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  • A bridge to nowhere: Economic reality check for LNG as a transition fuel in India

    A bridge to nowhere: Economic reality check for LNG as a transition fuel in India

    One of the global oil and gas industry’s favourite selling points for liquefied natural gas (LNG) is that it can help countries replace coal and support the transition to renewable energy. 

    As the world’s second-largest coal-consuming country, India is often cited by pro-LNG lobby groups and project developers as a case in point. Woodside Energy Group, for example, recently declared that its newly approved LNG export facility in the United States would help reduce India’s coal demand.

    However, claims about the potential for imported LNG to replace coal in India ignore economic realities. Imported LNG has historically been unable to compete with cheaper alternatives such as coal and renewables, despite government targets to expand gas usage. As a result, India’s existing gas infrastructure, including LNG import terminals, pipelines and power plants, remains heavily underutilised. 

    With little economic rationale, imported LNG is unlikely to serve as a “bridge fuel” in India’s energy transition, and therefore cannot be touted as a climate solution. Instead, evidence clearly shows that cheaper, cleaner technologies threaten the role of both coal and LNG in India’s long-term energy future. 

    India’s largest Coal-consuming Sectors: Power and Steel

    Coal is the predominant fuel in India’s energy mix, providing more than half of the country’s energy needs. Although the government has set a target for gas to rise to a 15% share by 2030, its share has fallen from 11% in FY2011 to just over 7% today. 

    Claims that LNG—which is natural gas frozen to a liquid state for shipping—can reduce coal consumption in India imply that rising demand for gas coincides with a falling demand for coal. However, a recent report from the Institute for Energy Economics and Financial Analysis (IEEFA) found the opposite was occurring in India’s largest coal-consuming sectors. 

    In the power sector, for example, which accounts for 70% of the country’s coal demand, gas has been almost entirely squeezed out of the generation mix due to uncompetitive prices. The generation share of natural gas has fallen from nearly 13% in FY2010 to less than 2% in FY2025 while the share of coal has remained relatively steady.

    Renewable energy, meanwhile, has quadrupled to 12% of the power mix since FY2016, mitigating fossil fuel demand growth in the power sector. According to official power plans, no new gas-fired power capacity will be completed by at least 2032. During that time, the government aims to reach 596 gigawatts (GW) of renewable energy capacity, up from 220GW as of March 2025.

    The decline of gas in India’s power mix has resulted in stranded assets – a point that pro-LNG lobby groups such as the Asia Natural Gas and Energy Association often choose to ignore. In India, 31 gas-fired power plants, with a combined capacity of 8GW, did not generate a single unit of electricity in FY2025. IEEFA has estimated the value of these stranded assets to be Rs650 billion (US$8.2 billion). In April 2025, 5.3GW of these non-operating gas units were retired altogether.

    Beyond power, iron and steelmaking in India consume the second-largest share of coal. Here, too, LNG has done little to replace coal. Over the past decade, gas demand in the sector has risen by just 0.63 billion cubic metres (Bcm), of which just 0.08Bcm has come from imported LNG, and the rest from gas produced domestically. 

    Although India is the largest producer of direct reduced iron (DRI) in the world – a process that typically uses gas – 80% of the country’s DRI fleet uses coal-based rotary kilns due to the relatively cheaper fuel.

    Why has gas struggled to replace coal in these sectors? One key reason is price. Average LNG prices in FY2024 were roughly nine times the cost of domestically produced coal, and more than twice that of coal imported from Indonesia, India’s largest coal supplier. Moreover, LNG prices are prone to extreme volatility from geopolitical disruptions. Recent tensions in the Middle East and the potential closure of the Strait of Hormuz could cause India’s LNG prices to spike suddenly.

