Category: 5. Entertainment

  • Tupac Shakur slaying suspect files appeal with Nevada Supreme Court to dismiss charges

    Tupac Shakur slaying suspect files appeal with Nevada Supreme Court to dismiss charges

    LOS ANGELES — The man charged with ordering the 1996 killing of rap icon Tupac Shakur in Las Vegas is asking the Nevada Supreme Court to dismiss his murder charges.

    Duane “Keffe D” Davis filed an appeal with the court Tuesday after a lower court judge upheld his charges.

    Davis, the only man ever to be charged in Shakur’s killing, was arrested in September 2023. Other conspirators in the drive-by shooting have since died.

    The 62-year-old has admitted in interviews and in his 2019 tell-all memoir, “Compton Street Legend,” that he provided the gun used in the shooting.

    His attorney, Carl Arnold, said Davis’ constitutional rights were being violated.

    “Mr. Davis cooperated with law enforcement over the course of more than a decade, relying on repeated assurances that his statements would not be used against him — yet those very statements now form the core of the State’s case,” Arnold said in a statement.

    Arnold first filed a motion to dismiss the case in January of this year, alleging constitutional violations because of a 27-year delay in prosecution. He also said Davis had immunity agreements granted to him by federal and local authorities.

    A district court judge upheld his charges, saying he was not protected from prosecution because he had not provided proof of those immunity deals and that the decades-long delay was not intentional.

    According to the appeal, Davis was interviewed in 1998 and 1999 by federal prosecutors under the agreement that his statements would not be used to prosecute him. At the time, he denied knowing who was involved in Shakur’s killing.

    He was interviewed again in 2008 and 2009 under the same conditions that he would not be prosecuted with his statements, according to the appeal. It was then that he described his “alleged involvement in the murder and identified the alleged shooter,” the appeal said.

    Arnold said prosecutors had not presented any evidence connecting Davis to the slaying other than his own statements, which is not enough for a trial. He asked the Nevada Supreme Court to grant their motion to dismiss the case, or recognize that he was granted immunity from prosecution for the statements he made during law enforcement interviews.

    Davis remains in custody at the Clark County Detention Center. His trial is scheduled to begin in early February 2026.

    Shakur’s death at 25 came as his fourth solo album, “All Eyez on Me,” remained on the charts, with about 5 million copies sold. Nominated six times for a Grammy Award, Shakur is still largely considered one of the most influential and versatile rappers of all time.

    Continue Reading

  • Be rowdy at Double Dashi, a speakeasy-style noodle bar in Chennai, serving yakitori and yakult mocktails

    Be rowdy at Double Dashi, a speakeasy-style noodle bar in Chennai, serving yakitori and yakult mocktails

    A view of Double Dashi
    | Photo Credit: Special Arrangement

    A cat in a kimono, its face lit up with glee and brandishing a pair of chopsticks over a giant bowl of ramen stares down at us in Double Dashi, Chennai’s newest noodle joint. Seated in a room bathed in a luminous neon red haze, we spot a fish cake, chopsticks and an exaggerated bamboo sushi rolling mat on the ceiling. The wall beside us is plastered with posters of every Japanese anime you’ve heard of, as well as posters of Rajinikanth films, which has a cult following in Japan.

    Japanese restaurants that offer a fine-dining experience are many in the city. However, Double Dashi’s postered walls and neon lights scream an entirely different vibe. “Our idea was to create a ‘rowdy’ Japanese restaurant here; not someplace where everyone comes in for early dinner and behaves well. We wanted loud chatter and laughter, glasses clinking, a chill vibe and everything else that feels like an Izakaya,” says Manoj Padmanabhan, co-founder BORN (Beyond Ordinary Restaurants and Nosh). 

    Crediting his many visits to Japan over the years and his family there, Manoj and Japtej Ahluwalia, his partner at BORN began to think of putting together an affordable Japanese dining experience, with good ingredients and generous portion sizes. ‘Dashi’ means a broth that enhances the umami flavour in Japanese food and naming it Double Dashi feels fair, given its location, of which there is not much secrecy but some intrigue. 

    “We aren’t hidden per se, but decided not to actively put ourselves out there on Google Maps. We would love for people to simply land up here, or stumble upon the place,” Japtej laughs. 

