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  • Half of the global population can’t afford healthy food

    A healthy diet costs in global average US$3.68 per day in 2021. This is considerably higher than the average food expenditure in almost all low income countries, where people have to do with a diet dominated by staples and oils, lacking protein and a number of micronutrients. The cost of healthy food is also out of reach for many people living above the World Bank’s extreme poverty line.

    A team of researchers have summarized data of the cost of a global ”Healthy food basket” which is closely aligned to a set of national public dietary guidelines. The healthy food basket is composed of six broad categories of food, starchy crops, oils, vegetables, fruits, legumes, nuts and seeds and animal foods. The researchers selected a small number of the cheapest food items in each category to calculate minimum cost of a healthy diet in the countries of the world. Notably, the healthy food basket has a considerably higher share of fruits and vegetables and a lower share of animal source foods (13% compared to 18%) than the average global consumption.

    It is well established that a healthy diet can be costly. Fruits, vegetables and animal foods are relatively expensive while starchy foods, oils and legumes are much cheaper when calculated in cost per energy unit. Oils give in average almost 20 times more food energy than vegetables. You eat vegetables for dietary variation, taste and micronutrients rather than to get sated. Meat is mostly eaten for protein and fat as well as taste and status. Still, meat gives much cheaper energy than both fruits and vegetables. The cost is also the reason for why poor people, mostly, eat very little greens, fruits and animals foods and a lot of staple foods like grain and root crops (see for instance in Pradhan et al 2013). Oils and other fats were traditionally in very short supply in most parts of the world, and most of the fat was of animal origin. The extreme expansion of vegetable oils, mostly palm oil and soy oil, has now made fat cheaper than starch as an energy source.

    The research is based on market prices and obviously both actual consumption and ”cost” will be different for the considerable part of the global poor that are farmers themselves. But even for them I believe it is clear that the poorest often eat a very starch-based diet, supplemented by purchased vegetable (palm) oil, sugar and salt (obviously there are some poor populations engaged in fisheries, livestock or the collection of wild plants that have a different diet). I worked many years in very poor countries and with poor farmers in East Africa and it was striking how seldom they consumed any quantity of vegetables. Those who did grow them did it mostly for the market, to get very much needed income.

    Smallholder Susan Mkandawire in Zambia cooks maize porridge with some salt, palm oil and pumpkin leaves to her family. She sells most of the vegetables she grows and the few chickens she raises to get much needed cash. Photo: Richard Mulonga

    The World Bank now defines extreme poverty by an income below $3 in PPP US dollars (Purchasing Power Parities) in low-income countries, $4.20 in lower-middle income countries and $8.30 in upper-middle income countries. The actual research is for the situation 2021, before most of the recent food price hikes. At that time, the World Bank poverty limit was $2.15. Realistically, around $1.35 of that could be used for food, which is more than one third of the cost of a healthy diet. The World Bank estimates that a little less than half of the global population live with a daily income below $8.30 in 2025. Considering that the bank increased the poverty line in upper-middle income countries from $6.85 to $8.30 between 2022 and 2025 it seems like a fair estimate that half of the global population can’t afford a healthy diet. This also calls into question of how the poverty lines are defined. Shouldn’t a person above the poverty line be able to eat healthy food?

    The researchers conclude that the so called Eat-Lancet diet is even more costly than the Healthy Diet Basket used in this study. This is due to the fact that the EAT Lancet diet has more categories of food and specify quantities of expensive foods such as nuts and fish. One can really question the relevance of making recommendations such as the Eat-Lancet diet when it is out of reach of most people. The Health Diet Basket would, according to this research cause slightly more greenhouse gas emissions than the Eat Lancet.

    Of course, one can’t draw too far reaching conclusions from this kind of research. In the end food is about a lot more than cost and calories and even if national data has been used, food consumption data is not particularly accurate and even less so in countries with high levels of self-provisioning.

