Category: 5. Entertainment

  • ‘X-Files,’ ‘Blue Bloods’ Composer Was 78

    ‘X-Files,’ ‘Blue Bloods’ Composer Was 78

    Mark Snow, the Emmy-nominated composer behind the beloved X-Files theme song, has died. He was 78. 

    Snow died Friday at his home in Connecticut, a representative confirmed to The Hollywood Reporter.

    Sean Callery, a fellow composer and friend of Snow’s, also announced his death on Facebook.

    “Mark Snow, and one of the most wonderful and talented people I’ve ever known, has passed away,” he wrote in the Friday post. “33 years ago he began mentoring me as an artist. Who knew that I was also at the beginning of a deep friendship that would only grow and evolve over 3 decades along with our graying hair and tighter deadlines.” 

    Callery continued. “I am so grateful to him for his sage counsel and his laugh-out-loud biting wit. My career got started by an act of generosity on his part 33 years ago – period, full stop. I love you my friend. There will never ever be another like you. I send love to Glynnis and all his children and grandchildren during this time.” 

    Snow notably composed the iconic opening theme for The X-Files. He worked on the crime drama series during its full time on-air from 1993 until its end in 2018.

    Aside from the theme song, he worked on the rest of the show’s music, earning six Emmy nominations throughout his X-Files tenure. Snow, too, served as the composer of the franchise’s 1998 film, The X Files.

    A 15-time Emmy-nominated composer, Snow lent his talents to a slew of shows, including Blue Bloods, Smallville, One Tree Hill, Children of the Dust and Ghost Whisperer, among others. His work has also appeared across film, including features in The New Mutants, Ernest Saves Christmas and Crazy in Alabama

    Snow also frequently worked on TV movies. Some of his past credits include The Boy in the Plastic Bubble, one of his first projects he worked on in 1976 that starred John Travolta, Overboard, Casino, Angel City, Malibu, California Girls, The Lost Capone, An American Story, A Stranger in Town, Trial by Fire, The Perfect Mother, Paradise and Strange Calls. 

    Continue Reading

  • Julian McMahon, star of ‘Nip/Tuck’ and ‘Fantastic Four,’ dies at 56

    Julian McMahon, star of ‘Nip/Tuck’ and ‘Fantastic Four,’ dies at 56

    LOS ANGELES – JANUARY 12: The cast and executive producer of the CBS series FBI: MOST WANTED at the TCA WINTER PRESS TOUR 2020 on Sunday, Jan. 12, 2020 at the Langham Huntington Hotel in Pasadena, CA. Pictured (L-R): Julian McMahon. (Photo by Francis

    Julian McMahon, the Australian actor who starred in hit series like “Nip/Tuck,” “Charmed,” and “FBI: Most Wanted,” has died at the age of 56.

    His wife, Kelly Paniagua McMahon, confirmed his death in a statement to Deadline on Friday, saying the actor died peacefully on July 2 in Clearwater, Florida, following a private battle with cancer. Warner Bros. Television also acknowledged his passing in a tribute post shared to the official “Nip/Tuck” Facebook page.

    What happened to Julian McMahon?

    The backstory:

    McMahon had not publicly disclosed his illness. His wife revealed in her statement that he had spent his final days surrounded by love.

    “With an open heart, I wish to share with the world that my beloved husband, Julian McMahon, died peacefully this week after a valiant effort to overcome cancer,” Kelly McMahon told Deadline.

    “Julian loved life. He loved his family. He loved his friends. He loved his work, and he loved his fans,” she continued. “His deepest wish was to bring joy into as many lives as possible.”

    She asked for privacy during this time and expressed gratitude “for the memories” they shared together.

    What we know:

    McMahon passed away on Wednesday, July 2, in Clearwater, Florida. His death was confirmed publicly by Warner Bros. Television in a message on the “Nip/Tuck” Facebook page, which read: “Warner Bros. Television mourns the loss of our friend Julian McMahon. Our thoughts are with his family, friends, colleagues, and fans.”

    He is survived by his wife, Kelly, and his daughter, Madison, from a previous marriage.

    What we don’t know:

    No details have been released about the specific type of cancer McMahon battled or whether a public memorial will be held. It’s also unclear if McMahon had any unreleased projects at the time of his death.

    Big picture view:

    McMahon gained widespread recognition in the early 2000s for his role as Dr. Christian Troy on FX’s “Nip/Tuck,” a dark medical drama that became a cultural touchstone. He later portrayed FBI agent Jess LaCroix on “FBI: Most Wanted,” and played the demon Cole Turner on “Charmed.”

