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  • Music investor Merck Mercuriadis plots comeback with Hipgnosis remix

    Music investor Merck Mercuriadis plots comeback with Hipgnosis remix

    As a former manager of Guns N’ Roses and Morrissey, Merck Mercuriadis knows a few things about making a comeback. Now, the veteran music executive is attempting to stage his own after a rollercoaster ride on the public markets left him out of a job and on the sidelines of an industry he helped transform.

    Hipgnosis, which Mercuriadis launched in 2018 to buy song rights and was sold last year, is back with bigger ambitions. Mercuriadis plans a new investment group under the same name, bringing together artists and their managers as co-owners in a partnership structure to make music and to buy the rights to songs from others.

    The 61-year-old Canadian-born executive can already claim to have transformed the modern music business, taking a once esoteric industry in owning composition rights and helping create a multibillion-dollar asset class on the radar of the world’s biggest investors.

    He was at the vanguard of a wave of institutional money into the sector as Hipgnosis went on a $2bn spending spree, buying the catalogues of artists including Shakira and Mark Ronson.

    Now, having kept his silence since leaving Hipgnosis when it was sold to Blackstone (and rebranded as Recognition Music), he says he has unfinished business. He acknowledges, given he found the investment community to be as cut-throat as the music business, that there were questions about why he would want to return to the industry. But he adds: “The work that we started is not complete yet, because the music industry is only beginning to be institutionalised.”

    Meeting in his London home — with its vast collection of floor-to-ceiling vinyl — Mercuriadis is clad in trademark black Prada that he says he always wears to avoid having to spend time choosing something else. He would rather think, he says, about music, an art form that has been a life-long passion and that still seeps into his every conversation.

    Mercuriadis says he came up with the idea for Hipgnosis in 2009 when he saw the growing popularity of Spotify. A US platinum record used to mean selling 1mn copies in a country that has almost 340mn people, he says, but “streaming [gave] the other 339mn a reason to pay for music”.

    Mercuriadis often seems to know everyone in music, dropping anecdotes about helping one 1970s legend prepare for Glastonbury and others to reinvent their careers. He has a neat trick of asking people about their favourite artist only to respond that he has worked with them, counts them as friends, owned their songs or at least seen them before they were famous.

    This is the reason many musicians trust him as a manager or owner of their music. One former colleague describes him as a music obsessive and “ultimate fanboy who just wants to be part of the world that his heroes inhabit”.

    Investors, however, have had a trickier relationship with the LA-based executive, who was previously an artist manager and boss of Sanctuary, a UK-based music company that came close to collapse amid questions over its accounting.

    Mercuriadis encouraged Wall Street, hungry for new sources of returns, to buy into his vision of a long-term asset class, alongside his own higher-minded ambitions to help songwriters whose work could, he says, “languish after they’ve had their hit parade time”.

    He sold the concept of song rights bringing a steady income based on performance, streaming and use in TV, gaming and films and Hipgnosis and its rivals’ abilities to “work” assets by encouraging this use and giving a new lease of life to many tracks.

    “The opportunity for institutional investors was massive, and massive enough to be able to both change valuations and give people a great return,” he says.

    By the end of 2021, his public company was trading at its highest ever share price. But its fortunes turned when the sharp rise in interest rates after the start of the Ukraine war pushed up the discount rate used to calculate asset values and its dividend looked less attractive.

    Cuts to the value of Hipgnosis’s portfolio and questions over its debt levels and corporate governance brought a strategic review by a new board, which led to last year’s sale of the company. Mercuriadis stepped down following the acquisition, with some rivals in the industry predicting that this time it would be tough for the music executive to bounce back.

    Mercuriadis was accused of fuelling excessive pricing by rivals by flooding the market with money and overpaying for rights. He rejects this, saying Hipgnosis’s portfolio was valued in line with industry “average” multiples of close to 16 times, with returns guaranteed by a “101-year copyright-protected income stream”.

    Former colleagues say he often seemed better suited to being a manager of music than money. But he does not seem bruised by the downfall of Hipgnosis and the criticism he faced, blaming activist investors for the sudden end of his former company. The $1.6bn sale to Blackstone — and subsequent returns for the US private equity fund — has shown the deals he led to be good, he says.

    “I’m proud of the work, I’m very proud of the catalogue, I am proud of the return that we gave to the investors . . . You pay the price that you know is the right price because the asset is going to become more valuable. You’re only ever going to be able to buy the Red Hot Chili Peppers once.”

    The wave of dealmaking started by Hipgnosis shows no sign of stopping: last year Sony alone struck deals worth more than $1bn for songs written and performed by Queen and Pink Floyd.

