Lil Nas X went on a song spree earlier this year when he surprise-dropped the eight-track Days Before Dreamboy EP, a mini album that collected a clutch of singles he’d released in late 2024 and early 2025. And then… well, things got quiet.
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The rapper revealed that he was hospitalized in April with what he said was partial facial paralysis, the cause of which was never disclosed, and then popped in to the Jennifer Hudson Show in May to once again tease his follow-up to his 2021 debut full-length LP, Montero. Things went dark again for a few months until this week when Lil Nas wiped his Instagram and re-populated it with song snippets of a number of new tracks featuring A-list collaborators.
The spree started on Tuesday morning (Aug. 19) with a mysterious image of Nas in white cowboy boots and a golden dress holding a pair of lanterns in a room piled high with different colored material on the floor. That was followed by a shot of what appeared to be a desk surrounded by paintings, sculptures, light fixtures and other marginalia, again offered with no context or commentary, as well as a shot of a furry white chair bookended with a dramatic, regal painting of the MC and a white sheet hanging askew behind the tableau.
And then things got really interesting with a playful selfie in which Nas rocked a fur coat and light brown cowboy hat — topped with a crown — and bright red lipstick with the caption, ‘OH NO sHES GONE MAD! CRAZY I TELL U!, followed by a snap of him throwing up a peace sign in front of a computer screen, the floor littered with stereo equipment and a dirty propane tank with the cryptic caption, “the god of music dare i say? me not jay z, no shade.”
A few more images came next, including one of Nas in the gold dress and boots in a lit-up full-length mirror with the tease, “and just like that she’s back. We’ve all waited so long. When dreamworld needed her the most,” which paved the way for an untitled, slow-rolling song produced by Young Kio with a woozy guitar and a throwback to his breakthrough “Old Town Road” cowboy vibe.
“Turn on the cable, Nassy’s out the stable/ B–ch I’m back around, let them n–gas know it’s fatal/ And I ain’t finna take s–t, n–gas better watch it/ You know I love the sound of them rounds when the Glock hit,” he raps on a song whose title appears to be “Black Horse.”
He also dropped a snippet of “Kimbo” featuring Lil Jon, a big beat banger on which he solemnly sings the chorus, “I know you feel pressure/ When nobody’s around/ You Kimbo/ And I know you feel tempted/ When nobody’s around,” before dropping into a greasy verse on which he raps, “I want like three hoes on some Xans/ I’m with YTO and some friends/ I’m a five-star b–ch with a six pack/ Seven n–gas on me whenI walk into that G spot.”
And though he’d earlier shared a snippet of one of his most legendary unreleased songs, “Down Souf Hoes,” featuring Sexyy Red and Saucy Santana, at press time that post had been deleted.
The final two clips, uploaded on Wednesday morning (Aug. 20) find Nas, in boots and a white robe, banging a tambourine and standing in front of the pile of gear pictured in the previous snaps and crooning a cappella, “I want to live/ I want to fight/ I want to live a wondrous life/ I want to go, I want to thrive/ I want to live a wondrous life/ Oh what a life, oh what a life.”
A final video spotlights a poppy, keyboard-heavy untitled song playing over an image of a colorful floor-to-ceiling mural as he sings, “strange things keep happening.” At press time a spokesperson for Lil Nas had not responded to Billboard‘s request for information on the album’s release date and the new song snippets.
When Derek Small watched his father’s early-onset dementia worsen nearly a decade ago, he observed symptoms of neuroinflammation and synaptic dysfunction. Although not a scientist by training, Small already had years of experience launching biotech companies focused on drug discovery development and clinical trials for various disorders and diseases.
Derek Small. Courtesy of Derek Small
Motivated by his father’s dementia journey, Small shifted the focus of his Indianapolis-based venture creation firm, Luson Bioventures, to solely invest in neuroscience biotech startups. Small and a team of Indiana University School of Medicine researchers have since co-founded a startup, Monument Biosciences, dedicated to developing the next generation of Alzheimer’s disease treatments.
“If you have dementia, it’s like you’re a completely different person. Not only do you not remember people’s names, but you also can’t even really function,” said Small, whose father, John Small, died in 2017 at the age of 74. “After all I had been working on in drug discovery, neuroinflammation and synaptic dysfunction were the two phenotypes coming through to me that I felt like we had drugs that could help, or we had ways to target with new drugs.”
After launching a different biotech startup focused on synaptic dysfunction in 2018, Small searched for collaborators to study neuroinflammation.
“I was talking with scientists and pharmaceutical companies all over the world about novel neuroinflammation approaches,” Small said. “I wasn’t just looking in the Midwest.”
That global search eventually led Small back to Indianapolis, where he met Alan Palkowitz, research professor of medicine at the IU School of Medicine and the president and CEO of the Indiana Biosciences Research Institute.
