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  • Google Seems to Have Accidentally Leaked More Pics of the Pixel 10 Series

    Google Seems to Have Accidentally Leaked More Pics of the Pixel 10 Series

    Google appears to have accidentally unveiled an image of four Pixel 10 models well ahead of when it’s expected to debut its new phone lineup on Aug. 20. 

    The website Android Authority posted an image it found while perusing the Google Play Store. The image shows what appear to be four different Pixel 10 models, which the site believes are the Pixel 10, Pixel 10 Pro, Pixel 10 Pro XL and Pixel 10 Pro Fold. Three of the phones are dark gray. Only the smallest, likely the Pixel 10, is shown in bright indigo blue.

    The image Android Authority found was a promo banner that included text about a $50-off offer that expires on Oct. 13.

    A representative from Google did not immediately return an email about the purported leak.


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  • India vs England: Injured Pant Scores Gritty 54 Before India Fold for 358 – Deccan Herald

    India vs England: Injured Pant Scores Gritty 54 Before India Fold for 358 – Deccan Herald

    1. India vs England: Injured Pant Scores Gritty 54 Before India Fold for 358  Deccan Herald
    2. England vs India, 4th Test  Cricbuzz.com
    3. Eng vs Ind, 4th Test – Rishabh Pant bats with fractured foot to add crucial runs at Old Trafford  ESPNcricinfo
    4. England vs India: Ben Stokes, Zak Crawley and Ben Duckett shine at Old Trafford  BBC
    5. IND vs ENG Test series: Rishabh Pant advised six weeks’ rest, ruled out of series against England  The Hindu

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  • Oppo Find X9 Pro Surpasses Major Milestone with Dimensity 9500

    Oppo Find X9 Pro Surpasses Major Milestone with Dimensity 9500

    The upcoming Oppo Find X9 Pro may break new ground in smartphone performance. A new rumor from China reveals that the MediaTek Dimensity 9500 chipset, expected to power the Find X9 Pro, has exceeded 4GHz in CPU clock speed during testing. This marks a historic milestone for MediaTek. However, it’s unclear if this clock speed will be used in the final retail units.

    For comparison, the Dimensity 9400+, MediaTek’s current flagship chip, tops out at 3.73 GHz on a single core. The new chip may deliver significantly improved performance over its predecessor.

    Oppo’s new flagship is also expected to feature a flat screen with 1.5K resolution and symmetrical bezels. The white variant may sport either a glass or fiberglass back. In the camera department, the Find X9 Pro is rumored to include a 200MP periscope telephoto lens. This could use Samsung’s new ISOCELL HP5 sensor. The sensor reportedly measures 1/1.56 inches, promising excellent zoom and clarity.

    With high-end specs across the board, the Oppo Find X9 Pro could be one of the top Android phones of 2025. Official details should be available soon as the launch nears.

    Oppo Find X8 Pro Major Specs & Price

    Camera 50 MP
    Size 6.78″, 1264×2780 pixels
    Storage 256GB up to 1TB
    Ram 12-16GB
    Chipset Mediatek Dimensity 9400 (3 nm)
    Price 278,999

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  • Princess Anne presents King’s Award to Wellingborough Hindu group

    Princess Anne presents King’s Award to Wellingborough Hindu group

    The Princess Royal has presented a Hindu community charity with the King’s Award for Voluntary Service.

    It recognises the contribution made by the Wellingborough District Hindu Association (WDHA) since it began more than 50 years ago.

    Princess Anne visited the organisation on 17 July but details have only just been released.

    A spokesperson from the WDHA said: “Volunteers are an integral part of our success, and this award is in recognition of their valuable contribution.”

    WDHA began in the early 1970s, when local volunteers came together to form a community hub.

    After years of fundraising, they purchased a building that became the Sanatan Hindu Mandir, where members now meet.

    Princess Anne and Northamptonshire’s lord-lieutenant James Saunders Watson were greeted with traditional Hindu customs, including a garland ceremony, before meeting with volunteers and local dignitaries.

    They watched a folk dance performance showcasing India’s cultural heritage and unveiled a commemorative plaque to mark the occasion.

    The day ended with the formal presentation of the King’s Award.

    Chair of WDHA Vinod Patel said the visit helped to highlight “generations of volunteers whose dedication made this possible”.