    The beverage menu has two Japanese favourites; Yakult and matcha and we pick probiotics over grass. The bubble trouble, a lychee flavoured icy drink comes topped with a bottle of Yakult and is light and refreshing. There are other inventive mocktails including fruity drinks topped with cheese foam, and iced teas. 

    Ramen at Double Dashi

    Ramen at Double Dashi
    | Photo Credit:
    Special Arrangement

    There is no sushi on the menu. Instead, there’s sashimi(salmon flown in from Mumbai), ramen and fresh salads. We begin with a leafy, crisp Tokyo green salad, perfect if you want a light, healthy start minus a creamy dressing. We move onto the yakitori or grilled skewers, which Manoj says are made on a traditional charcoal stove. We sample some bite-sized juicy pieces of chicken coated in a slightly sweet soy glaze which is cooked to perfection, and a crunchy miso broccoli which could have done with a bolder kick of flavour. 

    Temaki Tacos

    Temaki Tacos
    | Photo Credit:
    Special Arrangement

    If you aren’t a spice fiend, the Temaki tacos are a perfect pick. Try the mildly seasoned salmon aburi taco where crisp seaweed is stuffed with salmon, avocado and a yuzu kosho cream. The pièce de résistance for our meal is the katsu curry rice. This generous portion that can comfortably serve two comes with crispy fried chicken cutlets on a bed of sticky rice and Double Dashi’s house Japanese curry. You can eat this as is, or enhance it with a generous splash of soy sauce or a sprinkling of togarashi powder from the many condiments on your table.

    The menu has both comforting ramen favourites, and some offbeat options like a Madras paaya ramen, which is a fun take on local idiappam. Try the creamy pork broth, and the hearty beef drip ramen, which arrive steaming hot to our table with a generous squiggle of bouncy noodles and delicate slices of meat. 

    The Double Dashi team

    The Double Dashi team
    | Photo Credit:
    Special Arrangement

    In-between bites of a miso caramel cheesecake, we realise that the posters on the wall are not just of anime; there are Japanese posters of Muthu, Kaithi and even Thug Life. Manoj and Japtej credit their ‘Gen Z’ marketing team for Double Dashi’s quirky branding and art that is splashed across their menus, coasters, stickers on the tables and even the specially designed merchandise. “We also plan to introduce a supper club, where regulars who visit Double Dashi can get a stamp card and collect stamps. Once they collect a certain number, they will have access to these curated dinners and pop-ups where we hope to have chefs from other restaurants coming in,” Japtej says. 

    For now, as the world continues to travel in hordes to East-Asia, and simply can’t seem to get enough of anime or steaming hot bowls of ramen, Double Dashi seems to know its niche very well. Their early guests include not just people from the Japanese consulate down the road, but members of an anime club from the city as well. Manoj says “We had fun creating the space, and it is now upto our young diners to make the space their own.”

    For reservations, DM @doubledashi on Instagram 

    Continue Reading

  • TV tonight: Rob Brydon’s confusing but addictive new travel competition | Television

    TV tonight: Rob Brydon’s confusing but addictive new travel competition | Television

    Destination X

    9pm, BBC One
    “Where the X am I?” That’s what the contestants are going to need to work out at each stage of this discombobulating new competition, which turns Europe into a board game. Rob Brydon is the man in charge, sending the gang across the continent in windowless coaches. By the end of each episode, they need to guess where they are on a map, after being fed clues (some of them fake) at stops along the way. Whoever’s guess is the furthest away is eliminated and out of the chance of winning the £100,000 prize at the final destination. Hollie Richardson

    Fire Country

    8pm, Sky Witness
    The new series of the action drama starts with a crash-bang, when a helicopter goes down. The ensuing chaos provides ex-con Bode (Max Thieriot) with an opportunity to prove that firefighting really is “the only healthy addiction I’ve ever had”, while bride Gabriela (Stephanie Arcila) can explain her hesitancy at the altar. Ellen E Jones

    The Moors Murders: A Search for Justice

    9pm, BBC Two
    It might feel there’s absolutely no need for another documentary on Ian Brady, Myra Hindley and their atrocious crimes. This two-parter, though, promises to use newly discovered documents and recordings to find missed opportunities – and new evidence that could lead to finding the body of the final missing victim, Keith Bennett. HR