Alan Palkowitz. Photo by Liz Kaye, Indiana University Palkowitz, the former vice president of discovery chemistry research and technologies at Eli Lilly and Company, co-leads the school’s Alzheimer’s disease drug discovery center, called Target Enablement to Accelerate Therapy Development for Alzheimer’s Disease, or TREAT-AD.
“I was extremely excited to learn that a pharmaceutical industry veteran like Alan — someone who has led countless drug-discovery-to-clinical-translation programs in his 25-plus years at Eli Lilly — and the TREAT-AD team were not only working on neuroinflammation,” Small said, “but they were also thinking much bigger than the other research groups I had met with to date around the world and were focusing on a next-generation approach that perfectly aligned with our strategy at Luson Bioventures.”
Monument Biosciences, which is housed within the Indiana Biosciences Research Institute, started to incubate in 2023. Small partnered with Palkowitz and his TREAT-AD co-principal investigators Bruce T. Lamb and Timothy Richardson, along with several other researchers at the IU School of Medicine. The nonprofit research institute is also the home to Luson Bioventures, Syndeio Biosciences and the TREAT-AD laboratories.
“Even in our initial application for TREAT-AD, we envisioned a future scenario where the output of our work would have the potential to reach patients,” Palkowitz said, “We ultimately saw the best way to accomplish this is through a company that could recruit investment and build the right infrastructure to focus on clinical development.
“Derek wanted to start a company focusing on neuroinflammation, which had been the emphasis of our TREAT-AD center. It really was a natural convergence.”
Postdoctoral fellow Chandrama Ahmed and Alex Culver, director of discovery sciences at Monument Biosciences, view images of the brain’s immune cells. Photo by Liz Kaye, Indiana University
IU School of Medicine researchers leading the way
The IU School of Medicine has several programs dedicated to Alzheimer’s disease research, from basic and translational science to clinical research and innovation. The comprehensive program even drew the attention of Bill Gates, the co-founder of Microsoft.
Bruce Lamb. Photo courtesy of IU School of Medicine “When people finally come and see things at the IU School of Medicine, I think they’re shocked about all the activity around Alzheimer’s disease research and the sophistication that’s here relative to anything on either coast,” said Lamb, the executive director of the Stark Neurosciences Research Institute. “When we give people a tour, you can immediately see their perspective change once they see what’s happening.”
In addition to Palkowitz, Lamb and Richardson, Monument Biosciences co-founders from the IU School of Medicine include Stephanie Bissell, Adrian Oblak, Brent Clayton, Jeff Dage and Jared Brosch. Cristian Lasagna-Reeves, a former IU School of Medicine faculty member, is also a co-founder. The group includes investigators who study the biology of Alzheimer’s disease, medicinal chemistry, disease biomarkers and clinical research.
Before launching Monument Biosciences, Small had worked closely with Anantha Shekhar, the former executive associate dean for research at the IU School of Medicine. Small and Shekhar has previously co-founded startups Gate Neurosciences, Syndeio Biosciences and Anagin.
“It’s really extraordinary and actually underappreciated how much the IU School of Medicine has contributed to the neuroscience field,” Small said. “They have world-class quality science, great people and full-service patient care for dementia and Alzheimer’s disease. I consider it one of the top research consortiums in the world for Alzheimer’s disease and related dementias.”
Bridging the gap between basic science and clinical trials
Biotech startups have often bridged the gap — sometimes referred to as the “valley of death” — between basic research and drug development.
“If we’re really thinking about accelerating innovation to patients, placing assets into a company and raising money through investors who are motivated in this space is a great formula,” Palkowitz said. “But at the same time, we’re able to continue to advance science and build on the work we’ve done within TREAT-AD.”
Through Luson Bioventures, Small has launched and led several neuroscience and infectious disease companies, including Assembly Biosciences, Naurex and others, guiding companies as the founding CEO through clinical development, IPOs and strategic exits.
“Our goal is to take lead candidates from the TREAT-AD pipeline and move it toward clinical trials,” Small said. “That’s where our team steps in with the next stages of drug development.”
Dolby Family Ventures is also a major investment partner of Monument Biosciences, Small said. The venture firm was created in honor of Dolby Laboratories founder Ray Dolby, who died of Alzheimer’s disease. The firm funds dozens of companies focused on disease-modifying treatments for Alzheimer’s disease and depression.
Tim Richardson. Photo by Liz Kaye, Indiana University
TREAT-AD, which launched in 2019 and received a five-year grant renewal in December 2024 from the National Institute on Aging, narrowed down a list of hundreds of potential drug targets for Alzheimer’s disease to a portfolio of five that are promising potential new therapies.