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  • Alzheimer’s Breakthrough: Brain Imaging Validates Nasal Insulin Delivery – Inside Precision Medicine

    1. Alzheimer’s Breakthrough: Brain Imaging Validates Nasal Insulin Delivery  Inside Precision Medicine
    2. Insulin Nasal Spray Reaches Memory Centers in Brain, Offering Hope for Alzheimer Treatment  AJMC
    3. First-Ever Brain Imaging Of Nasal Insulin Brings Scientists Closer To New Alzheimer’s Therapy  Study Finds
    4. PET imaging findings support use of intranasal drug delivery for Alzheimer’s patients  Health Imaging
    5. New Study Using Aptar’s Nasal Drug Delivery System Validates Insulin Nasal Spray to Deliver Alzheimer’s Drug Directly to the Brain  BioSpace

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  • Bone Thugs-n-Harmony’s ‘E. 1999 Eternal’ Transformed Rap. 30 Years Later It Remains A Force.

    Bone Thugs-n-Harmony’s ‘E. 1999 Eternal’ Transformed Rap. 30 Years Later It Remains A Force.

    The origins of hip-hop and R&B are deeply rooted in the social, cultural and political contexts of their respective time periods. In the 1940s, the term R&B replaced the “race records” music genre, which encompassed a myriad of music created by African American musicians that included blues, jazz and gospel. The genre’s evolution coincided with the Great Migration of African Americans from the south to northern, western and midwestern U.S. municipalities. 

    Hip-hop was born in 1973 and with it, began a cultural and musical revolution. In 2017 for the first time ever, it became the biggest music genre in the U.S. in terms of consumption, surpassing rock music. Still, one cannot deny the influences R&B has had on hip-hop; over the decades, both genres have served as powerful platforms for artists to express their voices.

    Five years after the creation of hip-hop, the first Pride flag debuted in San Francisco. Commissioned at the request of Harvey Milk — one of the first openly gay elected U.S. officials — and created by artists Gilbert Baker and Lynn Segerblom (Faerie Argyle Rainbow), the flag waved at that year’s Gay and Lesbian Freedom Day Parade in San Francisco. The flag’s eight colors each reflected a unique sexual or gender identity representation. 

    Music, such as hip-hop and R&B, gives an audible expression to what the Pride rainbow represents with color. It turns silent symbolism into reverberating stories of resistance and resilience. Similar to the flag, hip-hop and R&B span across cultures and identities. The genres are also vehicles for community, liberation, protest and power. 

    Read more: How Queer Rappers Are Defining The Next Generation Of Chicago Hip-Hop

    There are several artists who identify as members of the LGBTQIA+ community whose work has broken barriers in music and society at large — with some having also collected a bevy of golden gramophones and nominations. And although some of these artists may not necessarily fit neatly into a musical box, the culture’s influence on their work cannot be denied.

    GRAMMY.com continues to celebrate Pride Month by honoring the following influential LGBTQ+ artists who have made great strides in the hip-hop and R&B communities. 

    Queen Latifah

    Rap pioneer, actress and GRAMMY winner Queen Latifah has left an indelible mark on hip-hop, especially as she has achieved many firsts. Her extensive discography includes seven albums and seven GRAMMY nominations. Among her many acclaimed works, her biggest hit remains “U.N.I.T.Y.,” which earned Latifah her first GRAMMY Award for Best Rap Solo Performance in 1995.

    Read more: Ladies First: 10 Essential Albums By Female Rappers

    Queen Latifah’s impact extends beyond the stage, as she was the first rapper to perform at the Super Bowl Halftime Show in 1998. In 2006, she became the first hip-hop artist to receive a star on the Hollywood Walk of Fame. Additionally, Queen Latifah, who has been partnered for 12 years and shares a child with her partner, officiated the marriage of 33 same-sex couples at the 2014 GRAMMYs during Mackelmore and Ryan’s Lewis’ performance of their hit song, “Same Love.” 

    Learn more: Why Macklemore & Ryan Lewis’ “Same Love” Was One Of The 2010s’ Most Important LGBTQ+ Anthems — And How It’s Still Impactful 10 Years On

    Da Brat

    Da Brat’s debut in 1994 on Jermaine Dupri’s So So Def label led her to achieve breakout success. Over the course of her career, she has garnered two GRAMMY nominations. She also went on to become the first female solo rapper to have a platinum album, marking a significant moment for female rappers. 

    In recent times, Da Brat has starred on her own reality television show “Brat Loves Judy,” alongside her wife, Jesseca “Judy” Harris-Dupart. This month, Da Brat headlined a free L.A. Pride Village concert and released her first new single in several years, “Have U 2 Myself” featuring singer Jessica Betts, who is married to actress Niecy Nash-Betts. 

    Janelle Monáe

    Singer, songwriter, actress and rapper Janelle Monáe’s melodic sounds and embrace of Afrofuturism solidified her status as a musical innovator and earned her 10 GRAMMY nominations over four studio albums. Her GRAMMY-nominated 2023 release The Age of Pleasure included multiple queer-coded tracks that embrace a spectrum of sexuality. In 2023, she became the first nonbinary person to win the Spirit of Soul Award at the Soul Train Awards. 

