Category: 5. Entertainment

  • Megyn Kelly slams Charlize Theron for ‘vulgar’ admission: ‘Have some class’

    Megyn Kelly slams Charlize Theron for ‘vulgar’ admission: ‘Have some class’



    Megyn Kelly on Charlize Theron’s relationship admission

    Megyn Kelly didn’t hold back when reacting to Charlize Theron’s recent comments about her personal life. 

    The former Fox News anchor shared strong criticism during the latest episode of The Megyn Kelly Show, where she labeled the actress’s podcast appearance as “vulgar” and “off-putting.”

    “She decided to go on a podcast tour, for some reason, sat down with Call Her Daddy, the s*x podcaster who interviewed Kamala Harris, all about how much they love abortions,” Kelly said. 

    “And this is Charlize Theron trying to sound like [a] super cool girl, and I’m gonna let you decide for yourself whether that’s what she accomplished…”

    Theron, 49, had opened up during her interview with host Alex Cooper, saying, “I did just recently f–k a 26-year-old, and it was really amazing… I’ve never done that.

    And I was like, ‘Oh, this is great.’ Women should be the ones that are like, ‘F–k you, I’m going to have an orgasm.’”

    Kelly questioned the tone and intention behind the actress’s remarks. 

    “She’s 49 years old. She’s trying to sound like she’s 26 years old, and it’s inappropriate. It feels weird. She’s one of our biggest stars, that’s true. Act like it… Have some class.”

    Later in the episode, Kelly went further, suggesting Theron may not be fully truthful about the relationship. 

    “I kind of call bulls–t, because I believe that Charlize Theron probably prefers women. That’s my belief. Okay, I’m entitled to my opinion, and there’s no reason to get into the details as to why I believe it, but I believe it,” she said. 

    “And I don’t think that she’s telling the truth about the 26-year-old.”

    Theron is currently promoting her upcoming Netflix action film The Old Guard 2, and her comments have stirred a wave of reaction online and across media.

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  • ‘Nip/Tuck,’ ‘Fantastic Four’ Actor Was 56

    ‘Nip/Tuck,’ ‘Fantastic Four’ Actor Was 56

    Julian McMahon, the Australian actor known for his roles in Nip/Tuck and two Fantastic Four movies from 2005 and 2007, has died after a battle with cancer. He was 56.

    McMahon died Wednesday in Clearwater, Florida, his rep David Schiff, founder of MGMT Entertainment, told The Hollywood Reporter.

    McMahon, born in Sydney on July 27, 1968, was the son of former Australian prime minister William McMahon and Lady Sonia McMahon.

    He began acting on Australian soaps The Power, the Passion as well as Home and Away and appeared on the U.S. soap Another World in 1993. He transitioned to primetime TV with a role on NBC’s Profiler and spent three seasons on the WB’s Charmed.

    He memorably starred alongside Dylan Walsh in Ryan Murphy’s FX plastic surgery drama, Nip/Tuck, which ran for six seasons and earned him a Golden Globe nomination for his role as Dr. Christian Troy.

    On the film side, he played Dr. Doom in Tim Story’s two Fantastic Four movies, 2025’s Fantastic Four and 2007’s Fantastic Four: Rise of The Silver Surfer. His other film credits include roles in Premonition, Red, Paranoia and, last year, The Surfer and The Supremes at Earl’s All-You-Can-Eat.

    His other TV credits include roles on FBI: Most Wanted, Runaways and the recently canceled murder mystery comedy The Residence.

    Reflecting on being an Australian in Hollywood, McMahon told the Sydney Morning Herald in 2017, “It’s a funny town and there’s a bit of a last man standing theory to it sometimes.” Early on, he recalled, often feeling “like you’re not cutting it, you’re never going to and nothing is happening for you and you’re just the wrong person and maybe you should go and do something else or go home to Australia, which a lot of people did.”

    Of his role in FBI: Most Wanted, McMahon told Soap Opera Digest that the part was a “really fascinating character.”

    “I was thinking of going back to network television at the time, and I had read a lot of scripts and I was quite surprised, to be honest, that this is the one that stuck with me the most, but it was and here I am,” he said of joining the CBS series, which had a backdoor pilot in the first season of FBI.