Monument Biosciences set up an exclusive licensing arrangement with the IU Innovation and Commercialization Office to develop drug targets discovered through TREAT-AD into potential therapeutics for clinical trials. Richardson said the center’s portfolio of targets focuses on the neuro-inflammatory component of Alzheimer’s disease, a novel way of approaching the disease. potential therapeutics for clinical trials. Richardson said the center’s portfolio of targets focuses on the neuro-inflammatory component of Alzheimer’s disease, a novel way of approaching the disease.
“TREAT-AD hopes to take Alzheimer’s disease treatments to the next level by focusing on microglia, a specialized type of immune cell primarily responsible for clearing amyloid and protecting the brain,” Richardson said.
One of the center’s most advanced projects is targeting a microglial-specific gene associated with Alzheimer’s disease, which the team received a five-year grant from the National Institute on Aging to study. The gene, INPP5D, encodes the protein SHIP1 and is also one of the top targets for Monument Biosciences, Richardson said, along with the gene PLCG2, an immune cell-specific gene that has also been rigorously studied by IU School of Medicine researchers.
“I don’t think we’ve been in a more exciting period for the potential of impacting Alzheimer’s patients with new innovation,” Palkowitz said. “Our hope is that what we’re doing through Monument Biosciences and having our roots in the research community at IU and the Indiana Biosciences Research Institute is going to make a big impact on the disease. We look forward to what the future holds.”
The Petralona skull, discovered in a cave in northern Greece. Credit: Christophe Falguères / CC BY 4.0
A new study has provided the clearest picture yet of one of Europe’s most debated fossils — a nearly complete human skull discovered in Petralona Cave, northern Greece. The fossil, first unearthed in 1960, has long challenged scientists with questions about both its identity and its age.
A skull unlike Neanderthals or modern humans
The Petralona skull belongs to the Homo genus but stands apart from known groups. It shows marked differences from Neanderthals and modern humans, leaving researchers uncertain about where it fits in the evolutionary record.
Its age has also been a source of dispute for decades, with earlier estimates ranging widely from 170,000 to 700,000 years.
Now, a research team from the Institut de Paléontologie Humaine has used uranium-series (U-series) dating to narrow down the timeline. Their findings, published in the Journal of Human Evolution, indicate a minimum age of 286,000 years.
How U-series dating works inside caves
U-series dating works by measuring how uranium isotopes decay into thorium. In cave environments, water seeping through soil carries uranium but leaves thorium behind. When the moisture evaporates, it forms calcite crusts rich in uranium but free of thorium.
From that moment, the uranium begins to break down at a steady rate, creating a closed system that can be measured with precision.
Samples taken from the skull and cave formations
Researchers sampled calcite from several areas of the cave, including the coating on the skull itself, nearby stalagmites, and formations in chambers and passages. The calcite crust on the cranium yielded a minimum age of 286,000 ± 9,000 years.
A study reveals that the enigmatic Petralona Cave skull, a crucial piece in understanding human evolution, has a minimum age of 286,000 years, suggesting it belongs to a distinct group predating both Neanderthals and modern humans. pic.twitter.com/lpN7ps6NIA
However, the team noted that this date only reflects when the skull was first exposed to moisture and began collecting deposits. If it had remained dry or covered beforehand, the fossil could be older.
Wider cave dating sets upper and lower limits
To test broader limits, researchers also dated cave formations. A stalagmitic veil in the Mausoleum chamber showed an age of 510,000 ± 29,000 years at the surface and more than 650,000 years inside, confirming that the cave was well established before the skull’s coating began.
In the Dardanelles Passage, no stalagmitic floor was older than 410,000 years, while a younger layer dated to about 228,000 years.
What the findings reveal about human evolution
These findings produced two possible age ranges. If the cranium was once cemented to the cave wall, its age is between 539,000 and 277,000 years. If not, deposition is estimated between 410,000 and 277,000 years.
The study concludes that the Petralona hominin belonged to a separate and more primitive group than Homo sapiens or Neanderthals.
The results also support the idea that such populations coexisted with early Neanderthals in Europe during the Middle Pleistocene, offering new insight into the continent’s complex evolutionary past.
Would you be willing to leave Earth on a one-way trip to our nearest star system? In a Live Science poll, we asked our readers whether they would board a spacecraft that takes 400 years to reach Alpha Centauri. The poll was in response to a hypothetical spacecraft called Chrysalis, which won first place in a contest to design a multigenerational ship capable of housing thousands of people for a journey to Proxima Centauri b — an Earth-size exoplanet that is thought to be potentially habitable.
More than 3,300 readers responded to the poll, which was published Aug. 13. And at the time of writing, the results show that 45% of responders were willing to take the trip through deep space, no questions asked, while 30% gave a solid “no.”