    Read more: Artists Who Define Afrofuturism In Music: Sun Ra, Flying Lotus, Janelle Monae, Shabaka Hutchings & More

    Monáe also regularly leverages her platform to address social issues such as protesting police brutality and systemic racism. Notably, she delivered a speech on police brutality during a “Today Show” appearance. She has also performed at various social justice events in a fundraising capacity, including at #JusticeForFlint. In 2024, her performance at L.A’s Outloud Music Festival during West Hollywood Pride included a speech that highlighted her stance on several social justice issues. 

    Kehlani

    Though a singer and songwriter primarily working R&B, Kehlani‘s music has strong hip-hop influences; they have collaborated with hip-hop artists including Cardi B and YG

    The L.A.-based, Oakland-born singer/songwriter, who identifies as nonbinary and uses she/they pronouns, has four studio albums and four mixtapes under their belt. Additionally, they also have received four GRAMMY nods. Kehlani’s most recent nomination came at the 2025 GRAMMYs for “After Hours,” which was nominated for Best R&B Song. 

    Read more: Crashing Into The Present: How Kehlani Learned To Trust Their Instincts And Exist Loudly

    Beyond their artistry, Kehlani is also an activist who advocates for various social and political causes. In particular, their vocal support for Palestine has drawn both admiration and considerable backlash. Kehlani has also spoken widely about their battles with mental health and is an advocate for suicide prevention. 

    Frank Ocean

    Singer and songwriter Frank Ocean achieved significant recognition in 2013 by winning two GRAMMYs, including Best Urban Contemporary Album for the critically acclaimed debut Channel Orange. An R&B artist whose work includes hip-hop elements from the genre. 

    Read more: Frank Ocean Essentials: 10 Songs That Embody The Elusive Icon’s R&B Genius

    Beyond his solo work, Frank Ocean’s talents extend to songwriting, with credits including collaborations with artists such as Justin Bieber and Beyoncé, showcasing his versatility and impact across genres. He also played a pivotal role in the music collective Odd Future, which was founded by Tyler, the Creator. Though Frank Ocean has stayed out of the spotlight in recent times, Channel Orange’s debut release — and his subsequent sexuality reveal during that same year— remains important to the LGBTQ+ community. In 2013, he won the Outstanding Musical Artist award at the GLAAD Media Awards. 

    Young M.A

    Young M.A, a five-time platinum-selling rapper hailing from Brooklyn, burst onto the hip-hop scene with her debut single, “OOOUUU.” This track quickly captivated audiences and led to many remixes by numerous artists, including Nicki Minaj. In 2020, her distinctive voice and lyrical prowess were featured on Eminem’s track “Unaccommodating” from his album, Music to be Murdered By. 

    Young M.A is the first rapper to be featured on the cover of Out magazine. Additionally, she has performed at the L.A.Pride Music Festival and parade. While Young M.A stopped labeling her identity several years ago, she is proud of her identity. “I do what I want. I love who I love. I want who I want.’ And I’m not the only one. There’s a lot of people in this world who just choose not to identify,” she told the magazine. The rapper also advocates for young LGBTQ+ people. 

    Saucy Santana

    Originally gaining recognition as a makeup artist for the rap duo City Girls, rapper Saucy Santana, who uses he/him pronouns, embarked on his own musical journey in 2019. His presence in the entertainment industry was further solidified through appearances on the reality television series “Love and Hip Hop” and inclusion on XXL‘s Freshman Class of 2022 list.

    Read more: Rapper Saucy Santana On Breaking Barriers, Blue Ivy & Becoming A “Freaking Superstar”

    A significant milestone in his burgeoning music career occurred in 2021 with the release of the remix to his hit song “Material Girl,” which features pop superstar Madonna. Saucy Santana, who identifies as gay, has performed at several Pride events around the country, and will be co-headlining this year’s Kentuckiana Pride Festival.

    Lil Nas X

    Lil Nas X achieved a monumental feat in 2020, securing two GRAMMYs with his breakout single, “Old Town Road.” The song became a cultural phenomenon for its seamless blend of hip-hop and country in collaboration with Billy Ray Cyrus on the remix. The genre-bending song itself hints at Black cowboy culture and the missing recognition of Black artists from country music. 

    “Old Town Road” is not only among one of the longest-running number one songs on the Billboard Hot 100, but also made Lil Nas X one of the few artists to publicly come out as gay while simultaneously holding a top spot in music. 

