Category: 4. Technology

  • ESET Threat Report H1 2025: Key findings

    ESET Threat Report H1 2025: Key findings

    ESET Chief Security Evangelist Tony Anscombe reviews some of the report’s standout findings and their implications for organizations in 2025 and beyond

    The ESET research team has released the H1 2025 issue of the ESET Threat Report, offering a detailed look at the key trends and developments that defined the cyberthreat landscape from December 2024 through May 2025.

    Among other things, the report describes how a novel social engineering technique called ClickFix has taken the threat landscape by storm, with detections of this threat soaring more than five-fold in H1 2025 compared to the second half of 2024. Android adware detections, for their part, jumped by 160%, mainly on the back of new evil twin fraud and the rise of potentially unwanted apps (PUAs). Meanwhile the number of both ransomware attacks and gangs has also been growing, although the total value of payments trended in the opposite direction.

    Watch the video with SET Chief Security Evangelist Tony Anscombe to learn more and make sure to check out the report itself, including to learn which categories of threats surged and which trended down – and what it all means for your cybersecurity in 2025 and beyond.

    Connect with us on Facebook, X, LinkedIn and Instagram.


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  • Style Edit: Chanel’s iconic J12 watch turns a distinctive blue, and stars like Park Seo-joon, Chen Bolin, William Chan, Sammi Cheng stepped out for the dazzling launch in Hong Kong

    Style Edit: Chanel’s iconic J12 watch turns a distinctive blue, and stars like Park Seo-joon, Chen Bolin, William Chan, Sammi Cheng stepped out for the dazzling launch in Hong Kong

    At the turn of the millennium, the Chanel J12 was born: a timepiece that signalled a new direction in watchmaking and demonstrated that the vibrant, pioneering spirit of the most iconic of all luxury maisons was alive and well. Drawing its inspiration from high-performance yachts and motor vehicles, the J12 boasted a bold, unisex aesthetic and represented a daring step forward in horological material use: it was crafted from ceramic, an important addition to the fine watchmaking canon that combines exceptional toughness and scratch resistance with a pleasingly soft, lightweight quality.
    Kowloon’s Clock Tower turned blue for the occasion. Photo: Handout

    Now, a quarter of a century later, the existing black and white versions of the J12 are joined by a new iteration in a dazzling shade of blue – and to mark the occasion, one of Hong Kong’s most instantly recognisable landmarks also received the blue treatment.

    The Tsim Sha Tsui waterfront all in blue ready for the launch. Photo: Handout
    The Tsim Sha Tsui waterfront all in blue ready for the launch. Photo: Handout

    On June 20, the Clock Tower in Tsim Sha Tsui was illuminated in the dramatic shade seen on the new J12 Bleu, accompanied by an event lit up by performances from ØZI and Tyson Yoshi, and with Chanel ambassadors Park Seo-joon, Chen Bolin, William Chan, Sammi Cheng, Angela Yuen and Amy Lo in attendance.

    Handout
    Handout

    Blue has long been a key hue in the Chanel palette. Gabrielle “Coco” Chanel favoured it in her couture creations and also in her jewellery pieces, beginning with the legendary 1932 Bijoux de Diamants high jewellery collection. In her personal life, she liked decorative items in a blue so deep as to approach black – and it’s this profound shade that is recalled in the new shade developed for the J12 Bleu, in a process that took five years of research.

    Angela Yuen sports a Chanel J12 Bleu at the Hong Kong launch. Photo: Handout
    Angela Yuen sports a Chanel J12 Bleu at the Hong Kong launch. Photo: Handout

    The unique hue is brought to life on nine watches in the new collection, including everything from a tourbillon version to models with blue sapphires spread across the bezel, dial and bracelet.

    PRINT ONLY – The Chanel J12 Bleu shade is unique to the maison, requiring five years of development from conception to launch.
    PRINT ONLY – The Chanel J12 Bleu shade is unique to the maison, requiring five years of development from conception to launch.

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  • From reaction to resolution: The future of allergy treatment | Latest | NDWorks

    From reaction to resolution: The future of allergy treatment | Latest | NDWorks

    Twelve-year-old Lauren Eglite was thrilled to attend a Notre Dame football game with her father, Erik, in 2017, even though her acute peanut allergy demands constant vigilance.