    What constitutes a healthy diet is also vigorously debated and I don’t want to get into details about it here. My own opinion is that a mixed diet based on local foods will be fine, which means bigger variations than in the efforts to prescribe global diets. Where I live in the Sweden it will mean a diet with more animal foods than the global average and less fruit. In almost no countries of the world, people eat as much vegetables as is recommended in dietary recommendations and despite being a passionate vegetable grower since 1977 I am not convinced about the feasibility of increasing vegetable consumption to satisfy nutritional recommendation (Rundgren 2019).

    The research referred to here is not fine grained enough to cover all aspects, as the researchers point out themselves. In many cases the starch component will be refined (or be sugar) and not be whole grain for instance, and fish, various meats and dairy have different nutritional profiles and health reputation.

    In a coming article I will look into to what extent countries can feed their population with a healthy diet.


    References

    Herforth, A.W., Bai, Y., Venkat, A. et al. The Healthy Diet Basket is a valid global standard that highlights lack of access to healthy and sustainable diets. Nat Food 6, 622–631 (2025). https://doi.org/10.1038/s43016-025-01177-0

    Our World in Data 2025, Share in poverty relative to different poverty lines, World, https://ourworldindata.org/grapher/share-in-poverty-relative-to-different-poverty-thresholds

    Pradhan P, Reusser DE, Kropp JP (2013) Embodied Greenhouse Gas Emissions in Diets. PLoS ONE 8(5): e62228. https://doi.org/10.1371/journal.pone.0062228

    Rundgren, G 2019, Five dollars a day is not enough for five a day, Garden Earth https://gardenearth.substack.com/p/five-dollars-is-not-enough-for-five-day

    Rundgren, G 2022, Food and agriculture number crunching, part 3, Garden Earth

    World Bank 2025, Measuring Poverty. https://www.worldbank.org/en/topic/measuringpoverty

    Photo: Richard Mulonga. Author suppliled.

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  • Can AI spot alzheimer’s before it starts? This new brain-scan got 88% diagnoses right – Healthcare News

    Can AI spot alzheimer’s before it starts? This new brain-scan got 88% diagnoses right – Healthcare News

    A new artificial intelligence (AI) tool is helping doctors better understand and diagnose dementia, including Alzheimer’s disease, a new study has found. The tool, called StateViewer, was created by researchers at the Mayo Clinic. It was able to correctly identify the type of dementia a patient had in 88 per cent of cases, according to findings published in the journal Neurology.

    Doctors say the tool could make it easier to diagnose dementia earlier, even in people who have other medical issues that make it hard to figure out the cause of memory loss or confusion.

    “Every patient who walks into my clinic carries a unique story shaped by the brain’s complexity,” said Dr. David Jones, the study’s senior author and head of the Mayo Clinic’s Neurology AI Program. “StateViewer helps us give clearer answers, earlier.”

    How does it work

    To build the tool, researchers used over 3,600 brain scans called FDG-PET scans, which show how the brain uses sugar for energy. The AI compares a patient’s scan to a large database of scans from people with confirmed types of dementia.

    It looks for patterns in brain activity linked to different types of dementia. For example:

    • Alzheimer’s disease affects memory and thinking
    • Lewy body dementia involves movement and attention
    • Frontotemporal dementia affects language and behaviour

    The AI can recognise patterns for nine different types of dementia, the researchers said.

    StateViewer also creates colour-coded brain maps, making it easier for doctors to understand what the AI is seeing and why it gave a particular diagnosis.

    “Behind every brain scan is a real person with a lot of questions,” said Leland Barnard, the lead researcher. “This tool gives doctors fast and accurate information that can help patients get the right care sooner.”

    What’s next

    The team now plans to test StateViewer in different hospitals and clinics to see how well it works in real-life situations.

    If successful, it could become a useful tool for doctors treating people with memory problems or suspected dementia.

    Experts say this is a step toward more precise, early diagnosis, which is important because treatment often works best when started early.

    “This is just the beginning,” Dr. Jones said. “Tools like this could help change the way we care for people with dementia.”

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  • I wrote off Glastonbury as a ‘white’ festival – until I finally went | Glastonbury 2025

    I wrote off Glastonbury as a ‘white’ festival – until I finally went | Glastonbury 2025

    Hello and welcome to The Long Wave. This weekend I was at Glastonbury reviewing the bands with the Guardian’s music team; it was my second year at the legendary arts and music festival, and I’ve become a total convert, preaching the glory of Worthy Farm after years of assuming that an event like it wasn’t for someone like me.


