Author: admin

  • Norwich’s 1985 ‘Live Aid’ concert remembered

    Norwich’s 1985 ‘Live Aid’ concert remembered

    Paul HayesBBC Radio Norfolk

    Mark Hodgson A mid-shot of three women performing on an open-air stage in bright sunshine. One woman to the right of frame is slightly closer to the camera, wearing  a glamorous, silver-gold sparkling dress, and singing into a handheld microphone held in her right hand. She is about 40 and has slightly ginger-tinged dark hair in a large bouffant. To the left of frame and slightly behind on stage are two other singers in black dresses and with black hair, both slightly younger-looking, singing into microphones on stands.Mark Hodgson

    The Supremes, with original member Mary Wilson, performed at the 1985 Anglia for Africa concert in Norwich

    A Live Aid-inspired charity concert which drew thousands of people to a city park 40 years ago has been remembered for a BBC programme.

    Anglia for Africa was a 12-hour gig held at Earlham Park in Norwich on 31 August 1985.

    Artists who performed to help raise money to fight famine in Africa included rock band Hawkwind, pop group Amazulu and Motown stars The Supremes.

    Chris Dawes, who was one of the organisers, told a special feature for BBC Radio Norfolk’s Thordis Fridriksson programme that the concert had been “probably one of the biggest” of the Live Aid “copycat” events to be held.

    He said there was a lot of support from people in Norwich in the five weeks leading up to the gig, evident at the free office space they were given in the city’s Charing Cross Centre.

    “Once people knew it was happening, we had quite a lot of people passing who would come up and chuck money into the donation buckets and say ‘good luck’,” he said.

    “There was a lot of goodwill in Norwich for the event.”

    Mark Hodgson A colour shot of a large crowd of people, mostly young in their teens and 20s, with 1980s clothing and hairstyles. It is an outdoor concert in daylight, and they are all looking towards the stage which is out of picture to the right of frame. Behind the crowd in the background are two scaffolding towers, and a line of trees.Mark Hodgson

    About 9,000 people packed into Earlham park for the 12-hour Anglia for Africa event in 1985

    The main organiser of Anglia for Africa was Mark Foster, who told BBC Look East two days before the event in August 1985 that he had been inspired by watching the Live Aid concert on TV the previous month.

    “I thought it was very very important to continue [fundraising],” he said.

    “So, first thing Monday morning, nine o’clock, I went to the council to organise a venue, and it went from there.”

    Mark Hodgson A colour mid-shot side view of a camera operator and a television camera, outside in daylight just in front of a large stage. The cameraman appears to be approximately in his 30s, has dark hair, and is seen left of frame wearing red headphones and a pale blue rain jacket. He is holding the operating handles of his large television camera and looking into its viewfinder. The camera is fixed onto a mounting and has an Anglia Television logo on its side.Mark Hodgson

    Anglia Television recorded the concert and broadcast a 40-minute highlights programme on ITV the following afternoon

    Local bands from Norwich and across Norfolk formed much of the day’s line-up.

    Among them was “space rock” group Underground Zero, whose bass player Andrew Rix recalled they were also instrumental in helping get one of the big acts to come to Norwich.

    “We’d been in contact with Hawkwind quite a lot, so we told them we could get Hawkwind to headline,” he said.

    “And, of course, once Hawkwind agreed to headline, other bands were more happy to join in, so it grew quite rapidly from then.”

    Mark Hodgson An outdoor stage with a large logo at the back of the stage reading 'Anglia for Africa', over a shape of Africa inside an outline shape of Norfolk and Suffolk. Performing on the stage is a pop group comprised of four young men, two playing guitars, one standing at a microphone while also playing a keyboard, and another man standing turned away from the camera. A few members of the audience are partly visible at the bottom right and bottom centre of the image, and a television camera pointing at the stage is visible bottom left.Mark Hodgson

    The Farmer’s Boys were one of several local Norfolk bands who took part in the concert

    One of the most popular Norwich acts of the 1980s had been indie band The Farmer’s Boys.

    They had a strong local following, but had split up in March 1985.

    Singer Chris Basford explained that they were persuaded to reform specially for the event.

    “We’d all moved on – three or four months is a long time when you’re younger, it seemed like ancient history to us,” he said.