    Mercuriadis’s new venture already has investor commitments in the “hundreds of millions” of dollars, according to people familiar with the matter. Talks are taking place for the first two acquisitions.

    “I’m going to amass five or six really important management companies, all of which have superstar artists and superstar managers that go with them”, Mercuriadis says. “It’s all about them having control and all about them making the majority of the money [rather than labels].”

    Increasingly, he says power lies with artists that have amassed large followings on social media before record labels approach them. Why should they hand over the financial benefit to labels?

    Mercuriadis describes this as a “value shift” from music companies to artists and managers. The company will work with labels, streaming platforms and talent agencies as “service providers” but the “equity [and income] will be in favour of the artist”.

    Mercuriadis will also buy music catalogues that will provide “very predictable, reliable, low-risk” income, and sit alongside the new music being created by its artists. His ultimate ambition would be to buy back the $2bn of music he amassed at Hipgnosis.

    “One of my goals is to buy the catalogue back. Blackstone are very smart people. They’re getting a great return on the catalogue that I put together. So I’m going to have to pay properly for it. The one thing that everyone has said post the sale is, ‘OK, this now seems cheap.’”

    Mercuriadis also wants to create a songwriters’ “guild” to help them negotiate with streaming platforms. “It all starts with the song . . . yet these people continue to be the lowest-paid people in the room,” he says.

    “It’s these people who helped make me who I am . . . and I want to keep giving back.”

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  • Britain’s HS1 rail link was ‘poor value for money’, report finds

    Britain’s HS1 rail link was ‘poor value for money’, report finds

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    Sixteen years after Britain’s first high-speed rail service was launched, an official government review into the economic impact of HS1 on the south-east has concluded the £7.3bn scheme provided “poor value for money”.

    The report, which was sat on by ministers for two years, comes at an awkward time for the government as it struggles to prevent further cost overruns and delays on the much larger HS2 scheme from London to Birmingham. 

    HS1, which links London St Pancras International station with the Channel Tunnel and Kent, was opened in 2007 after receiving the go-ahead in 1991. It was sold at the time as a regeneration plan for the south-east, promising faster journey times and increased rail capacity.

    “The starting point for a value for money assessment is that HS1 provides poor value for money,” said the government-commissioned report by Steer Consulting, an advisory group set up by Jim Steer.

    Steer is an advocate for high-speed rail who helped spur the launch of the current HS2 railway project more than a decade ago.

    The study said that international passenger numbers using HS1 were lower than forecast at the time the project was approved, and that it had failed to deliver the economic benefits to the region that were promised.

    Although HS1 boosted population growth in Ashford and Canterbury, this was “largely associated with increased commuting to London”, said the report, which was released by the government in June.

    The result was that “local economic indicators, such as GVA [gross value added] per capita, have not increased significantly compared with peer locations, which have not benefited from HS1”, it added.

    The government is struggling with how to proceed with the new HS2 railway, which was originally intended to connect London with Europe and Scotland but has since been scaled back to run between the capital and Birmingham.

    The cost has soared to at least £80bn, while there is still no plan for how to get trains into Euston station in central London despite demolition work starting on the site nearly a decade ago.

    Transport secretary Heidi Alexander admitted last month that the project would be delayed by several more years. The government also revealed that HS2 may initially have to run at slower speeds than expected to prevent further delay to its opening.

    Andrew Gilligan, a former Conservative transport adviser and head of transport at Policy Exchange think-tank, said: “This study, based on more than a decade of real-world evidence, disproves the overhyped claims about the economic benefits of high-speed rail.”

    He added that HS1 was still “a much better project than HS2, costing two-thirds less per mile in real terms”. 

    HS2 cost taxpayers £7.7bn in 2024, 57 per cent more than was spent on local public transport across the entire country last year, according to official figures. The line is now not expected to open until the mid- to late-2030s.

    HS1 was sold in November 2010 to a consortium of private investors on a concession from the UK government to run the line for 30 years for £2.1bn. It is now owned by investors including HICL Infrastructure and Equitix.

    Renamed London St Pancras Highspeed, it has recently offered financial incentives to operators to run services between London and mainland Europe. It aims to boost demand after its own study found that it could increase international passenger numbers from 1,800 an hour to nearly 5,000.

    London St Pancras Highspeed said it had “announced an ambitious growth incentive scheme . . . which incentivises an increase in services, passengers and new destinations, and encourages greater use of existing stations domestically in the south-east”.

    The Department for Transport said HS1 had successfully delivered on its objectives, more than doubling capacity for international rail services.

    It added that the report had “methodological limitations”, such as not looking at regeneration impacts in London or wider, longer-term economic effects of the project.