    Reflecting on his career with Soap Opera Digest, McMahon credited the “commitment” he picked up from working on The Power, The Passion and Nip/Tuck.

    “I’ve never lost my passion for what I do,” he said. “And so I think that is something that I’ve carried throughout my whole career and I think it’s been an important facet of what I consider being successful, that I’ve stayed committed to my craft and evolving that craft, and enjoying working in that space.”

    Survivors include his third wife, Kelly, who he married in 2014, and his daughter, Madison, with his second wife, American game show host Brooke Burns. His first wife was Australian singer-actress Dannii Minogue, sister of Kylie Minogue.

    McMahon even had a funny moment with his ex-sister-in-law, filming a scene in which he and Kylie Minogue kiss, when he returned to Australia to make Swinging Safari in 2018.

    “That was an impromptu moment,” McMahon told the Herald Sun. “[Director] Steph [Elliott] said ‘Do what you want, Julian!’ and I thought, ‘Bugger it, I’ll get up and snog my ex sister-in-law’ … She had this great reaction, like she was being attacked by some kind of creature. It was very funny.”

    Mike Barnes contributed to this report.

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  • Katy Perry ‘disappointed and sad’ over Orlando Bloom’s post-split behavior

    Katy Perry ‘disappointed and sad’ over Orlando Bloom’s post-split behavior

    Katy Perry fumes over Orlando Bloom’s party spree post split

    Katy Perry is feeling hurt and disappointed after her split from former fiance Orlando Bloom, as he was seen partying in Italy just weeks after their breakup.

    During Jeff Bezos and Lauren Sanchez’s star-studded wedding that came right after Katy and Bloom’s split news broke, the 48-year-old actor was spotted enjoying his single life and partying on a yacht.

    On the other hand, the 40-year-old pop star is miles away on the Australian leg of her Lifetimes world tour, was seen fighting back her tears while performing on stage.

    “It’s disappointing,” an insider close to Katy told the outlet how she feels about Orlando behaviour. “It’s hurtful and annoying. If he’s going to behave like an acting-up adolescent, that’s on him. She’s going to continue to work and take care of Daisy.”

    It is pertinent to mention that Katy and Orlando share a four-year-old daughter, Daisy Dove.

    “Katy knows that he’s free to do whatever the hell he wants to do, she hoped he’d do it a little more discreetly and thoughtfully,” the source continued. “So she’s disappointed and sad.”


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  • Text therapy: study finds couples who use emojis in text messages feel closer | Relationships

    Text therapy: study finds couples who use emojis in text messages feel closer | Relationships

    The secret to a good relationship may be staring smartphone users in the face.

    A new study published in the journal Plos One found that using emojis in text messages makes people feel closer and more satisfied in their personal lives.

    Researchers at the University of Texas spoke to 260 people aged between 23 and 67 and asked them to read 15 text message exchanges that varied only in the presence or absence of emojis.

    Participants were instructed to imagine themselves as the sender of each message while focusing on the recipient’s replies to evaluate responsiveness, likability, closeness and relationship satisfaction.

    The study revealed that people who send emojis combined with text are seen to be more responsive in their relationships than people who send text alone.

    It also found emojis serve as nonverbal cues that signal attentiveness and emotional engagement.

    Luke McGregor, 42, and Amy Thunig-McGregor, 37, say being able to use emojis helps their family communicate better.

    Luke said he wasn’t a regular emoji sender at the start of their relationship and had to learn to start incorporating them into text messages to Amy.

    “I traditionally didn’t use emojis that much but when I first got [together] with Amy, I noticed them using them a lot, so there was a vulnerability or a hurdle I had to get over to start using them myself,” McGregor said.

    Emojis help Amy Thunig-McGregor and partner Luke McGregor ‘really be clear with tone and intention’

    “I wanted Amy to know that they were loved, and so to become a regular sender of emojis to Amy in order to communicate affection was at least initially a big deal for me.”

    Amy said emojis were a good tool to enhance their communication.

    “We’re both autistic as well for context … it helps us really be clear with tone and intention in a way that isn’t possible with just written text,” they said.