The rest? Well, it depends on the details, so we asked them what had them sitting on the galactic fence.
“It would depend on the living arrangements, as well as the work required and the rec facilities,” Jason P. Harris wrote.
For some, the decision came down to comfort and recreation. “If I could go by myself, and if the ship had a racetrack, and I could bring a motorcycle with me, I would sign right now,” S. Ravenscroft wrote.
And the chance to sleep the 400 years away was a deal-maker too. “If there was hypersleep then yes I’d go,” Chris K X24 said.
Others tied their decision to Earth’s future. “I guess if Earth was becoming uninhabitable I would,” Captain Awesome wrote. “But it doesn’t sound like fun, my ping back to Earth would just get worse and worse until gaming becomes impossible.”
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Gavin Chapple noted that technology could significantly advance in those 400 years, writing: “The silly part is, once they finally arrive, there will already be humans there who beat them to it with near light speed technology.”
So what do you think? After weighing up all the options, would you be willing to leave Earth behind for Alpha Centauri? Let us know in the comments below.
—Oops! Earendel, most distant star ever discovered, may not actually be a star, James Webb Telescope reveals
—Scientists think they detected the first known triple black hole system in the universe — and then watched it die
—Uranus has a new, hidden moon, James Webb Space Telescope reveals
Nick Jonas and Fossil celebrated their collaboration with a dinner on Tuesday night, featuring such high-profile stars as Halle Bailey and Ben Platt.
Jonas, an avid watch collector previously seen sporting a vintage Rolex at The Championships, Wimbledon, in July and ambassador to Fossil since November 2024, worked in tandem with Fossil to design a limited-edition collection of timepieces for the brand. The collection highlights bold-shaped cases and striking color palettes, rooted in timelessness, authenticity and nostalgia.
“We leaned into current trends, but also wanted to craft something that felt timeless,” Jonas said of the collection, per Fossil’s official website. “Wearing watches should be fun. It’s an expression of who you are.”
Pieces from the limited-edition collection include the Machine Luxe Green Vignette Two-Hand Gold-Tone Stainless Steel Watch Ring and the Luxe Three-Hand Black Croc Leather Watch. Prices on pieces from the collection range from $150 to $350.
Here, see photos from the Nick Jonas and Fossil New York City dinner.
Nick Jonas And Fossil Present: Fossil Dinner [PHOTOS]
Image Credit: Getty Images for Fossil
Nick Jonas and Halle Bailey attend Fossil Present: Fossil Dinner at Soho Diner on Aug. 19, 2025 in New York City.
Nick Jonas And Fossil Present: Fossil Dinner [PHOTOS]
Image Credit: Getty Images for Fossil
Nick Jonas attends Fossil Present: Fossil Dinner at Soho Diner on Aug. 19, 2025 in New York City.
Nick Jonas And Fossil Present: Fossil Dinner [PHOTOS]
Image Credit: Getty Images for Fossil
Halle Bailey attends Nick Jonas and Fossil Present: Fossil Dinner at Soho Diner on Aug. 19, 2025 in New York City.
Nick Jonas And Fossil Present: Fossil Dinner [PHOTOS]
Image Credit: Getty Images for Fossil
Halle Bailey and Ben Platt attend Nick Jonas and Fossil Present: Fossil Dinner at Soho Diner on Aug. 19, 2025 in New York City.
Nick Jonas And Fossil Present: Fossil Dinner [PHOTOS]
Image Credit: Getty Images for Fossil
Nick Jonas attends Fossil Present: Fossil Dinner at Soho Diner on Aug. 19, 2025 in New York City.
Nick Jonas And Fossil Present: Fossil Dinner [PHOTOS]
Image Credit: Getty Images for Fossil
(L-R) Melissa Lowenkron, Nick Jonas and Franco Fogliato attend Fossil Present: Fossil Dinner at Soho Diner on Aug. 19, 2025 in New York City.
Nick Jonas And Fossil Present: Fossil Dinner [PHOTOS]
Image Credit: Getty Images for Fossil
(L-R) Franco Fogliato,, Halle Bailey, and Melissa Lowenkron attend Nick Jonas and Fossil Present: Fossil Dinner at Soho Diner on Aug. 19, 2025 in New York City.
Nick Jonas And Fossil Present: Fossil Dinner [PHOTOS]
Image Credit: Getty Images for Fossil
Ben Platt, and Nick Jonas attend Fossil Present: Fossil Dinner at Soho Diner on Aug. 19, 2025 in New York City.
Nick Jonas And Fossil Present: Fossil Dinner [PHOTOS]
Image Credit: Getty Images for Fossil
Ben Platt, Nick Jonas and Halle Bailey attend Fossil Present: Fossil Dinner at Soho Diner on Aug. 19, 2025 in New York City.