    “So when we were asked to play, our immediate reaction was ‘we’re no longer doing that’. Somebody was clearly very persuasive.”

    They ended up as the top local act on the bill, playing in the evening just before the main headliners.

    “It would have been the biggest audience we ever played to anywhere,” Mr Basford added.

    Helicopter arrival

    Mark Hodgson A wide shot of an outdoor concert stage seen in daylight, with a large logo at the back of the stage reading 'Anglia for Africa', over a shape of Africa inside an outline shape of Norfolk and Suffolk. Performing on the stage are three women in glamorous dresses. The backs of the heads of some of the crowd can be seen at the bottom of the frame, as can a camera operator looking into his camera as he focuses it on the group.Mark Hodgson

    Although featuring only one original member, The Supremes were one of the biggest names to take part in the event

    At its height, it was estimated that about 9,000 people packed into Earlham Park for the charity gig. In terms of money raised, BBC Look East at the time reported a figure of £17,000 – which would be about £50,000 in 2025.

    One of those in the crowd was Mark Hodgson, who particularly remembered the arrival of The Supremes, led by original member Mary Wilson.

    “A helicopter flew over, and I wondered what that was,” he said.

    “A friend of mine said that he’d seen The Supremes arrive by helicopter. So after they’d been on, I legged it to the landing site. They’d transferred from the helicopter to the stage in an open-topped Rolls-Royce.”

    Mark Hodgson A colour shot of a green field with trees in the background in daylight, with to the left of frame a black helicopter with its rotors moving having either just landed or preparing for take-off. To the right of frame is an open-topped Rolls-Royce, with three women being driven in it as passengers. Next to the helicopter slightly to the foreground appears to be a large white 'x' shape marked out with sheets or boards.Mark Hodgson

    The Supremes arrived and departed by helicopter, and were driven to and from the stage in an open-topped Rolls Royce

    Chris Dawes also remembers the arrival of the group very well.

    “They paid for the helicopter. I remember going to get them in, so their car followed my 14-year-old Avenger, a really battered horrible old yellow car, to get them backstage.

    “They all had their frocks on, they got out of the car, got on stage and started.

    “It was quite incredible. And then they came off, got back in the car, went back to the helicopter and they were off and they were gone.

    “It was real showbiz.”

    Diverse line-up

    Mark Hodgson A black-and-white mid-shot of a group of approximately a dozen children, clapping and singing. One child, a girl slightly taller than the rest, is roughly central to the image, with a hand-held microphone in her right hand. The girls wear pale dresses with a floral pattern, while the boys wear dark jackets.Mark Hodgson

    The African Children’s Choir were among the groups performing at the concert

    The Supremes were among several black performers on the bill, which Chris says was a deliberate attempt to assemble a more diverse line-up than was common at the time.

    “We did make a conscious effort to get particularly the African Children’s Choir,” he said.

    “We had Eek-a-Mouse as well, the Jamaican reggae guy, he was second top of the bill. We had another reggae band from Ipswich called Jah Warrior.

    “Amazulu as well.”

    Mark Hodgson A black-and-white shot of a large crowd of people, mostly young in their teens and 20s, with 1980s clothing and hairstyles. It is an outdoor concert in daylight, and they are all looking towards the stage which is out of shot to the left of frame. Behind them in the background are two scaffolding towers, and a line of trees.Mark Hodgson

    The concert raised £17,000 – equivalent to about £50,000 today

    More than 20 acts played over the 12 hours, with highlights broadcast on BBC Local Radio stations across the East of England.

    Anglia Television also recorded the gig, showing a 40-minute compilation programme the following afternoon.

    Despite this coverage, however, Anglia for Africa is little-remembered today.

    Paul Holden, one of the guitarists with Underground Zero, has a possible explanation for the relative obscurity of the event.

    “Anglia is a bit of an outlier as far as the nation is concerned, so things that happen here don’t tend to get reported as much,” he said.

    “If it had happened closer to London or closer to the Midlands there probably would be more memories of it.”