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  • Should we panic about interstellar comet 3I/Atlas? – Dhaka Tribune

    1. Should we panic about interstellar comet 3I/Atlas?  Dhaka Tribune
    2. Rare find: interstellar visitor seen blazing through our Solar System  Nature
    3. NASA Discovers Interstellar Comet Moving Through Solar System  NASA Science (.gov)
    4. The new interstellar object A11pl3Z, now 3I/ATLAS: online observation – 3 July 2025  The Virtual Telescope Project 2.0
    5. A new ‘interstellar visitor’ has entered the solar system. Astronomers aren’t sure what it is.  Live Science

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  • US industrial groups pivot to data centres amid AI boom

    US industrial groups pivot to data centres amid AI boom

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    US industrial companies are pivoting into the data centre market to boost growth, seeking a share of the hundreds of billions of dollars flooding into the sector as part of the artificial intelligence boom.

    Gates Industrial and Generac are part of a coterie of publicly listed companies that are increasing efforts to build and sell specialist equipment, which includes backup power generators and cooling pumps, designed for so-called hyperscalers such as Amazon, Alphabet, Meta and Microsoft.

    Honeywell, a $153bn North Carolina-based industrial giant that produces products from aeroplane engines to warehouse robots, is also trying to tap the fast-growing data centre market with its cooling solutions.

    “We’re seeing supersonic growth on the back of AI and in general over the past three years the price that you can get from the data centre customer has been stronger than the price elsewhere,” said Chris Snyder, an analyst at Morgan Stanley.

    It comes after other US-listed groups, such as Caterpillar, Cummins and Johnson Controls, have capitalised on the data centre boom at a time when economic uncertainty and trade barriers erected under US President Donald Trump have weighed on spending by customers in manufacturing and the commercial real estate market.

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    US factory activity has been declining over the past few months, with the ISM manufacturing purchasing managers’ index staying steadfastly in contraction territory since March.

    Spending on data centres has proven resilient with analysts anticipating that more than $400bn will be spent on the build-out of the infrastructure in the current fiscal year, according to Gartner. Hyperscalers make up more than three-quarters of this expenditure with spending predicted to grow next year.

    Vimal Kapur, Honeywell’s chief executive, told investors during a recent earnings call the company was “focused on pivoting” into higher-growth verticals such as data centres. “Those segments are growing regardless of the current conditions,” he said.

    Honeywell has in the past 18 months started to focus on providing controls for hybrid cooling systems to data centres and has experienced double-digit growth in sales of their new hybrid controller for data centres and similar applications.

    The liquid cooling system at the Equinix Data Center in Ashburn, Virginia
    Liquid cooling systems for server racks are another growth area for industrial companies © Amanda Andrade-Rhoades for The Washington Post via Getty Images

    Morgan Stanley’s Snyder said that servicing was likely to provide a long tail of business for industrial companies but cautioned that smaller players who had yet to break into the market could miss the boat given investment would eventually taper from elevated levels.

    Colorado-based Gates Industrial, a manufacturer of equipment for the heavy duty trucking industry, has in the past year started to push into the market designing pipes and pumps used to circulate coolant around server racks, a key component at a time when Nvidia’s most advanced Blackwell chips for AI model training and applications mandate liquid cooling.

    “A lot of [equipment] is mildly customised,” said Mike Haen, vice-president of global product line management at Gates, noting its products were generally transferable to data centres.

    Generac, the US’s largest producer of home generators, has targeted the hyperscale market in a bid to rebuild its share price, which has plummeted as much as 75 per cent since its peak in 2021, due to softening demand in its core business. Management has sought to diversify into an array of businesses including home power cells and electric vehicle charging.

    Ricardo Navarro, Generac’s data centre chief, said the company had recently invested $130mn in facilities to scale generators for large scale projects servicing hyperscaler demand.

    “The situation with data centres is unique. Even if the economy slows down on the traditional markets . . . [it] is almost isolated from economic downturns,” he added.

    Data visualisation by Ray Douglas

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  • China snaps up mines around the world in rush to secure resources

    China snaps up mines around the world in rush to secure resources

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    Chinese mining acquisitions overseas have hit their highest level in more than a decade as companies race to secure the raw materials that underpin the global economy in the face of mounting geopolitical tension.

    There were 10 deals worth more than $100mn last year, the highest since 2013 according to an analysis of S&P and Mergermarket data. Separate research by the Griffith Asia Institute found that last year was the most active for Chinese overseas mining investment and construction since at least 2013.

    The country’s huge demand for raw materials — it is the world’s largest consumer of most minerals — means its mining companies have a long history of investing overseas. Analysts and investors say that the rise in dealmaking partly reflects China’s efforts to get ahead of the deteriorating geopolitical climate, which is making it increasingly unwelcome as an investor in key countries such as Canada and the US.