    Watch: Black Sounds Beautiful: How Lil Nas X Turned The Industry On Its Head With “Old Town Road” And Beyond

    Aside from his 11 GRAMMY nominations — including Album Of The Year for Montero — Lil Nas X continues to advocate for LGBTQ+ support and representation. In 2021, he was honored by the Trevor Project with the inaugural Suicide Prevention Advocate of the Year award. The following year, in 2022, he won the Outstanding Musical Artist Award at the GLAAD Media Awards.

    Learn more: The Incomparable Creative Vision Of Lil Nas X: ‘Montero’ Collaborators Detail How “We’re All Just An Extension Of Him & His Ideas”

    Big Freedia

    Known as the Queen of Bounce, New Orleanian rapper and singer Big Freedia reps her city and her community with pride. She was one of the first artists to perform in her hometown after the devastating Hurricane Katrina and acts as an ambassador for NoLa throughout the world. 

    Although she initially came onto the music scene in the late ’90s, she achieved widespread acclaim with her major label debut album Just Be Free, in 2014. She attained further recognition when she was featured on Beyoncé’s GRAMMY-winning hit, “Break My Soul.” She was also prominently featured on Drake’s GRAMMY-nominated hit, “Nice for What.” 

    Read more: 11 Artists Who Advocate For The LGBTQIA+ Community: Lady Gaga, Lil Nas X, Taylor Swift & More

    Big Freedia starred in her own reality television series, providing an intimate glimpse into her career and life with her late partner, Devon. In 2023, Big Freedia was honored by PFLAG with the inaugural Breaking Barriers Award at the organization’s 50th anniversary gala. Earlier this year, she was honored with a star on the New Orleans Walk of Fame, as one of the inaugural inductees. 

    Doechii

    Rapper, singer and songwriter Doechii, who identifies as bisexual, made a splash at the 2025 GRAMMYs, performing as part of the Best New Artist showcase and receiving three nominations. She secured the Best Rap Album GRAMMY for her critically lauded work, Alligator Bites Never Heal. This triumph places her within an exclusive group, as she is one of only three women to have ever won this award. 

    Learn more: 5 Ways The 2025 GRAMMYs Celebrated The LGBTQIA+ Community: Doechii, Lady Gaga & More

    Her discography includes collaborations with artists such as rapper Westside Gunn and fellow labelmate SZA. This June, she headlined the WorldPride DC street festival’s closing concert. On the red carpet at the 2025 GRAMMYs, Doechii told GLAAD’s correspondent that she wanted to “see more gay artists. And more alligators” in the industry.

    Read more: Doechii’s Sonic Evolution: From Rising Alt-Hip Hop Anomaly To Best Rap Album GRAMMY Winner

    Kaytranada

    Canadian DJ and producer Kaytranada‘s music combines elements of house, hip-hop, R&B and dance. The GRAMMY-winning artist has also done many collaborations with hip-hop artists, including with rappers Childish Gambino and Freddie Gibbs. The latter was one of the first artists to publicly support Kaytranada’s sexuality. 

    In 2016, prior to the release of his debut album 99.9%, Kaytranada came out during an interview. “I was trying to be somebody I was not, and I was frustrated that people didn’t know who I was,” told the Fader. 

    In addition to his solo ventures, Kaytranada is also part of the duo Kaytraminé with rapper Aminé. In recent times, Kaytranada brought his musical blends to the stage as one of the headliners of the annual Roots Picnic in Philadelphia.

    Mykki Blanco

    Nonbinary rapper and poet Mykki Blanco initially burst onto the music scene in 2012 with their mixtape Cosmic Angel: The Illuminati Prince/ss. Prior to rapping, the California native (who uses they/them pronouns) released a book of poetry entitled From The Silence of Duchamp to the Noise of Boys. Musically, Mykki Blanco has since appeared on songs with singer, songwriter and actress Teyana Taylor and Kanye West

    In 2015, Mykki Blanco became an advocate for HIV positive members of the LGBTQ+ community after revealing their status in a social media post. Since their debut, they have performed at several Pride events around the world and in 2019, presented Madonna with the GLAAD Advocate for Change award, alongside Rosie O’Donnell and Anderson Cooper. 

    Jean Grae

    Though she has retired from rapping, artist and writer Jean Grae was part of New York’s underground hip-hop scene in the mid-’90s. The South African born nonbinary artist released her debut album Attack of the Attacking Things in 2002, and went on to release three albums afterward. 

    Over the course of her music career, Jean Grae has also worked with rappers such as Immortal Technique, Talib Kweli and Pharoahe Monch. She has since ventured into acting and has made appearances on television shows such as 2 Broke Girls.”