    She was even more excited when the stadium’s brand-new video board aired an NBC Fighting For story about Basar Bilgicer’s research into blocking peanut allergens from triggering immune system overreactions. She asked her father, a drug company executive and Notre Dame business school alumnus, if this might be an opportunity to get involved with a solution to a condition that had complicated her life since childhood.

    “I remember to this day her looking at that screen and turning to me,” Dr. Erik Eglite said. “She said, ‘Daddy, can I meet him? I really want to do something about it.’ This kid actually did that.”

    It was a bold request, but Bilgicer didn’t hesitate after Dr. Eglite reached out. The Notre Dame professor of chemical and biomolecular engineering invited the whole Eglite family to his lab and explained his complex research in overwhelming detail.

    The coincidence of that video playing to the right audience of two has led to immense mutual benefits. Nearly eight years later, Bilgicer and Eglite have partnered to form a company called Artin Immunology that aims to turn Bilgicer’s peanut allergy research into a blockbuster drug.

    Read the story

    Originally published by Office of Brand Content at news.nd.edu on July 01, 2025.

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  • Yamaha Unveils YH-L500A Headphones, Bringing Personal Theater Sound to Bluetooth Devices

    Yamaha Unveils YH-L500A Headphones, Bringing Personal Theater Sound to Bluetooth Devices

    Yamaha today announced the YH-L500A personal theater headphones, offering a new way to enjoy movies and streaming shows at home with immersive, cinema-like sound from virtually any Bluetooth-enabled device. These wireless headphones feature proprietary Yamaha Sound Field technology, creating spacious, three-dimensional listening experiences from any source device and content.

    Designed for extended binge-watching sessions, the all-new YH-L500A headphones provide a gentle clamping pressure, employ newly developed earpads that fit comfortably without causing fatigue, and are remarkably light at just 9.3 ounces. Additionally, they feature Bluetooth Multipoint, enabling users to connect two devices and switch between them effortlessly.

    “When it comes to reproducing cinema-like sound at home, Yamaha has unequaled engineering know-how from our decades of leadership in home theater AV receivers and sound bars,” said Alex Sadeghian, director of consumer audio at Yamaha. “The YH-L500A headphones deliver this experience for personal listening on mobile devices. Now users can watch a movie on their tablet or laptop and still experience sonic immersion that enhances every scene’s realism, excitement, and emotion.”

    The headphones feature two Sound Field modes: Cinema and Music. Cinema mode enhances the spatial arrangement of dialogue, sound effects, and background music while adding spatial volume to replicate the experience of being “at the movies.” Music mode distinguishes vocals, instruments, and ambiance with clarity, recreating the feeling of being at a live music venue.

    Additionally, the YH-L500A headphones offer a range of powerful features, including up to 20 hours of battery life, Google Fast Pair, Qualcomm aptX Adaptive, voice control, gaming mode for low latency, and Yamaha-exclusive Listening Care. A free downloadable app enables control over settings and EQ customization.

    PRICING & AVAILABILITY: $229.95 MSRP, available today on yamaha.io/yhl500apr and at select Yamaha retailers.

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  • CreateAI Advances Generative AI Technology with Two Papers Accepted at Prestigious ICCV 2025

    SAN DIEGO and BEIJING, July 1, 2025 /PRNewswire/ — CreateAI Holdings (“CreateAI” or the “Company”) (OTC: TSPH), a leader in artificial intelligence technology, today announced the acceptance of two groundbreaking research papers at the 20th International Conference on Computer Vision (ICCV 2025), one of the world’s top computer vision conferences.

    The accepted papers showcase innovative solutions in animation generation. The first paper, “LayerAnimate”(https://arxiv.org/abs/2501.08295), introduces revolutionary layer-level control in animation production, enabling precise manipulation of individual elements like characters, backgrounds, and effects. The second paper, “CycleVAR”(https://arxiv.org/abs/2506.23347), presents a novel approach to unsupervised anime-style translation, significantly improving efficiency in stylization processes.

    LayerAnimate addresses a critical industry challenge by incorporating the fundamental concept of “layers” into AI animation generation, while CycleVAR introduces an efficient one-step process for transforming real photos into high-quality anime-style images.

