Global law firm DLA Piper has advised Pacific Green, a global leader in battery energy storage solutions (BESS), on a DevEx loan facility of up to AUD77 million with Longreach Credit Investors and the Australian Philanthropic Services Foundation. The 24-month facility will support the development of a 7 GWh battery energy storage pipeline and drive the expansion of Pacific Green’s platform in the Australian market.
The funding will accelerate the rollout of Pacific Green’s battery energy storage system (BESS) projects across the National Electricity Market, reinforcing its commitment to supporting Australia’s transition to clean energy.
The DLA Piper team was led by Finance partner Alex Regan and special counsel Caroline Rowe, with support from solicitor Sophia Davies and senior paralegal Cameron O’Connor. The team advised on all legal aspects of the development capital raise, which is among the first of its kind in the Australian market.
DLA Piper partner Alex Regan commented: “This facility unlocks significant capital for Pacific Green to continue to expand their BESS Portfolio. It demonstrates how DLA Piper supports clients in delivering the investment and innovation required to advance the country’s energy transition.”
This transaction follows DLA Piper’s recent work advising Pacific Green on landmark BESS offtake arrangements for up to 3.5 GWh of capacity in Australia.
Ferrari have revealed the special livery that Charles Leclerc and Lewis Hamilton’s SF-25s will wear at this year’s Italian Grand Prix – the first race at Monza for seven-time World Champion Hamilton since joining the Scuderia.
Featuring a more prominent white on the engine covers, alongside retro numbers and wheel covers, the car pays homage to the colourway of the Ferrari 312T that Niki Lauda took to the 1975 Drivers’ Championship, and which earned the team the Constructors’ title in the same year.
Ferrari head to Monza off the back of a tough outing at the Dutch Grand Prix, with both Hamilton and Leclerc retiring after crashes – although the drivers had been buoyed by the improved pace of their car as the weekend progressed.
Ahead of Leclerc and Hamilton hitting the track on Friday morning, check out the one-off colours in the gallery up top.
Delivering powerful sound, customizable lighting and extended hours of playtime, new Sound Tower is built for every occasion
Both models bring dynamic design, versatile portability and -optimized sound modes to enable tailored listening experiences with seamless indoor-outdoor use
9/3/2025
Samsung Electronics America today introduced the new Sound Tower (ST50F and ST40F models), its latest innovation in portable audio. Built for large gatherings, these new models combine advanced acoustic technology with a dynamic, modern design to deliver an immersive party experience through both light and sound.
“The new Sound Tower sets a new standard in how consumers experience entertainment in both indoor and outdoor settings,” said Hun Lee, Executive Vice President of the Visual Display Business at Samsung Electronics. “With customizable lighting effects and an upgraded form factor that produces fully encompassing sound, it underscores Samsung’s commitment to providing innovative audio solutions for the diverse lifestyles of customers.”
Powerful Party Sound
The Sound Tower’s redesigned acoustic structure delivers rich, room-filling sound with exceptional clarity and deep bass. With Samsung Waveguide technology applied to its dual dome tweeters, audio is distributed and enhanced to ensure a wider, more even soundstage. This optimization provides crisp treble that can be heard clearly, while dual woofers deliver customizable bass with Deep, Punchy and Gentle modes, which allow you to tailor the experience to your preferences. Four additional sound modes — Standard, Wide, Stadium and Outdoor — let you further fine-tune your audio to match any setting, from backyard barbecues to packed dance floors.
Whether indoors or outdoors, you can enjoy long-lasting performance with up to 18 hours of untethered playtime on a single charge. This rechargeable battery ensures the party can continue without interruption, while IPX4 water resistance offers peace of mind during outdoor use. For an even more immersive soundscape, you can connect multiple units through Auracast™ Group Play or pair two Sound Towers via Stereo Play with True Wireless Stereo (TWS) for true left-right channel audio.
Vibrant Party Lights+ For Every Mood
The Sound Tower’s Party Lights+ system transforms any gathering into an immersive audiovisual experience. With five mood presets and six dynamic lighting patterns, you can set the perfect vibe using the revamped Samsung Sound Tower App, which provides seamless control of your lights and acoustic preferences.
The system reacts in real time, analyzing music beats and frequencies to activate dozens of LEDs in sync with the rhythm. Customizable mood options include a wide range of effects, movements and colors, including Wave, Trail, Spark, Breeze, Flow and Flare — making it easy to create atmospheres that range from “Festival” to “Chill.”
