Author: admin

  • How to Save 10% on Victoria Beckham’s New Collection

    How to Save 10% on Victoria Beckham’s New Collection

    Photo: Courtesy of Victoria Beckham

    Victoria Beckham understands the power of a great dress; in fact, since founding her brand nearly two decades ago, she’s made them a house signature. Fans of her eponymous label can expect a handful of hero styles each season, and for fall 2025, it’s this gorgeously draped blouson-sleeve midi which can carry you from desk-to-dusk with ease. Take style notes from our fall 2025 shoe trend report and contrast its femininity with a pair of polished derbies or modern brogues, before making the switch to kitten heels once the clock turns five. The nutty hue is a subtle transition from summer’s butter yellows, and will look effortlessly chic beneath a bold-shouldered coat—one of the 11 key finds we’re eyeing up for pre-fall.

    Relaxed tailoring is another everyday essential on our editor wish lists for the season ahead, and timeless yet modern tailoring is another string to Victoria Beckham’s bow. Pinstriped leather is the star of the show for pre-fall, but another much-loved house signature—the Alina trouser, a modern nod to ’70s-inspired hems—is back by popular demand. Tuck a scarf-detailed top or draped blouse into the high-rise waistband or wear yours as a sophisticated suit with the coordinating jackets in oregano and mauve. If you’re not ready to put your pins away just yet, there’s a pair of long tailored shorts in the British designer’s latest lineup that feel nicely transitional with crochet flats and light jackets.

    Last, but not least, score two new-season wins at once by adding something red (a top fall/winter 2025 color trend) with a lace-trim to your basket. We can think of so many outfit formulas for this slinky rose-colored slip skirt—from boy tees to chunky knits—but the cool-girl way to wear chili pepper hues right now is tonally from head-to-toe. Don’t miss these burgundy slingback flats or the high-neck top that’s likely already in Victoria’s own closet—hopefully it hangs alongside her WAG-era England Rocks tank that’s lipstick-red and forever iconic.

    Shop these editor favorites and more for 10% less as an Insider.

    Victoria Beckham

    blouson detail midi dress

    Victoria Beckham

    double pleat leather trousers

    Victoria Beckham

    Sloan leather slingback flats

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  • James Webb telescope discovers ‘exceptionally rare’ 5-galaxy crash in the early universe

    James Webb telescope discovers ‘exceptionally rare’ 5-galaxy crash in the early universe

    Astronomers have discovered an incredibly rare system in which at least five galaxies from the early universe are merging — just 800 million years after the Big Bang. The remarkable discovery was made using data from the James Webb Space Telescope (JWST) and the Hubble Space Telescope.

    Galaxy mergers play a key role in galaxy formation in the early universe. While not commonly seen, merging systems do occur, typically involving two galaxies. However, the newly identified merger, nicknamed JWST’s Quintet, contains at least five galaxies and 17 galaxy clumps.

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  • Wuthering Heights: first trailer for Emerald Fennell’s erotic adaptation | Emerald Fennell

    Wuthering Heights: first trailer for Emerald Fennell’s erotic adaptation | Emerald Fennell

    The first trailer for Emerald Fennell’s new take on Wuthering Heights promises a more erotically charged take on the classic Emily Brontë novel.

    Fennell, who won an Oscar for her screenplay for Promising Young Woman, directs Australian actors Margot Robbie and Jacob Elordi as Catherine and Heathcliff. The supporting cast includes Hong Chau, Martin Clunes and the Adolescence breakout star Owen Cooper.

    The project started a bidding war in 2024 after Fennell’s second film, Saltburn, overcame divisive reviews and poor box office to become a hit on Amazon Prime. Netflix reportedly offered $150m but the deal was won by Warner Bros, who paid just $80m, with both Fennell and Robbie expressing their desire for a theatrical release.

    Last month saw reports that the film received mixed reactions from an early test screening. Early viewers allegedly called it “aggressively provocative and tonally abrasive” with one scene of a public hanging in which the “condemned man ejaculates mid-execution”.