    How Black culture belatedly found a home at Worthy Farm

    Pioneering … Jay-Z at Glastonbury in 2008 – his lead billing was criticised by some at the time. Photograph: Danny Martindale/WireImage

    In recent years, Glastonbury has come under fire for the perceived whiteness of the event. In 2022, the Black British comedy legend Lenny Henry said in a Radio Times interview that “it’s interesting to watch Glastonbury and look at the audience and not see any Black people there” – even if a Black artist had a key billing. Stormzy’s headline set in 2019, considered one of the most electrifying in Glastonbury’s long history, was the first solo headliner ever by a Black British artist; even festival organiser Emily Eavis seemed embarrassed that it had taken so long.

    Much more damaging to Glastonbury’s image, however, was Noel Gallagher’s response to Jay-Z being announced as a headliner for the festival in 2008. The Oasis songwriter called it “wrong”, claiming that hip-hop had no place on Worthy Farm – opinions that he later recanted. When tickets sold slowly for Glastonbury that year, some commentators blamed Jay-Z’s presence on the bill – rather than the terrible weather of the year before. I was only 11 in 2008, but I remember that my parents, hip-hop fans themselves, were infuriated by the backlash. To them, it demonstrated the constraints placed on Black people’s careers, as well as a reminder that, regardless of success or achievement, there were spaces in this country in which we still weren’t welcome.

    Certainly, for a long time I had no interest in attending Glastonbury. That’s not so much down to my music taste – I love a lot of pop and rock music, and some of my most anticipated sets last year were Avril Lavigne and Coldplay (for my sins), and this year, Lorde and Charli xcx. If I could travel back in time to catch a set it would be Lana Del Rey in 2023. But there was also this lingering idea that camping and not showering for days just to see live music was “something white people did”.


    From Fela Kuti to Beyoncé, the legends that paved the way

    Maverick … Fela Kuti’s appearance at Glastonbury in 1984 is regarded as one of the festival’s greatest moments. Photograph: Paul Curry/Alamy

    Evidently, Glastonbury’s image as a forum for white, male rock stars still lingers – and a Sunday afternoon slot for Rod Stewart this year, who the day before suggested that the country should embrace Nigel Farage, will have set things back a bit. Yet it has not always been this way. In the 1980s, Glastonbury increasingly became a home for international Black music.

    The American “gentle genius” Curtis Mayfield became the first Black headliner at Glastonbury in 1983. That same year, King Sunny Adé became the first Nigerian artist to perform at the festival. The roots reggae band Black Uhuru (who returned to Glastonbury this year after a near four-decade absence) were headliners in 1984. Afrobeat pioneer Fela Kuti’s Pyramid stage set that year, with 20-piece band Egypt 80, with its storming political messages and confrontations of authority and broken democracy, is widely regarded as one of Glastonbury’s most iconic performances. Skunk Anansie headlined the Pyramid stage in 1999, making singer Skin the first Black woman to do so. Since then, Kendrick Lamar, SZA and Beyoncé have served as headliners – Beyoncé defying the same accusations of inauthenticity and non-belonging that her husband did, three years after Jay-Z silenced his critics with a shutdown performance.

    Naturally though, Black cultural progress often fluctuates. Last year, our arts and culture correspondent Lanre Bakare wrote that the increase in Black artists at the festival (among them Janelle Monáe, Burna Boy and Little Simz) reflected a “cultural shift”, and that while Black festivalgoers had to work to overcome “psychological barriers”, they were breaking through in order to experience what is surely one of the greatest festivals in the world.

    I think that is true for me, too. My approach to Glastonbury is to embrace the eclecticism of its lineup. I attended sets by artists I’ve never heard playing music I’d never usually listen to, that cliche of broadening your horizons. I found myself strangely emotional during what was an odd combination of a minimalist piano performance and then DJ set by Breton composer Yann Tiersen, and then imagined myself smelling alpine plants and orchids in a Yakushima forest during Japanese folk singer Ichiko Aoba’s show.