    Continue Reading

  • Female Filmmakers Lead Large Contingent of Arab Features at Venice

    Female Filmmakers Lead Large Contingent of Arab Features at Venice

    Continuing a great year for Arab cinema at major festivals — with films such as “Once Upon a Time in Gaza,” “The President’s Cake” and “The Little Sister” winning major awards in Cannes — the Venice Film Festival is packed to the brim with talent from the region. Titles include twice Oscar-nominated Kaouther Ben Hania in competition with “The Voice of Hind Rajab,” Maryam Touzani’s “Calle Malaga” and Shahad Ameen’s “Hijra” in Venice Spotlight, and Suzannah Mirghani’s “Cotton Queen” and Yanis Koussim’s “Roqia” in Critics’ Week.

    Egyptian producer and distributor Mohamed Hefzy’s Film Clinic arrives on the Lido as the producer behind “Hijra” and “Cotton Queen,” and the distributor behind “Roqia.” Speaking with Variety, Hefzy recalls having to shoot “Cotton Queen” — the first-ever fiction feature film by a female Sudanese director — in Egypt due to Sudan’s ongoing civil war, in an increasingly frequent move as conflicts escalate in the region.

    “We have to live with the instability,” Hefzy exhales. “It doesn’t seem like it’s going to go away any time soon. I hope I’m wrong, but assuming that things don’t happen quickly, filmmakers need to keep telling stories. It’s great that big festivals and programmers are picking up unique films from the Arab world. It’s not a coincidence. In times of conflict and instability, you get meaningful stories.”

    Ameen, whose feature debut, “Scales,” also played Venice, says she is thrilled to be back on the Lido with “Hijra,” a film she says works as a showcase of her native Saudi Arabia. The drama, a road trip between grandmother and granddaughter, was shot across eight different Saudi cities in an ambitious production.

    “I spent three years travelling with my producers, going from the south in Jeddah to the borders of Jordan as I was writing the script,” she recalls. “If I encountered an interesting location or person, I would make it part of the story. I wanted the film to be about the experience of traveling through the kingdom, so that the audience could come with us.”

    One of the most anticipated Arab titles of the fall festival season, Annemarie Jacir’s historical epic “Palestine 36,” will take its first bow in Toronto. Asked about the heavy presence of female Arab filmmakers in the circuit this year, the director says it’s “always interesting to me that people are surprised by the large number of female directors there are in the Arab world.”

    “It is well documented that the playing field in the film industry in the Arab world is way ahead of many other countries, and women have been at the forefront for a long time,” she adds, asking why the focus isn’t rather on how Venice has never once programmed a film by a Palestinian woman in its official selections.

    Jacir also defies the perceived notion of an increase in Arab films in major Western festivals: “I think it’s the opposite. There is a decreased presence of Arab films, amplified now that there are more Arab filmmakers than ever before, making really great films. Unfortunately, the festivals see our entire region as one entity and feel they should only choose one film ‘from our region.’”
    Still, Ameen remains hopeful, citing Saudi Arabia as an example of a country marrying a desire to tell untold stories with a healthy funding and talent development ecosystem.

    “Six years ago, two films were coming out of Saudi in a year. Now, with the government’s support, we have so many more,” she says. “Arabs carry the stories of our grandparents; we are storytellers. I’m so happy our films are travelling abroad and letting the international community see who we truly are.”

    Continue Reading

  • Southend-on-Sea spud van raises money for homeless charity

    Southend-on-Sea spud van raises money for homeless charity

    Ben FryerBBC News, Essex and

    Aimee DexterBBC News, Essex

    Danny Last Bradley Gibbs and Max Linduschka are standing in front of their Spud-on-Sea van which is white and has the name at the top. Mr Gibbs is on the left looking towards the camera, and Mr Linduschka is on the right with his back towards the camera. They are both wearing a yellow and black T-shirt. Danny Last

    Bradley Gibbs and Max Linduschka run Spud-on-Sea which is usually pitched at Roots Hall in Southend-on-Sea

    Friends who run a jacket potato business have started a campaign selling spuds to raise money for a homeless charity.

    Spud-on-Sea, which is usually pitched at Southend United FC’s stadium, Roots Hall, started the campaign A Jacket 4 Jackie where they would give £1 from every jacket potato sold to a charity.

    Max Linduschka and Bradley Gibbs, both from Essex, were also hoping to donate 100,000 jackets to Off The Streets, asking people to donate their spare clothes.