Nick Jonas And Fossil Present: Fossil Dinner [PHOTOS]
Image Credit: Getty Images for Fossil
Nick Jonas and Fossil Present: Fossil Dinner at Soho Diner on Aug. 19, 2025 in New York City.
Richard Smith, an executive at FedEx (FDX) and son of the company’s late founder, Fred Smith, has been nominated for the company’s board of directors, setting the stage for Richard to follow in his father’s footsteps as CEO.
FedEx Corp. (NYSE: FDX) Chairman Brad Martin announced Richard Smith’s nomination in a letter to stockholders. The company will hold its annual shareholder’s meeting on Sept. 29.
Richard Smith, 47, is currently chief operating officer for FedEx Express International and airline operations. He began his career at FedEx 20 years ago. He has held several high-level executive positions, including president and chief executive officer of Federal Express, regional president The Americas, and head of FedEx Logistics.
Satish Jindel, a parcel industry veteran and president of ShipMatrix, said he believes the nomination is the first domino in a succession plan for Richard Smith to become CEO.
Under his scenario, when Martin leaves FedEx Express in June 2026, as previously announced, to be chairman of a new publicly traded company created by the planned spin-off of FedEx Freight, current CEO Raj Subramaniam will also become chairman.
At the same time, Richard Smith will become president and chief operating officer of FedEx Express for the U.S. and Canada, replacing John Smith (unrelated), who has been named to be CEO of FedEx Freight, the nation’s largest less-than-truckload carrier.
“With freight gone and Richard having operating experience, he is being groomed” to eventually lead the company, Jindel told FreightWaves. “He’s got eight or nine months to produce some results in his current position, and once he’s head of FedEx Express in two, three, or four years, he can become CEO like his father was.”
Subramaniam, 59, has been CEO of FedEx Corp. since June 2022. He took over from Fred Smith, who stayed on as executive chairman until his death in June.
Jindel has a track record of making correct predictions about FedEx. After John Smith was installed as head of FedEx Ground in early 2021, Jindel predicted that Richard Smith would be named CEO of FedEx Express. When Richard Smith took the job in March 2022, Jindel posted online that Subramaniam would become CEO and that Fred Smith would become executive chairman.
“There’s a 12-year gap” between Richard Smith and Subramaniam. “So there’s plenty of time for Raj to stay as CEO and for Richard to become the chief operating officer and president, produce good results, and then move into that position,” said Jindel.
“This allows for Fred’s legacy to continue,” which was the stated intention of many speakers at his ceremony celebrating his life on Aug. 11 at the FedEx Forum in Memphis, Tennessee, said Jindel.
Sugar is everywhere, hidden in drinks, snacks, and even foods we think of as healthy. For decades, it has been at the center of debates on obesity, diabetes, and heart health. But now, the World Health Organization (WHO) is sounding the alarm on another consequence of our sugar-heavy diets: tooth decay.According to the agency, removing or even sharply reducing sugar intake could protect billions worldwide from the world’s most common noncommunicable disease.
What WHO has said
WHO estimates that over 2.5 billion people currently live with dental caries, including more than 2 billion adults with cavities in permanent teeth and over half a billion children with decayed baby teeth.
The agency identifies free sugars—those added to processed foods and drinks, or naturally present in items like syrups, honey, and fruit juices—as the key dietary risk factor. Its recommendation is firm: limit free sugar intake to less than 10% of daily calories, and ideally under 5%, to significantly lower the risk of decay across a lifetime.
Understanding dental caries
Dental caries, often referred to as tooth decay or cavities, is more than a cosmetic concern. It is a disease process where the structure of the tooth is gradually destroyed by acid produced when bacteria in plaque metabolize sugar. The first signs may be mild sensitivity, but if left untreated, decay can lead to persistent toothache, pain while chewing, and visible pits or holes.Advanced cases cause infection, tooth loss, and even difficulty eating, speaking, or sleeping, which can take a serious toll on overall health and quality of life.
How it develops
Tooth decay develops through a continuous cycle. After consuming sugary foods or drinks, bacteria in plaque break down those sugars into acids. These acids attack the enamel—the hard protective layer of the tooth—weakening it over time. If the cycle continues unchecked, cavities form and progress deeper, eventually reaching the inner tooth structures.
The real culprit
While multiple factors can contribute to poor dental health, WHO is clear that sugar is the main driver of caries worldwide. Hidden sugars in sodas, packaged juices, breakfast cereals, sauces, and even so-called health bars mean that many people exceed safe levels without realizing it.And it is not just cavities, that one needs to worry about. Diets high in free sugars contribute to obesity, type 2 diabetes, and cardiovascular disease.
How to prevent tooth decay?
