Astrophotographers often return to the same targets to rephotograph them using different equipment.
As a result, we often end up with multiple sets of frames captured with a range of focal lengths or camera sensors.
Combining this data can produce stunning images that can be cropped in tightly to reveal intricate features.
One program that does this well is Astro Pixel Processor (APP), a powerful tool that easily blends multi-focal-length data in a few simple steps.
Here I’ll explain how to use APP to produce a high-resolution image, using my Whirlpool Galaxy image (above), made using data from two different imaging setups, including a triplet refractor and a Newtonian reflector.
Before opening APP, I went through each dataset of images and removed any frames containing plane trails, clouds or other unwanted elements.
I also took dark and flat calibration images for each and saved the datasets into two folders.
When you first open APP, a window pops up asking you to select a working directory, the location where you have saved your data.
If for any reason this does not pop up, click the ‘Directory’ button (highlighted, image below) and navigate to your image folders.
Beneath the working directory button is a series of tabs numbered 0) to 6), which will prepare your datasets for stacking.
The ‘1) Load’ tab is where to load your light frames and calibration frames. First, ensure the three tick boxes are selected.
Next, click the ‘Light’ button underneath and navigate to the folder that contains the light frames from your first dataset, select all and click ‘Ok’.
A pop-up will ask what channel your light frames should be assigned to. As mine were colour images,
I selected ‘RGB’.
Another pop-up will appear, asking what session to assign the files to. As these are the light frames from your first dataset, tick ‘session 1’ (see image above).
Next, upload any calibration frames for dataset 1 by selecting the ‘Flat’ and ‘Dark’ buttons and repeating the above steps for the calibration files.
Repeat this step for the light and calibration frames from dataset 2; this time select the ‘session 2’ option.
Clicking on the ‘2) Calibration’ tab, leave all settings as default. If you’re using master calibration frames, click on ‘(Re-)assign Masters to Lights’.
If not, click ‘create Masters & assign to Lights’. Next, head to ‘3) Analyse stars’.
This is where APP will review each light frame for its star quality. Simply scroll down and click ‘Analyse’, then wait for the script to finish.
Next, click ‘4) Register’. The following steps enable the multiple datasets to register correctly (see image below): tick ‘flip descriptors in X/Y’ and ‘use dynamic distortion correction’.
As this data is from different camera and telescope setups, be sure to untick the toggle box for ‘same camera and optics’ before clicking ‘start registration’.
On the ‘5) Normalize’ tab, access the advanced normalisation function by selecting ‘advanced’ from the dropdown menu.
Leave all other options as default, click ‘normalize lights’ and wait to process.
Our last stop is ‘6) Integrate’ (see image below). We suggest adjusting the slider to 95%, so that APP picks the best 95% of the light frames for stacking.
Other things to change in this tab include setting integrate to ‘average’, weights to ‘quality’, composition to ‘full’ and LNC to ‘no LNC’.
Ensure MBB is ticked; typically you want to set this at 5–15%; 5% is generally fine.
Tick ‘No under/over shoot’ and, finally, click ‘integrate’. A window will pop up, allowing you to give the stacked image a name, after which click ‘Ok’.
Note, the stacking process takes a while!
Once complete, save your stacked image in your working directory, ready to crop out any remaining stacking artefacts and continue editing.
My final image of the Whirlpool Galaxy at the top of this article shows how far I could crop and how many additional details could be teased from my multi-setup image.
If you’re an astrophotographer, share your images with us by emailing contactus@skyatnightmagazine.com.
This guide appeared in the February 2025 issue of BBC Sky at Night Magazine
Oman’s Ministry of Labour (MOL) has issued updated regulations for the Wage Protection System (WPS) under Ministerial Resolution No. 729/2024, aimed at strengthening transparency in salary payments and protecting workers’ rights. The resolution was published in the Official Gazette on 15 December 2024.
Under the new rules, employers must ensure that at least 75% of their workforce is paid through the WPS starting with September 2025 wages, payable in October. This threshold will rise to 90% for November 2025 wages, payable in December. Failure to comply could result in financial penalties.
The WPS, aligned with Royal Decree No. 53/2023, monitors electronic wage transfers in the private sector, requiring payments to be processed via banks or financial institutions regulated by the Central Bank of Oman.