    Mr Linduschka said: “We thought ‘What can we do to impact the community and bring us a viral message along the way’, and that is where this campaign sort of launched.”

    Spud-on-Sea was Mr Linduschka’s idea after he wanted to set up a business selling “the classic jacket potato”.

    The 32-year-old from Leigh-on-Sea said a “jacket for you” was “a jacket for them” as customers would be supporting a local charity.

    Off the Streets, a homeless charity based in Southend-on-Sea, helps to get people living on the streets into permanent accommodation.

    Mr Gibbs, who is from Wickford, said: “Everyone at one point or another in their lives has been in a situation where they have no had somewhere to stay potential, or been struggling to find accommodation.”

    The 31-year-old added that they wanted to bring “back something to the community and help out”.

    Supplied Max Linduschka and Bradley Gibbs are standing in a white food van which has Spud-on-Sea and Seaside Boy written on the front. They are both standing inside wearing yellow and black T-shirts. Supplied

    They are set to cycle about 350 miles in November to raise extra funds

    The pair are set to cycle from Carlisle, in Cumbria, to Southend on 1 November, travelling about 350 miles across seven days.

    Mr Gibbs said: “Southend United being in the national league we know the furthest route they are going is Carlisle.”

    They said as well as cycling they would spread the message of their campaign to get as many jackets donated before winter.

    Mr Linduschka added that they want to reach “out to the community, and not just within Essex, but on a national scale”.

    He said they were aiming to “create social awareness” and “help save lives and bring a positive message”.

    They also started a JustGiving page to raise funds which go directly to the charity.

    Continue Reading

  • TV tonight: who will get Liz Hurley’s inheritance? – The Guardian

    TV tonight: who will get Liz Hurley’s inheritance? – The Guardian

    1. TV tonight: who will get Liz Hurley’s inheritance?  The Guardian
    2. My BRUTALLY HONEST REVIEW of THE INHERITANCE on CHANNEL 4!  dvd-fever.co.uk
    3. Liz Hurley reveals inheritance plans as she hints her son won’t get a penny  The Hereford Times
    4. Today’s top TV and streaming picks: The Inheritance, The Traitors Ireland and Murder in Concrete  The Irish Independent
    5. Elizabeth Hurley makes unexpected admission about Channel 4’s The Inheritance  Bristol Live

    Continue Reading

  • Samsung doesn’t want you to enjoy a Galaxy S26 Edge with a big battery, but it’s not all bad news

    Samsung doesn’t want you to enjoy a Galaxy S26 Edge with a big battery, but it’s not all bad news

    The most pressing question about the Galaxy S26 Edge is whether Samsung will relent and switch to a silicon-carbon battery with a much bigger capacity. Unfortunately, new information from a Chinese regulator makes that appear very unlikely, though it’s not all bad news.

    A listing by the Chinese 3C regulatory body, spotted by SamMobile, reveals that the Galaxy S26 Edge’s battery may still use lithium-ion technology, just like its predecessor. Despite that, the battery with part number EB-BS947ABY has a rated capacity of 4,078 mAh. 

    That capacity would be marketed as 4,200 mAh, which aligns with some of the earlier rumors about the device. Most importantly, that’s a sizable upgrade from the meager 3,900 mAh of the Galaxy S25 Edge, even if Samsung won’t relent and switch to a silicon-carbon battery.

    If you’re wondering why we keep hearing rumors about the Galaxy S26 Edge, it’s because Samsung is reportedly going to release it earlier than its predecessor. The company is expected to replace the Galaxy Plus model and launch its ultra-slim flagship alongside the rest of the Galaxy S26 models early next year.

    Unlike its predecessor, the S26 Edge is likely to face some competition. Apple is rumored to release the iPhone 17 Air, which may be even thinner and measure only 5.5 mm. 

    In terms of battery capacity, Apple may be even more extreme and provide only a 2,900 mAh battery on the 17 Air. The company may rely on AI-powered battery management on iOS 26 to secure a full day of independent work.

    In that context, the Galaxy S26 Edge battery sounds immense. Samsung is rumored to stick to the Snapdragon 8 Elite 2 (likely called Snapdragon 8 Elite Gen 5) and slim down the device by up to 0.3 mm, which would make it as thin as the iPhone 17 Air is rumored to be.