    Glastonbury’s power has always resided in its ability to loosen your inhibitions and transport you to other worlds. However, that does not mean it is a space free from the more undignified strata of British society. One white boy asked if I would “pattern man some loud” (sell him weed); another hit me with a rogue “wagwan?” and fist bumped me; another saw me in my vest and asked “How comes Black people get so hench?” But by and by, these were easy to shrug off as business as usual when living in Britain, rather than expressions of hostility.

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    A community under canvas

    A thriving Black community … DJ Chidera in the Black at Glasto space. Photograph: Oli Scarff/AFP/Getty Images

    I can honestly say that coming to Glastonbury for a second year felt like coming back home. Yes, it is still predominantly white, but there is a thriving and visible Black community: on Saturday, I had the night of my life dancing to Larizzle, one of my favourite DJs, at the Black at Glasto tent at Silver Hayes, a hub for Black culture at Glastonbury launched last year by the community design agency ourppls. I “glamped” so I can’t say that I’ve exactly beaten my aversion to camping, yet there can be little doubt that other Black Britons are embracing life under canvas. There has been a surge of Black birdwatching groups, hiking clubs, skiing trips – a rebuke to the idea that certain activities are “for us” and others aren’t.

    The lineup for this year, while perhaps not as stacked as 2024, still offered a banquet of local and international Black talent: Black Uhuru, Ezra Collective, Cymande, Celeste, Doechii. I spoke to Ghanaian-American singer Amaarae, who told me that, as a child, she had watched footage of Amy Winehouse on the West Holts stage, and felt honoured to be performing in the same spot. She added that, though there had been improvements, she had previously viewed the festival as predominantly for white artists. Had she thought she would ever play here? “I definitely thought that one day I was going to be a star, so it was always an aspiration,” she told me. “I didn’t know how, but I knew that I could make it possible for myself.” Truly, there is no greater force against double consciousness than west African self-belief and manifestation.

    Nonetheless, Gallagher’s claim that rap had no place at Glastonbury lingered in my mind. Stormzy was the first Black British solo artist to headline, but there hasn’t been one since. AJ Tracey and Pa Salieu were the only Black British rappers on this year’s bill. But then came a twist. Skepta was pulled in at the 11th hour to fill in for an illness-struck Deftones. And in just 30 minutes spitting on the mic, he produced such a thrilling set that you couldn’t help but hope the headline spot is his soon. Let’s just say that if, when Glastonbury returns in 2027, there’s a Skepta and BBK link-up on the Pyramid stage, the streets will be there – by any means necessary.

    To receive the complete version of The Long Wave in your inbox every Wednesday, please subscribe here.


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  • Sabadell's CEO says sale of TSB would complicate BBVA's bid for lender – Reuters

    1. Sabadell’s CEO says sale of TSB would complicate BBVA’s bid for lender  Reuters
    2. Santander doubles down on UK presence amid Spain’s banking M&A turmoil  CNBC
    3. Major British bank with five million customers set to be sold to high street rival after days of speculation  The Sun
    4. Banco Sabadell rises after it agrees to sell British unit  TradingView
    5. TSB brand could disappear from high streets in £2.65bn Santander takeover deal  The Independent

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  • Revisiting the Video for Gwen Stefani’s “Cool,” 20 Years Later

    Revisiting the Video for Gwen Stefani’s “Cool,” 20 Years Later

    It opens with an expanded instrumental intro, requested by Muller to make use of their gorgeous main setting, the 19th-century Villa Erba, built by the Italian director Luchino Visconti’s maternal grandfather. A man and woman walk nervously across its lush gardens toward Stefani, smiling tightly at its doors. After some charged pleasantries, he stumbles into their hostess, triggering brief flashbacks to their younger selves, smiling and in love on a lakeside dock. The song then begins in earnest and the video settles into its impressionistic groove: two timelines constantly collapsing into each other by moments and objects that prompt memories both painful and joyous.

    Below, Muller shares with Vogue her closely held memories of the shoot, and some even closer-guarded on-set photos and storyboard frames.