    Long Lost Family: Born Without Trace – What Happened Next

    9pm, ITV1
    One of this week’s weepy stories started in a 2022 episode, when two estranged sisters who had been left in toilets as babies were reunited. Davina McCall and Nicky Campbell revisit Natasha and Lee-Ann, who are still looking for their parents. HR

    Japan’s Master of Restoration

    9pm, BBC Four
    It’s BBC One’s The Repair Shop meets Akira Kurosawa’s Ikiru, as an expert antiques restorer and his apprentice son travel Japan, bringing new life to exceptional works of art. In this first episode of three, Koji “The God Hand” Mayuyama is in Osaka, taking a look at an 800-year-old vase and a 16th-century tea bowl. EEJ

    Bookish

    8pm, U&Alibi

    Will Book spot the red herrings? Photograph: U& Alibi

    The final double bill of Mark Gatiss’s arch and unashamedly queer whodunnit, set in 1940s London. When an army captain is poisoned at a hotel bar, exiled royalty and disgruntled staff are in the frame for murder. But will you spot the red herrings before bibliophile-turned-detective Gabriel Book (Gatiss)? Hannah J Davies

    Film choice

    Threads (Mick Jackson, 1984), 11.15pm, BBC Four

    The aftermath … Threads. Photograph: Bbc/Allstar

    For anyone who loves spending their summers being bummed out,Mick Jackson’s real-world nuclear horror show is a must. A startling, ferocious depiction of the aftermath of a nuclear attack on Sheffield, the film’s impact cannot be overstated. The terror doesn’t just come from the initial firestorm, but the illnesses and societal breakdown that follow. Threads put the fear of God into people right when it needed to the most and, quite frankly, the upcoming remake can’t get here soon enough. Stuart Heritage

    Live sport

    Golf: Women’s Open Noon, Sky Sports Golf. The first day of the major championship from Royal Porthcawl in Mid Glamorgan.

    Continue Reading

  • 2 songs from 'KPop Demon Hunters' nominated for award – Korea.net

    1. 2 songs from ‘KPop Demon Hunters’ nominated for award  Korea.net
    2. K-Pop Demon Hunters becomes most-watched animated film in Netflix history within six weeks  The Express Tribune
    3. The hottest sound of the summer? K-pop.  The Portland Press Herald
    4. ‘KPop Demon Hunters’ Breaks All-Time Record  Men’s Journal
    5. ‘KPop Demon Hunters’ Totally Needs To Give Us a Prequel About This Character’s Origin Story  Collider

    Continue Reading

  • Thameslink’s oldest station worker, 85, honoured with song

    Thameslink’s oldest station worker, 85, honoured with song

    An 85-year-old railway worker from north London has been honoured with a folk song to mark his long service.

    Siggy Cragwell, from Hampstead, works as an assistant at Elstree and Borehamwood station, and is Thameslink’s oldest employee.

    The special track about Mr Cragwell was one of five commissioned by BBC Radio 2 to tell the stories of people whose lives have been influenced – or changed irrevocably – by trains.

    It was written by award-winning singer-songwriter Richard Thompson, and featured Mr Cragwell’s cricketing colleagues on backing vocals at their club, Holtwhites-Trinibis, near Gordon Hill railway station.

    Mr Cragwell came to Britain as part of the Windrush generation in 1962 and started work the day after his ship docked in Southampton.

    Govia Thameslink Railway said he had been delivering excellent customer service on the railway non-stop ever since.

    Mr Cragwell did try to retire once but said he found life so boring that he came back to work.

    He has received two lifetime achievement awards – one by popular vote in his north London community – and a British Empire Medal (BEM) for his services to the railway.

    He previously played cricket for the England over-70s, and still takes wickets from players in their 20s.

    “I could never have dreamed when I came to this country that I’d still be working for the railway 63 years later and be receiving all these accolades,” Mr Cragwell added.

    Continue Reading

  • Nick Cave Honored With Prestigious French Awards

    Nick Cave Honored With Prestigious French Awards

    Australian music veteran Nick Cave has been recognized by the French city of Arles, with two prestigious honors bestowed upon him over the weekend.