    Estimated coal and natural gas prices in India

    LNG Demand by Miscellaneous Industries 

    Miscellaneous industries – ceramic, glass, metal and pharmaceutical sectors and other small industries – are emerging as major consumers of both coal and gas. An increase in coal and gas consumption between FY2016 and FY2024 by these industries has been driven by imported coal and domestic gas, respectively. 

    Total gas demand among miscellaneous industries increased by 7.69Bcm between FY2016 and FY2024. Of that increase, however, LNG demand growth was just 0.22 Bcm while the remainder was for domestically produced gas. 

    Notably, the average price of imported coal in FY2024 at US$6 per million British thermal units (MMBtu), slightly less than the domestic gas price of US$6.5/MMBtu. LNG prices, meanwhile, average over USD11/MMBtu. So, while there may be room for coal-to-gas switching among small to medium industries, especially as the country expands its national gas grid, the suitability of LNG will depend on pricing, infrastructure and the competitiveness of alternative fuels.

    What about Other Sectors?

    Rather than replacing coal, LNG in India has grown primarily in sectors that consume very little coal. The fertiliser sector, for example, has accounted for almost all of India’s LNG demand growth since FY2016. This growth can be attributed to large fiscal subsidies that protect consumers from high and volatile energy input costs. In response to the global gas price spike in 2022, the government spent US$30.5 billion on fertiliser subsidies in FY2023. With the subsequent easing of gas prices, the fertiliser subsidy has been reduced to US$19.5billion for FY2026. 

    However, the growth of LNG demand in sectors that do not receive large government subsidies remains to be seen. Since FY2016, LNG demand has hardly grown at all in energy-intensive sectors, including refineries, petrochemicals and power generation. 

    In several sectors, including city gas distribution, overall gas demand has grown significantly over the past decade. However, most of this demand growth has been met by cheaper, domestically produced gas rather than imported LNG. LNG is typically more expensive due to liquefaction, shipping and regasification costs. 

    Limited Domestic Gas Production and Increasing Alternatives 

    Given that India’s domestic gas production is declining, many analytical groups simply expect imported LNG to fill in the gap. However, end users in India have repeatedly demonstrated a tendency to reduce gas demand altogether, and switch to more affordable alternatives when prices rise, leading to an underutilisation of existing infrastructure. For example, consumption of alternative industrial fuels such as furnace oil, low sulphur-heavy stock (LSHS), petroleum coke and liquefied petroleum gas spiked in FY2023 when coal and LNG prices skyrocketed in the global market.

    Due partly to unaffordable prices, the country’s LNG infrastructure—including import terminals, pipelines, and power plants— assets have historically suffered from underutilisation. Of the country’s seven LNG import terminals operating in FY2025, six operated at below 50%. IEEFA estimates that the capacity-weighted average utilisation of India’s major gas pipelines is 41%, while the country’s fleet of gas-fired power plants operated below 10% from November 2024 to March 2025.

    Moreover, rapid increases in cleaner, more affordable alternatives to gas pose a major challenge to India’s LNG demand growth. In the power sector, for example, gas-based power has been unable to compete with renewable energy. The story is similar for the transport sector, where the growth of electric vehicle sales over the last eight- years has surpassed compressed natural gas (CNG) vehicle sales by 123%.

    In sum, imported LNG has been unable to replace coal in India’s energy mix. Instead, the evidence points to a conclusion that the LNG industry refuses to acknowledge: economics are driving the energy transition in India and other emerging markets. LNG simply cannot compete.

    This article was first published in PSU Watch. 

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  • Infinix Hot 60 5G announced with Dimensity 7020 and 5,200mAh battery

    Infinix Hot 60 5G announced with Dimensity 7020 and 5,200mAh battery

    Infinix launched two new Hot 60 Pro series phones yesterday, and we now have another entry – the Hot 60 5G. This one features MediaTek’s Dimensity 7020 chipset with full 5G support, unlike the rest of the Hot 60 series, which are limited to 4G connectivity.