    Michael Scherb, founder of private equity group Appian Capital Advisory, said there had been “more activity in the past 12 months because Chinese groups believe they have this near-term window . . . They’re trying to get a lot of M&A done before geopolitics get difficult.”

    The trend has continued since the start of this year. China’s Zijin Mining recently said it planned to acquire a gold mine in Kazakhstan for $1.2bn. Appian sold its Mineração Vale Verde copper and gold mine in Brazil to China’s Baiyin Nonferrous Group for $420mn in April.

    “In the next few years we are likely to continue to see a healthy level of dealmaking activity from Chinese mining companies,” said Richard Horrocks-Taylor, global head of metals and mining at Standard Chartered.

    Christoph Nedopil, an expert in Chinese overseas investment and director of the Griffith Asia Institute, noted that under the Belt and Road Initiative, Xi Jinping’s hallmark foreign policy, transport and infrastructure projects have tended to be smaller.

    By comparison, Chinese mining and resource investments overseas have remained large. This, Nedopil said, is in line with China’s pivot towards high-tech manufacturing, including in batteries and renewable energy. But it also reflects the fact that investors have become more sophisticated in their investment and operational approach.

    China dominates the processing of most critical minerals — including rare earths, lithium and cobalt — but has to import a lot of the raw materials.

    The US and many European countries are trying to reduce their dependence on China for these metals, which are key to the production of everything from electric vehicle batteries to semiconductors and wind turbines, and develop alternative supply chains.

    Western countries including Canada and Australia were “increasingly wary” about Chinese investment in local mining assets given “the strategic nature of a lot of these minerals”, said Adam Webb, head of battery raw materials at Benchmark Mineral Intelligence.

    Column chart of Value of overseas construction and investment in mining/minerals, $bn showing 2024 was a high point for Chinese overseas mining investment

    Analysts and bankers noted that Chinese companies had become adept at snapping up mining assets from western rivals in recent years, often being willing to take a longer term view on valuations and invest in riskier jurisdictions. 

    “There has been a [growing] sophistication of Chinese buyers’ outbound M&A strategies,” said Scherb.

    “The Chinese government used to select one buyer per asset sale process and back that group. What’s evolved over the past three to four years is the government allowing Chinese groups to compete with one another. That implies they don’t fear losing to the west anymore,” he said.

    John Meyer, an analyst at corporate advisory firm SP Angel, said that China had been making deals “to actively keep the west out of certain critical materials which they dominate”.

    “Every time someone gets close to mining lithium, the Chinese come running with a cheque book.” 

    The most active Chinese mining groups in overseas deals include CMOC, MMG and Zijin Mining.

    Chinese financial institutions have also issued billions in loans for minerals mining and processing projects in the developing world. 

    Timothy Foden, co-head of the international arbitration group at law firm Bois Schiller Flexner, who works in a number of African countries, said Chinese companies were positioning themselves to benefit from resource nationalism in nations such as Mali.

    Some military governments in Africa have sought to take control of western mining assets and are demanding higher royalty payments. Chinese companies are often prepared to accept a less lucrative arrangement if they can take over the running of the asset, the lawyer said.

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  • Smart Coating Inspired by Clouds Offers On-Demand Heating and Cooling

    Smart Coating Inspired by Clouds Offers On-Demand Heating and Cooling

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    A team of researchers at Aalto University in Finland has developed an ultra-thin material that can dynamically switch between intense cooling and rapid heating—without drawing attention from thermal imaging systems. The innovation, inspired by the changing brightness of cumulus clouds, could offer a passive and energy-free way to regulate heat across buildings, vehicles, and even stealth technologies.

    At the heart of the breakthrough is a nanoscale metasurface—just hundreds of nanometres thick—that appears bright white in one state and deep grey in another. In its white phase, the surface strongly reflects sunlight, helping cool objects beneath it, yet it emits almost no thermal radiation detectable by infrared cameras. When switched to grey, the surface absorbs sunlight more efficiently than typical matte black coatings, warming rapidly, but still avoids emitting infrared signals that would betray its temperature.

    According to the press release, this dual behavior is made possible by a network of metallic nanostructures engineered to manipulate light in complex ways. By using polarizonic reflection, the white state bounces sunlight away through multiple scattering. In contrast, the grey mode traps light, converts it into heat, but keeps that heat hidden from thermal surveillance by maintaining low emissivity in the 8–13 micron infrared range.

    The coating offers a significant advantage over traditional thermal paints. Conventional white coatings like titanium dioxide can reflect sunlight but glow brightly in thermal imaging, while black coatings absorb sunlight and radiate heat, making them highly visible to infrared systems. This new metasurface sidesteps both limitations.