    Cave, who is currently performing a solo tour of Europe, visited Arles on Saturday (July 26) for a headline performance in the city. However, the 67-year-old musician appeared at Arles’ Hôtel de Ville on the morning of the show to receive two awards while in town.

    At the ceremony, Cave was also awarded the Chevalier des Arts et des Lettres (Knight of the Order of Arts and Letters) by Bertrand Burgalat, the president of the National Syndicate of Phonographic Publishing.

    Explore

    See latest videos, charts and news

    A prestigious honor, the Order of Arts and Letters is a special award given to those who have been deemed to have “significantly contributed to the enrichment of the French cultural inheritance.”

    Additionally, the city’s Mayor, Patrick de Carolis, was also on hand to present Cave with the City of Arles Medal in recognition of his decades of artistic contributions and his reported “special ties” to the city. 

    “You are a citizen of the world and a citizen of Arles,” de Carolis was reported as saying to Cave in his speech.

    While Cave countered the gravitas of the moment with humor by noting he didn’t understand a word of de Carolis’ speech given its delivery in French, his own speech included recognition of poets such as Rimbaud and Baudelaire, and the role of French culture within his creative journey.

    Alongside Cave’s own honor, Kenny Gates, the co-founder of [PIAS] – which also serves as Cave’s label home – was awarded the City of Arles Medal of Honour. [PIAS] is also a long-time partner of Harmonia Mundi, a globally-recognized classical label located in Arles.

    Cave isn’t the first Australian musician to have received a French honor of this level. In 2009, Tina Arena became the first Australian citizen to receive the Ordre national du Mérite (French Order of Merit), with then-President Nicolas Sarkozy recognizing her contributions to French culture.

    Continue Reading

  • YouTube most popular first TV destination for children, Ofcom finds | YouTube

    YouTube most popular first TV destination for children, Ofcom finds | YouTube

    Children are now heading to YouTube from the moment they turn on the television, in the latest sign of the video platform’s migration from the laptop to the living room.

    YouTube is the most popular first TV destination for generation Alpha, according to a comprehensive survey of the UK’s viewing habits by Ofcom, the communications regulator.

    One in five young TV viewers aged from four to 15 turned straight to the platform last year. The survey showed Netflix close behind. While BBC One was in the top five first destinations, children were just as likely to choose BBC iPlayer.

    YouTube’s increasing presence on televisions is not just down to the very young. In a gradual cultural shift, viewers aged 55 and over watched almost twice as much YouTube content last year as they did in 2023, up from six minutes a day to 11 minutes a day. An increasing proportion of that – 42% – is viewed through a TV set.

    Overall, viewers spent an average of 39 minutes a day on YouTube in 2024. The platform is now the second most-watched service in the UK, behind the BBC but ahead of ITV.

    Those aged 16 to 24 watched just 17 minutes of traditional, live television a day last year. Only 45% of them tuned into any broadcast TV in an average week, down from 48% in 2023.

    YouTube has evolved to become a closer competitor for traditional broadcasters. Half of the platform’s top-trending videos now resemble the content of mainstream broadcasters, including long-form interviews and gameshows.

    The rise of YouTube is presenting a major challenge for public service broadcasters such as the BBC, ITV and Channel 4, who have to decide how much of their content to place on the platform.

    While doing so helps them reach new and younger audiences, YouTube also takes a huge chunk of advertising revenue. There is also a risk that putting shows on YouTube ensures viewers spend less time on a broadcaster’s own platforms.

    A 12-year-old girl does a Joe Wicks YouTube morning workout session. Photograph: Richard Saker/The Guardian

    “Public service broadcasters are recognising this shift, moving to meet audiences in the online spaces where they increasingly spend their time,” said Ed Leighton, Ofcom’s interim group director for strategy and research. “But we need to see even more ambition in this respect to ensure that public service media that audiences value survives long into the future.”

    Ofcom has already told “endangered” broadcasters they should work with YouTube to place more of their content on the platform, but it has also said this must be done “on fair commercial terms”.

    Michael Grade, Ofcom’s chair and a former head of Channel 4, said ministers should look at new laws forcing YouTube to give content from Britain’s public service broadcasters more prominence.

    skip past newsletter promotion

    Channel 4 has gone the furthest in placing its content on YouTube. Executives insist it is only helping them reach new viewers, rather than cannibalising its own platforms. ITV also announced a new deal with YouTube at the end of last year.