    His film roles included Victor Von Doom in the 2005 and 2007 “Fantastic Four” movies, where he played one of Marvel’s most iconic villains.

    Born in Sydney in 1968, McMahon was the son of former Australian Prime Minister Sir William McMahon. He began his career as a model and actor in Australian soaps before finding long-term success in American television and film. Across genres—from supernatural thrillers to procedurals and comic book blockbusters—McMahon became known for his intensity, range, and charm.

    The Source: This report is based on a statement from Kelly McMahon published by Deadline on July 4, 2025, confirming the death of her husband, Julian McMahon. Additional confirmation came from Warner Bros. Television in a public tribute posted to the official “Nip/Tuck” Facebook page. Background information was gathered from Deadline, Variety, and publicly available records of McMahon’s film and television career.

    Entertainment

    Continue Reading

  • Julian McMahon, Fantastic Four, Nip/Tuck and Charmed actor, dies aged 56 | Film

    Julian McMahon, Fantastic Four, Nip/Tuck and Charmed actor, dies aged 56 | Film

    Julian McMahon, the Australian actor best known for his television roles in Charmed, Nip/Tuck and FBI: Most Wanted as well as Fantastic Four supervillain Dr Doom, has died aged 56.

    The actor died in Clearwater, Florida on Wednesday after being diagnosed with cancer.

    His wife, Kelly Paniagua, confirmed his death on Friday, calling McMahon her “beloved husband”.

    “With an open heart, I wish to share with the world that my beloved husband, Julian McMahon, died peacefully this week after a valiant effort to overcome cancer,” she said in a statement to Deadline.

    “Julian loved life. He loved his family. He loved his friends. He loved his work, and he loved his fans. His deepest wish was to bring joy into as many lives as possible.”

    She added: “We ask for support during this time to allow our family to grieve in privacy. And we wish for all of those to whom Julian brought joy, to continue to find joy in life. We are grateful for the memories.”

    McMahon was born in Sydney and was the son of former Australian prime minister Sir William “Billy” McMahon. He began his career as a model in the 1980s before moving into acting, landing a role in the Australian soap Home and Away in 1990.

    He made his feature film debut in the comedy Wet and Wild Summer! alongside Elliott Gould, while he starred in TV shows Another World, Profiler, and gained wider recognition as the Cole Turner in the hit supernatural series Charmed.

    He later appeared in Nip/Tuck, the FX medical drama created by Ryan Murphy, where the show ran for six seasons from 2003 to 2010 and earned McMahon a Golden Globe nomination.

    Becoming known for playing charming villains, McMahon played the Marvel supervillain Doctor Doom in 20th Century Fox’s Fantastic Four films in 2005 and 2007. He also voiced Doctor Doom in the 2005 Fantastic Four video game.

    McMahon also portrayed Jess LaCroix, a special agent and team leader, in FBI: Most Wanted, appearing for three seasons before leaving the show.

    His more recent roles included playing the Australian prime minister Stephen Roos in Netflix’s The Residence, and appearances in The Surfer and The Supremes at Earl’s All-You-Can-Eat.

    McMahon was married three times, including to Australian singer Dannii Minogue in 1994 and to actor Brooke Burns, with whom he has a daughter. His final marriage, to Paniagua, began in 2014.

    Continue Reading

  • Oasis Electrify Cardiff With First Show in 16 Years: Concert Review

    Oasis Electrify Cardiff With First Show in 16 Years: Concert Review

    “Oasis vibes in the area!”

    It wasn’t quite as epic an introduction as Noel Gallagher’s bold assertion at Knebworth ’96 —  “This is history!” — but those words from his younger brother Liam, spoken after the two of them walked arm-in-arm together onto a stage for the first time in 16 years, confirmed that Oasis are no longer consigned to history but are miraculously, thrillingly back as a going concern.

    As the pre-recorded intro music of “Fuckin’ in the Bushes” and the accompanying big-screen headlines about their reunion faded, Noel and Liam held their hands together in the air in triumph, quite literally brothers in arms, ready to take on the world.

    In the 5,795 days since the Gallagher brothers last played a gig together, pretty much everything in the world – fashion, music, politics – has changed beyond all recognition. But thankfully no one told Oasis who, tonight, transported us back to a time when a working-class guitar band playing straight-up rock’n’roll with attitude could rule the world, and maybe change it just a little.