    Infinix Hot 60 5G

    Hot 60 5G is built around a flat 6.7-inch IPS LCD (FHD+ 120Hz) and Panda Glass protection. The panel is rated at up to 700 nits peak brightness and features an 8 MP front-facing camera.

    Infinix Hot 60 5G announced with Dimensity 7020 and 5,200mAh battery

    There’s a 50MP main shooter with an f/1.6 aperture around the back, which is paired with two unspecified auxiliary sensors.

    The phone is IP64-rated against water and dust and features a dedicated AI button which quickly launches the Folax smart assistant. You also get a 3.5mm audio jack, an FM Radio receiver and expandable storage thanks to its microSD card slot.

    Hot 60 5G packs a 5,200mAh battery with 18W charging and it supports bypass charging and reverse wired charging over USB. The software side is covered by XOS 15, based on Android 15, with Infinix pledging two years of security patches.

    Infinix Hot 60 5G announced with Dimensity 7020 and 5,200mAh battery

    Infinix Hot 60 5G comes in Shadow Blue, Tundra Green, Sleek Black, and Caramel Glow colors. The 6/128GB trim is priced at INR 10,499 ($122). First sales in India start on July 15 from the official Infinix online store.

    Infinix Hot 60 5G

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  • Chang’e-6 Samples Reveal the Moon’s Farside Is Stranger Than We Thought – SciTechDaily

    1. Chang’e-6 Samples Reveal the Moon’s Farside Is Stranger Than We Thought  SciTechDaily
    2. Ultra-depleted mantle source of basalts from the South Pole–Aitken basin  Nature
    3. CAS unveils findings from lunar samples retrieved by Chang’e-6 mission, sheds light on evolutionary history of moon’s far side  Global Times
    4. Mega crash on the Moon released energy equal to 1,000,000,000,000 atomic bombs  MSN
    5. Chang’e-6 unearths volcanic and magnetic mysteries on the Moon’s farside  ScienceDaily

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  • PM directs to improve performance of ministries – RADIO PAKISTAN

    1. PM directs to improve performance of ministries  RADIO PAKISTAN
    2. Economic development impossible without modernizing outdated system: PM  Ptv.com.pk
    3. Bureaucracy main hurdle to uplift: PM  Business Recorder
    4. PM Shehbaz urges digital overhaul of governance, lauds energy ministry’s reform model  Profit by Pakistan Today
    5. PM Issues Directive to Enhance Ministry Output  SUCH TV

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  • Astronomers say new interstellar visitor 3I/ATLAS is ‘very likely to be the oldest comet we have ever seen’

    Astronomers say new interstellar visitor 3I/ATLAS is ‘very likely to be the oldest comet we have ever seen’

    The recently discovered interstellar visitor 3I/ATLAS may be one of the oldest comets ever seen by humanity.

    The object was already exciting to astronomers as only the third space object seen entering the solar system from beyond its limits, the other two being 1I/’Oumuamua seen in 2017 and 2I/Borisov detected in 2019.

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  • Mystery interstellar object could be the oldest known comet

    Mystery interstellar object could be the oldest known comet

    A mystery interstellar object spotted last week by astronomers could be the oldest comet ever seen, according to scientists.

    Named 3I/Atlas, it may be three billion years older than our own solar system, suggests the team from Oxford university.

    It is only the third time we have detected an object that has come from beyond our solar system.

    The preliminary findings were presented on Friday at the national meeting of the UK’s Royal Astronomical Society in Durham.

    “We’re all very excited by 3I/Atlas,” University of Oxford astronomer Matthew Hopkins told BBC News. He had just finished his PhD studies when the object was discovered.

    He says it could be more than seven billion years old, and it may be the most remarkable interstellar visitor yet.

    3I/Atlas was first spotted on 1 July 2025 by the ATLAS survey telescope in Chile, when it was about 670 million km from the Sun.

    Since then astronomers around the world have been racing to identify its path and discover more details about it.