Upgraded LED lighting extends across five key areas of the speaker to deliver a 360° effect:
Track light: an iconic LED racetrack-style light that surrounds the two woofer units to display vivid patterns.
Ring light: LED lights highlight powerful colors around the two tweeter units.
Line lights: four perimeter line lights that frame the body of the speaker for a moody effect.
Crystal lights: centered at the base and the foot of the speaker to produce an energizing atmosphere.
Handle light: doubles as a functional detail, illuminating the control panel and providing support for a tablet or smartphone for easy interaction and control of music and settings.
For added entertainment, built-in DJ Booth and Karaoke modes — as well as a guitar input — turn any space into a live stage, combining powerful sound and lighting for a true party-ready experience.
Portable and Built to Last
Designed for versatility, the Sound Tower’s bold, geometric form, integrated lighting and transport-ready build make it as visually striking as it is functional. It redefines portable party audio with a balance of power, design and convenience. The new models also feature the Samsung Grip & Roll design, with a bottom grip slot and integrated handle on the ST40F model, and the addition of wheels and a telescopic handle on the ST50F model for effortless mobility. Each model has been designed to deliver an elevated audio experience that matches a variety of needs:
Sound Tower ST50F: Up to 18 hours of battery life, 6.5” dual woofers, 1” dual dome tweeters, telescopic handle + wheels, IPX4 water resistance.
Sound Tower ST40F: Up to 12 hours of battery life, 5.25” dual woofers, 3/4” dual dome tweeters, integrated handle, IPX4 water resistance.
The new Samsung Sound Tower will be available this month at Samsung.com and other select retailers. The ST50F will have an MSRP of $699.99 and the ST40F will have an MSRP of $499.99. For more information on the 2025 Samsung audio lineup, please visit here.
Now available in 122 countries and 17 languages, HRM delivers faster, more seamless customer support across borders
Pictured: Samsung’s Home Appliances within the SmartThings ecosystem. Image simulated for illustrative purposes. Not all depicted products are available in Australia. Cables not shown.
Samsung Electronics Co., Ltd is expanding it Home Appliances Remote Management (HRM) service globally, enhancing the remote diagnostic and troubleshooting experience for smart appliances users around the world. The service is now active across 122 countries including Australia, with support for 17 languages, enabling seamless support for a wide global customer base.
HRM is a service that connects SmartThings-connected appliances to Samsung’s service network, maintaining a continuous record of device conditions and enabling real-time monitoring through the service center[1]. With customer consent, advisors at service centers can remotely access diagnostics data – including refrigerators’ inner temperature levels, dryers’ moisture levels, or air conditioner cooling performance – and provide solutions or guidance to solve issues[2].
HRM has been used in remote customer support since 2020 in Korea, and was piloted across 10 countries in 2024. This year, the service has officially rolled out globally across 122 countries, supporting refrigerators and washing machines. To facilitate successful global rollout, Samsung has expanded HRM’s multilingual support from English and Korean to 17 languages in total – including Spanish, Portuguese, German, French, Russian, and Czech[3].
“Samsung’s HRM service exemplifies our commitment to proactive, smart customer care,” said Miyoung Yoo, EVP and Head of Global Customer Satisfaction Team, Digital Appliance (DA) Business at Samsung Electronics. “Thanks to the combination of seamless connectivity and real-time insights, this service helps to reduce complexity for our customers, ultimately enhancing their overall satisfaction.”
Enhancing Service for Screen Appliances
In line with the expansion of screen-equipped appliances like Bespoke refrigerators and washing machines, Samsung has also introduced a screen-sharing feature to enhance diagnostic capabilities. For various screens of 7-inch, 9-inch, and Family Hubs[4], Australian users can share their device screens in real time with service center advisors, allowing diagnosis of display-related issues, app malfunctions or multimedia playback problems. First introduced in 2021 with Family Hub refrigerators, screen sharing expanded to refrigerators with the 9-inch screen in July 2025, with support for washing machines with the 7-inch screen to follow in September[5].
Immediate Solutions and Reduced Service Visits through Remote Assistance
Samsung’s HRM service will help to improve the efficiency of customer care by enabling real-time remote solutions for simple product issues that previously required in-home technician visits. For instance, if a customer is reporting that their washing machine’s buttons are not responding, an advisor will be able to diagnose whether the Child Lock setting is active through the HRM system. With simple guidance on how to disable the setting, the problem could be solved without a technician visit.