    And there was certainly a ‘90s revival air both on the support bill (fellow Britpop-era stars Cast and Richard Ashcroft of the Verve offering strong support) and out on the streets, with the area around Cardiff’s Principality Stadium transformed into a massive street party. Every bar was blasting Oasis, nearly every chest was emblazoned with the Oasis logo, and seemingly every head covered by the ubiquitous bucket hat as the city became a giant Liam Gallagher Lookalike Competition in which Liam himself would have been lucky to make the Top 10.

    Once inside the stadium, the pre-show atmosphere was more like a Cup Final than a gig, with the crowd singing raucously along to the DJ’s pre-show selections of Slade, the Jam and the Rolling Stones. But this wasn’t just a celebration; there was a sense that this was one megagig where nobody knew quite what was going to happen, giving proceedings a high-stakes edge that you just don’t get at most big gigs these days.

    They needn’t have worried. The band came out swinging, rocketing through opener “Hello” with disorderly abandon, the “It’s good to be back!” refrain roared back at them by the vast crowd. But it was “Acquiesce” that really sealed the deal; the sight of Liam and Noel once more in brotherly harmony crooning “Because we need each other/ We believe in one another” at each other, surely enough to convince even the most cynical observer that this Oasis comeback means more than even the gargantuan sums of money reportedly involved.

    Because this was not the Oasis that haunted British stadiums at the end of their initial time together. That outfit was like a fading prize fighter – still capable of landing one hell of a punch, sure, but too often going through the motions in search of its old rhythm.

    Tonight’s Oasis, however – the line-up completed by stalwart guitarists Gem Archer and Paul “Bonehead” Arthurs and bassist Andy Bell, plus new drummer Joey Waronker (previously of R.E.M. and Beck) – looked sharp and lean, and sounded it too. The opening, breathless opening section – also featuring the likes of “Morning Glory”, “Some Might Say”, “Cigarettes & Alcohol”, “Supersonic” and “Roll With It” – was the work of a hungry true contender.

    After that, everyone needed a breather and Noel stepped up with his trusty acoustic guitar and the big ballad section to end all big ballad sections. But while “Talk Tonight”, “Half the World Away” and “Little by Little” may have dropped the pace a little, the intensity never lessened, the crowd singing every word with the senior Gallagher.

    Liam returned from his break refreshed and, while the songs got longer and the guitar solos more elongated, his vocals never wavered as the band blasted through “D’You Know What I Mean?” and “Stand by Me”, despite an occasionally booming sound system.

    No one said much, allowing the music to do the talking. But at one point, Liam did jokingly acknowledge the ticket-price furore that is still rumbling away, quipping: “Are you all having a good time? Was it worth the £40,000 you spent on the ticket?”

    Nor was there much visible communication between the brothers, but then there was no bickering either, so often a feature of past Oasis tours.

    This, then, was Oasis in the raw, a throwback to their unstoppable ascent in much smaller venues than this rather than the enormo-dome gigs of their latter years. True, the fine art of playing a stadium show has evolved hugely since Oasis last roamed the earth. But, bar a few eye-catching visuals on the big screen, Oasis remain a band that relies on its music and its attitude to make an impact: there were no surprise songs here, no special guests, no Instagram-friendly production set pieces, and at no point did Liam or Noel fly around the stadium. But the band certainly soared; fuelled by rock’n’roll that was often thrillingly simple and always simply thrilling. (See Oasis’ full setlist here.)

    The pace picked up again as the set hurtled towards its conclusion, via a widescreen “Whatever”, a glorious “Live Forever” and the unbridled, primal energy of “Rock ‘n’ Roll Star.”

    They swiftly returned with an encore for the ages, Noel introducing the band – Waronker is dubbed “Our 14th drummer”, Arthurs an “uber-legend” – before an emotional “Masterplan.” If anyone was still in any doubt about the hold Oasis have over the great British public, watching tens of thousands of them singing every word of that B-side as if it was the greatest hit of all time should have done the trick.

    In truth, many in the crowd looked so young they probably don’t even know what a B-side is. But the passing of time has, if anything, made the Oasis brand even stronger: British alternative rock groups just don’t write monumental anthems like these anymore.