    Me’shell Ndegeocello

    While her most recent GRAMMY wins have been in the Best Alternative Jazz Category, singer and songwriter Me’shell Ndegeocello‘s music blends beats of rap, rock, funk and soul. The 13-time nominee has received nods in R&B Categories and has been credited with sparking the ’90s neo soul movement that spawned the likes of Erykah Badu and D’Angelo.

    Over the years, Me’Shell Ndegeocello has worked with an assortment of artists across various genres and her work has appeared in numerous projects. She is also an activist and has been outspoken about LGBTQ+ rights. 

    PRIDE Month: Celebrating LGBTQIA+ Voices


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  • Digital Asset Expert Reflects on Busy Crypto Week

    While Congress advanced several pieces of legislation relating to the regulation and treatment of digital assets during its so-called crypto week, the tax consequences are not immediately clear but will need to be resolved on the Hill and through IRS guidance, according to EY Financial Services Crypto Tax Leader Tom Shea.

    Stablecoins

    Last week’s crypto-themed legislative push in Congress involved three separate pieces of legislation.

    The House advanced two bills: 1) the Digital Asset Market Clarity Act of 2025 (H.R. 3633) and 2) the Anti-CBDC Surveillance State Act (H.R. 1919). The former would establish foundational rules for the sale of digital commodities, overseen by the Securities and Exchange Commission and the Commodity Futures Trading Commission. The latter would prohibit the creation of a central digital asset bank.

    Out of the Senate was the Guiding and Establishing National Innovation for U.S. Stablecoins – or GENIUS – Act (S. 1582). After some drama with a procedural vote and intervention from President Trump, the GENIUS Act passed in both chambers and was signed into law July 18 (P.L. 119-27).

    The purpose of the bill is to bring stablecoins – a form of digital asset closely tied to the value of a fiat currency and that is generally less volatile than other cryptocurrencies – into the mainstream regulatory fold with a first-of-its-kind framework.

    Shea told Checkpoint that “there was really no tax mention” in the GENIUS Act, “although it does raise an interesting concept of this payment stablecoin and whether tax could follow in kind of a similar designation.”

    This is because stablecoins are currently classified “as under the digital asset umbrella,” Shea explained. The IRS was “very clear about that, and the default classification for digital assets are property. “Following that logic, the exchange of a stablecoin for fiat is “still technically a taxable transaction,” he continued.

    Therefore, the GENIUS Act’s stablecoin classification is “going to give off a very minimal tax impact,” Shea concluded. Then, the question for the IRS becomes “is there a way to apply the GENIUS Act and potentially carve stablecoins out” when they “are used for payments.” The rationale would be to avoid “what some might view as unnecessary reporting on the broker side and then on the individual side,” according to Shea.

    Lingering Issues

    Shea acknowledged that there is a bipartisan appetite to pin down specific tax treatment on digital asset transactions, as evidenced by the House Ways and Means Oversight Subcommittee hearing on digital asset tax policy and what congressional taxwriters should prioritize next.

    He said there is potential for a de minimis threshold on reportable transactions, perhaps a $300 threshold that has been proposed. Congress heard ample testimony from the hearing’s witnesses on the need for clear rules on staked rewards. Those who validate activity on a blockchain are rewarded for their contributions, often in the form of the chain’s native token.

    But the IRS has said that stakers recognize income upon receipt of the reward, not when it is sold. Shea said there is a legislative push to allow for the deferral of staked rewards, but that would “contradict” IRS rules, “and we had very little existing guidance to begin with.”

    The existing treatment of staked rewards is something “a lot of folks in the industry didn’t see surviving this long,” but the prospect of that changing “seems to be real now.”

    Where there is less bipartisan agreement, however, is the application of the wash sale rule to digital assets. This refers to “the deferral of losses when you repurchase the security that you sold at a loss within the specified window,” said Shea, “which is 30 days before, 30 days after.”

    Under current law, the wash sale rule does not apply to digital assets, and Congress is likely to be split on whether it should. It was already “challenging” to apply the wash sale rule to “traditional securities,” Shea added, so the implementation of an “industry-unfavorable” wash sale rule for digital assets may be a dealbreaker for key votes.

    Inherently, this is a “timing issue” that would “largely fall on brokers,” he said. The “tough part” is being able to “look forward and look back and capture these lost deferrals,” Shea explained. “And that ends up impacting the basis when you’re ultimately allowed to take the loss,” which brokers will “have to factor” in “their 1099 reporting.”

     

    Take your tax and accounting research to the next level with Checkpoint Edge and CoCounsel. Get instant access to AI-assisted research, expert-approved answers, and cutting-edge tools like Advisory Maps and State Charts. Try it today and transform the way you work! Subscribe now and discover a smarter way to find answers.