    Senior lecturer in psychology at Central Queensland University Dr Raquel Peel, who was not involved in the study, said sending emojis can be a creative alternative when people are unable to see their partner face to face.

    “I don’t think we can replace face-to-face interactions because we are talking about intimate partnerships and relationships, but we have to be realistic that this isn’t always possible,” Peel said.

    “So if you can’t meet face to face with your partner for whatever reason staying connected is important.

    “Using emojis is then an effective alternative.”

    Her advice was to not underestimate the value of communication in a relationship and to always try and stay connected to your partner in whatever way you communicate.

    “One thing that people also forget when I’m talking to them about relationships is the value of humour and having a bit of fun,” Peel said.

    “So if emojis can serve a purpose that way, which we know they can, it adds to the element of fun and connection through humour and that is really important.”

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  • ‘X-Files,’ ‘Blue Bloods’ Composer Was 78

    ‘X-Files,’ ‘Blue Bloods’ Composer Was 78

    Mark Snow, the Emmy-nominated composer behind the beloved X-Files theme song, has died. He was 78. 

    Snow died Friday at his home in Connecticut, a representative confirmed to The Hollywood Reporter.

    Sean Callery, a fellow composer and friend of Snow’s, also announced his death on Facebook.

    “Mark Snow, and one of the most wonderful and talented people I’ve ever known, has passed away,” he wrote in the Friday post. “33 years ago he began mentoring me as an artist. Who knew that I was also at the beginning of a deep friendship that would only grow and evolve over 3 decades along with our graying hair and tighter deadlines.” 

    Callery continued. “I am so grateful to him for his sage counsel and his laugh-out-loud biting wit. My career got started by an act of generosity on his part 33 years ago – period, full stop. I love you my friend. There will never ever be another like you. I send love to Glynnis and all his children and grandchildren during this time.” 

    Snow notably composed the iconic opening theme for The X-Files. He worked on the crime drama series during its full time on-air from 1993 until its end in 2018.

    Aside from the theme song, he worked on the rest of the show’s music, earning six Emmy nominations throughout his X-Files tenure. Snow, too, served as the composer of the franchise’s 1998 film, The X Files.

    A 15-time Emmy-nominated composer, Snow lent his talents to a slew of shows, including Blue Bloods, Smallville, One Tree Hill, Children of the Dust and Ghost Whisperer, among others. His work has also appeared across film, including features in The New Mutants, Ernest Saves Christmas and Crazy in Alabama

    Snow also frequently worked on TV movies. Some of his past credits include The Boy in the Plastic Bubble, one of his first projects he worked on in 1976 that starred John Travolta, Overboard, Casino, Angel City, Malibu, California Girls, The Lost Capone, An American Story, A Stranger in Town, Trial by Fire, The Perfect Mother, Paradise and Strange Calls. 

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  • Julian McMahon, star of ‘Nip/Tuck’ and ‘Fantastic Four,’ dies at 56

    Julian McMahon, star of ‘Nip/Tuck’ and ‘Fantastic Four,’ dies at 56

    LOS ANGELES – JANUARY 12: The cast and executive producer of the CBS series FBI: MOST WANTED at the TCA WINTER PRESS TOUR 2020 on Sunday, Jan. 12, 2020 at the Langham Huntington Hotel in Pasadena, CA. Pictured (L-R): Julian McMahon. (Photo by Francis

    Julian McMahon, the Australian actor who starred in hit series like “Nip/Tuck,” “Charmed,” and “FBI: Most Wanted,” has died at the age of 56.

    His wife, Kelly Paniagua McMahon, confirmed his death in a statement to Deadline on Friday, saying the actor died peacefully on July 2 in Clearwater, Florida, following a private battle with cancer. Warner Bros. Television also acknowledged his passing in a tribute post shared to the official “Nip/Tuck” Facebook page.

    What happened to Julian McMahon?

    The backstory:

    McMahon had not publicly disclosed his illness. His wife revealed in her statement that he had spent his final days surrounded by love.

    “With an open heart, I wish to share with the world that my beloved husband, Julian McMahon, died peacefully this week after a valiant effort to overcome cancer,” Kelly McMahon told Deadline.