    Mr Hopkins believes it originated in the Milky Way’s ‘thick disk’. This is a group of ancient stars that orbit above and below the area where the Sun and most stars are located.

    The team believe that because 3I/ATLAS probably formed around an old star, it is made up of a lot of water ice.

    That means that as it approaches the Sun later this year, the energy from the Sun will heat the object’s surface, leading to blazes of vapour and dust.

    That could create a glowing tail.

    The researchers made their findings using a model developed by Mr Hopkins.

    “This is an object from a part of the galaxy we’ve never seen up close before,” said Professor Chris Lintott, co-author of the study.

    “We think there’s a two-thirds chance this comet is older than the solar system, and that it’s been drifting through interstellar space ever since.”

    Later this year, 3I/ATLAS should be visible from Earth using amateur telescopes.

    Before 3I/Atlas soared into view, just two others had been seen. One was called 1I/’Oumuamua, found in 2017 and another called 2I/Borisov, discovered in 2019.

    Astronomers globally are currently gearing up to start using a new, very powerful telescope in Chile, called the Vera C Rubin.

    When it starts fully surveying the southern night sky later this year, scientists expect that it could discover between 5 and 50 new interstellar objects.

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  • New Camera Reads Insect Heartbeats From Afar

    New Camera Reads Insect Heartbeats From Afar


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    In a world-first pilot study, researchers from the University of South Australia (UniSA) have used video footage of insects to extract their heart rates without touching or disturbing them.

    The innovation, published in the Archives of Insect Biochemistry and Physiology, could transform how scientists monitor the health and stress levels of arthropods, that account for more than 80% of animal species.

    Taking footage from smartphones, social media videos and digital cameras, the researchers used sophisticated signal processing methods to monitor the heart activity of ants, bees, caterpillars, spiders, grasshoppers and stick insects.

    Unlike mammals, arthropods have an open circulatory system in which blood fills the body cavity, bathing the internal organs and tissues. Their heart is located on the top (dorsal) side of their body in the abdomen.

    Led by UniSA PhD candidate Danyi Wang and her supervisor Professor Javaan Chahl, the study demonstrates that subtle body movements captured on standard digital or smartphone cameras can be analyzed to reveal accurate and detailed cardiac activity in a range of insect species.

    Unlike traditional methods that require physical contact or immobilization, this technique allows insects to remain free, without disrupting their natural behavior.

    “Insects are vital to our ecosystems, and understanding their physiological responses to environmental change is essential,” Wang says.

    “Existing methods to measure insect’ vital signs are invasive, however. Our method preserves their natural behavior while providing accurate insights into their heart activity.”

    The extracted heart rates closely matched the physiological ranges recorded via traditional techniques, validating the system’s accuracy.

    Senior author Prof Javaan Chahl says the system successfully captured heart rates across multiple insect species, detecting physiological differences influenced by factors such as wing morphology and temperature.

    “What’s exciting is that this was all achieved without attaching sensors or disturbing the insects in any way.”

    One of the most impressive validations came from caterpillar recordings, where the team compared their video-derived cardiac signals to data from infrared contact sensors in previous studies. The shapes and frequencies were almost identical.

    The study also revealed interesting inter-species variations. For example, spider heart rates varied significantly, reflecting differences between species rather than activity levels, since all subjects were at rest during filming.

    Advanced image processing techniques, including motion tracking algorithms and magnification, were applied to detect tiny movements associated with heartbeats. These signals were analyzed using spectral filtering and transformed into frequency data to isolate the heart rate.

    According to Prof Chahl, the study marks an important step forward in insect research.

    “Non-invasive cardiac monitoring offers tremendous potential; not just for studying insect health, but also for understanding environmental stressors, pesticide effects, or even the wellbeing of social insects like ants and bees, where heart signals can provide insights into colony health and behavior.”

    His team has previously used a similar technique with digital cameras to remotely extract cardiac signals in humans and wildlife.

