions of cosmic evolution with the unprecedented depth and resolution that only a world-class observatory like ALMA can provide.”
The CRISTAL survey hasn’t just opened a new view of cosmic history by conducting the interstellar medium that can be compared with galaxies’ stars and dust content, but it has set the stage for future surveys.
These could eventually reveal how the turbulent, violent, and chaotic early galaxies transformed into well-ordered and structurally well-defined modern galaxies like our own.
“CRISTAL provides the kind of multi-wavelength data that allows us to test and refine our theories of galaxy evolution,” Herrera-Camus concluded. “This is a major step toward understanding how galaxies like our Milky Way came to be.”
The team’s research was published on June 30 in the journal Astronomy & Astrophysics.