    “The acceptance of these papers is a significant affirmation of CreateAI’s technological innovation,” said Cheng Lu, President and CEO of CreateAI. “We firmly believe that the value of AI lies in addressing real-world creative challenges. The breakthroughs in LayerAnimate and CycleVAR essentially provide the animation industry with dual tools for ‘precise control’ and ‘efficient transformation.’”

    These developments align with CreateAI’s comprehensive strategy of building a technology-tools-content ecosystem for animation creation. The company has already demonstrated market leadership through its Ruyi image-to-video model and Animon.ai platform(https://www.animon.ai/), the world’s first AI video generation platform specifically designed for animation, which currently offers professional-grade AI anime generation capabilities for creators to explore.

    The acceptance of these papers at ICCV 2025, known for its rigorous selection process, reinforces CreateAI’s position as a leading innovator in generative AI technology and computer vision research.

    About CreateAI

    CreateAI is a global applied artificial intelligence company with offices in the US, China, and Japan. The Company is developing leading AI technology for a number of end-use applications and pioneering the future of digital entertainment content production, seamlessly blending cutting-edge generative AI technology with the creativity of world-class talent. Our mission is to redefine the boundaries of what’s possible in digital storytelling by developing immersive, captivating, and visually stunning experiences that resonate with audiences on a global scale.

    CreateAI Media Contact:
    Brad Burgess
    ICR, LLC
    Email: [email protected]

    SOURCE CreateAI Holdings Inc

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  • NASA to Launch New Livestream Service on Netflix Starting This Summer

    NASA to Launch New Livestream Service on Netflix Starting This Summer

    NASA to Launch New Livestream Service on Netflix Starting This Summer originally appeared on L.A. Mag.

    Photo courtesy NASA

    NASA+ will offer live programming of rocket launches, astronaut spacewalks, mission coverage, and live views of Earth from the International Space Station through its new streaming platform on Netflix.

    “The National Aeronautics and Space Act of 1958 calls on us to share our story of space exploration with the broadest possible audience,” Rebecca Sirmons, general manager of NASA+ at the agency’s headquarters in Washington said. “Together, we’re committed to a Golden Age of Innovation and Exploration – inspiring new generations – right from the comfort of their couch or in the palm of their hand from their phone.”

    NASA+ first launched in 2023 to make space content more accessible to the public. The service will continue to be available for free and ad-free through the NASA app and website. NASA wrote that they hope to bring even more awareness to their work through Netflix’s global audience of more than 700 million people.

    “Through this partnership, NASA’s work in science and exploration will become even more accessible, allowing the agency to increase engagement with and inspire a global audience in a modern media landscape,” Cheryl Warner, NASA news chief, wrote in a press release.

    Livestream schedules will drop closer to launch day, so Netflix advises viewers to check for more details in the coming weeks.

    This story was originally reported by L.A. Mag on Jul 1, 2025, where it first appeared.

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  • Google AI Mode Shows 91% URL Change Across Repeat Searches

    Google AI Mode Shows 91% URL Change Across Repeat Searches

    A new study analyzing 10,000 keywords reveals that Google’s AI Mode delivers inconsistent results.

    The research also shows minimal overlap between AI Mode sources and traditional organic search rankings.

    Published by SE Ranking, the study examines how AI Mode performs in comparison to Google’s AI Overviews and the top 10 organic search results.

    “The average overlap of exact URLs between the three datasets was just 9.2%,” the study notes, illustrating the volatility.

    Highlights From The Study

    AI Mode Frequently Pulls Different Results

    To test consistency, researchers ran the same 10,000 keywords through AI Mode three times on the same day. The results varied most of the time.

    In 21.2% of cases, there were no overlapping URLs at all between the three sets of responses.

    Domain-level consistency was slightly higher, at 14.7%, indicating AI Mode may cite different pages from the same websites.

    Minimal Overlap With Organic Results

    Only 14% of URLs in AI Mode responses matched the top 10 organic search results for the same queries. When looking at domain-level matches, overlap increased to 21.9%.

    In 17.9% of queries, AI Mode provided zero overlap with organic URLs, suggesting its selections could be independent of Google’s ranking algorithms.

    Most Links Come From Trusted Domains

    On average, each AI Mode response contains 12.6 citations.