    “Julian loved life. He loved his family. He loved his friends. He loved his work, and he loved his fans,” she continued. “His deepest wish was to bring joy into as many lives as possible.”

    She asked for privacy during this time and expressed gratitude “for the memories” they shared together.

    What we know:

    McMahon passed away on Wednesday, July 2, in Clearwater, Florida. His death was confirmed publicly by Warner Bros. Television in a message on the “Nip/Tuck” Facebook page, which read: “Warner Bros. Television mourns the loss of our friend Julian McMahon. Our thoughts are with his family, friends, colleagues, and fans.”

    He is survived by his wife, Kelly, and his daughter, Madison, from a previous marriage.

    What we don’t know:

    No details have been released about the specific type of cancer McMahon battled or whether a public memorial will be held. It’s also unclear if McMahon had any unreleased projects at the time of his death.

    Big picture view:

    McMahon gained widespread recognition in the early 2000s for his role as Dr. Christian Troy on FX’s “Nip/Tuck,” a dark medical drama that became a cultural touchstone. He later portrayed FBI agent Jess LaCroix on “FBI: Most Wanted,” and played the demon Cole Turner on “Charmed.”

    His film roles included Victor Von Doom in the 2005 and 2007 “Fantastic Four” movies, where he played one of Marvel’s most iconic villains.

    Born in Sydney in 1968, McMahon was the son of former Australian Prime Minister Sir William McMahon. He began his career as a model and actor in Australian soaps before finding long-term success in American television and film. Across genres—from supernatural thrillers to procedurals and comic book blockbusters—McMahon became known for his intensity, range, and charm.

    The Source: This report is based on a statement from Kelly McMahon published by Deadline on July 4, 2025, confirming the death of her husband, Julian McMahon. Additional confirmation came from Warner Bros. Television in a public tribute posted to the official “Nip/Tuck” Facebook page. Background information was gathered from Deadline, Variety, and publicly available records of McMahon’s film and television career.

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  • Julian McMahon, Fantastic Four, Nip/Tuck and Charmed actor, dies aged 56 | Film

    Julian McMahon, Fantastic Four, Nip/Tuck and Charmed actor, dies aged 56 | Film

    Julian McMahon, the Australian actor best known for his television roles in Charmed, Nip/Tuck and FBI: Most Wanted as well as Fantastic Four supervillain Dr Doom, has died aged 56.

    The actor died in Clearwater, Florida on Wednesday after being diagnosed with cancer.

    His wife, Kelly Paniagua, confirmed his death on Friday, calling McMahon her “beloved husband”.

    “With an open heart, I wish to share with the world that my beloved husband, Julian McMahon, died peacefully this week after a valiant effort to overcome cancer,” she said in a statement to Deadline.

    “Julian loved life. He loved his family. He loved his friends. He loved his work, and he loved his fans. His deepest wish was to bring joy into as many lives as possible.”

    She added: “We ask for support during this time to allow our family to grieve in privacy. And we wish for all of those to whom Julian brought joy, to continue to find joy in life. We are grateful for the memories.”

    McMahon was born in Sydney and was the son of former Australian prime minister Sir William “Billy” McMahon. He began his career as a model in the 1980s before moving into acting, landing a role in the Australian soap Home and Away in 1990.

    He made his feature film debut in the comedy Wet and Wild Summer! alongside Elliott Gould, while he starred in TV shows Another World, Profiler, and gained wider recognition as the Cole Turner in the hit supernatural series Charmed.

    He later appeared in Nip/Tuck, the FX medical drama created by Ryan Murphy, where the show ran for six seasons from 2003 to 2010 and earned McMahon a Golden Globe nomination.

    Becoming known for playing charming villains, McMahon played the Marvel supervillain Doctor Doom in 20th Century Fox’s Fantastic Four films in 2005 and 2007. He also voiced Doctor Doom in the 2005 Fantastic Four video game.

    McMahon also portrayed Jess LaCroix, a special agent and team leader, in FBI: Most Wanted, appearing for three seasons before leaving the show.