    Not that the show was lacking industry veterans, with the likes of Sony Music chief Rob Stringer; Capitol Music Group boss Tom March; YouTube head of music Lyor Cohen and his colleague Dan Chalmers; outgoing Arista president/CEO David Massey; Polydor MD Jodie Cammidge and Glastonbury supremo Emily Eavis all braving the flying pints that punctuated every song, certifying it as the most unmissable reunion show since Led Zeppelin played the O2 in 2007.

    They were rewarded with a triumphant triumvirate of final songs: “Don’t Look Back in Anger”, sung by Noel, before Liam took over for the ubiquitous, but still undeniably wonderful “Wonderwall” (Liam changing the words to “There are many things that I would like to say to you/ But I don’t speak Welsh” in honor of the location) and a final, epic “Champagne Supernova”. Although, in truth, the crowd hollered every word louder than either brother could dream of.

    Noel may have sung “Please don’t put your life in the hands/ Of a rock’n’roll band,” on “Don’t Look Back in Anger” but, after tonight, a lot of people will be sorely tempted to do precisely that.

    There are, of course, 40 further shows to play — hopefully — where old tensions could resurface and adrenalin could fade. But tonight, as Liam acknowledged the crowd (“Nice one for putting up with us over the years”) and the brothers embraced one more time before leaving the stage, Oasis were reunited in every sense of the word. And based on tonight’s comeback, you’ll want to be there when they are flying this high.

    Continue Reading

  • Black Sabbath and Ozzy Osbourne head back home for their last show – Reuters

    1. Black Sabbath and Ozzy Osbourne head back home for their last show  Reuters
    2. First Official Photo of Ozzy + Black Sabbath’s All-Star ‘Back to the Beginning’ Lineup  Loudwire
    3. Black Sabbath Returns to Birmingham for Major Weekend Events  Railway Supply
    4. This Isn’t the First Time These Hard Rock Legends Have Said Goodbye  parade.com
    5. “Ozzy took a look around and said, ‘You’re joking aren’t you?’ I said, ‘It’s a lot nicer on the inside.’ ” Zakk Wylde cracks us up with tales of Ozzy as he reveals the stories behind his greatest tracks  Guitar Player

    Continue Reading

  • Tivoli Gardens’ CEO on how Denmark’s most renowned theme park has stayed tech-free and relevant for 182 years 

    Tivoli Gardens’ CEO on how Denmark’s most renowned theme park has stayed tech-free and relevant for 182 years 

    When Tivoli Gardens opened its gates in central Copenhagen 182 years ago, one of the first people through the turnstiles was Hans Christian Andersen. Since then, this compact amusement park squeezed between the Central Station and City Hall has become more than just Denmark’s most popular visitor attraction, it’s a cultural landmark and a location for national celebration that holds a quasi-spiritual place in the heart of the Danes. 

    More the merrier: A Moorish palace in the Tivoli Gardens, circa 1965 (Image: Getty Images)

    The park blends beer garden aesthetic with highbrow culture, live music, theatre, modern thrill rides and old-fashioned fairground stalls, all of which combine with its world-famous lighting to create a fairytale setting. 

    Tivoli’s history is a crucial element of its appeal – but as CEO Susanne Mørch Koch knows all too well, to compete in 2025’s attention economy you can’t coast on legacy alone. Her stint as leader began with a baptism of fire. She took over in August 2020 amid the Covid crisis, as a result of which the park lost millions of kroner in revenue. But after a rollercoaster start, Tivoli posted a record for visitor numbers and turnover in 2024.

    Monocle meets Koch to find out more about how she has shepherded this cherished Danish brand from catastrophe to triumph, and about her plans for the future.

    Tivoli Gardens CEO, Susanne Mørch Koch

    Tivoli seems to hold a special place in Danish hearts. What is its appeal?
    Many of us carry childhood memories from Tivoli. My family didn’t have a lot of money when I was young, and looking back I now realise that my parents worked so hard and we didn’t have a lot of spare time together. But we would visit Tivoli every summer as a family, and it was something that I looked forward to for the whole week running up to it. I couldn’t sleep the night before. And that’s still true for kids today. My favourite ride was Galejen – just little boats running round in a circle but it’s quite a legacy ride today and always busy. It even has a special smell and feel. Now, I ride the old wooden rollercoaster most often.