    The most common format is block links (90.8%), followed by in-text links (8.9%) and AIM SERP-style links (0.3%), which resemble traditional search engine results pages (SERPs).

    Despite the volatility, some domains consistently appeared across all tests. The top-cited sites were:

    1. Indeed (1.8%)
    2. Wikipedia (1.6%)
    3. Reddit (1.5%)
    4. YouTube (1.4%)
    5. NerdWallet (1.2%)

    Google properties were cited most frequently, accounting for 5.7% of all links. These were mostly Google Maps business profiles.

    Differences From AI Overviews

    Comparing AI Mode to AI Overviews, researchers found an average URL overlap of just 10.7%, with domain overlap at 16%.

    This suggests the two systems operate under different logic despite both being AI-driven.

    What This Means For Search Marketers

    The high volatility of AI Mode results presents new challenges and new opportunities.

    Because results can vary even for identical queries, tracking visibility is more complex.

    However, this fluidity also creates more openings for exposure. Unlike traditional search results, where a small set of top-ranking pages often dominate, AI Mode appears to refresh its citations frequently.

    That means publishers with relevant, high-quality content may have a better chance of appearing in AI Mode answers, even if they’re not in the organic top 10.

    To adapt to this environment, SEOs and content creators should consider:

    • Prioritizing domain-wide authority and topical relevance
    • Diversifying content across trusted platforms
    • Optimizing local presence through tools like Google Maps
    • Monitoring evolving inclusion patterns as AI Mode develops

    For more, see the full study from SE Ranking.


    Featured Image: Roman Samborskyi/Shutterstock

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  • Bowers & Wilkins and Abbey Road Studios Just Dropped a Pair of Limited-Edition Loudspeakers

    Bowers & Wilkins and Abbey Road Studios Just Dropped a Pair of Limited-Edition Loudspeakers

    After 45 years of musical collaboration, Bowers & Wilkins and Abbey Road Studios have decided to celebrate.

    The audio giant and the iconic recording studio have teamed up on a pair of exclusive loudspeakers based on B&W’s 801 D4 Signature. The 801 Abbey Road Limited Edition lives up to its moniker as only 140 pairs will be available worldwide.

    More from Robb Report

    The design of the new speakers pay homage to Abbey Road Studios’ Studio 2. The pair both feature a bespoke red leather by Connolly trim, which matches rather well with the features of the recording space; the duo is also hand-finished in vintage walnut, inspired by the various instruments that have graced the studio throughout the decades. Each loudspeaker comes with a unique plate on its rear panel, denoting that it is one of those 140 pairs. And, as a cherry on top, the pair is accompanied by a special book, which shares the history of both storied companies.

    After all, Bowers & Wilkins and Abbey Road Studios have been a duo for quite some time. The partnership started back in 1980, when the audio brand’s founder, John Bowers, stopped by Abbey Roads Studio to show off his new speaker, the 801. Designed to be the ultimate loudspeaker for hi-fi enthusiasts, it was also made to be incredible accurate in the studio. Abbey Roads Studio quickly became the first in the world to use the 801; since then, six generations of B&W 800 creations have been put to use by the team at Abbey Road. The recording hot spot, famously known for its work with the Beatles, has also crafted music for the Harry Potter, Black Panther, and Barbie films, as well as Lady Gaga’s Born This Way album.

    “Abbey Road’s relationship with Bowers & Wilkins is a decades-long celebration of sound and technology,” Jeremy Huffelmann, Abbey Road’s general manager, said in a statement. “I’m delighted we have collaborated to create the 801 Abbey Road Limited Edition together, honoring our shared history with an outstanding representation of the values, heritage and credibility of both our brands.”

    The 801 Abbey Road Limited Edition, retailing for $70,000, is already sold out, so you’ll have to find the pair on the secondary market. But if you’d like to experience other audio offerings, Bowers and Wilkins has plenty up for grabs on its website.

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    Click here to read the full article.

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  • From 30 days to 1: Chevron’s cloud migration ROI in real numbers

    From 30 days to 1: Chevron’s cloud migration ROI in real numbers

    Join the event trusted by enterprise leaders for nearly two decades. VB Transform brings together the people building real enterprise AI strategy. Learn more


    The No. 1 way AI is changing 150-year-old energy giant Chevron? How technical practitioners engage with data. 