Key amendments include shorter timelines for wage disbursement, broader exemption categories, and enhanced Ministry oversight. Exemptions apply in cases such as labour disputes exceeding 30 days, work stoppages beyond the employer’s control, approved absconding cases after 30 days, newly hired workers who have not completed one month of service, and employees on unpaid leave.
The labour ministry emphasised that timely wage transfers are essential to ensuring fair labour practices and urged employers to prepare early to meet the phased compliance deadlines.
According to the National Centre for Statistics and Information, Oman had 864,600 Omani workers across all sectors as of June 2025.
Samsung Electronics announced a strategic partnership with KT Studio Genie, a leading content studio in Korea, to bring a curated selection of Genie TV Originals to Samsung TV Plus[1]. The collaboration will bring more Korean dramas, films, original titles and dedicated channels to viewers in Korea and around the world — entirely free and with no subscription required.
Samsung TV Plus is the company’s free, ad-supported streaming TV (FAST) service, available without sign-up on Samsung Smart TVs, Galaxy devices, Smart Monitors and Family Hub refrigerators. Offering more than 3,500 live channels and 66,000 on-demand titles globally, the platform delivers premium content to a growing international audience with instant accessibility.
As part of the agreement, select Genie TV Originals will be made available to international audiences on Samsung TV Plus, effectively expanding the reach of these programs to a broader audience outside Korea. Leading the lineup are three standout series: “Lies Hidden in My Garden,” a thrilling drama where two women’s seemingly perfect lives unravel due to a series of mysterious events; “New Recruit,” a military comedy-drama that follows the daily lives and struggles of a group of new army recruits; and “Dear Hyeri,” a romantic drama centered on a news announcer who develops dissociative identity disorder and must navigate the complexities of her two very different lives.
Additionally, select series such as “New Recruit” and “Love Is for Suckers,” the slice-of-life workplace comedy, will be featured as an exclusive FAST offering on Samsung TV Plus for three months.
Samsung TV Plus offers 24/7 channels in Korea, giving viewers an easy way to jump into a show at any time — no searching, scheduling or episode tracking required.
With episodes airing in order around the clock, the format supports a variety of viewing habits — whether it’s catching an episode after a long day, relaxing with back-to-back chapters over the weekend or simply dropping in to rediscover a favorite scene. It’s a seamless, flexible way to enjoy K-dramas whenever it fits your routine.
Furthermore, the platform enriches its international appeal by curating a monthly selection of acclaimed Korean series. Each month, beloved titles — such as “Moon in the Day,” which is inspired by the widely loved webtoon — are thoughtfully highlighted, enabling fans to immerse themselves in their favorite stories anytime and anywhere.
KT Studio Genie joins a growing list of content partners, including CJ ENM and NEW ID, helping expand K-content offering on Samsung TV Plus, which spans drama, film, music, variety shows and live events. With operations in 30 countries and counting, Samsung TV Plus continues to evolve as a key destination for Korean entertainment on the global stage.
“Our partnership with KT Studio Genie reflects Samsung TV Plus’s ongoing commitment to delivering exceptional content and new viewing formats to global audiences,” said Yong Su Kim, Executive Vice President of the Visual Display (VD) Business at Samsung Electronics. “We’re proud to help bring the richness of Korean storytelling to more viewers worldwide — free, easy to access and ready to stream.”
There are two things which climate scientists hate about “positive feedbacks”. One is that they are bad news. A positive feedback, in the science of complex systems, is an amplification; in climate change, this comes about when a consequence of rising temperatures drives a further rise in temperature. Such feedbacks are the sorts of things that drive tipping points.
The other problem is that they sound like good news. Negative feedbacks face the opposite problem. In a negative feedback, which need not be harmful, a change in the system produces a response that pushes the system back towards where it was. Think of an air conditioner’s temperature setting or a radiator’s thermostat.
A recent analysis by Edward Blanchard-Wrigglesworth of the University of Washington and colleagues suggests that a much more important negative feedback may now be operating in the Arctic, one which could curb the region’s rapid temperature increase and markedly slow the decline in its sea ice. Indeed, it looks strong enough to have an effect on overall global average temperature.