In cases when an on-site visit is ultimately necessary, HRM improves the experience by allowing technicians to review detailed diagnostic data in advance. They are able to arrive at the site prepared with the correct parts and tools, reducing repeat visits and significantly shortening repair time. This makes HRM especially effective in regional towns where traditional technician visits may face delays.
With the continued expansion of customer support solutions like HRM, Samsung is realising more convenient and efficient ways to care for home appliances – helping to reduce downtime, enhancing the user experience and setting new Samsung standards for global service. As HRM reaches more countries, languages and product categories, Samsung remains committed to delivering smarter, more connected care for the homes of the future.
[1] HRM is supported on SmartThings-enabled models released after 2019. Users must download the SmartThings app available on Android and iOS devices. A Wi-Fi connection and a Samsung account are required.
[2] In Australia HRM supports refrigerators and washing machines only. Support varies across regions.
[3] Supported languages include Korean, English, French, Italian, Spanish, Portuguese, German, Vietnamese, Hebrew, Turkish, Chinese, Polish, Arabic, Indonesian, Thai, Russian, and Czech.
World Netball (WN) has today updated the WN World Rankings including results from matches played between 1st June to 11:59PM 1st September 2025.
This WN World Rankings update will now be used by Commonwealth Sport (CS) for them to invite 12 Commonwealth Games Associations (CGAs) to Glasgow 2026, including the hosts, Scotland, who automatically qualify to be invited.
There is no change in the top six, with the highest change in the table coming at 15th, with Namibia moving into this place from 18th, after they won the inaugural UAE Netball Cup, beating Singapore in the Final 62 – 53.
Despite losing in the final of the UAE Netball Cup, Singapore have still moved up in the WN World Rankings themselves, from 26th to 22nd.
Namibia’s success means that Zambia have moved down one place to 16th, whilst Fiji have dropped two places to 18th.
The UAE Netball Cup also led to changes further down the table, with Kenya moving up two places to 23rd, whilst the UAE, Ireland and the USA dropped to 27th, 29th and 40th respectively following their results.
The ECCB International Series, which concluded on the 31st August, also led to many changes throughout the WN World Rankings.
The most significant increases in the WN World Rankings can be seen from both St Lucia and Cayman Islands, who have both moved up five places each to 30th and 35th.
This comes after St Lucia won four of their six ranking matches at this event, and Cayman Islands three of theirs.
Grenada, Antigua and Barbuda and Dominica have all dropped in the WN World Rankings following their performance at the ECCB International Series and they now sit in 24th, 45th and 49th respectively.
To views the full WN World Rankings update, visit our website here.
I don’t remember where I was when my TikTok feed showed me a video of a woman holding her stillborn baby, but I remember how I felt. At first, it appeared like any other video of a woman holding a newborn. It was tightly wrapped in blankets while she cradled it in her arms. She was crying, but so are most of the women in these post-birth videos. It wasn’t until I read the caption that I realised what I was looking at. Her baby had been delivered at 23 weeks. I was 22 weeks pregnant. I felt doomed.
My social media algorithms knew I was pregnant before family, friends or my GP. Within 24-hours, they were transforming my feeds. On Instagram and TikTok, I would scroll through videos of women recording themselves as they took pregnancy tests, just as I had done. I “liked”, “saved”, and “shared” the content, feeding the machine, showing it that this is how it could hold my attention, compelling it to send me more. So it did. But it wasn’t long before the joy of those early videos started to transform into something dark.
The algorithm began to deliver content about the things you fear the most while pregnant: “storytimes” about miscarriages; people sharing what happened to them and, harrowingly, filming themselves as they received the news that their baby had no heartbeat. Next came videos about birth disfigurements, those found by medical professionals early on, and those that were missed until the baby’s birth.
One night, after a before-bed scroll delivered me a video of a woman who filmed her near-death childbirth experience, I uninstalled the apps through tears. But they were soon reinstalled, when the needs of work, friendships and habit dictated they must be. I tried blocking the content I didn’t want to see, but it made little difference.
On TikTok, there are more than 300,000 videos tagged under “miscarriage”, and a further 260,000 under “miscarriageawareness”. One video with the caption “live footage of me finding out I had miscarried” has almost half a million views. Another showing a woman giving birth to a stillborn baby has just under five million.
In another context, before I was pregnant, I would have found the content barrier-breaking and important. I don’t think the individuals who share such vulnerable moments are doing anything wrong. For the right person, it could be a lifeline. But it didn’t feel right in the feed of someone who had inadvertently signalled to the algorithm that they were having a baby.