    I’m not a big fan of the slim smartphone idea, but if the rumors about the Galaxy S26 Edge are true, this could be one of the most impressive smartphones on the market. Fitting a 4,200 mAh battery in the same space that Apple will fill with a 2,900 mAh battery, while managing the power of one of the most powerful mobile chips ever made, sounds like an engineering feat worthy of praise.

    Continue Reading

  • The Sky Today on Sunday, August 31: Venus hangs with the Beehive – Astronomy Magazine

    1. The Sky Today on Sunday, August 31: Venus hangs with the Beehive  Astronomy Magazine
    2. When To See Venus Dance With A Beehive Of Stars On Monday  Forbes
    3. The Sky Today on Saturday, August 30: Iapetus reaches western elongation  Astronomy Magazine
    4. The Sky Today on Friday, August 29: Saturn’s moons line up  Astronomy Magazine

    Continue Reading

  • The Bright Yellow Worm That Survives by Turning Poison Into “Gold”

    The Bright Yellow Worm That Survives by Turning Poison Into “Gold”

    Image of the alvinellid worm, Paralvinella hessleri. A P. hessleri specimen with buccal tentacles extroverted, lateral view. Note that the animal has a bright yellow color. Credit: Wang H, et al., 2025, PLOS Biology, CC-BY 4.0

    In the deepest parts of the Pacific Ocean, a glowing yellow worm has mastered survival in one of the most toxic places on Earth.

    Bathed in arsenic and sulfide from hydrothermal vents, it neutralizes the poisons by transforming them into golden mineral crystals, turning deadly chemicals into glittering protection.

    Poison-Resistant Worm Discovery

    A deep-sea worm that lives around hydrothermal vents has evolved a remarkable survival trick: it combines two deadly substances, arsenic and sulfide, inside its cells to create a far less harmful mineral. The discovery, described by Chaolun Li of the Institute of Oceanology, CAS, China, and his colleagues, was published August 26th in the open-access journal PLOS Biology.

    The species, known as Paralvinella hessleri, is the only animal that can withstand the hottest zones of deep-sea vents in the western Pacific. These vents gush out superheated, mineral-rich water containing high concentrations of sulfide and arsenic. Over time, the arsenic accumulates in the worm’s tissues, in some cases accounting for more than 1% of its total body weight.

    Paralvinella hessleri.Hydrothermal Vent
    Image of the alvinellid worm, Paralvinella hessleri. Close-up image of P. hessleri worms close to the hydrothermal venting. Credit: Wang H, et al., 2025, PLOS Biology, CC-BY 4.0

    Life in Extreme Deep-Sea Vents

    To uncover how P. hessleri survives such a hostile environment, Li’s team used advanced microscopy along with DNA, protein, and chemical analysis. Their work revealed an entirely new detoxification process. The worm traps arsenic particles in its skin cells, where they interact with sulfide from the vent fluids to form clusters of a bright yellow mineral called orpiment.

    This unusual process sheds light on a strategy that researchers describe as “fighting poison with poison.” It allows the worm to live in an environment that should be lethally toxic. Other studies suggest that some closely related worm species and certain snails in the western Pacific also build up large amounts of arsenic and may rely on a similar adaptation.

    Alvinellid Worm Colonized Hydrothermal Vent
    Image of the alvinellid worm, Paralvinella hessleri. A P. hessleri colonized a hydrothermal vent in the Iheya North hydrothermal field. The vent fauna showed apparent variation along the environmental gradients. The areas close to hydrothermal venting were covered with a white mucus mat (P. hessleri colonies). The squad lobsters Shinkaia crosnieri occupied the regions surrounding the P. hessleri colonies. Bathymodiolinae mussels stayed further away. Credit: Wang H, et al., 2025, PLOS Biology, CC-BY 4.0

    Fighting Poison With Poison

    Coauthor Dr. Hao Wang adds, “This was my first deep-sea expedition, and I was stunned by what I saw on the ROV monitor—the bright yellow Paralvinella hessleri worms were unlike anything I had ever seen, standing out vividly against the white biofilm and dark hydrothermal vent landscape. It was hard to believe that any animal could survive, let alone thrive, in such an extreme and toxic environment.”