    This week also saw billboards go up in major UK and US cities teasing the release with provocative imagery and the tagline used in the trailer: “drive me mad”.

    Robbie is coming off the back of smash hit Barbie and will be seen later this month opposite Colin Farrell in the fantasy A Big Bold Beautiful Journey. Elordi, who gained fame on TV’s Euphoria, has since starred in Priscilla and On Swift Horses and will next be seen in Guillermo del Toro’s Frankenstein.

    Earlier this year, Elordi spoke about Wuthering Heights in an interview with Deadline. “The performances from everyone – it’s breathtaking,” he said. “It’s an incredible romance. It’s a true epic. It’s visually beautiful. The script is beautiful. The costumes are incredible.”

    The choice to cast Elordi has already led to a backlash, with many fans of the novel pointing out that Heathcliff is described as having dark skin. The casting director, Karmel Cochrane, defended the decision earlier this year.

    “There was one Instagram comment that said the casting director should be shot,” she said. “But just wait till you see it, and then you can decide whether you want to shoot me or not. But you really don’t need to be accurate. It’s just a book. That is not based on real life. It’s all art.”

    The novel has seem numerous adaptations over the years, including William Wyler’s 1939 film and Andrea Arnold’s 2011 version.

    The film is set to be released on Valentine’s Day next year.

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  • This Apple Intelligence tool saved me from paying a hefty subscription

    This Apple Intelligence tool saved me from paying a hefty subscription

    Nina Raemont/ZDNET

    Follow ZDNET: Add us as a preferred source on Google.


    ZDNET’s key takeaways

    • Apple Intelligence can transcribe your voice memos for free. 
    • The transcriptions are easy to access and fairly accurate.
    • The Otter.ai alternative is $17 per month. 

    When you hear of AI features on smartphones, you often think of the flashiest, agentic AI features that could carry out tasks for you without you having to lift a finger. However, I am a firm believer that the litmus test as to whether an AI feature is worth it should be whether it is returning real value to your life, whether that be time or money, and in the best case, both. This transcription feature in Voice Memos does just that. 

    As a reporter, my job involves recording interviews. These interviews require transcribing to not only make it easier to pull quotes but also to parse through lengthy interviews. Ever since undergrad, I have relied on services such as Otter.ai, which also came in handy for other uses, such as transcribing meetings, lectures, and conferences.

    Also: 7 AI features I’d like to see the iPhone 17 embrace from Google, OpenAI, and others

    That said, the Apple Intelligence Voice Memo transcription feature solved a major issue I had with the transcription service, and I am likely never going back — and here’s why you shouldn’t either if you are an Apple user who values a bang for your buck. 

    Otter.ai jail

    Before I explain what makes the Apple intelligence feature so good, I need to explain the biggest issue with its more popular competitor, Otter.ai. The transcription service used AI to provide high-quality transcriptions long before the technology exploded in popularity. 

    While Otter.ai has a free subscription tier, it only allows three lifetime audio/video file imports and 300 monthly minutes, which are easy to fly through if you’re using it on a regular basis, as one meeting, interview, or lecture alone can be 60 minutes long. 

    However, I was willing to deal with that, as most of the time, I just logged on from different emails whenever I hit a limit, and the transcriptions were mostly accurate, with a convenient and easy interface. 

    Also: Apple’s new chatbot reportedly rolls out ahead of iPhone 17 – but it’s not for you

    Being sent to Otter.ai jail was my last straw. 

    Essentially, if you are on a free plan, Otter.ai only lets you view your 25 most recent conversations. Any older conversations over 25 are archived and inaccessible. This is especially problematic if, like me, you require access to your recordings months later, either for class, studying, or an article. 

    The worst part is that you can’t export the audio, even if you recorded it in the app. The only way to access it is to upgrade to Otter Pro for $17 per month. Once that happened, I knew I had to find an alternative: Apple’s Voice Memo. 