    On its conception

    I knew that Gwen was a really good actress, but not in a straightforward way, like playing Shakespeare. She’s an amazing video actress. My proof is always this shot in “Don’t Speak,” where she’s holding an orange as she’s being photographed. She sees the band looking at her, pissed off, and she’s smiling for the photographer before her face falls, and you see that she feels terrible and guilty. That closeup of her face is really subtle, and that was what I based the whole concept of the “Cool” video on: her ability to do looks. The emotion comes not so much from the singing, but from her look.

    On its cinematic influences

    My influences are obviously films, especially from the 1950s and ’70s, but there weren’t any conscious references for the video. I wanted to allude to that time when filmmaking language was innocent and soft, not overly sexual. If anything, the person I copy all the time is Hitchcock: the camera work, the colors and the design of his films. That, combined with romantic Italian cinema and a blonde female lead in ’50s suits. But Gwen and I both had a love of The Sound of Music and one shot alludes to that, which is where they’re standing at the gates of the mansion, which looks a bit like the one from the movie.

    On its shoot

    It was a two-day shoot. The whole first day—the past scenes—was shot on 16-millimeter [film] and it was very quick: get on the bike, go in the room, go into the café, run around. The second day, we shot inside, on 35 millimeters, and it was really precise and really hard. There was a lot of, How will we finish? But everyone was literally at the top of their game, right at that moment in time. Lots of people came from Gwen’s world: her brother was there, filming behind the scenes, because that’s what he does, and a photographer came to take pictures of the set. I remember her saying, “I just can’t believe it. I could approve every single one, everything looks amazing.”

    On directing the central trio

    Originally, Gwen was going to have a partner in it. It was gonna be two couples, and you weren’t gonna see her husband—it was going to be just his hand or something. But then we thought, Oh, this is so stupid, let’s get rid of the husband. We wanted to lean into the idea that [the ex] should be an Italian actor, but eventually went with a Spanish one [Daniel González]. And then it was, Well, Erin is an actress, let’s use Erin. They were friendly, and Gwen and Tony were friendly. Having Erin just felt logical, you know? It wasn’t very hard directing them because they knew what they were doing. And Erin was great because all she had to do was be someone who was witnessing it all for the first time.

    On its use of match cuts and gazes

    You can do a lot with a head turn. If someone does that and then you show what they’re looking at, you’ve created a story. The match cuts came from the idea of, How do we portray the past and the present without being crass? My favorite shot—I’m so proud of it, and it’s storyboarded, which is what blew my mind—is when the waiter puts the spaghetti and meatballs down and it cuts with Gwen putting biscuits down in the present. I storyboarded all the connections—the hands, the meatballs, the teacups with their lips on them. I worked with one of the best storyboard artists ever, Glyn Dillon, who no longer does it because he’s so successful doing something else. He helped me come up with all those ideas.

    On its lasting legacy

    I think everyone loved it at the time, but it wasn’t a bigger hit. If you read the comments on YouTube now, it’s really amazing. I don’t really read comments, but these are so profound. People are saying they went to Como on their honeymoon because of the video, and commenting all the things it’s meant to them. I just could not believe it. I know some people really love music videos, but this one touches people in a really weird place. They all cry when they watch it; I didn’t expect that.

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  • Xavi Valero, Head of first-team goalkeeper coaching

    Xavi Valero returned to Liverpool in the summer of 2025 to take up the position of head of first-team goalkeeper coaching.

    The experienced Spanish coach first enjoyed a stint with the Reds as part of Rafael Benitez’s backroom team, joining in 2007.

    Valero would then follow Benitez to his following managerial reigns at Internazionale, Chelsea, Napoli and Real Madrid.

    He moved to Chinese Super League side Hebei China Fortune for nearly two years before heading to West Ham United with Manuel Pellegrini.

    Valero left the Hammers at the end of the 2024-25 season after a seven-year spell to form part of Arne Slot’s coaching set-up on Merseyside.