    Who is your competition? Are you vying with computer games, streaming services and social media to capture the imagination of children?
    No, not really, because we are so different from that world. There has been pressure to gamify the park with apps – we had a suggestion for something a bit like Pokémon Go – but we have deliberately not done that. We are selling quality time and screens would get in the way of that. Of course, no one wants to stand in line and be bored, but we’re not afraid of people queuing a little: it’s where you can ground yourself, reflect on what you’ve just experienced and build anticipation. We see it as a benefit. Where apps can improve a visit, we use them – restaurant bookings, for instance – but we don’t want technology to be part of the show. And you don’t have to book a table, there’s always room for a little spontaneity. 

    Tivoli has iconic gates that seem to draw people in – how important is this exterior image? 
    The main entrance is crucial. It’s a magical place where we welcome and say goodbye to our guests, so there’s a lot of footfall. Throughout Tivoli there is an intentionality behind every detail. Rather than having things that shout for attention, it’s an accumulation of all the little things, such as the way that we use lighting, the planting and the sentiment of the people who work here.

    Gates of paradise: People queuing at the entrance to the Tivoli Gardens, circa 1965 (Image: Getty Images)

    How do you balance the history of Tivoli with a need to innovate? 
    When I started, people warned me that I risked provoking outrage by changing things. But I’m yet to experience that. Tivoli has always moved forward, it has never shied away from change. If it had done so, it would risk becoming a postcard version of itself – what use is a theme park with no thrill? From the start, my guideline has been that it has to make sense to the people who live just outside our walls. It’s not a typical amusement park that could be anywhere – with live entertainment and good food, we cater to more than tourists and day trippers. 

    What does the future hold for Tivoli? 
    There is still scope to grow visitor numbers, particularly in the shoulder seasons, spring and autumn. We are choosing to expand the Halloween season as the Norwegians have an earlier autumn vacation and we want to attract them. But there’s something huge ahead of next summer – we are redeveloping our street-like layout, with new rides and scenography. The budget is somewhere between DKK100-200 million (€13.4-26.8m) and it’ll feel like a real refresh. 

    Tivoli Gardens
    Founded 1843

    Open: Apr-Sept, Oct, mid-Nov-Early Jan

    Location: Central Copenhagen

    Total employees: high season 2,200+, low season 700-800

    Turnover (2024): DKK1.32bn (€177m)

    Visitors (2024): 4.25 million, of which 35 per cent are tourists

    Ownership: Tivoli is listed on the Danish stock market but is majority owned by the Augustinus Fonden

    Sustainability: Net zero by the end of 2025

    Continue Reading

  • Looking back with grandeur: Oasis kick off reunion tour in Cardiff with triumphant, nostalgic gig | Oasis

    Looking back with grandeur: Oasis kick off reunion tour in Cardiff with triumphant, nostalgic gig | Oasis

    Swaggering, cocksure and incredibly loud, Oasis burst back on to the live music scene on Friday night with an accomplished – if ever so slightly distanced – debut gig on their reunion world tour.

    Playing Cardiff’s Principality Stadium, the six-piece impressed at the start of what is arguably the most anticipated tour of the century, focusing overwhelmingly on songs from their 1990s heyday – only one song, Little By Little, was taken from their final four albums.

    For years it looked as if Liam and Noel Gallagher would never patch up their fractious fraternal relationship. A backstage bust-up in 2009 brought Oasis to an end, after a 16-year career in which they became the pre-eminent British rock’n’roll band, and the Gallaghers continued to snipe at each other in the press and social media in the following years – most memorably with Liam dubbing Noel a “potato”. Even when Oasis announced a reunion in August 2024 – “The guns have fallen silent. The stars have aligned. The great wait is over” – some fans wondered if another ruction between the brothers would scupper the plans.

    But following support slots from Britpop peers Cast and Richard Ashcroft, Oasis did indeed appear, with Liam’s arm around his brother as they stepped out on stage. They kicked straight into gear without a word to the crowd, playing Hello, the song that begins (What’s the Story) Morning Glory?, their 18-times platinum album which is outsold in the UK only by Queen and Abba’s greatest hits.

    “Because we need each other, we believe in one another”, Noel sang on the second track, Acquiesce: a statement of unity that inspired delirious moshing and crowd surfing. But the actual relations between the Gallaghers were relatively frosty, with little acknowledgment of each other thereafter aside from a brief pat on the back at the end, and original guitarist Paul “Bonehead” Arthurs stationed between them on stage.