    Apple Voice Memo Transcriptions (and how to access) 

    Since my daily driver is an iPhone 16 Pro, I already record most of my voice memos on the app. From covering Apple Intelligence extensively, I knew there was a transcription option, so I decided to give it a try. 

    After months of using it, I have found the transcriptions to be accurate. Most importantly, not only is it free to access, but it is extremely easy to do so natively without having to export files. All you need is iOS 18.0 or later on an iPhone 12 or later, which makes it one of Apple’s more accessible features. The broader suite of Apple’s AI features is available only to phones with the A17 Pro chip or higher, which includes the iPhone 15 Pro or later. 

    Also: Nearly 70% of iPhone users plan to upgrade to iPhone 17 – here’s why (it’s not AI)

    Then, to access the transcripts, click on the icon that looks like a quotation mark inside a thought bubble while recording to see a live transcript. Or, you can see the text after the fact. Like with Otter.ai, if you click on the text, it will play the corresponding audio, which I often do to verify the accuracy of the transcription or grab some words it may have missed. 

    While it lacks some tools that Otter.ai has, such as the ability to highlight or add comments, you can select content and copy it to another app or document, and you can also choose to copy the entire transcript and import it elsewhere. I have done this before and imported it into a Google Doc so that I can more easily highlight or make notes. The best part is knowing that my audio messages are not going to be locked behind a paywall at any time. 

    If you want step-by-step instructions on how to initiate a recording in the Voice Memos app or how to access the transcripts, you can follow Apple’s step-by-step guide. But as mentioned above, the process is pretty intuitive. 

    My favorite part of this feature? A reminder that AI features can be simple to be good. 

    Want to follow my work? Add ZDNET as a trusted source on Google.


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  • Battle for the ages: Sengun vs Jokic

    Battle for the ages: Sengun vs Jokic

    The official EuroBasket app

    RIGA (Latvia) – Time to call Slitere, the Latvian seismic station located just off the coast of the Baltic Sea. We need to figure out if the earth was literally shaking as Alperen Sengun and Nikola Jokic went at each other for 40 minutes.

    Nikola Jokic had 22 points, hitting 10-of-16 shots from the field, while grabbing 9 rebounds, with 4 assists, 3 steals, a block and an efficiency rating of 31.

    Going up against him, the 23-year-old Alperen Sengun got the bragging rights in the matchup, picking up the win and the TCL Player of the Game award.

    He finished with 28 points on 10-of-17 shooting, including 4-of-7 from beyond the arc, with 13 rebounds, 8 assists and an efficiency rating of 37.

    “Jokic is one of the best players in the world. Rather, he’s the best, as of recently. To play and get this win against him was really important for us. As for me, I also had the extra motivation for this game. So we’re happy. And I’m happy I’ve played well and we won,” Alperen said after the game.

    The two frontrunners for the MVP award were simply sensational. With Türkiye and Serbia locking spots #1 and #2 in Group A, volume 2 of this matchup cannot happen in the Knock-Out Phase until the Final or the Third-Place Game.

    FIBA

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  • Polar Introduces Loop, a $200 Screenless Wearable

    Polar Introduces Loop, a $200 Screenless Wearable

    Fitness tracking company Polar has launched Loop, a $200 screenless wearable that it says will have no subscription fees. Preorders opened on Sept. 3, and the Polar Loop will start shipping on Sept. 10.

    Like other fitness trackers, the Polar Loop will log steps, sleep patterns and daily activity patterns but Polar is touting the lack of a screen as “unobtrusive” and “discreet.” The Loop, which is a wearable band for your wrist, has eight days of battery life with continuous use and stores four weeks’ worth of data. It syncs with the Polar Flow app to view stats and analyze sleep and training data, among other information.

    Because it has no buttons, activities can be started in the app or passively with what the company calls “automatic training detection.”

    It’s available in the colors Greige Sand, Night Black and Brown Copper. Additional band colors are offered for $20 each.