‘I “liked”, “saved”, and “shared” the content, feeding the machine, compelling it to send me more’ … Wheeler, while pregnant. Photograph: Courtesy of Kathryn Wheeler
When I talk about this experience with others who were pregnant at the same time as me, I am met with knowing nods and stories that match my own. I hear about how they were also served up personalised doses of fear, and how the algorithms evolved to target the things specific to them. Our experiences feel like a radicalisation, as normal worries were driven to new heights by a barrage of content that became more and more extreme. This is pregnancy and motherhood in 2025.
“There are supportive posts, and then there are things so extreme and distressing, I don’t want to repeat them,” says Cherelle Mukoko, who is eight months pregnant. Mukoko mostly sees this content on Facebook and Instagram. She used to see it on TikTok as well, before she deleted the app. “My eldest is four. During that pregnancy, I came across upsetting posts on social media, some of them quite close to home, but this time it seems worse. The content feels more graphic and harder to escape.”
Mukoko, 35, who is a woman of colour, has found that she is specifically shown content around the treatment of Black women in pregnancy. An analysis of NHS data in 2024 found that Black women are up to six times more likely to experience severe complications during a hospital delivery than their white counterparts. “That hasn’t been my reality, but it does make me go into every appointment more cautious and on edge, wondering how I’ll be treated,” she says.
“They really do instil fear,” she continues. “You start thinking: ‘Could this happen to me? Will I be in that unlucky percentage?’ With the complications I’ve already had during this pregnancy, seeing such negative things makes my intrusive thoughts spiral. It can leave you feeling resentful – you’re enduring so much already, and then on top of that, your social media feed is fuelling more anxiety.”
For Dr Alice Ashcroft, a 29-year-old researcher and consultant who analyses the impact of identity, gendered language and technology: “It first started when I was trying to conceive. Seeing pregnancy announcements was hard. I also started to get a lot of ads for vitamins that would increase the chances of conception, but the reason I was struggling was an underlying health issue (a very rare blood disorder), so this was really hard to stomach.”
It didn’t stop once she was pregnant. “Towards the end of my pregnancy, we had some worrying scans at about 36 weeks, and I was looking at the web links suggested to me by the midwives. I’m not sure if it was the cookies I generated (which work as a digital footprint) or simply that the platforms I was engaging with knew I was in late pregnancy, but I started to see a large amount of content about late-stage terminations and miscarriages.” Her baby is now six months old.
The ability of algorithms to target our most sensitive and private fears is uncanny and cruel. “I’ve been convinced for years that social media is reading my mind,” says Jade Asha, 36, who had her second son in January. “With me, it was all about body image: showing women at nine months pregnant still in the gym, when I hadn’t been able to do a 10-minute walk in months. Pregnancy makes my arthritis flare up. Even now, there are some days I can barely leave the house because swollen knees make it so difficult to walk.”
Bottle-feeding her baby became another source of anxiety, says Asha. “My feeds would come up with posts about how breast is the only way, and a thousand comments of women agreeing. The problem with social media is that everyone is an ‘expert’ and so strong in their opinions that it can suck many others in. Social media makes me feel lazy, useless, and inferior – even though I am going through the toughest time of my life.”
For Dr Christina Inge, a researcher at Harvard University specialising in the ethics of technology, these experiences are not surprising. “Social media platforms are optimised for engagement, and fear is one of the most powerful drivers of attention,” she says. “Once the algorithm detects that a person is pregnant, or might be, it begins testing content – the same as it does with any other information about a user. If a user lingers on an alarming video on pregnancy, even if just for a second, that is interpreted as interest. The system then feeds you more of the same.
‘In the months since my pregnancy ended, the content on my feeds has shifted to the new fears I could face.’ Photograph: Christian Sinibaldi/The Guardian
“Distressing content isn’t a glitch; it’s engagement, and engagement is revenue,” Inge continues. “Fear-based content keeps people hooked because it creates a sense of urgency; people feel they need to keep watching, even when it’s upsetting. The platforms benefit financially, even as the psychological toll grows.”
The negative effect of social media on pregnant women has been widely researched. In August, a systematic review into social media use during pregnancy considered studies from the US, the UK, Europe and Asia. It concluded that while social media can offer peer-to-peer advice, support and health education, “challenges such as misinformation, increased anxiety and excessive use persist”. The review’s author, Dr Nida Aftab, an obstetrician and gynaecologist, highlights the role healthcare professionals should play in helping women make informed decisions about their digital habits.