    ‘This one is for all the people in their 20s who have never seen us before’ … Noel Gallagher performing at the Principality Stadium, Cardiff. Photograph: Jordan Pettitt/PA

    The Gallaghers were backed by Arthurs, the rhythm guitarist on their era-defining first two albums Definitely Maybe (1994) and (What’s the Story) Morning Glory? (1995), plus 1997 follow-up Be Here Now, which was less critically acclaimed but still enormous in terms of sound and commercial success. More recently, Arthurs had played with Liam’s solo band.

    Arthurs, who was successfully treated for tonsil cancer in 2022, was replaced in Oasis in 1999 by Gem Archer, who also features in the new lineup having played with both Liam and Noel during their solo careers. Andy Bell, the co-founder of Ride – Oasis’s labelmates on Creation Records – and another 1999 Oasis appointee, played bass. The American musician Joey Waronker, known for his work with Beck, REM and Radiohead’s Thom Yorke, was on drums, having recently collaborated with Liam Gallagher on his 2024 album with Stone Roses guitarist John Squire.

    Noel took the lead on a three-song run of Talk Tonight, Half the World Away and Little By Little – the only post-millennium song, from 2002’s Heathen Chemisty – in the middle of the set, with Liam bringing his trademark sneer and brio back for D’You Know What I Mean?, which led into another Be Here Now song, Stand By Me.

    Thereafter it was a return to the middle of the mid-1990s, with one-off singles and B-sides such as Whatever and The Masterplan, and a run of the band’s very biggest hits including Live Forever, Rock ’n’ Roll Star, Don’t Look Back in Anger, Wonderwall and Champagne Supernova.

    The latter-day Oasis albums aren’t as well loved as the first three, but they certainly contain songs fans might have expected to hear including Stop Crying Your Heart Out, Lyla, Songbird and Go Let It Out. But there were no curveballs or deep cuts, and Oasis delivered the crowdpleasers most fans were hoping for.

    There were also tributes to the late Portuguese footballer Diogo Jota, who died yesterday in a car crash at the age of 28: he was well known to British fans, having won the Premier League and FA Cup with Liverpool. Cast dedicated their own football anthem, Walkaway to him, and an image of Jota was displayed during Oasis’s performance of Live Forever.

    For a famously gobby band, there was relatively little stage banter, though Liam beseeched the crowd at one point: “I want you to turn around and put your arms around each other … and jump up and fucking down.”

    He also made a brazen reference to the pricing scandal that made headlines when tickets went on sale: a “dynamic pricing” mechanism meant that the popularity of the tickets drove up the cost, prompting anger from fans and promises from culture secretary Lisa Nandy to look into the practice. “What’s happening? Everyone having a good time yeah? Is it worth the £4,000 you paid for a ticket?”, Liam asked the crowd.

    Noel meanwhile thanked the band’s younger fans as he began the encore with a rendition of The Masterplan: “This one is for all the people in their 20s who have never seen us before who have kept us shit hot for the last 20 years.”

    Continue Reading

  • Cyberpunk: Edgerunners 2 Officially Announced

    Cyberpunk: Edgerunners 2 Officially Announced

    During its panel at this year’s Anime Expo in Los Angeles, CD PROJEKT RED proudly announced that they reunited with studio TRIGGER to create a new standalone anime series set in the world of Cyberpunk 2077 titled Cyberpunk: Edgerunners 2.

    Snapshot:

    • Today’s panel revealed the logo and poster art for Cyberpunk: Edgerunners 2 and confirmed Kai Ikarashi as director.
    • Panelists included Hugo Award-winning writer Bartosz Sztybor, Cyberpunk: Edgerunners director Hiroyuki Imaishi, and voice actors Emi Lo (Lucy Kushinada) and Zach Aguilar (David Martinez) with host Joey “The Anime Man” Bizinger.
    • Cyberpunk: Edgerunners 2 is being created by CD PROJEKT RED alongside the legendary studio TRIGGER and will be released on Netflix.

    At this year’s Anime Expo, taking place between July 2–6, CD PROJEKT RED invited attendees to the livestreamed panel “Cyberpunk: Edgerunners — Behind the Scenes With its Creators” featuring story writer and producer Bartosz Sztybor and voice actors Emi Lo (Lucy Kushinada) and Zach Aguilar (David Martinez) with host Joey “The Anime Man” Bizinger and a special guest appearance by Cyberpunk: Edgerunners director Hiroyuki Imaishi.

    Following a lively discussion about the critically acclaimed anime’s legacy, insights into its creation, and more behind-the-scenes tidbits, Sztybor announced the new collaboration between CD PROJEKT RED and animation studio TRIGGER to create Cyberpunk: Edgerunners 2. Together with Imaishi, he shared an exclusive reveal of the anime’s official logo and its poster art.