    Dr. Wang says, “What makes this finding even more fascinating is that orpiment—the same toxic, golden mineral produced by this worm—was once prized by medieval and Renaissance painters. It’s a curious convergence of biology and art history, unfolding in the depths of the ocean.”

    Longitudinal Section P hessleri
    Microscopy analysis of the yellow granules. Longitudinal section of P. hessleri branchial apparatus stem. Credit: Wang H, et al., 2025, PLOS Biology, CC-BY 4.0

    A Strange Link to Art History

    The authors note, “We were puzzled for a long time by the nature of the yellow intracellular granules, which had a vibrant color and nearly perfect spherical shape. It took us a combination of microscopy, spectroscopy, and Raman analysis to identify them as orpiment minerals—a surprising finding.”

    The authors conclude, “We hope that this ‘fighting poison with poison’ model will encourage scientists to rethink how marine invertebrates interact with and possibly harness toxic elements in their environment.”

    Yellow Granules Microscopy Analysis
    Microscopy analysis of the yellow granules. Cross-section of the branchial apparatus tip. Credit: Wang H, et al., 2025, PLOS Biology, CC-BY 4.0

    Reference: “A deep-sea hydrothermal vent worm detoxifies arsenic and sulfur by intracellular biomineralization of orpiment (As2S3)” by Hao Wang, Lei Cao, Huan Zhang, Zhaoshan Zhong, Li Zhou, Chao Lian, Xiaocheng Wang, Hao Chen, Minxiao Wang, Xin Zhang and Chaolun Li, 26 August 2025, PLOS Biology.
    DOI: 10.1371/journal.pbio.3003291

    Funding: This work was supported by grants from Natural Science Foundation of China (No. 42476133 to H.W.), Science and Technology Innovation Project of Laoshan Laboratory (Project Number No. LSKJ202203104 to H.W.), National Key RandD Program of China (Project Number 2018YFC0310702 to H.W.), Natural Science Foundation of China (Grant No. 42030407 to C.Li), and the NSFC Innovative Group Grant (No. 42221005 to M.X.W.). The funders had no role in study design, data collection and analysis, decision to publish, or preparation of the manuscript.

    Never miss a breakthrough: Join the SciTechDaily newsletter.

    Continue Reading

  • Restored Indian classic Sholay to premiere at Toronto film festival | World News

    Restored Indian classic Sholay to premiere at Toronto film festival | World News

    Toronto: As it celebrates its 50th anniversary, the Toronto International Film Festival (TIFF) will host a gala premiere for a restored version of the Indian cinematic epic, Sholay, which was released in 1975, the year the festival started.

    A still from the Indian cinema classic Sholay, as a restored version will have a gala premiere at the 50th edition of Toronto film festival in Canada. (Courtesy Sippy Films)

    With their anniversaries coinciding, it was no surprise that TIFF sought out a newly restored version of Sholay for a gala screening during the festival. Sholay is one of two blockbuster classics from 1975 featured at TIFF this year; the other being Jaws, director Steven Speilberg’s breakthrough vehicle.

    The screening of the film directed by Ramesh Sippy is scheduled for four hours on September 6, and the additional hour includes scenes deleted from the theatrical release along with the original ending, and given the length, an intermission.

    “Because the anniversaries lined up, we’re honoured to share the organisation’s birthday with a film of this magnitude,” TIFF’s director of programming Robyn Citizen told the Hindustan Times.

    A still from the Indian cinema classic Sholay, as a restored version will have a gala premiere at the 50th edition of TIFF. (Courtesy Sippy Films)
    A still from the Indian cinema classic Sholay, as a restored version will have a gala premiere at the 50th edition of TIFF. (Courtesy Sippy Films)

    The screening will be at TIFF’s premier venue, Roy Thomson Hall. “We felt like we needed to put something like this in a venue of a proper scale. So, it’s a gala and it’s in our biggest venue,” Citizen said.

    The screening came about as TIFF’s CEO Cameron Bailey, a champion of Indian cinema, was informed about the restoration by the Mumbai-based Film Heritage Foundation, which described the venue for the screening as “befitting the legendary status of the epic film”.