    Offshore in the Gulf, Chevron is drilling for oil resources miles below the ocean floor in pockets and reservoirs that may or may not yield results. Agentic architectures need to be able to process petabytes of critical data — which not only provides insights on where to drill, but how to do so without negatively impacting human lives or the environment — in the cloud and at the edge. 

    “Data is the ultimate accelerant for all of our AI use cases,” Steve Bowman, GM for enterprise AI at Chevron, said onstage at this year’s VB Transform. “It’s something that we’ve embraced in a big way.”

    How AI is changing the way Chevron interacts with its untold amounts of data

    In 2019, Chevron teamed up with Microsoft and oilfield services company SLB in a project called ‘Triple Crown’ to modernize and standardize cloud-based tools. The three companies have built Azure-native apps into SLB’s DELFI* cognitive exploration and protection (E&P) to help Chevron process, visualize, interpret and gain meaningful insights from multiple data sources. DELFI* E&P covers exploration, development, production and midstream environments. 

    The $250 billion energy giant with 1,000s of employees in 180 countries worldwide has “an enormous amount of data out there,” said Bowman. And, while Chevron has “very robust systems of record,” large amounts of unstructured data have existed in a variety of share points. 

    Over the years, Chevron has built some “really great algorithms” that have traditionally been run at small scale on-premises, he explained. However, there has been an increasing push to scale up, running those algorithms at a much larger scale and more efficiently in the cloud. 

    By doing that, “instead of looking at one three-mile-by-three-mile block in the Gulf of Mexico or Gulf of America, we can look at much larger areas we’re trying to operate on,” he said. 

    The Microsoft-SLB collaboration has focused on three products: FDPlan, DrillPlan and DrillOps. FDPlan utilizes high-performance computing (HPC) to integrate subsurface models, enabling employees to make faster and more informed decisions in complex environments, leveraging the best available data. For instance, in the Gulf, FDPlan helps Chevron analyze different options for developing a reservoir so its teams can focus on the most optimal scenarios.

    Meanwhile, DrillPlan is designed for engineers developing drilling plans, while DrillOps is used by teams that drill wells. 

    Before the initiative, some subsurface Chevron employees were spending as much as 75% of their time looking for data, Bowman noted.  “We can see that the time people spend looking for data is beginning to decrease, and the speed at which we can get insights is really accelerating,” said Bowman. 

    DrillPlan has also helped Chevron reduce its deepwater well planning process by 30 days. For instance, in Argentina, the company has reduced its planning cycle time for an eight-well pad from two weeks to less than a day.

    Ultimately, Bowman called the move to the cloud “a real force multiplier” that has allowed Chevron to enter into a new phase of modernization. 

    A focus on modular systems

    Now, as they work to integrate AI, Bowman’s team is focusing heavily on modularity. 

    He pointed out that the initial ‘ask’ was search; they offered up a very simple use case allowing people to retrieve information that existed within a “very, very” complex SharePoint. But as users have engaged more and more, their asks are increasing; in response, his team has added a retrieval agent, an agent that can evaluate findings from a technical standpoint and an orchestrator agent to link the two.

    “We really realized pretty early that we needed to lean in heavily on modularity, because we knew that these agents would be called upon in other workflows, based on the demand,” he said. 

    Another effort is ‘Chevron Assist,’ a chat interface to operate on health, safety and environmental (HSE) standards. “We work in an enormously complex industry, and the stakes of the game are always higher,” said Bowman. 

    The tool provides a natural way for people to interact with documents related to critical standards and procedures, eliminating the need to click through links or search within documents. So, for instance, a user can combine all of the standards they need for a drilling crew, an operations crew and a maintenance crew. 

    “We realized we weren’t thinking of the problem in the way that individual users are thinking of those things all together at once,” said Bowman. “There has been so much value in that integration. That’s really changed the way people do their work.”

    Not focusing too much on POCs

    As it builds out its programs, Bowman’s team has actively avoided falling into the habit of undertaking pilots and proofs of concepts (POCs) that drag on too long. “There’s no value in that,” he said. 

    The goal has always been to deploy the most promising use cases into production, he said. Everything must be linked back to Chevron’s bottom line and offer up a strong value proposition.