    While there is a live debate within the BBC over how much content to place on YouTube, more of its coverage is set to be featured on the site. Deborah Turness, the head of BBC News, told staff this week that the head of the corporation’s new AI department would also be responsible for “driving growth off platform with a focus on our YouTube strategy and younger audiences”.

    The amount of time people are watching video content every week is holding steady. Overall, the average person watched four hours, 30 minutes a day at home last year, just a minute less than the previous year.

    Content from traditional broadcasters still accounts for most viewing, making up 56% of the total. However, the proportion has fallen significantly, from 71% in 2018.

    YouTube is also the most popular online audio service, used by 47% of UK adults each week, followed by Spotify, used by 36%. Podcasts are now increasingly streamed on YouTube – a sign of its impact right across the media.

    Continue Reading

  • Ryoji Ikeda: ACC Focus 2025 – Announcements

    Ryoji Ikeda: ACC Focus 2025 – Announcements

    The National Asian Culture Center (ACC) is pleased to announce 2025 ACC Focus: Ryoji Ikeda, an exhibition celebrating the 10th anniversary of the institution and its long-standing partnership with world-renowned audiovisual artist Ryoji Ikeda. This significant showcase will be open to the public from July 10 to December 28, 2025, at ACC Creation Space 3 and 4 in Gwangju, South Korea, with free admission for all ages.

    Ryoji Ikeda, born in Gifu Japan in 1966, is a prominent composer and audiovisual artist recognised for his pioneering work in electronic sound and data, often treating data not merely as information but as aesthetic material that engages the human senses. Currently residing in Paris, France, and Kyoto, Japan, Ikeda’s art explores the fundamental elements of sound and image through mathematical, physical, and aesthetic approaches. Since the mid-1990s, he has gained an international reputation for his ability to work convincingly across both visual and sonic media, with his concerts and exhibitions seamlessly integrating sound, acoustics, and sublime imagery. His artistic strategy is deeply rooted in mathematical principles, using aesthetic qualities of mathematics to create immersive experiences.

    The 2025 ACC Focus: Ryoji Ikeda is designed to be more than a retrospective, demonstrating how both Ikeda and ACC have evolved over the past decade. This exhibition highlights Ikeda’s work becoming increasingly philosophical and conceptual, while ACC has cemented its position as a leading platform for experimental and convergent art in Asia. A key piece recalling their initial collaboration is test pattern (n˚8) (2015), large-scale installation first presented as ACC’s first-ever commission project. This work transforms various types of everyday data, including text, images, and sounds, into high-speed black-and-white barcodes and binary sequences, accompanied by intensely vibrating electronic sound. In its 2015 presentation, test pattern (n˚8) (2015) was projected across an 33-meter-long screen on the floor using eight DLP projectors and sixteen speakers, submerging viewers in a sensory overload that exposed the limits of cognition and the overwhelming force of digital systems. 

    This exhibition introduces seven artworks, including four pieces specially commissioned by ACC to commemorate the enduring partnership between the artist and the institution. Among these new commissions is the audiovisual installation data.flux (n˚2) (2025), which features 10-meter-long LED screens on the ceiling displaying constantly moving imagery with geometric patterns based on DNA data, creating profound experiences. Another commissioned site-specific installation, critical mass (2025), intensifies viewers’ senses with sounds depicting a drastic contrast between a black circle and white light projected onto 100㎡ floor screen. Furthermore, the exhibition will premiere the sleeping beauty (2025) series, which consists of twelve works, representing the only non-immersive pieces in this collection. Also featured is data.gram (n˚8) (2025), a work derived from Ikeda’s renowned data-verse 1/2/3 (2019–2020). The data-verse trilogy, a key piece from his oeuvre that began in 2000, is an audiovisual symphonic suite that encompasses all scales of nature, from elementary particles to the universe. It processes massive scientific datasets from sources such as NASA, CERN, and The Human Genome Project, transforming them into visual and sonic experiences that unveil the hidden dimensions of our world. Notably, this exhibition allows viewers to experience the entire data-verse trilogy displayed at once on aligned screens along a 40-meter-long wall. The exhibition also provides an opportunity to revisit other significant works that exemplify Ikeda’s data-driven compositions, such as point of no return (2018) and exp #1 (2020). ACC invites the audience to this extraordinary moment to explore the intersection of art, technology, experimentation, and imagination, revisiting the ACC’s past and envisioning its future shaped together with Ryoji Ikeda. 