    The material’s low profile makes it ideal for integration into architectural surfaces, wearable textiles, or even stealth coating for UAVs —anywhere where heat management or thermal camouflage is critical. Importantly, the surface operates passively, without requiring external energy inputs.

    Future versions may include layers that allow the shift between modes to be triggered electrically or by environmental changes. With durability testing underway, the researchers hope the material can withstand real-world conditions.

    The study appeared in Advanced Materials in June 2025.

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  • The Blackberry that ruled the world

    The Blackberry that ruled the world

    There was a time, not long ago, when the choice of smartphone wasn’t just about specs or camera megapixels. It was about identity. And if you had a Blackberry, it told the world you were important. You were busy. You were in the loop.

    In the days before iOS and Android devoured the smartphone market, Blackberry wasn’t just dominant – it was a cultural phenomenon. From Obama to Kim Kardashian, from Bollywood stars to business moguls, Blackberry was the global badge of success and connection.

    So how did this little Canadian device become a worldwide status symbol? And why did it fall so hard, so fast?

    Let’s scroll back to the glory days of BBM and beyond.

    The early days: Business before buzz

    When Research in Motion (RIM), a modest Canadian tech firm founded by Mike Lazaridis and Douglas Fregin in 1984, launched the first BlackBerry device in 1999, it wasn’t aimed at hipsters or celebrities.

    The BlackBerry 850 pager was designed for corporate users and journalists, offering wireless email – an unheard-of innovation at the time.

    Push-email was BlackBerry’s first killer feature. It revolutionised how executives and professionals worked.

    Soon, the devices evolved to include voice calls and full QWERTY keyboards, offering an unmatched messaging experience. The tactile keyboard and secure email became indispensable in a world still reliant on desktop computers.

    The ‘CrackBerry’ era: A cultural phenomenon

    By the mid-2000s, BlackBerry wasn’t just a business tool, it was a badge of success. C-suite executives, bankers, journalists, and politicians swore by their BB devices. The addictive quality of the real-time messaging (first email, then the now-legendary BlackBerry Messenger aka BBM) earned it the nickname “CrackBerry.”

    At its peak in 2009-2010, BlackBerry commanded over 20% of the global smartphone market, with 85 million subscribers.

    In India too, the brand had a cult following. For professionals in Mumbai’s Nariman Point or Delhi’s Connaught Place, no phone matched the BlackBerry’s work utility and prestige.

    Yet even the suits couldn’t hold onto BlackBerry alone for long. Soon, it caught the fancy of the youth, and popular culture.

    BlackBerry and pop culture: Bling, drama, and BBM pins

    Globally, BlackBerry seeped into celebrity culture with ease. Pharrell flaunted an 18-karat gold-plated BlackBerry in 2006, crafted by Jacob the Jeweller. Beyoncé famously admitted she slept with her BlackBerry while recording her album 4. In the Hollywood-LA party circuit of the mid-2000s, BBM PIN exchanges replaced phone numbers.

    Paris Hilton once denied hacking Lindsay Lohan’s BlackBerry in a classic mid-2000s tabloid feud. Lana Del Rey even recorded a song called BBM Baby (“I be BBM’in you…”), an anthem for a bygone era of digital flirtation.

    On TV, BlackBerry became a staple: Gossip Girl, The Hills, and even the cultish Pretty Wild scene (“Nancy Jo, this is Alexis Neiers calling!”) all featured BlackBerry prominently. It was the “it” phone of the Y2K and 2010s culture.

    And then there was India.

    The Indian wave: From boardrooms to college campuses

    In India, BlackBerry was initially associated with top corporate executives. But that changed dramatically with one iconic ad campaign: We’re the BlackBerry Boys.

    In the late 2000s, Vodafone India spotted a cultural shift – BlackBerry was becoming a youth status symbol, thanks to BBM. To capitalise, Vodafone launched prepaid BlackBerry packages, making it affordable to students and first-jobbers.

    Ogilvy’s brilliant “We’re the BlackBerry Boys” campaign poked fun at the older corporate types lamenting that “their” exclusive phone had become mainstream. The jingle went viral, spreading like wildfire on social media and WhatsApp forwards (ironically!).

    It wasn’t just an ad – it was a cultural moment. Overnight, BBM PINs became the new currency of college cool in metros like Mumbai, Bangalore, and Delhi.

    Why BlackBerry worked: A UX masterclass in messaging

    Why did BlackBerry dominate even after the iPhone arrived? Simple: Messaging.

    – The clicky QWERTY keyboards made emails and texts fast and satisfying.

    – BBM was a closed, secure network, like WhatsApp before WhatsApp.

    – Push-email via BlackBerry Enterprise Server (BES) was years ahead of its time.