This particular negative feedback is driven by the increasing frequency, size and intensity of wildfires in boreal forests. The climate models that scientists use to simulate warming over the coming century run on scenarios that assume these fires will continue more or less as they did in the 2000s and early 2010s. Since then, though, they have become considerably larger.
Where there is fire, there is smoke. Some is sooty and dark; some is lighter. Dr Blanchard-Wrigglesworth and his colleagues think that the brighter, more reflective smoke wins out, cooling the ground below. Taking the fire-trend into account, they reckon that, in the 2030s, the extent of sea-ice cover in the Arctic ocean will be at least 3m square kilometres more than it would be in a fire-trend-free model. Without the fire trend, an ice-free Arctic September would be expected in 2050. Fires delay its onset by over a decade.
None of this says that the fires are a good thing, or that they will avert catastrophes elsewhere. Fires are a massive shock to ecosystems, and smoke which reflects sunlight also harms humans and other animals. Moreover, the carbon that fires release will warm the entire planet for some time to come. That is clearly bad news.
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At least four police personnel were killed and nine others injured on Wednesday in a wave of coordinated terrorist attacks across Pakistan’s Khyber Pakhtunkhwa, striking multiple police stations and check posts.Khyber Pakhtunkhwa chief minister Ali Amin Gandapur condemned the attacks, calling them “cowardly” acts. “Such incidents will not dampen the morale of our police,” he said, as quoted by PTI.The deadliest assault occurred in Upper Dir, where terrorists ambushed a quick response force vehicle, killing three policemen and injuring eight others. The injured were shifted to the district headquarters hospital, and a search operation was launched immediately.In Peshawar, a police constable was killed and another injured when security forces repelled attacks on the Hassan Khel police station and two check posts.In the Khyber district, heavily armed militants attacked the joint Frontier Corps–police checkpoint at Sakhi Pul but were forced to retreat after a strong retaliatory response. Similar attacks in the Nasir Bagh and Mattani areas were also foiled without casualties.In Bannu, militants targeted the Mazangha check post within Hovid Police Station limits, but no casualties were reported. In Charsadda, motorcycle-borne assailants threw a hand grenade at the Tarlandi check post under the Nasta Police Station early Thursday morning. The device failed to cause any casualties or damage.Security has been tightened at all police stations and checkpoints across the province, with forces placed on high alert to counter further threats.
A blood moon lights up the sky during the total lunar eclipse on March 14, 2025, in Ontario, Canada.
(Chen Shaojin/VCG via Getty Images)
Over 7 billion people around the globe have a pretty incredible sight to look forward to next month when a “blood moon” total lunar eclipse takes place between Sept. 7 and 8. However, this one won’t be viewable anywhere in the United States, so if you want to see it, you’ll need to make your travel plans now.
A total lunar eclipse occurs when the sun, Earth and moon align so that the moon is covered by the Earth’s shadow, or umbra. On average, the Earth gets 1.5 total lunar eclipses per year. The last one occurred between March 13-14, 2025, and was viewable from most of North and South America.
People in India, China, Russia, western Australia, east Africa and the regions surrounding central Asia should be able to see the whole event, weather permitting. If you live in the very western part of Alaska, you might be able to see a partial lunar eclipse.
Where the Sept. 7 total lunar eclipse will be visible.
(NASA)
The moon looks red during a total lunar eclipse because the sunlight hitting it has to pass through Earth’s atmosphere before hitting the moon (remember the order — the Earth is directly between the sun and the moon during a lunar eclipse).
As that sunlight moves through our atmosphere, shorter wavelengths (like blue) get scattered, or dispersed, to a greater extent than longer wavelengths (like red). Since the red light is less scattered, it gets refracted toward the moon, providing the “blood” color these eclipses are so well known for.
No special equipment like eclipse glasses will be needed to view the lunar eclipse. That’s because when you view it, you aren’t looking directly at the sun.
Telescopes and binoculars aren’t necessary, but they will give you a better view. So will moving away from bright light.
Your smartphone can potentially capture great images of the blood moon total lunar eclipse, and this is where a telescope can be especially useful.
But first, remember that stability is key. For the most amazing images, you’ll want to use a tripod or similar equipment, and put your phone camera up to the telescope’s eyepiece.
Senior writer Chris DeWeese edits Morning Brief, The Weather Channel’s newsletter.