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  • FUJIFILM Sonosite Redefines Superficial Imaging with the New UHF46-20 Transducer, the World’s First 46MHz Ultra High Frequency Transducer for Point-of-Care Ultrasound

    FUJIFILM Sonosite Redefines Superficial Imaging with the New UHF46-20 Transducer, the World’s First 46MHz Ultra High Frequency Transducer for Point-of-Care Ultrasound

    Bothell, WA, – July 24, 2025 – FUJIFILM Sonosite, Inc., the world leader in point-of-care ultrasound (POCUS) solutions, today announced a revolutionary advancement in point-of-care ultrasound imaging with the introduction of their UHF46-20 Transducer. This groundbreaking transducer is the first and only 46MHz Ultra-High Frequency (UHF) transducer available today in the point-of-care ultrasound market1, setting a new standard for superficial image clarity and detail.

    With a minimum scan depth of 4mm, the UHF46-20 Transducer will enable clinicians to clearly visualize the first one to two centimeters beneath the skin and identify structures smaller than 1mm, such as superficial nerves and vessels, with high-quality resolution. Built upon the advanced Ultra High Frequency technology from FUJIFILM VisualSonics, and available exclusively on the FUJIFILM Sonosite LX POCUS system, this innovative technology provides the best superficial imaging2,3,4 available on any point-of-care ultrasound system1.

    “At FUJIFILM Sonosite, we are driven by a commitment to help solve real-world challenges clinicians and providers face. The UHF46-20 transducer, when paired with the Sonosite LX system, enables the largest frequency range of any point-of-care ultrasound system on the market today – addressing a longstanding challenge that current clinical ultrasound systems have been unable to overcome,” said Richard Fabian, president and chief executive officer of FUJIFILM Sonosite, Inc. “We’re proud to bring to market the UHF46-20 Transducer as the first and only 46MHz UHF transducer in POCUS to provide clinicians with an unparalleled tool that may help them enhance diagnostic confidence and procedural accuracy.”

    The combination of the new transducer and the Sonosite LX offers clinicians a versatile solution for a wide spectrum of imaging needs, spanning from deep abdominal scans to ultra-high resolution superficial assessments. The UHF46-20 Transducer holds promise for improving outcomes across a range of sensitive applications including Neonatal Intensive Care Unit (NICU) and Rheumatology. In the NICU, its superior resolution may help clinicians see superficial submillimeter anatomy that conventional ultrasound may not capture.6,11 The use of UHF ultrasound may aid clinicians in improving procedural quality by allowing for better visualization of tiny anatomy that may help to improve first attempt success rates.4,8,9,10 In Rheumatology, UHF’s advanced superficial imaging may aid in the visualization of subclinical synovitis, erosions, crystal deposits, and inflammation, all of which are beneficial in the early diagnosis and intervention of chronic conditions.2,3,7

    To learn more about the UHF46-20 Transducer, visit the product page at .

    About FUJIFILM

    FUJIFILM Sonosite, Inc. is the innovator and world leader in bedside and point-of-care ultrasound, and an industry leader in ultra-high frequency micro-ultrasound technology. Headquartered near Seattle, the company is represented by a global distribution network in over 100 countries. Sonosite’s portable, compact systems are expanding the use of ultrasound across the clinical spectrum by cost-effectively bringing high-performance ultrasound to the point of patient care. For more information, please visit www.sonosite.com.

    FUJIFILM Holdings Corporation, headquartered in Tokyo, leverages its depth of knowledge and proprietary core technologies to deliver innovative products and services across the globe through the four key business segments of healthcare, electronics, business innovation, and imaging with over 70,000 employees. Guided and united by our Group Purpose of “giving our world more smiles,” we address social challenges and create a positive impact on society through our products, services, and business operations. Under its medium-term management plan, VISION2030, which ends in FY2030, we aspire to continue our evolution into a company that creates value and smiles for various stakeholders as a collection of global leading businesses and achieve a global revenue of 4 trillion yen. For more information, please visit:https://holdings.fujifilm.com/en.