    Imaishi also took the opportunity to officially pass the torch to Kai Ikarashi (Cyberpunk: Edgerunners, SSSS.Gridman), who will make his directorial debut with Cyberpunk: Edgerunners 2. Ikarashi joined the panel with a recorded video message and debuted a Director’s Voice video to share more about his motivations for the anime.

    Watch the livestream

    “David’s story might be over, but there’s plenty more to discover in Night City. And to again have the legendary animation studio TRIGGER along for the ride makes us at CD PROJEKT RED so excited to introduce a raw, real chronicle of redemption and revenge, something unlike what we’ve done before,” said Sztybor, Showrunner, Story Writer, and Producer on Cyberpunk: Edgerunners 2. He will be joined by lead character designer Kanno Ichigo (Promare, Cyberpunk: Edgerunners) and Masahiko Otsuka (Gurren Lagann, Promare), who will be responsible for the screenplay adaptation. The panel ended with an invitation to a closed-door viewing of new teaser footage at the Peacock Theater during studio TRIGGER’s panel later in the evening.

    Cyberpunk: Edgerunners 2 is created in collaboration with CD PROJEKT RED and animation studio TRIGGER and is now in production with a planned release on Netflix in the future. More information about the anime can be found on the official website, its newsletter, or X, Facebook, and Instagram.


    Continue Reading

  • Ariana Madix’s Glam Team on Her ‘Love Island USA’ Looks (Exclusive)

    Ariana Madix’s Glam Team on Her ‘Love Island USA’ Looks (Exclusive)

    NEED TO KNOW

    • Ariana Madix’s glam team shares what it takes to get her ready to host season 7 of Love Island USA
    • Madix’s hairstylist Carl Bembridge brought 70 pounds of hair to Fiji for shooting
    • The host’s makeup artist and stylist share the inspiration behind her versatile and sexy looks

    Ariana Madix’s fashion and beauty moments on Love Island USA deserve a show of their own.

    On the current seventh season of the popular reality dating show, Madix, 40, seriously stepped up her game for her second round as host. Her looks have been more wide-ranging than ever, shocking fans with jaw-dropping hair color transformations and super-sexy ensembles.

    Hairstylist Carl Bembridge tells PEOPLE that he knew Madix would be a “chameleon” this season.

    “The main goal was to make it completely different from last year. Every episode had to feel fresh,” he says of preparing for filming the series in Fiji.

    “We injected a bit of edge, some ‘90s references, girly vibes, high-fashion moments and sexy looks,” Bembridge explains. “One thing I’ve noticed is that we’ve played with a lot more curly and wavy hairstyles this time around, especially that mermaid texture. I actually told Ariana, ‘This is giving Splash, [the 1984 film] with Daryl Hannah,’ so I nicknamed her Mer-Madix.”

    In order to achieve the roster of looks he’d dreamed up, the hairstylist packed accordingly. “I brought three suitcases and one of them was completely full of hairpieces: wigs, clip-ins, bangs, different lengths, different shades,” he shares. “So in total, around 70 pounds of hair came with me. My girls have to have options!”

    Ariana Madix.

    Carl Bembridge Celebrity Hair/Instagram


    Aside from Madix’s beachy, mermaid-inspired waves, the star has rocked a dramatic brunette wig, a Rapunzel-like braid and piece-y bangs — and the season is not over yet.

    For makeup artist Krystal Dawn, her creations are a collaborative effort between other members of the glam team and Madix herself.

    “Most of it came together on the day,” Dawn tells PEOPLE. “We’d see what [Ariana] was wearing, chat about what vibe she felt like. Sometimes she’d have inspo pics, and then we’d match it up with the hair look, too. If her hair was pulled back, we might do a winged eye; if she had a fringe, we’d keep it fresh and focus more on blush and lips.”

    Ariana Madix.

    Ben Symons/Peacock via Getty


    When it comes to preserving Madix’s makeup in the scorching island heat, Dawn says good skin prep and a solid base are crucial.

    “I’ve been using the Milk Hydro Grip Primer, sometimes the original and sometimes the illuminating one for extra glow. For foundation, NARS and Haus Labs have been real heroes — they hold up way better on Ariana’s skin than what we used last year. Huda Beauty’s new setting spray is a game-changer too.”