The good news is that tooth decay is largely preventable. Cutting down on sugar is the most effective step, but it must be paired with daily oral hygiene, including brushing twice with fluoride toothpaste and flossing to remove plaque. Regular dental check-ups can help detect early signs before they progress to more serious problems. On a wider scale, WHO calls for public health policies such as taxing sugary drinks, reformulating processed foods, and educating families about sugar’s hidden presence in everyday diets.
Researchers at Université Paris Cité in France conducted a study that suggests COVID-19 infections cause women’s blood vessels to age prematurely. File Photo by Shou Sheng/EPA
COVID-19 infection appears to cause women’s blood vessels to age prematurely, potentially increasing their risk of heart disease, a new study says.
Women infected with COVID-19 experienced about five additional years of blood vessel aging, even if they had a mild case, according to results published Aug. 17 in the European Heart Journal.
If a woman landed in the intensive care unit with severe COVID, her blood vessels received up to 10 years of premature aging, results show.
“We know that COVID can directly affect blood vessels. We believe that this may result in what we call early vascular aging, meaning that your blood vessels are older than your chronological age and you are more susceptible to heart disease,” lead researcher Dr. Rosa Maria Bruno, a professor of clinical pharmacology at Université Paris Cité in France, said in a news release.
“If that is happening, we need to identify who is at risk at an early stage to prevent heart attacks and strokes,” Bruno added.
Men also experienced blood vessel aging as a result of COVID-19 infection, but the effect was not statistically significant among the participants studied, researchers report.
For the study, researchers tested 2,400 people from 16 countries recruited between September 2020 and February 2022.
The participants included people not infected by COVID-19, as well as COVID-19 patients who didn’t require hospitalization, were treated in a hospital or had an infection severe enough to require time in an intensive care unit.
Researchers assessed each person’s vascular age with a device that measures how quickly a wave of blood pressure travels between the carotid artery in the neck and the femoral arteries of the legs.
This measurement is called carotid-femoral pulse wave velocity. The higher this number, the stiffer and older a person’s blood vessels have become, researchers said.
Measurements taken six months and a year after a person’s COVID-19 infection showed that all three groups had stiffer arteries compared to those who were never infected:
The average increase in PWV was 0.55 meters per second for women who had mild COVID-19 and 0.6 meters per second for women hospitalized with COVID-19.
For women treated in an ICU, the average increase in PWV was 1.09 meters per second.
Researchers said an increase of about 0.5 meters per second is “clinically relevant” and equivalent to aging of around five years. For example, it would increase risk of heart disease by about 3% in a 60-year-old woman.
People who had persistent symptoms of long COVID-19, such as shortness of breath or fatigue, were more likely to have prematurely aged arteries, researchers said.
In fact, this effect on the arteries might help explain some of the long COVID-19 symptoms reported by as many as 40% of COVID-19 patients, Dr. Behnood Bikdeli, a cardiologist at Harvard Medical School, noted in an accompanying editorial.
“Vascular injury — marked by endothelial dysfunction, inflammation and coagulation abnormalities — is a key mechanism driving these complications,” Bikdeli wrote.
On the other hand, people who had been vaccinated against COVID-19 generally had arteries that were less stiff compared to the unvaccinated.
There are several potential explanations for why COVID-19 might cause premature stiffening in the arteries, Bruno said.
“The COVID-19 virus acts on specific receptors in the body, called the angiotensin-converting enzyme 2 receptors, that are present on the lining of the blood vessels,” she said. “The virus uses these receptors to enter and infect cells. This may result in vascular dysfunction and accelerated vascular aging.”
Bruno said the body’s inflammation and immune responses, defenses against infection, may also be involved.
Immune response might also explain the difference between women and men, she said.
“Women mount a more rapid and robust immune response, which can protect them from infection,” Bruno said. “However, this same response can also increase damage to blood vessels after the initial infection.”
Doctors should perform vascular aging tests on COVID-19 patients and treat those affected with drugs to lower their blood pressure and cholesterol, Bruno said. Lifestyle changes such as a healthy diet and regular exercise also can help protect their heart health.
“For people with accelerated vascular aging, it is important to do whatever possible to reduce the risk of heart attacks and strokes,” Bruno said.
The researchers plan to continue following participants to see whether their accelerated vascular aging actually leads to an increased risk of heart attack and stroke.
More information
The U.S. Centers for Disease Control and Prevention has more on long COVID.
Recent attacks have been particularly devastating in the Az Zaytoun neighbourhood, where airstrikes, artillery shelling and gunfire are continuous and intense, causing a high number of civilian casualties and the large-scale destruction of residential buildings and public facilities, the UN human rights office, OHCHR, in the Occupied Palestinian Territory said in a statement.
Since 8 August, the office has recorded 54 attacks on residential buildings and entire blocks in Gaza City, killing 87 Palestinians, including at least 25 children and entire families.