    References

    1. Internal Fujifilm research as of April 2025.
    2. Albano, D., Aringhieri, G., Messina, C., De Flaviis, L., & Sconfienza, L. M. (2020). High-Frequency and Ultra-High Frequency Ultrasound: Musculoskeletal Imaging up to 70 MHz. Seminars in musculoskeletal radiology, 24(2), 125–134. https://doi.org/10.1055/s-0039-3401042
    3. Russo, A.; Reginelli, A.; Lacasella, G.V.; Grassi, E.; Karaboue, M.A.A.; Quarto, T.; Busetto, G.M.; Aliprandi, A.; Grassi, R.; Berritto, D. Clinical Application of Ultra-HighFrequency Ultrasound. J. Pers. Med. 2022, 12, 1733. https://doi.org/10.3390/jpm12101733
    4. Ait Ichou, J., Gauvin, S., & Faingold, R. (2021). Ultra-high-frequency ultrasound of superficial and musculoskeletal structures in the pediatric population. Pediatric radiology, 51(9), 1748–1757. https://doi.org/10.1007/s00247-021-04978-0
    5. Hayashi, A., Giacalone, G., Yamamoto, T., Belva, F., Visconti, G., Hayashi, N., Handa, M., Yoshimatsu, H., & Salgarello, M. (2019). Ultra High-frequency Ultrasonographic Imaging with 70 MHz Scanner for Visualization of the Lymphatic Vessels. Plastic and reconstructive surgery. Global open7(1), e2086. https://doi.org/10.1097/GOX.0000000000002086
    6. Latham, G. J., Veneracion, M. L., Joffe, D. C., Bosenberg, A. T., Flack, S. H., & Low, D. K. (2013). High-frequency micro-ultrasound for vascular access in young children–a feasibility study by the High-frequency UltraSound in Kids studY (HUSKY) group. Paediatric anaesthesia, 23(6), 529–535. https://doi.org/10.1111/pan.12131
    7. Viviano, S. L., Chandler, L. K., & Keith, J. D. (2018). Ultrahigh Frequency Ultrasound Imaging of the Hand: A New Diagnostic Tool for Hand Surgery. Hand (New York, N.Y.), 13(6), 720–725. https://doi.org/10.1177/1558944717731856
    8. Jacobsen RB, Hebelka H, Gatzinsky V, Elfvin A, Dangardt F. Ultra-high-frequency ultrasound (48–70 MHz) is a promising tool for improved gastrointestinal diagnostics in infants. Acta Paediatr. 2024; 113: 2304–2311. https://doi.org/10.1111/apa.17342
    9. Brusciano, V., & Lecce, M. (2024). Advantages of the use of ultrasound in newborn vascular access: a systematic review. Journal of ultrasound, 27(2), 203–207. https://doi.org/10.1007/s40477-023-00832-1
    10. Currie M, Vashisht R, Elkin D, et al. Ultrasound Intravascular Access. [Updated 2024 Jul 2]. In: StatPearls [Internet]. Treasure Island (FL): StatPearls Publishing; 2025 Jan-. Available from: https://www.ncbi.nlm.nih.gov/books/NBK448093/
    11. Salvia, G.; Zerbinati, N.; Manzo Margiotta, F.; Michelucci, A.; Granieri, G.; Fidanzi, C.; Morganti, R.; Romanelli, M.; Dini, V. Ultra-High-Frequency Ultrasound as an Innovative Imaging Evaluation of Hyaluronic Acid Filler in Nasolabial Folds. Diagnostics 2023, 13, 2761. https://doi.org/10.3390/diagnostics13172761
    12. Hawez, T., Evertsson, M., Erlöv, T. et al. The use of ultra-high frequency ultrasound in identifying aganglionosis in Hirschsprung’s disease. Sci Rep 15, 15124 (2025). https://doi.org/10.1038/s41598-025-99897-7

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  • Zero-Boil Fuel Storage Undergoes System Testing

    Zero-Boil Fuel Storage Undergoes System Testing

    From an engineering perspective, space is surprisingly hot. Or, more specifically, solar energy can make systems that need to be kept at a very cold temperature heat up much more quickly than expected, given the reputation that space has of being cold. In some cases, this heating causes issues with long-term missions, which is why NASA is actively testing a two-stage active cryogenic system to keep one important consumable as cold as possible – fuel.

    Cryogenic propellants, like liquid oxygen and hydrogen, are the most common fuels used in space exploration, and each must be kept at extremely cold temperature to maintain their liquid state: -254 C for hydrogen and -184 C for oxygen. For any long duration space mission, more liquid propellants will be required than can be put into orbit in a single launch of even the largest boosters, meaning more than one trip will be necessary to get enough cryogenic fuel into orbit for a crewed mission to Mars.

    Once the fuel is launched, it would have to sit in a storage container awaiting its time to join the rest of its mission, but during that time it would be consistently heated up by the Sun, causing some of the fuel to vaporize into its gaseous form. Too much gas and heat can cause an unsafe pressure build up in the tank, which NASA typically mitigates one of two ways. Either they design the tank to be intentionally larger than the amount of fuel would require, allowing enough space for the gaseous build-up to not cause pressure issues. Or they outgas the fuel, relieving the pressure, but also losing valuable fuel in the process.