    There’s already a market of no-screen wearables, including the Whoop 5.0 wristband and smart rings such as the Oura Ring 3.

    Will the Loop measure up?

    Whether the Polar Loop’s attempt at simplifying a fitness wearable works out will largely depend on how well it runs and what it offers compared to other devices.

    “The company is clearly tapping into the growing demand for screen-free wearables,” says CNET’s lead writer for wearables, Vanessa Hand Orellana. “It feels like a direct answer to the athlete-favorite Whoop band and even the Oura Ring, both of which collect similar health metrics to display and analyze in their respective apps.”

    Hand Orellana says Polar has a good reputation, with its signature heart-rate chest straps, and may win over fans by eschewing the subscription fee that the Oura and Whoop require. 

    “That said, as with most devices in this space, the real differentiator often comes down to execution… specifically, how well the data translates into clear, actionable insights. Personally, I’m curious to see how the Loop integrates with Polar’s app, which, at least in my experience with their HR straps, hasn’t always been the most intuitive to navigate,” she said.


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  • Harry Potter Actor Calls First Day on Set “One of the Worst Days of My Life” (& the Reason Is Wild)

    Harry Potter Actor Calls First Day on Set “One of the Worst Days of My Life” (& the Reason Is Wild)

    Being part of a major franchise like Harry Potter can be an exciting opportunity for an actor, but it can also be a nerve-wracking experience. With a large built-in fan base eagerly anticipating the next installment, the creative team is under a significant amount of pressure to deliver a high-quality product. So much work goes into ensuring every little detail is just right before the cameras roll. Actors arguably have the most challenging job, as they’re tasked with bringing beloved characters to life. They have to strike a balance between doing the source material justice and putting their own spin on things. Every actor’s dream is for things to go smoothly on set, but that didn’t happen for Domhnall Gleeson.

    During an appearance on Late Night With Seth Meyers, Gleeson recalled the terrible first day he had on the Harry Potter set. The Irish actor attempted to do an English accent for his portrayal of Bill Weasley and it didn’t go very well. “I went Australian and I couldn’t stop,” Gleeson said. “And I went Australian on the first take and there were like 300 people on set, and the director was like, ‘Cut!’ and this weird, long pause. And the director came over and was like, ‘So you’ve gone Australian … is there anything you can do?’ … it was one of the worst days of my life. And then things got a little bit better.”

    Domhnall Gleeson Had a Small Role in the Harry Potter Movies

    Image Courtesy of Warner Bros. Pictures

    In the book series, Bill Weasley made his first appearance in Harry Potter and the Goblet of Fire, but the character’s on-screen counterpart played a much smaller role in the story. Gleeson portrayed Bill in just two films: Harry Potter and the Deathly Hallows – Part 1 and Harry Potter and the Deathly Hallows – Part 2. By the time he joined the cast, the franchise had long been established as a global phenomenon. All of the previous movies had achieved tremendous box office success, establishing Harry Potter as one of the defining film series of a generation.

    Gleeson has very little screen time across the two films and only a handful of lines. One of the more notable sequences he was a part of is early on in Deathly Hallows – Part 1 where several of Harry’s allies take polyjuice potion to transform themselves into Harry and trick Voldemort’s forces. Bill also participates in the Battle of Hogwarts during the film’s epic finale.

    Even though Bill didn’t have much to do in the movies (something that will hopefully be rectified by HBO’s Harry Potter TV show, which has already cast several members of the Weasley family), Gleeson took his role seriously and wanted to do the best job possible. All of the other Weasleys had British accents, so it would have been strange if one sibling had a different dialect. Nerves likely played a part in Gleeson sliding into Australian territory. Then a relative unknown, the actor probably felt the pressure joining a massive franchise for the final installments.