It also recorded attacks on shelters for internally displaced people, including tents and schools, killing at least 14.
These casualty figures “indicate that the systematic destruction of Gaza City is already underway,” the statement said.
However, OHCHR stressed that these devastating figures are only a portion of the actual toll due to underreporting in such dire circumstances.
Impact of attacks
As a result of recent attacks, hundreds of families have been forced to flee, with nowhere safe to go amid dire humanitarian conditions across the Gaza Strip.
However, those who remain trapped are completely cut off from food, water and medical supplies.
OHCHR emphasised that “Israel’s reported decision to take full control of Gaza City and to forcibly displace its population will lead to mass killings of civilians and destruction of infrastructure vital to the survival of the population.”
The office is seeing the Israeli military repeat means of warfare that caused mass killings, serious injuries, forced displacement, arbitrary detention, starvation and extensive destruction in previous operations in North Gaza and Rafah.
To reportedly prepare for the offensive, the Israeli military has repeatedly called on Palestinians to move to Al Mawasi, west of Khan Younis.
However, Israel has repeatedly struck tents of the displaced in Al Mawasi, where people are struggling to survive with barely any access to food, water and other necessities.
Violations of international law
Under international law, Israel must not destroy civilian property unless it is rendered necessary by military operations. Yet, the widespread destruction of residential buildings in Gaza City is not seen as an imperative military necessity.
Additionally, by forcing the entire population of Gaza City and those remaining in North Gaza into displacement – with no shelter, food or medical provisions and no indication for allowing them to return to their homes in the future – OHCHR is concerned that these are grave breaches of the Fourth Geneva Convention.
Thus, the office is urging States party to the Geneva Conventions to follow their obligation “to exert maximum pressure on Israel to immediately halt this offensive, which risks triggering an unprecedented, life-threatening humanitarian crisis and permanently extinguishing the Palestinian presence in Gaza’s largest urban area.”
Worst-case famine
Meanwhile, the World Food Programme (WFP) welcomed Japan’s life-saving contribution of 500 million yen ($3.3 million) to provide emergency food and nutrition assistance to Palestinians as they face severe food insecurity.
Adding to the assistance, on 4 August, limited commercial truck entries resumed, containing mainly dry food items and a small amount of fresh produce, according to the UN aid coordination office, OCHA.
However, the risk of spoilage and infestation of food supplies has drastically increased due to being stranded for months, heat and impending expiration dates.
Furthermore, cooking gas has not entered Gaza for over five months, and firewood has become increasingly unaffordable, forcing many to use waste and scrap wood as alternative cooking sources, exacerbating health and environmental risks.
Due to such limited aid, WFP underscored that the latest Integrated Food Security Phase Classification report finds that the worst-case scenario of famine is currently occurring in the Gaza Strip.
“I meet families who have lost everything and don’t know where their next meal will come from.” said Antoine Renard, WFP Representative and Country Director in Palestine.
But thanks to this support from Japan, he continued, “WFP can continue procuring life-saving food assistance, but we urgently need a ceasefire and sustained access to reach those most at risk and prevent a full-scale famine.”
Dying for Sex’s Elizabeth Meriwether, who co-created and executive produced the FX series alongside Kim Rosenstock, was, ironically, in a doctor’s office when she learned they’d been nominated for an Emmy for outstanding limited series.
“I had been waiting three or four hours to see the doctor, and then almost as soon as he walked in the room for the exam, my phone started buzzing and I was like, ‘I can’t look at my phone; this is what I’ve been waiting hours for,’ ” Meriwether recalls.
Eventually — in the middle of trying to get a boot for a broken foot — Meriwether did sneak a peek at her messages and learned of the nine nominations the show garnered, including outstanding writing, and acting nods for Michelle Williams, Jenny Slate and Rob Delaney.
“I was like, ‘I need to tell somebody,’ so I told the receptionist, ‘I just got nominated for an Emmy!’ She was like, ‘Cool,’ ” Meriwether says with a laugh. “And I was like, ‘Well, all right.’ ”
The humor with which Meriwether retells the unfolding of her Emmy news on the East Coast is the same she and Rosenstock brought to the story of the real-life Molly Kochan (Williams), who, before succumbing to a terminal cancer diagnosis in 2019, detailed on a podcast with her best friend Nikki Boyer (Slate) her journey of sexual exploration after leaving her husband of 15 years. Here the co-showrunners talk about Kochan’s lasting inspiration and changing perceptions of sex and death onscreen.
Was Michelle Williams the first person you had in mind as Molly?