    “We know that with a curated data set and really enthusiastic, well-meaning group of users and a super narrowly defined use case, there’s almost 100% certainty that your POC will be successful,” said Bowman. 

    Another important element in deploying next-gen tools is overcoming the trust hurdle. From a behavior change standpoint, enterprise leaders must understand not only the expectations the company places on users locally and at the edge, but what those users expect in turn, said Bowman.

    “If you’ve built out these systems or tools in such a way that the individuals who are going to put hands on them don’t trust them, or can’t trust them, or there’s something holding them back, then you never really get the full enthusiastic deployment,” he said. 

    Editor’s Note: As a thank-you to our readers, we’ve opened up early bird registration for VB Transform 2026 — just $200. This is where AI ambition meets operational reality, and you’re going to want to be in the room. Reserve your spot now. 


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  • Famous brand is bringing back physical buttons to cars

    Famous brand is bringing back physical buttons to cars

    Ferrari first experimented with putting touch-sensing (or haptic controls in its SF90 supercar, which launched in 2019, just as the wider industry was starting to make the same moves.

    Subsequent models have also featured the technology, though customers were quick to criticise the lack of physical buttons and knobs, with touch-sensing controls being more difficult – and in some cases dangerous – to operate on the move.

    However, at the reveal of the new Amalfi grand tourer, Ferrari’s commercial boss Enrico Galliera admitted the brand had overlooked the potential flaws to the technology.

    “When we decided to create the SF90, the brief was to have the most performing Ferrari ever. We wanted to establish a distance versus our competitor. To achieve that, we put in all the most advanced available technologies,” Galliera said, as reported by Autocar.

    Ferrari Amalfi

    “So, we pushed our team to redesign the digital interaction. When we started this job, the idea was, when we interact with our phone is a touch, and the more you use the touch button the more you are quick in the execution, which, in principle, is absolutely true. So all the development was done following this path and these rules.

    “The final execution was, I think, extremely innovative, but we didn’t consider then when you use it, you’re also driving and the end result [goes against] our objective of eyes on the road, hands on the steering wheel.”

    “So this is the why we did it, because we wanted to have the most advanced system, and we realise, honestly, that it was probably too advanced and not 100 per cent perfect for the use that is done in the car. So this became clear and it was feedback that we received very loudly from our clients.

    “We believe that still the digital interaction has an advantage, but it should be blended in a way that the most used button should be physical, and some of them, like the start/stop, which are iconic, representing part of the history, should be there for this reason.”

    Ferrari Amalfi

    According to Galliera, the Amalfi will be the beginning of this new approach, which “will be deployed in every new launch we put in the market”.

    “We will rebalance the ratio between digital buttons and physical buttons.”

    Ferrari isn’t the first brand to walk back its approach to haptic controls, with arguably the most famous case being that of Volkswagen, which went as far to say touch-sensing buttons were a “mistake”.

    Still, buyers of the Amalfi will likely be paying more attention to the rest of the car than just what controls are inside the cabin.

    The successor to the Roma grand tourer, the Amalfi rides on the same platform as its predecessor but gets almost entirely new bodywork, while its twin-turbo 4.0-litre V8 engine has also been tweaked.

    Now producing 471kW, it’s 14kW more powerful, though torque remains at a very healthy 761Nm. An eight-speed dual-clutch automatic transmission continues to send drive to the rear wheels, and Ferrari claims a 0-100km/h time of 3.3 seconds.

    While its general design appears to be a cross between the Roma and the Purosangue, the new looks – as well as some underbody tweaks – have helped to make the Amalfi more aerodynamic, with Ferrari claiming its new active rear wing can generate up to 110kg more downforce than its predecessor.

    Ferrari has also fitted it with Formula 1-esque drive-by-wire brakes, helping to make it more driveable.

    Inside the cabin there are three screens – a 15.6-inch digital instrument cluster, a 10.25-inch infotainment touchscreen and 8.8-inch passenger display – which are contrasted with an interior ‘bridge’, made from aluminium.

    The Amalfi hasn’t totally replaced the Roma, with the Roma Spider remaining on sale in Europe until a convertible version of the new model arrives.

    Torquecafe has contacted Ferrari Australia to find out when the Amalfi will come to local showrooms.

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