    Fortunately, once he got that first Australian take out of his system, Gleeson was able to speak with an English accent. Again, he only has a few lines in his two films, and his voice for Bill never came off as distracting. Ultimately, he fit right in with the rest of the on-screen Weasleys, convincingly portraying the family’s eldest child. It’s a shame that such a talented actor had minimal screen time, and it would have been fun to see what Gleeson could have done if the films’ version of Bill was more accurate to the source material.

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  • 21 Thoughts I Had While Watching the Brand-New Teaser for Emerald Fennell’s ‘Wuthering Heights’

    21 Thoughts I Had While Watching the Brand-New Teaser for Emerald Fennell’s ‘Wuthering Heights’

    There are so many thoughts to be had about the little scraps of information we’ve been given so far about Emerald Fennell’s adaptation of Wuthering Heights, starring Margot Robbie and Jacob Elordi (remember the early shots of Robbie’s possibly anachronistic wedding dress?). But now, we’ve finally been given some proper food in the form of a 90-second teaser trailer.

    Here, without further ado, find every single thought I had about the new Wuthering Heights trailer:

    1. Am I the only one who constantly croons Kate Bush’s “Wuthering Heights” in my head—against my will and at top volume—whenever this movie is brought up?
    2. HEATHCLIFF! IT’S MEEEE, I’M KATHYYY, I’VE COME HOME!
    3. Okay, sorry, I’m done.
    4. For now.
    5. Okay, I cannot lie; I watched 10 full seconds of what turned out to be very much a fan edit thinking it was the actual trailer, but now we’re back on track.
    6. Margot, drop the blush rec, because the apples of those cheeks are poppin’.
    7. I will never get enough slow, intense shots of hands kneading bread.
    8. Let alone set to “Everything is romantic” by Charli XCX!
    9. This is, perhaps, the best use of Charli XCX’s oeuvre in recent memory—and I am extremely including Kamala Harris’s 2024 presidential campaign.
    10. Jacob Elordi’s wig wrangler, take a bow.
    11. His mutton-chop stylist, however…resign.
    12. OMG, this pop of red cloak!
    13. It’s not an Emerald Fennell joint if nobody’s crawling sexily.
    14. “Do you want me to stop?” “No.”
    15. Oh, honey, I am seated.
    16. As is one of my coworkers, whose name shall be withheld but whose comment was: “This looks way better than I expected.”
    17. It’s going to be a Fennell Fall, I fear!
    18. Well, actually, the movie comes out on Valentine’s Day 2026, so maybe “Emerald Winter” has a better ring to it.
    19. To quote Tina Fey on Las Culturistas: “Then Act Three takes a sexually violent turn, and you have to pretend to be surprised by that turn!”
    20. Emerald, my brightly shining diamond, I pledge to be forever surprised by that turn.
    21. Is anyone really surprised that I’m perilously excited for this movie? I even stanned Promising Young Woman, for God’s sake!

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  • Bar Laika presents Playback 0021 with Rafiq Bhatia – Events

    Bar Laika presents Playback 0021 with Rafiq Bhatia – Events

    Join us at Bar Laika on September 24th for the 21st edition of Playback, featuring Rafiq Bhatia.

    The New York Times proclaims, “Rafiq Bhatia is writing his own musical language,” heralding him as “one of the most intriguing figures in music today.” A guitarist, producer, and Academy Award-nominated composer, Bhatia “treats his guitar, synthesizers, drum machines, and electronic effects as architectural elements,” the Times writes.

    Bhatia’s 2018 album Breaking English finds common ground between ecstatic avant-jazz, mournful soul, tangled strings, and building-shaking electronics, resulting in a “stunningly focused new sound” (Chicago Tribune). 2020’s Standards Vol. 1 renders repertoire from the American songbook “completely deconstructed, infused with brand new textures and electronic effects” (BBC). In 2025, Bhatia released Each Dream, a Melting Door, a collaborative EP with pianist Chris Pattishall described by TapeOp as “a mind-melting work that pushes the boundaries of ‘jazz.’” 2025 also sees the release of his latest album Environments, conjuring worlds of improvised, organic sound that bloom, melt, crackle, and combust.