    Continue Reading

  • Princess Anne receives upsetting news as King Charles takes big decision

    Princess Anne receives upsetting news as King Charles takes big decision

    King Charles makes major decision about Princess Anne’s daughter

    A former royal butler has revealed King Charles’ future plans for Princess Anne’s daughter Zara Tindall and her husband, Mike Tindall.

    According to Grant Harrold, the monarch has no plans to make Zara and Mike working royals despite them being popular royals.

    It was reported that Prince William would ask his cousins to help him run the monarchy as he would need working royals given his brother Prince Harry and Meghan Markle are no longer a part of the firm.

    However, speaking to Prime Casino, Harrold said that while William, the Prince of Wales, would take a different decision, Charles stands firm on his stance of a slimmed-down monarchy.

    “I don’t think we’ll see Zara and Mike pick up any more royal duties,” the former butler said.

    “They’re not currently working royals – of course, we see them at events and supporting the king, we always will, but as for increasing their presence, I don’t think they will,” he added.

    The expert continued, “I don’t think Mike is into that. The fact that we see them more informally is what I think makes them so likeable, Zara and Mike are relatable.”

    “If anything, the king is trying to scale back, so I don’t think there would be any need for them to pick up more duties; however, when William is king and there is a younger royal family, who knows? That could be a different story.

    “It’s thought he’s going to keep it small going forward, but you never know.”


    Continue Reading

  • Classroom voting program – Announcements

    Classroom voting program – Announcements

    What it is
    The apexart open call is a unique call for exhibition proposals that occurs twice per year, accepting 500-word proposals from anyone, anywhere, that describe an idea-based group exhibition of at least three artists. No images, links, videos, or CVs are accepted. The jury is composed of approximately 600 individuals and classes from around the world using an online crowdsourcing system designed by us, allowing each juror to vote on some or all of the anonymous and randomized proposals. Last year proposals were submitted from 103 countries. Our crowdsourced selection process results in exhibitions that reflect the interests and sensibilities of our audiences, and is the fairest and most representative procedure we’ve developed—so far.

    How your class can participate
    As an assignment or an elective, faculty can specify the number of proposals students review—generally 20–50, according to how much time you wish to devote to voting and subsequent discussion. It takes about 2 hours to read and rate 50 proposals. Each student is given an individual login through which they review proposals, rating each one on a scale of 1–5.

    Classroom benefits
    Students actually help determine next season’s programming and gain real world, real time experience evaluating proposals and considering what makes a compelling exhibition proposal. As apexart jurors, they’ll review ideas coming from all around the world—our last open call brought proposals in from 103 countries. Being on the other side of the “grading” process is essential to one’s own understanding of the curatorial process and the selection process, and provides great classroom discussion about what art is, how is an exhibition structured, what its purpose and effect can be and what constitutes a good well written proposal.

    What you need to do
    Provide a list of all participating students’ names and email addresses (or the number of students for numerical identification) by October 20, 2025 to Lisa Vagnoni at lisa.vagnoni@apexart.org.

    What we provide
    Login information, instructions, and voting deadline reminders that can be sent directly to your students, along with dates to end the voting process and begin discussion. We provide you with a live tally page that will show voting by your students, as well as the ratings for each proposal given by each student, a copy of the proposal, and the order of its ranking as determined by all jurors. We provide sample questions for discussion about content, and how to consider unfamiliar cultural and aesthetic elements on their own terms when rating exhibition proposals.

    Educators find that serving on an apexart jury encourages lively discussion about many aspects of curating, writing, and exhibition organization including size, location, purpose, and feasibility. To date, more than 100 classes from universities and art schools have participated, including The New School, Node Center for Curatorial Studies, Center for Curatorial Studies at Bard College, Brown University, de Appel Curatorial Program, Makere University, and MICA.

    More information on the program and how to sign up can be found here. Contact: Lisa Vagnoni, Web Director—lisa.vagnoni@apexart.org.

    Continue Reading