    The digital 4k restoration came about due to collaboration between the Foundation and Sippy Films Pvt Ltd. “Audiences will have the unique opportunity to see the original ending and previously deleted scenes that were not part of the widely distributed theatrical cut, offering a fresh perspective on a cinematic masterpiece,” the Foundation said, in a statement.

    “Despite the fact that we could not use the original camera negative and that not a single 70mm print survives, we have left no stone unturned to ensure that this historic film has not only been beautifully restored, but that the restored version will have the original ending and some never-before-seen deleted scenes. I can’t wait to watch the film at the gala premiere in Toronto,” the Foundation’s director Shivendra Singh Dungarpur said.

    Visual and audio elements were recovered from a Mumbai warehouse and from the United Kingdom, before the “meticulously restored version” came alive at L’Immagine Ritrovata laboratory in Bologna. That complex process took nearly three years after Sippy Films’ producer Shahzad Sippy initiated discussions with the Foundation. He said, “I can’t wait for Sholay to begin its new lease of life.”

    The film’s stars may be unable to attend the premiere at TIFF, though their Amitabh Bachchan’s son Abhishek and Dharmendra’s son Bobby Deol are expected to be present.

    The festival runs from September 4 to 14.

    Continue Reading

  • Flood situation in Jhang critical as 900,000 cusecs flow passes through Chenab river – RADIO PAKISTAN

    1. Flood situation in Jhang critical as 900,000 cusecs flow passes through Chenab river  RADIO PAKISTAN
    2. Half a million people stranded by heavy flooding evacuated in Pakistan  Al Jazeera
    3. NDMA prepares plan to distribute relief rations to 6 Punjab districts  Dawn
    4. Floods head south after ravaging heartland  The Express Tribune
    5. Army chief assures Sikh community of early restoration of their places of worship  Business Recorder

    Continue Reading

  • China and India attempt to repair strained ties

    China and India attempt to repair strained ties

    Suranjana TewariBBC Asia business correspondent

    Getty Images Indian Prime Minister Narendra Modi (L) shakes hands with Chinese President Xi Jinping (R) prior to the dinner on September 4, 2017Getty Images

    Modi and Xi last had a bilateral meeting in 2017

    India’s Prime Minister Narendra Modi landed in China on Sunday with the sting of Donald Trump’s US tariffs still top of mind.

    Since Wednesday, tariffs on Indian goods bound for the US, like diamonds and prawns, now stand at 50% – which the US president says is punishment for Delhi’s continued purchase of Russian oil.

    Experts say the levies threaten to leave lasting bruises on India’s vibrant export sector, and its ambitious growth targets.

    China’s Xi Jinping, too, is trying to revive a sluggish Chinese economy at a time when sky-high US tariffs threaten to derail his plans.

    Against this backdrop, the leaders of the world’s two most populous countries may both be looking for a reset in their relationship, which has previously been marked by mistrust, a large part of it driven by border disputes.

    “Put simply, what happens in this relationship matters to the rest of the world,” Chietigj Bajpaee and Yu Jie of Chatham House wrote in a recent editorial.

    “India was never going to be the bulwark against China that the West (and the United States in particular) thought it was… Modi’s China visit marks a potential turning point.”

    What would a stronger relationship mean?

    India and China are economic powerhouses – the world’s fifth and second largest, respectively.

    But with India’s growth expected to remain above 6%, a $4tn (£3tn) economy, and $5tn stock market, it is on the way to moving up to third place by 2028, according to the International Monetary Fund (IMF).

    “While the world has traditionally focused on the single most important bilateral relationship in the world, US and China, it is time we shift more focus on how the second and would-be third largest economies, China and India, can work together,” says Qian Liu, founder and chief executive of Wusawa Advisory, based in Beijing.

    But the relationship is deeply challenging.

    The two sides have an unresolved and long-standing territorial dispute – that signifies a much broader and deeper rivalry.

    Violence erupted across Ladakh’s Galwan Valley in June 2020 – the worst period of hostility between the two countries in more than four decades.

    The fallout was largely economic – a return of direct flights was taken off the table, visas and Chinese investments were put on hold leading to slower infrastructure projects, and India banned more than 200 Chinese apps, including TikTok.