    His more recent roles included playing the Australian prime minister Stephen Roos in Netflix’s The Residence, and appearances in The Surfer and The Supremes at Earl’s All-You-Can-Eat.

    McMahon was married three times, including to Australian singer Dannii Minogue in 1994 and to actor Brooke Burns, with whom he has a daughter. His final marriage, to Paniagua, began in 2014.

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  • Oasis Electrify Cardiff With First Show in 16 Years: Concert Review

    Oasis Electrify Cardiff With First Show in 16 Years: Concert Review

    “Oasis vibes in the area!”

    It wasn’t quite as epic an introduction as Noel Gallagher’s bold assertion at Knebworth ’96 —  “This is history!” — but those words from his younger brother Liam, spoken after the two of them walked arm-in-arm together onto a stage for the first time in 16 years, confirmed that Oasis are no longer consigned to history but are miraculously, thrillingly back as a going concern.

    As the pre-recorded intro music of “Fuckin’ in the Bushes” and the accompanying big-screen headlines about their reunion faded, Noel and Liam held their hands together in the air in triumph, quite literally brothers in arms, ready to take on the world.

    In the 5,795 days since the Gallagher brothers last played a gig together, pretty much everything in the world – fashion, music, politics – has changed beyond all recognition. But thankfully no one told Oasis who, tonight, transported us back to a time when a working-class guitar band playing straight-up rock’n’roll with attitude could rule the world, and maybe change it just a little.

    And there was certainly a ‘90s revival air both on the support bill (fellow Britpop-era stars Cast and Richard Ashcroft of the Verve offering strong support) and out on the streets, with the area around Cardiff’s Principality Stadium transformed into a massive street party. Every bar was blasting Oasis, nearly every chest was emblazoned with the Oasis logo, and seemingly every head covered by the ubiquitous bucket hat as the city became a giant Liam Gallagher Lookalike Competition in which Liam himself would have been lucky to make the Top 10.

    Once inside the stadium, the pre-show atmosphere was more like a Cup Final than a gig, with the crowd singing raucously along to the DJ’s pre-show selections of Slade, the Jam and the Rolling Stones. But this wasn’t just a celebration; there was a sense that this was one megagig where nobody knew quite what was going to happen, giving proceedings a high-stakes edge that you just don’t get at most big gigs these days.

    They needn’t have worried. The band came out swinging, rocketing through opener “Hello” with disorderly abandon, the “It’s good to be back!” refrain roared back at them by the vast crowd. But it was “Acquiesce” that really sealed the deal; the sight of Liam and Noel once more in brotherly harmony crooning “Because we need each other/ We believe in one another” at each other, surely enough to convince even the most cynical observer that this Oasis comeback means more than even the gargantuan sums of money reportedly involved.

    Because this was not the Oasis that haunted British stadiums at the end of their initial time together. That outfit was like a fading prize fighter – still capable of landing one hell of a punch, sure, but too often going through the motions in search of its old rhythm.

    Tonight’s Oasis, however – the line-up completed by stalwart guitarists Gem Archer and Paul “Bonehead” Arthurs and bassist Andy Bell, plus new drummer Joey Waronker (previously of R.E.M. and Beck) – looked sharp and lean, and sounded it too. The opening, breathless opening section – also featuring the likes of “Morning Glory”, “Some Might Say”, “Cigarettes & Alcohol”, “Supersonic” and “Roll With It” – was the work of a hungry true contender.

    After that, everyone needed a breather and Noel stepped up with his trusty acoustic guitar and the big ballad section to end all big ballad sections. But while “Talk Tonight”, “Half the World Away” and “Little by Little” may have dropped the pace a little, the intensity never lessened, the crowd singing every word with the senior Gallagher.

    Liam returned from his break refreshed and, while the songs got longer and the guitar solos more elongated, his vocals never wavered as the band blasted through “D’You Know What I Mean?” and “Stand by Me”, despite an occasionally booming sound system.

    No one said much, allowing the music to do the talking. But at one point, Liam did jokingly acknowledge the ticket-price furore that is still rumbling away, quipping: “Are you all having a good time? Was it worth the £40,000 you spent on the ticket?”