    Since 2014, Bhatia has been a member of the band Son Lux, releasing several recordings and giving hundreds of performances worldwide. The trio earned Oscar and BAFTA nominations for their score for 2023’s Best Picture-winning film Everything Everywhere All At Once, on which they collaborated with David Byrne, Mitski, and more. Their latest score is for Marvel Studios’ critically-acclaimed Thunderbolts*.

    Bhatia has collaborated with a beguiling breadth of artists across generations and disciplines, including Apichatpong Weerasethakul, Cécile McLorin Salvant, Arooj Aftab, Kronos Quartet, Billy Hart, and many others. His work has been commissioned by major institutions and presented in performances across three continents.

    Playback is a series of informal listening events curated by Kamran Sadeghi where record labels, musicians, composers, and producers feature recordings from their catalog, and premiere album pre-releases, archives, and other rarities. 

    For more information, contact laika@e-flux.com.

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  • Earth science’s future at NASA hangs in the balance

    Earth science’s future at NASA hangs in the balance

    • Acting NASA Administrator Sean Duffy’s statements indicated a potential shift in NASA’s focus away from Earth science and climate research, prioritizing human space exploration instead, aligning with proposed budget cuts significantly reducing Earth science funding.
    • This proposed shift contrasts with NASA’s historical mandate, enshrined in the 1958 National Aeronautics and Space Act, which includes the expansion of human knowledge of atmospheric and space phenomena, and with the agency’s established collaboration with other agencies like NOAA.
    • Critics argue that NASA’s Earth observation capabilities are crucial for national security, disaster preparedness, economic benefit, and informing planetary science research, and that a complete transfer of these functions to the private sector is neither feasible nor desirable.
    • The debate over NASA’s future direction involves not only budgetary considerations but also questions about the agency’s fundamental mission, the role of government in scientific research, and the potential consequences of prioritizing human space exploration at the expense of Earth science.

    During an Aug. 14 appearance on Fox Business, Acting NASA Administrator Sean Duffy declared that the agency’s mission is “to explore, not to do all of these earth sciences,” signaling a potential shift away from NASA’s decades-long role in Earth observation and climate research.

    Duffy later softened his stance during an Aug. 18 visit to Johnson Space Center, saying that NASA would still adhere to its congressional directives. But he still suggested that other agencies could take the lead on climate science. 

    “Listen, you can go other places for your climate change science. This is the only civil agency in government that does human space exploration. No one else does it, just us, and so that is, that’s the focus, and that’s what I meant by that,” Duffy said, according to a transcript of the comments provided to Astronomy by the NASA press office. 

    This vision for NASA largely aligns with the White House’s 2026 budget proposal, which cuts NASA’s overall budget by 24 percent; while human exploration receives an increase, the agency’s science funding is slashed by nearly half, including earth science by 53 percent.

    The comments from Duffy are some of the most explicit yet from NASA leadership about the Trump administration’s downsized view of NASA’s role — and many scientists have pushed back vigorously against it. They argue that earth science is essential to NASA’s mission, not a distraction from it, pointing to the agency’s legal charter and historical relationships, and contending that its unique capabilities cannot be simply offloaded to other government agencies or the private sector.

    And, they point out, an agency that seeks to lead the world in planetary science but ignores Earth would be missing out on studying the most unique planet yet known in the universe — our own.

    “Earth is a planet,” Camille Bergin, an aerospace engineer and science communicator, tells Astronomy. “And I think that’s what people forget.”

    Defining the mission

    At the heart of the matter is the interpretation of NASA’s core function. Duffy’s comment that NASA is “meant to explore” frames the agency’s purpose as looking outward. The subsequent suggestion that “other agencies” could handle earth science points to a vision of a more streamlined NASA, free to focus on the unique challenge of sending humans to the Moon, Mars, and beyond.