Not only are pregnant women more vulnerable social media users, they may also be spending more time scrolling. A study published in Midwifery last year found there was a significant change in time spent on social media, frequency of use, and problematic use during pregnancy, all of which peaked at week 20. Additionally, 10.5% of the women in the study had a possible addiction to social media as defined by the Bergen Social Media Addiction Scale, meaning that social media had a significantly negative effect on their daily lives.
Looking at the wider picture, Inge suggests several ways forward. Design changes could mean that platforms deliberately use positive, evidence-based content in sensitive areas such as pregnancy, health and grief. There could be more transparency around why users are seeing certain content (with an option to recalibrate when needed), and policymakers could put stronger safeguarding measures in place on sensitive topics.
“Helping users understand that their feeds are algorithmic constructions, not neutral mirrors of reality, can help them disengage from the spiral,” Inge says. “Pregnancy and early parenthood should be protected spaces online, but they’re treated as just another data point to monetise.”
For Ashcroft, the answer to the problem is complex. “One of the issues across the board is that the technology is developing at such a rate that legislation is slow to catch up,” she says. “But in this instance, I’m not sure where the onus lies. It could be on governments to legislate for accurate information on social media, but that sounds scarily like censorship. Some social media platforms are incorporating factchecking into their platforms with AI, but these are sometimes inaccurate and hold certain biases.” Using the “I’m not interested in this” feature could help, she suggests, “but even this will not be entirely successful. The main advice I would give is to reduce your use of social media.”
At the start of the year, my baby arrived. She was healthy, and I could finally take a breath. But the relief was short-lived. In the months since my pregnancy ended and motherhood began, the content on my feeds has shifted to the new fears I could face. When I open Instagram, the suggested reels that now appear include: A video on “What NOT to do when your baby wakes up 20 minutes into their nap”; another of a baby in a carrier overlaid with the text “THIS IS REALLY NOT SAFE”; and a clip of a toddler with a piece of Lego in its mouth with the warning: “This could happen to your child if you don’t know how to act.”
Is there a chance that this content makes me a better, more diligent and informed parent? Perhaps some of it does. But at what cost? The recent Online Safety Act has forced us to face our societal responsibility to protect vulnerable groups when they browse online. But as long as the constant, lingering threat of doom, despair and misinformation haunts the smartphones of new and expectant mothers, while social media companies monetise their fears, we are failing in this duty.
If you’ve consumed any beauty content on social media this year, you’ll know that tints are huge. Creamy, opaque and matte formulas are taking a back seat to cheek and lip colours in juicy, fruity shades.
And while these may seem inherently summery, syrupy cheeks and berry-stained lips that last all day look set to continue into autumn and beyond. Think gentle, translucent watercolours with the indelibility of spilt turmeric on a white worktop.
Benefit’s classic rose-petal-stained Benetint has been around for decades, but its next-generation offspring Dark Cherry (£22.50) has only recently landed. What looks girly in the original purply-pink shade has become sophisticated in Dark Cherry, and I find the new deep, bloody, brownish red to be very flattering on everyone.
The stain lasts for many hours, leaving no smudges on my face, cutlery or wine glass, and can be kept moist-looking with an occasional lip balm topper (it’s worth starting with moist lips, too, since the tint tends to deposit more pigment on dry patches).
Victoria Beckham already makes a very good lip tint, and has now branched out to cheek tints with Colour Wash Blush Water Tint (£44), the viral makeup launch of late summer. These three translucent, Slush Puppie-hued serums slide on to cheeks to create a juicy, bouncy, postcoital exertion sort of glow.
They, too, last brilliantly – I even managed to hang on to Flushed, the sheer poppy red, through long, hot days in California recently.
I did find, though, that application with a fluffy brush gave me more time to buff in the product before it set, but oily skins may be able to get away with fingertips. If you can’t justify luxury prices for what may be a one-year trend, try NYX’s (glossier) Lip IV Hydrating Gloss Stain (£10.99) or Fat Cheeks Juicy Blush (£7.99). They are great quality, come in a wide range of shades and are a cheaper, fun way to indulge in the craze.
Seemingly impossible to keep in stock are Huda Beauty’s new Lip Contour Lip Stains (£22), eight felt-tip pens designed to stay put where regular lipliner pencils cannot.
With practise, I liked these a lot, but with one caveat: after drawing it on – as you would with any other liner – I’d strongly advise running the tip of your little finger along the line to soften, blur and slightly spread the product over your lips.
This will give you all-day definition and colour without the harsh appearance of your lipliner having outlived your lipstick.