    The researchers hope to test the system in the field and refine it by using machine learning to improve the accuracy across different body types and light conditions.

    “With more refinement, this could become a cost effective and valuable tool in the ecological research toolkit,” says Wang. “It gives us the ability to listen to the hearts of the smallest creatures without harming them.”

    Reference: Wang D, Chahl J. Extracting cardiac activity for arthropods using digital cameras: Insights from a pilot study. Insect Biochem Physio. 2025. Doi: 10.1002/arch.70076

     

    This article has been republished from the following materials. Note: material may have been edited for length and content. For further information, please contact the cited source. Our press release publishing policy can be accessed here.

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  • You’re definitely having a laugh! Six hot comedy debuts at Edinburgh fringe 2025 | Edinburgh festival 2025

    You’re definitely having a laugh! Six hot comedy debuts at Edinburgh fringe 2025 | Edinburgh festival 2025

    Molly McGuinness: Slob

    “There should be a buffet at every comedy gig,” says Manchester-based Molly McGuinness – and luckily for us, she’s making that happen for her Edinburgh debut. Her laugh-packed sets, served with snacks and a warm conversational style, are inspired by the standup of Caroline Aherne. “I like it to feel as if I’m talking to a friend,” she says. Slob began as a turning-30 existential crisis about reaching your potential, but when a rare disease left McGuinness in a coma, everything shifted. She will share the “bizarre and surreal” experience of coma-induced delirium, tender reflections on “the sweetness of the nurses” that cared for her, and a blossoming love story. “A lot of people feel like a slob, but we’re doing the best we can,” she says.
    Monkey Barrel, 28 July–24 August

    Simple Town

    US group Simple Town make consistently brilliant short films, where everyday conundrums (what’s the meaning of “adroit”? What happens if you’re late for a funeral?) escalate to extremes, or descend into meta-narratives about the absurdity of online content. The foursome, who started performing regularly in New York around 2017, are bringing an hour of “pure sketch comedy” for their fringe debut. Their previous visits to the UK sold out fast. “Our work is somewhere between alternative and crowd-pleasing. Sometimes it’s brainy, ‘comedian’s comedian’ humour, but we also work very hard for the shows to be silly, broad, fast-paced, and fun,” they say. “So hopefully, both kinds of audiences will find something in the show to hate.”
    Pleasance Courtyard, 11–24 August

    Jessica Barton in Dirty Work. Photograph: Paul Westbrook

    Dirty Work

    Australian performer Jessica Barton started out in musical theatre and got her first taste of comedy at French clown school Gaulier. She began to “play using song and movement, physical comedy and clowning”, moved to London and immersed herself in its alternative comedy scene. Dirty Work combines her vocal talents with playful audience interaction. In character as Floppins – a Mary Poppins-esque figure intent on cleaning up the stage – she cleverly explores gendered domestic roles. “Expect to have a lot of fun,” she says. “Expect to be challenged and to rise to the occasion. Especially the men in the audience.” Dirty Work was awarded best newcomer at Melbourne international comedy festival and as she gets deeper into the character: “I’ve enjoyed finding new things within the world I’ve created.”
    Underbelly Cowgate, 31 July–24 August

    Ayoade Bamgboye: Swings and Roundabouts

    Her assured presence and sideways perspective make Ayoade Bamgboye stand out on any lineup, despite having only three years of live comedy under her belt. She had been working as a writer when someone suggested she try it and Bamgboye is always experimenting, incorporating clowning, multimedia forays and different personae into her performances. She “grew up between London and Lagos” and gives a unique twist on observational comedy: “I’m looking at everything as if I’m on safari. I’m a curious silly billy.” Bamgboye says her comedy has sometimes been “confrontational and caustic” with spicy punchlines on racism and colonialism, but with her debut she’s ready to be more vulnerable, too: “Audiences should expect something bittersweet.”
    Pleasance Courtyard, 30 July–24 August