    Steve Jobs himself referenced BlackBerry’s email system as the gold standard during the iPhone launch.

    BlackBerry also excelled in security – an obsession among governments, corporates, and privacy-conscious celebs alike. Its utilitarian UI and delightful trackball navigation prioritised functionality over flash.

    Owning a BlackBerry was about joining a tribe – the device conferred professional credibility and cultural cachet in equal measure.

    The downfall: Touchscreens, app stores, and missed signals

    But even the mightiest brands can fall. BlackBerry’s undoing came down to:

    The iPhone’s App Store: Apple turned the phone into an app-centric device for all.

    Android’s open ecosystem: Brands like Samsung scaled fast and cheap.

    BlackBerry’s arrogance: Leadership dismissed touchscreens as a fad.

    Software stagnation: BlackBerry OS couldn’t match iOS and Android’s UX.

    Their touchscreen effort – BlackBerry Storm – flopped. By the time they embraced Android with the BlackBerry Priv, it was too late. The market had moved on.

    BlackBerry phones stopped shipping in 2016, though a Texas startup briefly revived them. Today, BlackBerry Ltd focuses on cybersecurity, enterprise software, and its QNX systems in millions of cars.

    Yet the cultural imprint remains:

    – Kim Kardashian stocked up on BlackBerry Bold units after its discontinuation.

    – Alicia Keys (briefly) served as BlackBerry’s Global Creative Director (awkwardly tweeting from an iPhone).

    – Nostalgia for BBM and QWERTY keyboards still thrives in online communities.

    The story of BlackBerry is one of bold innovation, cultural resonance, and the brutal realities of tech disruption. It taught us that being first isn’t enough; staying first requires relentless adaptation.

    In India, it democratized mobile internet access and gave a generation its first taste of messaging addiction. Globally, it became shorthand for hustle culture and celebrity gossip. Its DNA – security-first messaging, typing-first UX – lives on in today’s smartphones.

    So next time you swipe away on your glass screen, remember: there was a time when being a BlackBerry Boy (or girl) was the coolest thing in the room.

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  • Xbox Game Studios exec gives ‘AI prompts’ to laid-off Microsoft employees to handle emotional stress caused by job loss; deletes post after backlash

    Xbox Game Studios exec gives ‘AI prompts’ to laid-off Microsoft employees to handle emotional stress caused by job loss; deletes post after backlash

    Xbox Game Studios Executive Producer Matt Turnbull has recommended that recently laid-off Microsoft employees use AI chatbots to cope with job loss, offering specific prompts to help workers navigate unemployment. Turnbull’s since-deleted LinkedIn post suggested using tools like ChatGPT and Copilot to “help reduce the emotional and cognitive load that comes with job loss.”Turnbull’s recommendation comes as Microsoft cuts 9,100 employees across the company, with Xbox divisions particularly affected by studio closures and game cancellations. “These are really challenging times, and if you’re navigating a layoff or even quietly preparing for one, you’re not alone and you don’t have to go it alone,” Turnbull wrote in his original post.The exec provided detailed AI prompt suggestions for affected workers, including career planning assistance: “Act as a career coach. I’ve been laid off from a [role] in the game industry. Help me build a 30-day plan to regroup, research new roles, and start applying without burning out.”

    Executive’s tone-deaf timing draws backlash

    His recommendations extended to emotional support, suggesting workers ask AI: “I’m struggling with imposter syndrome after being laid off. Can you help me reframe this experience in a way that reminds me what I’m good at?”His recommendations extended to emotional support, suggesting workers ask AI: “I’m struggling with imposter syndrome after being laid off. Can you help me reframe this experience in a way that reminds me what I’m good at?”The executive emphasized that “no AI tool is a replacement for your voice or your lived experience,” but argued these tools could help workers “get unstuck faster, calmer, and with more clarity.”The suggestion drew criticism from gaming industry professionals, prompting Turnbull to delete his post. The timing proved particularly sensitive as Microsoft invests $80 billion in AI infrastructure while simultaneously reducing its workforce.Xbox head Phil Spencer acknowledged the difficult moment in his memo to employees: “Simply put, we would not be where we are today without the time, energy, and creativity of those whose roles are impacted.” Spencer explained the cuts were necessary to “position Gaming for enduring success” and focus on “strategic growth areas.”The layoffs represent Microsoft’s fourth round of job cuts in 18 months, following previous reductions affecting Activision Blizzard, Xbox studios, and other gaming divisions.