    He was a ‘keeper during a playing career that saw him represent a host of Spanish clubs – including hometown team Castel…

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  • Ireland’s renewable transport fuel policy provides some clarity for providers and investors

    Ireland’s renewable transport fuel policy provides some clarity for providers and investors

    Garrett Monaghan and Shani Stallard, energy experts at Pinsent Masons, were commenting after the Irish government published its renewable transport fuel policy 2025-27 (27 pages/1 MB PDF), a strategic plan to cut emissions from petrol and diesel vehicles by increasing the use of renewable fuels across the transport sector. The policy, published by the Department of Transport, is part of Ireland’s efforts to meet its national EU climate targets by 2030.

    The policy includes the renewable transport fuel obligation (RTFO), a legal requirement for fuel suppliers to blend a certain percentage of renewable fuels into their products. Under the new plans, this obligation will increase every year, with aims to ensure a steady rise in the share of renewables in Ireland’s fuel mix.

    The new policy sets out how Ireland will reduce the environmental impact of road, rail, and public transport by blending more biofuels and other renewable alternatives into traditional fossil fuels. It also introduces a series of reforms to accelerate the transition to cleaner transport while supporting the country’s climate action plans and the EU Renewable Energy Directive. 

    While electric vehicles (EVs) are central to Ireland’s long-term climate strategy, the government acknowledges that widespread EV adoption will take time. In the meantime, the government is urging the use of biofuels made from plants, waste, or residues in the vehicles already on the roads.

    Monaghan said: “Using biofuels in our existing vehicles is a quick and cost-effective way to cut emissions right now. It acts as a bridge while cleaner technologies, like electric cars, are being scaled up – meaning we can start lowering transport emissions immediately without waiting for everyone to switch to electric vehicles. That said, we need to always prioritise the importance of a cohesive renewables policy across the lesser developed areas of heat and transport. The government needs to accelerate the publication and delivery of the renewable heat obligation scheme for renewable gas.”

    From 2026, the RTFO will expand to include fuels used in rail transport and will also begin awarding credits for renewable electricity used to charge EVs at public charging points.

    Further, the policy places a strong emphasis on advanced biofuels – those made from waste products or non-food sources – and renewable fuels of non-biological origin, such as green hydrogen and synthetic e-fuels. These ‘next generation’ fuels are seen as essential for decarbonising sectors that are harder to electrify, such as heavy goods vehicles and aviation. By 2027, a growing portion of the RTFO target must be met using these advanced fuels.

    The policy comes with a detailed 19-point action plan, with deadlines between 2025 and 2027 to make sure all goals are achieved. For example, new laws will be passed in the second half of this year to enforce higher blend rates, include rail fuels in the obligation, and give credits for EV charging. There will also be support for industry guidance to improve the quality of fuel application and reduce processing delays as well as quarterly publication of performance data in a bid to ensure transparency and accountability.

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  • Iran suspends cooperation with UN nuclear watchdog – World

    Iran suspends cooperation with UN nuclear watchdog – World

    Iran on Wednesday formally suspended its cooperation with the UN nuclear watchdog, a measure drawn up in the wake of unprecedented Israeli and US strikes on the Islamic republic’s nuclear sites.

    The war between Iran and Israel, which broke out on June 13 and lasted for 12 days, has intensified tensions between Tehran and the International Atomic Energy Agency (IAEA).

    On June 25, a day after a ceasefire took hold, Iranian lawmakers overwhelmingly voted in favour of the bill to suspend cooperation with the agency.

    State media said today that the legislation had cleared the final hurdle and was in effect.

    The text, published by Iranian media, states that the legislation aims to “ensure full support for the inherent rights of the Islamic Republic of Iran” under the nuclear non-proliferation treaty, and “especially uranium enrichment”.

    The issue of enrichment was at the core of disagreements between Washington and Tehran in nuclear negotiations that had been derailed by the war.

    Israel and some Western countries had for long accused Iran of seeking to acquire nuclear weapons — an ambition Tehran has consistently denied.

    The text of the law did not specify concrete moves linked to the suspension of cooperation with the IAEA, whose inspectors have had access to declared nuclear facilities.

    Following the parliament vote, the bill was approved by the Guardian Council, a body tasked with vetting legislation, before a final ratification from the presidency.

    Iranian President “Masoud Pezeshkian promulgated the law suspending cooperation with the International Atomic Energy Agency”, state TV said today.