    “Dialogue will be needed to help better manage the expectations of other powers who look to India-China as a key factor of Asia’s wider stability,” Antoine Levesques, senior fellow for South and Central Asian defence, strategy and diplomacy at IISS, says.

    There are other fault lines too, including Tibet, the Dalai Lama, and water disputes over China’s plans to build the world’s largest hydroelectric power project across a river shared by both nations, as well as tensions with Pakistan after the Pahalgam attack.

    India also does not currently enjoy good relations with most of its neighbours in South Asia, whereas China is a key trading partner for Pakistan, Bangladesh, Sri Lanka and Afghanistan.

    “I would be surprised if a BYD factory is coming to India, but there may be some soft wins,” Priyanka Kishore, founder and principal economist at research company Asia Decoded, says.

    It’s already been announced that direct flights will resume, there may be more relaxations on visas, and other economic deals.

    India’s position has changed

    However, the relationship between Delhi and Beijing is “an uncomfortable alliance to be sure”, notes Ms Kishore.

    “Remember at one point, the US and India were coming together to balance China,” she adds.

    But India is completely perplexed with the US and its position: “So it’s a smart move – and feeds into the multipolar narrative that both India and China believe in.”

    Modi is travelling to China for the Shanghai Cooperation Organisation (SCO) – a regional body aimed at projecting an alternative worldview to that of the West. Members include China, India, Iran, Pakistan and Russia.

    In the past, India has downplayed the organisation’s significance. And critics say it hasn’t delivered on substantial outcomes over the years.

    The June SCO defence ministers’ meeting failed to agree on a joint statement. India raised objections over the omission of any reference to the deadly 22 April attack on Hindu tourists in Indian-administered Kashmir, which led to the worst fighting in decades between India and Pakistan.

    But experts say the downturn in Delhi’s relations with Washington has prompted India to rediscover the utility of the SCO.

    China, meanwhile, will value the optics of Global South solidarity amid Trump’s tariff chaos.

    The Brics grouping – of which China, India, Russia, Brazil and South Africa are the founding members – has drawn the ire of Trump, who has threatened to slap additional tariffs on group members on top of their negotiated rates.

    Getty Images Employees work on the SMT (surface mount technology) shop floor where components are mounted on a PCB (printed circuit board) at Padget Electronics Pvt., a subsidiary of Dixon Technologies Ltd., in Noida, India.Getty Images

    Chinese smartphones manufactured in India hold a significant market share too.

    Modi last met Xi and Russia’s Vladimir Putin at the Brics summit in Russia in October 2024. Last week, Russian embassy officials said Moscow hopes trilateral talks with China and India will take place soon.

    “Leveraging each of their advantages – China’s manufacturing prowess, India’s service sector strengths, and Russia’s natural resource endowment – they can work to reduce their dependence on the United States to diversify their export markets and ultimately reshape global trade flows,” Bajpaee and Yu said in their editorial.

    Delhi is also leveraging other regional alliances, with Modi stopping in Japan on the way to China.

    “Asean and Japan would welcome closer co-operation between China and India. It really helps in terms of supply chains and the idea of Make in Asia for Asia,” Ms Kishore says, referring to the political grouping comprising 10 Southeast Asian economies.

    How can China and India co-operate economically?

    India continues to be reliant on China for its manufacturing, because it sources raw materials and components from there. It will likely be looking for lower import duties on goods.

    India’s strict industrial policies have so far held it back from benefiting from the supply chain shift from China to South East Asian countries, according to experts.

    There is a case for partnership, a strong one, says Ms Kishore, where India pitches to manufacture more electronics.

    She points out that Apple makes airpods and wearables in Vietnam, and iPhones in India, and so there would be no overlap.

    “Faster visa approvals would be an easy win for China as well. It wants market access in India either directly or through investments. It’s dealing with a shrinking US market, it’s already flooded Asean markets, and a lot of Chinese apps like Shein and TikTok are banned in India,” says Ms Kishore.

    “Beijing would welcome the opportunity to sell to 1.45 billion people.”

    Given the complexity of the relationship, one meeting is unlikely to change much. There is a long way to go on improving China-India ties.

    But Modi’s visit to China could repair some animosity and send a very clear signal to Washington that India has options.

    Continue Reading