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  • rare photos chart the rise of Wizkid, Burna Boy and Davido

    rare photos chart the rise of Wizkid, Burna Boy and Davido

    Yaya Egwaikhide & Majid Mohamed

    BBC News

    Oliver Akinfeleye Wizkid on stage at The 02 arena in London in November 2021. He has his back to  the camera and is facing the audience, whose phones light up the eerie green atmosphere as dry ice lingers in the air. Oliver Akinfeleye

    Afrobeats has swept the world of music like a tsunami – it dominates playlists and its fans cram into huge stadiums to hear the likes of Nigerian superstars Wizkid, Davido and Burna Boy.

    Photographer Oliver Akinfeleye, known professionally as “Drummer”, caught the Afrobeats wave early – and he decided to document it as it grew into a global phenomenon.

    Since 2017, the New Yorker of Nigerian descent has had exclusive backstage access to some of the biggest artists of the genre – capturing quieter moments of reflection as well as strutting stage performances.

    “I remember my first project with Wizkid like it was yesterday – Echostage Washington DC, 2017,” Drummer told the BBC. “The feeling was exhilarating. It was my job to tell the visual story of how it all went down.”

    Oliver Akinfeleye Wizkid in a zipped-up blue puffer jacket, white trousers and white shoes leans against audience railings to the left of the shot in the Ziggo Dome in Amsterdam before a show in November 2022.Oliver Akinfeleye

    Wizkid seen here before a show in Amsterdam and wowing his fans in London in the photo above

    Drummer has not stopped clicking since – and has now released Eagle Eye, a book of photographs showcasing Afrobeats’ rise from humble beginnings to one of Africa’s largest cultural exports.

    Afrobeats has its roots in various West African musical genres that became especially popular in the decades that followed independence as the continent began celebrating its freedom from colonial rule.

    Highlife, which flourished along the coast from the late 19th Century, became synonymous with Ghana’s national identity after independence in 1957 – and was in turn hugely influential on Nigerian musician Fela Kuti. His Afrobeat (minus the “s”) movement, which mixed traditional rhythms with funk and jazz, became the sound of the 1970s and 1980s in West Africa.

    At the turn of the millennium, this rich cultural heritage fed into Afrobeats, along with a mix of Western pop, rap and dancehall.

    Oliver Akinfeleye Wizkid in round sunglass and a brown beanie, cream sweatshirt and brown waistcoat, holds a microphone on a small stage. To his right can be seen a small mixing desk and to left a group of mainly female fans taking photos of him with their phones.

Oliver Akinfeleye

    Wizkid performing to an intimate crowd before hitting the big time

    It gained further popularity in the UK and North America, where there are large diaspora populations, in particular from Nigeria, where most of the genre’s stars came from.

    Afrobeats artists began performing to these communities at first in small venues in the early 2010s.

    Then it really take off – between 2017 and 2022 Afrobeats experienced 550% growth in streams on Spotify, according to data from the world’s most popular streaming service.

    Oliver Akinfeleye David dressed in a white T-shirt, light jeans and red and white shoes holds up his fists (microphone in one) with his back to a huge audience as he perform at the Capital One Arena in Washington DC - 1 July 2023.Oliver Akinfeleye

    Davido on stage in his element in 2023

    This resulted in many of the artists becoming household names around the world, and the musical industry taking note.

    It has gone on to include African music in mainstream award ceremonies like the Grammys.

    Today these artists easily pack out stadiums like Madison Square Garden in New York – pictured below ahead of Wizkid’s performance in 2023.

    “Madison Square was a night to remember – the iconic venue illuminated in the colours of the Nigerian flag honouring our homeland,” says Drummer.

    Oliver Akinfeleye The outside of Madison Square Garden stadium seen at night with panels of green and white lights and a huge sign saying: "Wizkid, Montefiore Concert Series, Madison Square Garden, New York City, Tonight Sold Out". Some people can be seen in front of the stadium by the Pennsylvania Station entrance and vehicles, including one yellow taxi, are driving past - 16 November 2022.Oliver Akinfeleye

    The green and white colours of Nigeria’s flag lit up Madison Square Garden for Wizkid’s sell-out performance in 2022

    Drummer was able to take photographs of the musicians as they started out on their global careers.

    “I always felt that I was capturing moments with just my eyes. Walking the streets of New York City, I would frame scenes in my mind – people, light, emotion,” the photographer says.

    “I’d ask myself, how do I translate this mental perspective to reality?”

    Gradually, the audience grew and became more international with fans in countries such as China, Germany and Brazil.

    Oliver Akinfeleye A black and white photo of Burna Boy, topless and in jeans, seen from behind on stage at Prospect Park as he lifts his hands to fans whose phones light up the crowds at the BRIC Celebrate Brooklyn! Festival - 19 July 2019. Oliver Akinfeleye

    Burna Boy performed at New York’s free summer outdoor festival in Brooklyn’s Prospect Park in 2019

    Now even non-African musicians are taking up the Afrobeats sound and releasing their own versions, including artists such as Chris Brown, who released Blow My Mind with Davido.