    Sharon Wanjohi: In the House. Photograph: Rebecca Needmenear

    Sharon Wanjohi: In the House

    She first tried standup at university in Southampton (“We had a comedy society where all the nerds went”) and quickly racked up finalist spots at the Funny Women and BBC new comedy awards. Now, Sharon Wanjohi is making her fringe debut with a show about self-help culture and the zeitgeisty coping mechanisms that are “shoved down our throats” every day. “I’m presenting myself as this 90s talkshow host, in the mould of Trisha and Oprah”, Wanjohi says. “I’m satirising self-help, but also breaking out of character to do standup.” You’ll get a gen Z spin on societal issues like the housing crisis, but something “goofy, silly, less grounded in reality,” Wanjohi promises.
    Pleasance Courtyard, 30 July–24 August

    Roger O’Sullivan: Fekken

    This 90s-tinted debut from Irish comedian Roger O’Sullivan explores his relationship with his farmer father via Tekken and the rest of young Roger’s favourite PlayStation games. He started out on Cork’s small comedy scene eight years ago, where “there weren’t really any stakes, so any gig you’d do something new and try the weirdest thing. That’s the mentality I’ve had from early on.” He’s had success online with lo-fi animations, which he works into the show to great effect. “I wanted to end with a callback to retro video games and thought it would be really funny if I learned 3D animation just for that.” Expect warm standup that melds “a little bit of heart with absurdism”.
    PBH’s Free Fringe @ Carbon and Hoots @ The Apex, 2–23 August

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  • Deflecting a Killer Asteroid Is More Complicated Than NASA Thought

    Deflecting a Killer Asteroid Is More Complicated Than NASA Thought

    In 2022, NASA rammed a spacecraft into an asteroid to see if it could alter its orbital period around its parent asteroid. The mission, dubbed the Double Asteroid Redirection Test (DART), aimed to determine whether humanity could theoretically save itself from a catastrophic asteroid impact.

    DART collided with Dimorphos, a small moonlet orbiting a larger asteroid called Didymos, on September 26, 2022. The results of the impact blew NASA’s expectations out of the water, shortening Dimorphos’s orbital period by 32 minutes. Such a change would be more than enough to deflect a dangerous asteroid away from Earth, indicating that this strategy—the kinetic impactor technique—could save us if necessary. New research, however, complicates this success story. An investigation into the debris DART left behind suggests this technique, when applied to planetary defense, isn’t as straightforward as scientists initially thought.

    “We succeeded in deflecting an asteroid, moving it from its orbit,” said study lead author Tony Farnham, a research astronomer at the University of Maryland, in a statement. “Our research shows that while the direct impact of the DART spacecraft caused this change, the boulders ejected gave an additional kick that was almost as big. That additional factor changes the physics we need to consider when planning these types of missions.” Farnham and his colleagues published their findings in The Planetary Science Journal on July 4.

    Dimorphos is a “rubble pile” asteroid, a loose conglomeration of material such as rocks, pebbles, and boulders held together by gravity. This study only applies to this type of asteroid. Had DART collided with a more coherent, solid body, the impact wouldn’t have produced these bizarre effects. Still, there are plenty of other rubble pile asteroids in the galaxy, so understanding how they respond to the kinetic impactor technique is important.

    The researchers analyzed images taken by LICIACube, an Italian Space Agency satellite that was mounted on the DART spacecraft. About two weeks before the impact, LICIACube separated and began following about three minutes behind the spacecraft, allowing the satellite to beam images of the collision and its effects back to Earth. In addition to observing the crater DART punched into the surface of Dimorphos, LICIACube captured the ejecta plume, or the cloud of debris ejected from the asteroid when DART hit it.