    Nor was there much visible communication between the brothers, but then there was no bickering either, so often a feature of past Oasis tours.

    This, then, was Oasis in the raw, a throwback to their unstoppable ascent in much smaller venues than this rather than the enormo-dome gigs of their latter years. True, the fine art of playing a stadium show has evolved hugely since Oasis last roamed the earth. But, bar a few eye-catching visuals on the big screen, Oasis remain a band that relies on its music and its attitude to make an impact: there were no surprise songs here, no special guests, no Instagram-friendly production set pieces, and at no point did Liam or Noel fly around the stadium. But the band certainly soared; fuelled by rock’n’roll that was often thrillingly simple and always simply thrilling. (See Oasis’ full setlist here.)

    The pace picked up again as the set hurtled towards its conclusion, via a widescreen “Whatever”, a glorious “Live Forever” and the unbridled, primal energy of “Rock ‘n’ Roll Star.”

    They swiftly returned with an encore for the ages, Noel introducing the band – Waronker is dubbed “Our 14th drummer”, Arthurs an “uber-legend” – before an emotional “Masterplan.” If anyone was still in any doubt about the hold Oasis have over the great British public, watching tens of thousands of them singing every word of that B-side as if it was the greatest hit of all time should have done the trick.

    In truth, many in the crowd looked so young they probably don’t even know what a B-side is. But the passing of time has, if anything, made the Oasis brand even stronger: British alternative rock groups just don’t write monumental anthems like these anymore.

    Not that the show was lacking industry veterans, with the likes of Sony Music chief Rob Stringer; Capitol Music Group boss Tom March; YouTube head of music Lyor Cohen and his colleague Dan Chalmers; outgoing Arista president/CEO David Massey; Polydor MD Jodie Cammidge and Glastonbury supremo Emily Eavis all braving the flying pints that punctuated every song, certifying it as the most unmissable reunion show since Led Zeppelin played the O2 in 2007.

    They were rewarded with a triumphant triumvirate of final songs: “Don’t Look Back in Anger”, sung by Noel, before Liam took over for the ubiquitous, but still undeniably wonderful “Wonderwall” (Liam changing the words to “There are many things that I would like to say to you/ But I don’t speak Welsh” in honor of the location) and a final, epic “Champagne Supernova”. Although, in truth, the crowd hollered every word louder than either brother could dream of.

    Noel may have sung “Please don’t put your life in the hands/ Of a rock’n’roll band,” on “Don’t Look Back in Anger” but, after tonight, a lot of people will be sorely tempted to do precisely that.

    There are, of course, 40 further shows to play — hopefully — where old tensions could resurface and adrenalin could fade. But tonight, as Liam acknowledged the crowd (“Nice one for putting up with us over the years”) and the brothers embraced one more time before leaving the stage, Oasis were reunited in every sense of the word. And based on tonight’s comeback, you’ll want to be there when they are flying this high.

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  • Black Sabbath and Ozzy Osbourne head back home for their last show – Reuters

    1. Black Sabbath and Ozzy Osbourne head back home for their last show  Reuters
    2. First Official Photo of Ozzy + Black Sabbath’s All-Star ‘Back to the Beginning’ Lineup  Loudwire
    3. Black Sabbath Returns to Birmingham for Major Weekend Events  Railway Supply
    4. This Isn’t the First Time These Hard Rock Legends Have Said Goodbye  parade.com
    5. “Ozzy took a look around and said, ‘You’re joking aren’t you?’ I said, ‘It’s a lot nicer on the inside.’ ” Zakk Wylde cracks us up with tales of Ozzy as he reveals the stories behind his greatest tracks  Guitar Player

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  • Tivoli Gardens’ CEO on how Denmark’s most renowned theme park has stayed tech-free and relevant for 182 years 

    Tivoli Gardens’ CEO on how Denmark’s most renowned theme park has stayed tech-free and relevant for 182 years 

    When Tivoli Gardens opened its gates in central Copenhagen 182 years ago, one of the first people through the turnstiles was Hans Christian Andersen. Since then, this compact amusement park squeezed between the Central Station and City Hall has become more than just Denmark’s most popular visitor attraction, it’s a cultural landmark and a location for national celebration that holds a quasi-spiritual place in the heart of the Danes. 