    Surprisingly, Dawn doesn’t use a lot of powder to combat sweat and shine.

    “We don’t like her skin to look overly matte or cakey, so I keep powder really minimal,” she explains. “Just a light dusting near the end, and then a final mist of setting spray right before she goes on. There’s no heavy baking. Once she’s out there for hours, you sometimes just have to trust the prep — so far, so good!”

    The PEOPLE Puzzler crossword is here! How quickly can you solve it? Play now!

    Ariana Madix.

    Ben Symons/Peacock


    Because stylist Emily Men isn’t on set with Madix in Fiji, she has to be bit more meticulous about her planning (she says she sent the host off with three checked suitcases full of clothes!).

    “We have a big fitting in the week before she leaves to try everything on and decide what we like and don’t like,” she explains. “Then, I accessorize everything and pair each outfit with jewelry, shoes, undergarments — all the things! I try to consider every detail and angle for each outfit, even down to her nails.” The stylist has been loving press-ons for their versatility, and so she can switch Madix’s nails with every look.

    Men adds that she personally tailors all of Madix’s clothes and ensures everything fits perfectly at a second fitting before she leaves for filming. “If any last-minute adjustments need to be made, we are so lucky to have the on-set wardrobe team of Kim Hurwitz, Emily Abbey and Karissa Loveday, who are amazing and able to sort out any last-minute issues! “

    Never miss a story — sign up for PEOPLE’s free daily newsletter to stay up-to-date on the best of what PEOPLE has to offer, from celebrity news to compelling human interest stories.

    While she and Madix always prepare mood boards based on what’s inspiring them, Men says that confidence is always an underlying theme.

    “Ariana and I work so well together because she is open to trying anything and everything,” says the stylist. “She is so comfortable in her own skin that she can effortlessly pull off so many different looks, and that confidence really shines through.”

    “Also, you have to give a lot of credit to her amazing glam team, Carl Bembridge and Krystal Dawn — we all work together on these looks and make sure each component complements the others!”


    Continue Reading

  • The Story Behind Patricia Dlamini’s New Book Launch

    The Story Behind Patricia Dlamini’s New Book Launch

    From office flirtation to bestselling romance novel, the journey of author Patricia Dlamini captures the imagination of readers and aspiring writers alike. Her latest book, ‘The Competitor’s Kiss: When Rivalry Turns to Romance, Who Really Wins?,’ takes inspiration from her own experiences in the corporate world, intertwining personal anecdotes with imaginative storytelling to create a captivating narrative that resonates with many.

    CAPE TOWN, ZA / ACCESS Newswire / July 4, 2025 / The story follows two colleagues who develop a romantic relationship amidst the challenges of office politics and career aspirations. As the protagonists navigate their feelings and professional lives, readers are treated to an engaging exploration of love, ambition, and the complexities of workplace dynamics. Dlamini’s ability to blend humor with heartfelt moments allows the narrative to stand out in a crowded genre.

    Amazon.com: The Competitor’s Kiss: When Rivalry Turns to Romance, Who Really Wins?
    Checkout Book Availability On Amazon.com

    Dlamini’s background in marketing and her experiences in various corporate environments provided a rich foundation for her writing. The author draws on real-life scenarios to craft relatable characters and situations, making the themes of her book accessible to a wide audience. Readers will find themselves immersed in the ups and downs of office romance, reflecting on their own experiences as they turn the pages.

    Prior to the release of ‘The Competitor’s Kiss: When Rivalry Turns to Romance, Who Really Wins?,’ Dlamini self-published several short stories online, gaining a dedicated following through her relatable writing style and authentic voice. The success of these stories paved the way for her transition to a full-length novel, showcasing her growth as an author and her commitment to storytelling. Her journey from a corporate employee to a bestselling author serves as an inspiration for many who dream of writing and publishing their own work.

    The launch of ‘The Competitor’s Kiss: When Rivalry Turns to Romance, Who Really Wins?’ marks a significant milestone in Dlamini’s career, with pre-orders already exceeding expectations. The book has garnered interest from both readers and publishers, leading to discussions about potential adaptations for visual media. Dlamini aims to reach an even broader audience, sharing her insights on love and relationships in the modern workplace.

    In conjunction with the book launch, Dlamini will engage with her readers through various platforms, including virtual book signings, social media discussions, and writing workshops. These events aim to foster a sense of community among readers and aspiring writers, providing a space for sharing experiences and insights about writing and love in the workplace.

    Continue Reading