    These images allowed Farnham and his colleagues to track 104 boulders ranging from 1.3 to 23.6 feet (0.4 to 7.2 meters) wide. The rocks shot away from the asteroid at speeds up to 116 miles per hour (187 kilometers per hour). Strangely, the distribution of this ejected debris was not random, defying the researchers’ expectations.

    “We saw that the boulders weren’t scattered randomly in space,” Farnham said. “Instead, they were clustered in two pretty distinct groups, with an absence of material elsewhere, which means that something unknown is at work here.”

    The larger of the two clusters, which contained 70% of the debris, shot southward away from the asteroid at high speeds and shallow angles. The researchers believe these objects came from a specific source on Dimorphos—perhaps two large boulders called Atabaque and Bodhran that shattered when DART’s solar panels slammed into them moments before the main body of the spacecraft hit.

    When the team compared this outcome to that of NASA’s Deep Impact (EPOXI) mission, which punched a probe into a comet to study its interior structure, the distribution of the debris made more sense. Whereas Deep Impact hit a surface made up of very small, uniform particles, DART hit a rocky surface packed with large boulders. This “resulted in chaotic and filamentary structures in its ejecta patterns,” coauthor Jessica Sunshine, a professor of astronomy and geology at the University of Maryland who served as principal investigator for Deep Impact, explained in the statement.

    “Comparing these two missions side-by-side gives us this insight into how different types of celestial bodies respond to impacts, which is crucial to ensuring that a planetary defense mission is successful,” she said.

    The 104 ejected boulders carried a total kinetic energy equal to 1.4% of the energy of the DART spacecraft, and 96% of that energy was directed to the south, representing “significant momentum contributions that were not accounted for in the orbital period measurements,” the researchers state in their report. The force of debris exploding away from Dimorphos upon DART’s impact could have tilted the asteroid’s orbital plane by up to one degree, potentially causing it to tumble erratically in space.

    “Thus, a full accounting of the momentum in all directions and understanding the role played by surface boulders will provide better knowledge of how the specifics of the impact could alter—either reducing or enhancing—the effects of a kinetic impactor,” the researchers write.

    Astronomers have catalogued roughly 2,500 potentially hazardous asteroids in our corner of the galaxy. These are space rocks that can come alarmingly close to Earth and are large enough to cause significant damage upon impact. While there is currently no known risk of one of these asteroids hitting our planet within the next century, developing strategies to prevent such a catastrophe could someday prove lifesaving. The success of the DART mission suggests that NASA is on the right track, but this new study shows we still have much to learn about the effects of the kinetic impactor technique.

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  • The Strad – Tanzania’s Daraja Music Initiative: making an impact through conservation and music education

    The Strad – Tanzania’s Daraja Music Initiative: making an impact through conservation and music education

    Discover more Featured Stories like this in The Strad Playing Hub 

    It’s 6:30am in Moshi, Kilimanjaro region. The sun is starting to rise daily at the same time as it is near the equator. The singing of roosters and other birds blends with the sounds of beeping boda bodas from the nearby road. The snow-covered top of Mount Kilimanjaro is coming out from the clouds. The security guard keeps talking loudly on the phone near the home windows, keeping some volunteers awake. It is another day of teaching at Daraja Music Initiative, the programme that bridges music education and nature conservation.

    The programme was initiated by Michele Von Haugg under the name ’Clarinets for Conservation.’ She got the inspiration to come to Tanzania after seeing a documentary Mpingo – the tree that makes music. Now the programme is run by executive director clarinetist Ian Tyson from New York. First, it was a clarinet-only programme, but later on, the violin was added to it. Some of the students can play both the violin and the clarinet. 

    Mpingo, the African Blackwood tree, is special – it is the national tree of Tanzania. Not only are beautiful carvings made of this durable and expensive tree, but also musical instruments such as clarinets, oboes, and parts of the string instruments such as fingerboards, chin rests, pegs, and bow frogs.

    The tree is over-harvested and not enough replenished, but during the 15 years of the programme, many trees have been planted at local Moshi schools, and students are being taught about the environmental and economic value of the tree and how to take good care of it.