    Iranian officials have sharply criticised the IAEA for what they described as the agency’s “silence” in the face of the Israeli and US attacks on Iranian nuclear sites.

    Germany said on Wednesday that Iran’s decision to suspend cooperation with the UN nuclear watchdog sends a “disastrous signal”.

    “For a diplomatic solution, it is essential for Iran to work with the IAEA,” foreign ministry spokesman Martin Giese told reporters after Tehran formally enacted the suspension.

    ‘Deceptive and fraudulent’

    Tehran has also lambasted the UN agency for a resolution adopted on June 12 that accuses Iran of non-compliance with its nuclear obligations.

    Iranian officials said the resolution was among the “excuses” for the Israeli attacks.

    Senior judiciary official Ali Mozaffari said today that IAEA Director General Rafael Grossi should “be held accountable” for what he called “preparing the groundwork for the crime” against Iran, referring to Israel’s air raids.

    Mozaffari accused Grossi of “deceptive actions and fraudulent reporting”, according to Iranian news agency Tasnim.

    Iran has rejected a request from Grossi to visit nuclear facilities bombed during the war, and earlier this week Pezeshkian decried his “destructive” conduct.

    Iran has said Grossi’s request to visit the bombarded sites signalled “malign intent” but insisted there were no threats against him or against inspectors from his agency.

    France, Germany and Britain have condemned unspecified “threats” against the IAEA chief.

    Iran’s ultra-conservative Kayhan newspaper has recently claimed that documents showed Grossi was an Israeli spy and should be executed.

    ‘Serious’ damage

    On Monday, Iranian foreign ministry spokesman Esmaeil Baqaei said the parliament vote to halt cooperation with the IAEA reflected the “concern and anger of the Iranian public opinion”.

    The 12-day war began when Israel launched a major bombing campaign on Iran and killed top military commanders, nuclear scientists, and hundreds of civilians, with Tehran responding with waves of missiles and drones launched at Israel.

    On June 22, Israel’s ally the United States launched unprecedented strikes of its own on Iranian nuclear facilities at Fordo, Isfahan and Natanz.

    More than 900 people were killed in Iran, according to the judiciary.

    Iran’s retaliatory attacks killed 28 people in Israel, according to authorities.
    US President Donald Trump said the US attacks had “obliterated” Iran’s nuclear programme, though the extent of the damage was not clear.

    Iranian Foreign Minister Abbas Araghchi has admitted “serious” damage to nuclear sites.

    But in a recent interview with CBS’s Evening News, he said: “One cannot obliterate the technology and science… through bombings.”

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  • Pakistan flash floods: 64 killed, 117 injured; locals slam rescue delay

    Pakistan flash floods: 64 killed, 117 injured; locals slam rescue delay

    At least 64 people have died and 117 others have been injured across Pakistan in the past week due to flash floods and heavy rain, a government agency said on Wednesday. The worst-hit area was the northwestern province of Khyber Pakhtunkhwa, where 23 people, including 10 children, lost their lives. In Punjab province, another 21 people were killed—11 of them children—mainly due to homes collapsing in the rain, reported news agency AFP. Over the weekend, torrential rain triggered sudden floods in the Swat Valley. In one incident, 12 members of a family from Mardan were swept away while picnicking near the river. Locals said there were no immediate rescue efforts despite repeated calls for help. Videos from the scene showed people clinging to rocks and screaming as waters surged. “We kept dialling the emergency numbers, but no one came. By the time they did, it was too late,” Kabeer, a local vendor who helped retrieve bodies, told TOI earlier. Swat residents expressed frustration at repeated government failures in disaster response. “This valley has lived through terrorists, military operations, and devastating floods. Every time, we’re promised lessons will be learned, but nothing changes,” said Khan Sher from Mingora. Despite its push for climate justice globally, Pakistan’s domestic preparedness remains weak. Locals in tourist towns like Bahrain and Kalam, where riverside hotels were hit hard, said the floods turned busy market areas into danger zones within minutes. “Each year we mourn our dead, patch up the roads, and brace for the next disaster,” said Liaquat Bacha, a farmer whose fields were destroyed. Rescue efforts are ongoing.


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