    The US singer has also performed with Wizkid in London – as the photo below from 2021 shows.

    “I love this picture because when Wizkid brought Chris Brown out at The O2 arena, the place exploded. No-one saw it coming – the energy shifted instantly,” says Drummer.

    “Shock, excitement and pure electricity. A moment stamped in memory and in history.”

    Oliver Akinfeleye Chris Brown (left) in dark puffer jacked and Wizkid (right) in sunglasses, dark T-shirt and trousers, greet each other on stage at The O2 arena in November 2021. The pair are almost in silhouette as the lights of audience phones sparkle like fairy lights in front of them. Dry ice also lingers in the air.Oliver Akinfeleye

    It was electrifying when Chris Brown (left) joined Wizkid on stage in 2021

    Drummer says one of the aims of the photo book is not to just show people what he saw, but to help them feel what he experienced – through his pictures.

    It also sometimes reveals the feelings of the superstars in their private moments.

    This final picture shows Wizkid backstage on his phone in 2021.

    It was “a rare quiet moment”, but even in the silence and the calm his presence spoke volumes, says Drummer.

    Oliver Akinfeleye A black and white image captured after rehearsals in November 2021 of a tired Wizkid lying on a couch with a phone to his ear. His eyes are closed and his other hand is his face touch his brow. He is wearing a white T-shirt and dark trousesr and a black jacket is draped around his shoulders.Oliver Akinfeleye

    Wizkid has some me-time backstage after rehearsals in London in November 2021

    More about Afrobeats from the BBC:

    Getty Images/BBC A woman looking at her mobile phone and the graphic BBC News AfricaGetty Images/BBC

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  • An AI Foot Scanner Could Detect Heart Failure

    An AI Foot Scanner Could Detect Heart Failure


    The scanner works by using photos to measure fluid levels in the feet and ankles.

    Jul 6, 2025

    Cardiologist listening to a senior patient’s heart.

    (PeopleImages.com – Yuri A / Shutterstock.com)

    There has been a revolution in heart failure care. This long-term disease does not have a cure, but it can be managed. Now, heart failure patients have another tool in their tool box that can help them monitor the disease and act quickly before it worsens. 

    That is because researchers have developed an AI scanner that can detect early signs of heart failure by using photographs of a patient’s feet to measure fluid levels,reported The Independent. The research  was presented at the annual conference of the British Cardiovascular Society in June of 2024, could help prevent hospitalization and expedite care for thousands of people suffering from heart disease around the world. 

    Heart Failure is Not Rare
    Though it sounds dramatic, heart failure is not that rare. There are more than a million people living with this long-term condition currently in the UK alone. The disease occurs when the heart can no longer pump blood through the body properly because it is too weak or stiff. The three primary symptoms that the disease is worsening are weight gain, breathlessness, and fluid build up in the feet and legs. 

    This is why the new AI scanner, created by Heartfelt Technologies, could be so revolutionary. It is installed at the patient’s home and works by taking over 1,800 photographs of a patient’s lower legs and feet per minute and using those to calculate the amount of fluid their feet are retaining, reported the BBC

    Dr Philip Keeling, senior author of the study and consultant cardiologist at Torbay and South Devon NHS Foundation Trust, told BBC that the scanner “keeps an eye on you and alerts the health failure nurse”.

    Testing the Scanner
    According to the Independent, the AI scanner was tested on 26 heart-failure patients from five NHS trusts. The patients were monitored by the scanner and were also asked to weigh themselves daily on a Bluetooth embedded scale, so the researchers could keep track of their weight. 

    The AI scanner was able to detect a worsening of the disease in six patients, and for people who had been enrolled in the study for two weeks before the alert, the average time between the alert and hospitalization was 13 days. That is to say, the scanner picked up on the intensification of the disease nearly two weeks before it got so bad that it required the patient to be hospitalized. On the other hand, the scale was not useful in detecting changes in the patients’ medical situation.

    So it seems that the AI scanners can truly provide an early warning that could help those suffering from heart disease receive the care they need before they deteriorate. 

    Professor Bryan Williams, chief scientific and medical officer at the British Heart Foundation, told the BBC, that the study was “a good example of how technology might aid earlier interventions and treatment. This small study suggests a simple device could significantly improve outcomes for at-risk patients with heart failure by keeping them out of hospital.”

    AI is revolutionizing so many fields, from writing, to art, and science. The AI scanner is proof that though it is sometimes wise to be wary of AI, in many cases, when used correctly, it can truly help make a difference in the lives of so many people. 

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