    However, critics argue that it overlooks the agency’s foundational charter. “It’s the National Aeronautics and Space Administration,” Bergin says. “So much of what NASA does is within our atmosphere.” This perspective is rooted in the 1958 National Aeronautics and Space Act, which explicitly lists as a primary objective “The expansion of human knowledge of phenomena in the atmosphere and space.” 

    Duffy may be unaware of this history, suggests Robert Kopp, a climate scientist at Rutgers University. “To my knowledge, Sean Duffy is the first person to serve as administrator or acting administrator of NASA without any relevant experience,” Kopp says. “He might be unaware that [this] has been part of NASA’s statutory mission since its establishment.”

    According to a historical overview from the agency’s science division, this dual mandate has historically created a division of labor between NASA and other agencies, particularly the National Oceanic and Atmospheric Administration (NOAA). The early model established in the 1960s saw NASA’s role as pioneering new technology — developing and launching novel satellites and instruments. In this partnership, NOAA and the U.S. Geological Survey would then analyze the data for their operational missions, such as daily weather forecasting.

    Proponents of this model argue that it is why a simple handover of the mission is not a straightforward solution. Bergin is direct in her assessment: “I don’t think that any other agency can do what NASA does.” She explains that NASA’s “holistic view” of the solar system, which includes Earth, allows the agency “to do this research in ways that I don’t think other agencies can.”

    The commercial question 

    If NASA’s role in earth science is reduced, some private sector companies are eager to fill the void. In an article for EMSNow, which covers the global electronics manufacturing services industry, European commercial space executives framed a potential NASA pullback as a significant opportunity. “The potential rollback of NASA’s Earth-observation programmes should not be seen as a loss, but as a turning point,” said Anthony Baker, CEO of SatVu.

    Thomas Grübler, co-founder of OroraTech, echoed this, saying, “Private Earth-observation firms already offer a broad range of data and intelligence to governments and taxpayers, often at a much lower cost and with greater flexibility.”

    However, the enthusiasm from the private sector is tempered by a more balanced perspective among scientists. In a recent article for Nature, Danielle Wood, director of the Space Enabled Research Group at MIT, argues that while commercial data is innovative and useful, a balance is essential. “Private companies alone cannot provide all the Earth-observation data that the world needs. Nor should they,” she writes. Wood points out that public missions are set up to answer scientific questions and maintain public services, providing a trusted benchmark for data quality. Commercial missions, in contrast, are more likely to collect data based on customer requests or market opportunities.

    This aligns with the perspective of the NASA employees who signed a statement called the Voyager Declaration, arguing that “Basic research … and the stewardship of the Earth are inherently governmental functions that cannot and will not be taken up by the private sector.” 

    Planetary scientist Michael Battalio of Yale University says that the most important question isn’t whether private companies can take over, but whether they would. He argues that a private company has a “fiduciary responsibility to only spend on infrastructure that provides a return on investment,” which may not align with the long-term research and maintenance required. “Separately,” he adds, “companies may be financially incentivized to not observe our planet,” citing fossil fuel companies as an example. 

    Even if a transition to commercial earth science were to take place, says Bergin, when NASA steps back, there is a risk of a gap opening up before the private sector steps in. “We cannot afford to have that gap in the current political climate that we’re in,” she says.

    The view from the high ground

    In addition to its scientific and commercial value, Earth-observing capabilities are also deeply entwined with national security, says Bergin. “It protects people and it protects power,” Bergin explains, framing Earth observation as a dual-use technology, with “power” referring to military and geopolitical advantage. Bergin warns that in a transition to commercial imagery, any gap in access could present a direct security risk to the U.S.

    As polar ice melts, new shipping and military routes are opening in the Arctic. “If Russia and China have a clearer picture of the Arctic, for example, than we do, that’s not just a science gap, it’s a security risk,” Bergin warns. 

    A NASA brief on its Earth Science at Work initiative supports this view, stating its missions support national security by “enhancing situational awareness of ice cover and other conditions around Arctic seas.” Losing this capability, Bergin argues, means losing the upper hand. “We’re completely blind to not only what they’re doing, but we lose our decision advantage.”