ELIZABETH MERIWETHER I think anyone who goes in saying, “It has to be Michelle Williams,” is, not delusional, but kind of. She feels like the top of anybody’s list. So the reaction from us at every stage was, “Well, this is never going to happen, but let’s take the meeting.” But almost immediately upon talking to her about the role, it became so clear it had to be her, and that she understood it to her bones.
How did you find your Nikki in Jenny Slate?
KIM ROSENSTOCK Jenny came in to do a chemistry read with Michelle. And I think that says it all about Jenny, because Jenny Slate is a very successful, in-demand performer. I don’t think she needs to go in and do a chemistry read with anyone. But she actually said, “I don’t know why I wouldn’t go in and do the chemistry read. You need to make sure that you have the right combination of people in those parts. Otherwise, the story doesn’t work.” And when she came in and read with Michelle, Liz and I just looked at each other and we were like, “Oh my God, it’s going to work!”
Jenny Slate, Sissy Spacek and Michelle Williams in FX’s Dying for Sex.
Sarah Shatz/FX
What was behind the decision to make Rob Delaney’s character, Neighbor Guy, an amalgamation of different men from Molly’s past?
MERIWETHER That was the place where we knew we wanted to go off of what had actually happened with Molly, but take some different experiences and people that she was with and put them into one person, and possibly continue her journey to where she found this real connection with this other person — which was something that, in the podcast, she gets to by the end, but then, ultimately, doesn’t have the time to do. We wanted to give that to her. We wanted to give her this love. And Rob came in and understood immediately what we were trying to do. … I find the scene where she kicks him in the dick so exciting, from a pure character and story perspective. That was really the moment when the show tilts and changes. It feels like she’s just opened up this whole new world in that scene, and they managed to pull off this relationship that is really kind of weird, and I don’t think you’ve seen it a lot on television. It’s like BDSM, yet there’s so much love in it, but it’s also not a committed, monogamous relationship, and it’s a submissive man. It’s a lot of things that could have been so daunting for an actor.
ROSENSTOCKCatastrophe [which Delaney starred in] was one of the shows that we talked about in terms of tone and things that had gone to these darker places while also being so funny, and Rob helped us understand what this tone could be. He’s one of the people who inspired us, so having him actually be in the show, playing this part, was a huge gift.
How did you decide how much sex to have in the series?
ROSENSTOCK Well, we knew we had to have sex. (Laughs.) I think one of our first meetings with FX, after they decided to make it, they were like, “We can show anything.” And we were like, “All right, we’re going to test it.” And we did. It was important to us that we show sex as serving a purpose for Molly in her spiritual healing, in her emotional growth. It was never just sex for sex. Sex is the thing that bubbles up for her immediately when she gets this diagnosis. She doesn’t even understand why, but it’s calling to her and she starts listening to that urge. And she starts understanding it as she gets deeper into looking at herself for the first time and these things that she’s always known are there, but that she never really wanted to feel. It was also important to us to make sure we were showing sex in a way that it was never the source of humor. It could be funny, but it was never her desire that was funny. That was a big part of what the real Molly was trying to do when she was telling her story. And also, to show that a sick person can also be a sexual person. That different kinds of bodies can experience joy and pleasure in these ways that we don’t normally see on television.
Was it always the plan to end the series as you did, talking the audience through the death process?
MERIWETHER It was a tricky thing. In the moments that were the hardest to find any comedy in, we wanted to keep it funny. And one of the things we did was go back to the podcast transcript and look at what Molly actually said. That’s where the title [of the episode], “It’s Not That Serious,” came from, because Molly said that. She was like, “It’s not that serious. Let’s get this show on the road.” It was such an incredible thing to hear her voice in those final moments, to hear her still trying to figure herself out, still making jokes, still having so much love for her mom, against all odds, and also Nikki. Also, a lot of the research that we’d done on hospice came out in the scene with Paula Pell, who was incredible as Nurse Amy, just talking about death. Kim and I felt like there’s been all kinds of sex on television, but almost no detailed descriptions of the death process. That, weirdly, felt more surprising in some ways than some of the sex stuff.
ROSENSTOCK Also in the last episode, there isn’t sex, so it felt like the dying process takes the place of sex. This is what’s happening to her body now, and we’re going to be as unflinching in our portrayal of it as we have been with how we’ve looked at sex. We’re not going to cut away. We’re going to push in when you would normally zoom out. One of the things that’s been so amazing and surprising has been how many people have reached out about that episode. I think many people had their eyes opened by this. And, again, that’s what the real Molly was doing by letting herself be recorded on her deathbed. Trying to make it less scary, trying to make it something that we could all know better and feel less terrified about, find it less mysterious, because death’s actually not as mysterious as we all think it is. We’re just not used to looking at it or talking about it. But in a way, information is comforting.
This story first appeared in an August stand-alone issue of The Hollywood Reporter magazine. To receive the magazine, click here to subscribe.