    More the merrier: A Moorish palace in the Tivoli Gardens, circa 1965 (Image: Getty Images)

    The park blends beer garden aesthetic with highbrow culture, live music, theatre, modern thrill rides and old-fashioned fairground stalls, all of which combine with its world-famous lighting to create a fairytale setting. 

    Tivoli’s history is a crucial element of its appeal – but as CEO Susanne Mørch Koch knows all too well, to compete in 2025’s attention economy you can’t coast on legacy alone. Her stint as leader began with a baptism of fire. She took over in August 2020 amid the Covid crisis, as a result of which the park lost millions of kroner in revenue. But after a rollercoaster start, Tivoli posted a record for visitor numbers and turnover in 2024.

    Monocle meets Koch to find out more about how she has shepherded this cherished Danish brand from catastrophe to triumph, and about her plans for the future.

    Tivoli Gardens CEO, Susanne Mørch Koch

    Tivoli seems to hold a special place in Danish hearts. What is its appeal?
    Many of us carry childhood memories from Tivoli. My family didn’t have a lot of money when I was young, and looking back I now realise that my parents worked so hard and we didn’t have a lot of spare time together. But we would visit Tivoli every summer as a family, and it was something that I looked forward to for the whole week running up to it. I couldn’t sleep the night before. And that’s still true for kids today. My favourite ride was Galejen – just little boats running round in a circle but it’s quite a legacy ride today and always busy. It even has a special smell and feel. Now, I ride the old wooden rollercoaster most often.

    Who is your competition? Are you vying with computer games, streaming services and social media to capture the imagination of children?
    No, not really, because we are so different from that world. There has been pressure to gamify the park with apps – we had a suggestion for something a bit like Pokémon Go – but we have deliberately not done that. We are selling quality time and screens would get in the way of that. Of course, no one wants to stand in line and be bored, but we’re not afraid of people queuing a little: it’s where you can ground yourself, reflect on what you’ve just experienced and build anticipation. We see it as a benefit. Where apps can improve a visit, we use them – restaurant bookings, for instance – but we don’t want technology to be part of the show. And you don’t have to book a table, there’s always room for a little spontaneity. 

    Tivoli has iconic gates that seem to draw people in – how important is this exterior image? 
    The main entrance is crucial. It’s a magical place where we welcome and say goodbye to our guests, so there’s a lot of footfall. Throughout Tivoli there is an intentionality behind every detail. Rather than having things that shout for attention, it’s an accumulation of all the little things, such as the way that we use lighting, the planting and the sentiment of the people who work here.

    Gates of paradise: People queuing at the entrance to the Tivoli Gardens, circa 1965 (Image: Getty Images)

    How do you balance the history of Tivoli with a need to innovate? 
    When I started, people warned me that I risked provoking outrage by changing things. But I’m yet to experience that. Tivoli has always moved forward, it has never shied away from change. If it had done so, it would risk becoming a postcard version of itself – what use is a theme park with no thrill? From the start, my guideline has been that it has to make sense to the people who live just outside our walls. It’s not a typical amusement park that could be anywhere – with live entertainment and good food, we cater to more than tourists and day trippers. 

    What does the future hold for Tivoli? 
    There is still scope to grow visitor numbers, particularly in the shoulder seasons, spring and autumn. We are choosing to expand the Halloween season as the Norwegians have an earlier autumn vacation and we want to attract them. But there’s something huge ahead of next summer – we are redeveloping our street-like layout, with new rides and scenography. The budget is somewhere between DKK100-200 million (€13.4-26.8m) and it’ll feel like a real refresh. 

    Tivoli Gardens
    Founded 1843

    Open: Apr-Sept, Oct, mid-Nov-Early Jan

    Location: Central Copenhagen

    Total employees: high season 2,200+, low season 700-800

    Turnover (2024): DKK1.32bn (€177m)

    Visitors (2024): 4.25 million, of which 35 per cent are tourists

    Ownership: Tivoli is listed on the Danish stock market but is majority owned by the Augustinus Fonden

    Sustainability: Net zero by the end of 2025

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