    But protecting people isn’t just about military advantage; it’s also about safeguarding against infrastructure failure and natural disasters. Battalio says that government agencies from the USDA to the departments of Energy and Commerce depend on NASA’s observations. “NASA observations help farmers plan for droughts and floods so that we can feed ourselves, even with increasingly devastating natural disasters from our warming climate,” he says. “FEMA organizes aid based on NASA satellite imagery. The EPA uses NASA observations to monitor pollution and keep American citizens healthy.” 

    Bergin likens this to essential infrastructure, like the power grid or a bridge. “You don’t think about your power grid until you can’t turn your lights on,” she says. “Space is infrastructure. It’s critical infrastructure. It just happens to be above our planet.” This unseen infrastructure underpins modern life in countless ways. The ability to predict solar storms, a key function of Earth and space science, is crucial for protecting the GPS satellites that enable navigation and credit card transactions. 

    This support for the U.S. economy also extends to resource management. According to NASA, its data provides a “competitive advantage to American businesses” by aiding in tasks like “mapping rare Earth minerals” for the energy and technology sectors and helping farmers with “continuous measurements of water resources, crop health, and global production.” 

    And the data from Earth-observing satellites is essential for logistics. As Bergin notes, “Earth observation is critical to you getting your Amazon package.”

    Look to what you know

    The argument for shifting NASA’s focus to exploration rests on the premise that studying Earth and exploring space are two separate, competing missions. However, many scientists contend that the two are fundamentally intertwined. “We have no hope of understanding other planets if we do not understand the planet that we inhabit,” says Battalio.

    He explains that our knowledge of Earth provides the essential baseline for all planetary science. “When Mars rovers discover minerals that point to the presence of liquid water in the past, we know that is the case because we study Earth,” he says. “Everything we know about every planet and exoplanet is informed or interpreted against our knowledge of Earth.” 

    He cites his own work on martian dust storms, which was directly inspired by research on Earth’s climate patterns made possible by NASA observations. “Without NASA observing Earth, climatologists would not have discovered this variability, and I would not have known to look for it on Mars.”

    This synergy is at the heart of the scientific pushback against Duffy’s comments. Bergin points out the irony of searching for other worlds while deemphasizing our own. “People always ask me what’s your favorite planet? Earth obviously, right? It’s like so unique, like seriously we haven’t found anything like it,” she says. The scientific value of such a unique planet is immeasurable. “Why are we exploring if not to benefit life on Earth?” she asks. “It’s all to improve humanity, and humanity is never going to leave Earth. And so it all funnels back to Earth.”

    More than budget cuts

    Ultimately, the conversation sparked by Duffy’s comments reveals a fundamental choice about NASA’s identity. The path forward pits a vision of a streamlined agency, singularly focused on the outward push of exploration, against the view that NASA’s mission begins at home — that studying Earth is a foundational part of its mandate, a national security imperative, and a scientific necessity for the very exploration it seeks to champion. While the administration has proposed deep cuts, Congress has signaled resistance, leaving the final budget — and thus, the agency’s direction — in a state of negotiation.

    For some scientists, this debate extends beyond NASA’s budget, reflecting a broader pattern. Kopp sees a parallel between the proposed shift at NASA and what he calls “’science’ being manufactured to serve a political end,” arguing that “shutting down research to slow the growth of scientific understanding would be in line with that.” This perspective frames the choice facing NASA not just as a strategic decision, but as a political one with implications for the role of independent science in public policy.

    For observers like Bergin, the outcome is not predetermined. She argues that public awareness and engagement are crucial. “Even though you are one person, one voice, your voice does matter,” she says, encouraging people to stay informed and talk to others in their community. The resolution of this debate, which will be decided in the halls of Congress but influenced by public sentiment, will define not just NASA’s priorities, but its very purpose for a generation to come.

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