    IMG_3735 2

    The programme is truly building community and empowering students and local families in many ways. A former student of the programme, Michael Boaz, opened his own NGO non-profit organisation in Dar es Salaam called ’Music for Hope’ three years ago. Many older students aspire to travel abroad for the first time and have dreams to come to study in foreign universities to obtain music education degrees.

    Every Thursday, students, together with volunteer teachers, perform at the local coffee shop ’Union Coffee’ owned by a parent of a student. These performances are very special as all students can showcase their skills, like a new scale or just the new three notes that they have learnt on the D-string.

    3597a738-4a74-49cb-9a22-3b22a69fbaaf

    A touching moment for me was playing together my arrangement of Mbuga Za Wanyama Tanzania. One of the seven-year-old violin students was conducting our little ensemble, and the whole audience joined in singing and cheering at the end. We were using my battery-operated lantern because the lights were so dim that we could barely see the music, but luckily, I also brought many spare batteries for the stand lights.

    Weekly Friday performances of the programme take place in the Courage Cafe. This cafe is special because it supports women who have been victims of sexual abuse and trafficking. Women who are recovering from these severely challenging circumstances make clothes, bracelets, earrings, and other souvenirs that are sold at the store of this cafe.

    The programme has run for 15 years, and many of the small students have grown and now are in need of the full-size violins. There is a lack of full-size violins, and many students need to play on violins that are a size or two too small. Even though there are many violins donated to the programme, the challenge is how to transport them from the US to Tanzania. I was able to bring three new violins to the programme, generously donated by my student Shwetha Manimaran and her mom, Nivetha. 

    In Tanzania, there are no shops where you can buy violins or strings, and no luthiers. One day, I was checking Makumira College student Fraterin Shayo’s violin to see if it had no open seams and was changing his three-year-old strings to a new set, and I noticed that his bridge was very crooked. I had a brand new spare bridge with me from America, and we decided to put it on. In the process of changing the bridge, the sound post fell down. I had never put in the sound post before that. After watching a YouTube video tutorial and one and a half hours of trying and failing, I managed to put the sound post back in with the tools that the programme luckily had. A few days later, the sound post fell down again. With another hour and a half and a more careful try, I was able to put it back in, and the violin sounded so beautiful with an open and ringing tone. I was extremely relieved that we managed to do it without access to any of the luthiers, and I only ended up with one bloody finger because of pinching it with the sharp edge of the tool. 

    Tanzania is a country to fall in love with and return to, and music is a universal language that can bridge and build international communities. Planting seeds of mpingo trees and planting the seed of education, kindness, and resilience in each and every student, and then watching it grow and flourish.

    There are important lessons to learn from the community of Daraja Music Initiative – in a world full of hatred, conflict, and division, there is something beautiful and more important, which is the future of our planet and children. It’s in our daily steps that we can either build or destroy. With every note we play, with each lesson we teach, and with each tree we plant, we can create a compound and sustainable effort that will make an impact on our future generations.

    All photos courtesy Aija Reke.

    Best of Technique

    In The Best of Technique you’ll discover the top playing tips of the world’s leading string players and teachers. It’s packed full of exercises for students, plus examples from the standard repertoire to show you how to integrate the technique into your playing.

    Masterclass

    In the second volume of The Strad’s Masterclass series, soloists including James Ehnes, Jennifer Koh, Philippe Graffin, Daniel Hope and Arabella Steinbacher give their thoughts on some of the greatest works in the string repertoire. Each has annotated the sheet music with their own bowings, fingerings and comments.

    Calendars

    The Canada Council of the Arts’ Musical Instrument Bank is 40 years old in 2025. This year’s calendar celebrates some its treasures, including four instruments by Antonio Stradivari and priceless works by Montagnana, Gagliano, Pressenda and David Tecchler.

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