    Video dicsussing NASA’s investment into cryogenic fluid management. Credit – NASA Space Tech YouTube Channel

    Both of those solutions have problems which NASA, or whatever agency or company ends up being responsible for long duration crewed missions in the future, would like to avoid. So NASA engineers came up with a two-stage active cooling method that uses 20 different new technologies to try to prevent boil-off of the fuel entirely. The system can best be thought of as a three-stage process though.

    Immediately surrounding the fuel tank, there is a set of tubes containing liquid helium cooled to -254, the same temperature as is needed to keep hydrogen in its liquid form, but is slightly above the boiling temperature of the helium itself, allowing it to keep its gaseous stage. This first stage cooling system is then wrapped in a layer of aluminum, which is highly reflective and bounces back much of the solar radiation that would otherwise hit the system – effectively cooling it by passive means. Another set of tubes holding helium gas cooled to -181 C is looped around the aluminum shell in an attempt to take some of the load off of the interior cooling system.

    This system primarily relies on convection between the propellant tank and the cooling tubes surrounding it to remove the heat from the fuel. However, the helium itself is cooled by a system called a cryo-cooler, which uses a system of compression and expansion to transfer heat from one part of the system (i.e. the fuel tank) to another (i.e. a heat sink). Once the heat is transferred to the heat sink, it is radiated away, using the only method available for getting rid of heat in in-space applications, since there is no air or surrounding material to facilitate convection or conduction.

    Workers lower the cryogenic test chamber into place at NASA’s Marshall Space Flight Center. Credit – NASA / Kathy Henkel

    The full no-boil cryogenic system has been undergoing testing at NASA’s Marshall Spaceflight Center, with the planned testing to be completed by September. After some further design tweaks, it should be ready for an in-flight test soon. But with all the changes and funding disruptions at the agency, its unclear when, if ever, this system will get that chance. Hopefully someday it does, because it will be absolutely critical to the success of any long-term crewed mission that any organization will eventually plan.

    Learn More:

    NASA – Stay Cool: NASA Tests Innovative Technique for Super Cold Fuel Storage

    UT – NASA is Working on Zero-Boil Off Tanks for Space Exploration

    UT – NASA’s First SLS Mars Rocket Fuel Tank Completes Welding

    UT – NASA Announces the 2025 Human Lander Challenge

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  • One small qubit, one giant leap for quantum computing

    One small qubit, one giant leap for quantum computing

    On July 8, 2025, physicists from Aalto University in Finland published a transmon qubit coherence dramatically surpassing previous scientifically published records. The millisecond coherence measurement marks a quantum leap in computational technology, with the previous maximum echo coherence measurements approaching 0.6 milliseconds.

    Longer qubit coherence allows for an extended window of time in which quantum computers can execute error-free operations, enabling more complex quantum computations and more quantum logic operations before errors occur. Not only does this allow for more calculations with noisy quantum computers, but it also decreases the resources needed for quantum error correction, which is a path to noiseless quantum computing.

    “We have just measured an echo coherence time for a transmon qubit that landed at a millisecond at maximum with a median of half a millisecond,” says Mikko Tuokkola, the PhD student who conducted and analyzed the measurements. The median reading is particularly significant, as it also surpasses current recorded readings.

    The findings have been just published in the prestigious peer-reviewed journal Nature Communications.

    The researchers report their approach as thoroughly as possible, with the aim of making it reproducible for research groups around the world.

    Finland cements position at forefront of quantum

    Tuokkala was supervised at Aalto University by postdoctoral researcher Dr. Yoshiki Sunada, who fabricated the chip and built the measurement setup.

    “We have been able to reproducibly fabricate high-quality transmon qubits. The fact that this can be achieved in a cleanroom which is accessible for academic research is a testament to Finland’s leading position in quantum science and technology,” adds Sunada who is currently working in Stanford University, USA.

    The work is a result of the Quantum Computing and Devices (QCD) research group which is a part of Aalto University’s Department of Applied Physics, Academy of Finland Centre of Excellence in Quantum Technology (QTF), and the Finnish Quantum Flagship (FQF).

    The qubit was fabricated by the QCD group at Aalto using high-quality superconducting film supplied by the Technical Research Centre of Finland (VTT). The success reflects the high quality of Micronova cleanrooms at OtaNano, Finland’s national research infrastructure for micro-, nano-, and quantum technologies.

    “This landmark achievement has strengthened Finland’s standing as a global leader in the field, moving the needle forward on what can be made possible with the quantum computers of the future,” says Professor of Quantum Technology Mikko Möttönen, who heads the QCD group.

    Scaling up the quantum computers of the future requires advancements across several domains. Among them are noise reduction, qubit-count increases, and the qubit coherence time improvements at the center of the new observations from the QCD. The group just opened a senior staff member and two postdocs positions for achieving future breakthroughs faster.

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