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  • Sony hasn't cancelled Fairgames live service shooter despite reports – TweakTown

    1. Sony hasn’t cancelled Fairgames live service shooter despite reports  TweakTown
    2. Sony’s PlayStation Live-Service Title Fairgames Is Cancelled, It’s Claimed  The Game Post
    3. ‘I Have No Info on The Game At All’: Fairgames Has Not Been Cancelled  Insider Gaming
    4. Fairgames Has Reportedly Been Canceled, Amid Sony’s Major Focus on Live-Service Model  Tech4Gamers
    5. Is Fairgames cancelled? Everything you need to know about recent rumors  Khel Now

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  • Man Utd 0-1 Arsenal: Altay Bayindir error highlights Red Devils’ goalkeeper ‘problem’

    Man Utd 0-1 Arsenal: Altay Bayindir error highlights Red Devils’ goalkeeper ‘problem’

    Amorim later clarified that Onana had not been dropped for this game and was also not about to leave the club.

    The United boss said the Cameroon keeper had not been considered because he had missed every pre-season match because of a hamstring injury he sustained at the beginning of last month.

    United did have tentative discussions much earlier in the transfer window about signing World Cup-winning goalkeeper Martinez from Aston Villa.

    That went nowhere. More recently, they have been quick to rule themselves out of a move for PSG’s Champions League-winning goalkeeper Donnarumma.

    In addition, United also decided to loan highly-rated 21-year-old Radek Vitek to Bristol City.

    Internally, United have high hopes for the Czech Republic youth international, whose performance in Saturday’s 0-0 draw with Charlton on Saturday was labelled “world class” by Addicks coach Curtis Fleming.

    However, United clearly feel Vitek is not yet ready to deal with the pressure of being a regular at Old Trafford.

    So, if Onana was not available, it left Amorim facing a straight choice between Bayindir and 37-year-old Tom Heaton, who signed a one-year contract extension this summer and says he still has a “drive and desire to play”.

    Amorim was displeased at being asked about his goalkeeper selection during his assessment of Sunday’s loss.

    He took particular exception to a suggestion that Bayindir’s failure to keep out Son Heung-min’s corner in an EFL Cup loss at Tottenham in December, when the keeper was also crowded out in his own six-yard box, was a reason why picking him was a risk.

    “Why?” he responded. “[Son’ goal was] without VAR. With VAR, it’s a foul.

    “And then what happened in the next game? Who saved the penalty? Who saved the game? You don’t remember?

    “Bayindir was unbelievable in that game. I consider everything to put one on another.”

    There were actually four games, and almost a month, between the Tottenham defeat and the next time Bayindir played – in United’s FA Cup penalty shoot-out victory at Arsenal.

    Onana started all the matches in between.

    Given Amorim’s subsequent comments about his overall goalkeeping department, the chances are Onana will be back for next weekend’s trip to Fulham.

    “We proved today we can win any game in the Premier League, especially against a great team like Arsenal,” he said.

    “We were the better team. I’m happy with the three goalkeepers.”

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  • F1 & Superman Near $600M Global Box Office, India’s Coolie Opens Big

    F1 & Superman Near $600M Global Box Office, India’s Coolie Opens Big

    Refresh for latest…:  It’s been largely a holdover weekend for the studios at the global and international box office, with results for some that will soon translate to big milestones. It was also a notable frame for local titles from India and Japan.

    Studio-wise, last weekend’s champ, New Line/Warner Bros’ Weapons, was tops with another $18.4M in its offshore arsenal from 73 markets. The overseas cume is now $59.7M for $148.8M global. 

    In milestones, Universal/Amblin’s Jurassic World Rebirth well surpassed $800M global, and both DC/Warner’s Superman and Apple/WB’s F1 are on their way to topping $600M worldwide, apiece.

    Before we get into the details on the above, let’s look at what’s happening with some local titles that either had terrific debuts or are continuing on in expansion.

    India’s got two movies in the mix: Rajinikanth-starrer Coolie, and Hrithik Roshan and NTR Jr.-starrer War 2. Each opened with a bang. Estimates we are hearing put Coolie at $45.4M global, including about $27M from India. For War 2, comScore has $31.5M worldwide. As we always note, India is extremely ornery to track, and we will update accordingly. Either way, great starts for each.

    In other local news, this time in expanded overseas play via Crunchyroll/Sony, Demon Slayer: Kimetsu no Yaiba Infinity Castle set new records with a $17.5M No. 1 opening in the eight Southeast Asian markets that debuted this weekend. The latest installment in the blockbuster anime franchise surpassed the entire regional lifetime for Demon Slayer – Kimetsu no Yaiba – The Movie: Mugen Train as well as Frozen II for the highest all-time animated opening for this group of markets at current exchange rates. The launch was over twice as big as Inside Out 2, Super Mario Bros., Moana 2 and Ne Zha 2

    In individual records, Indonesia, with $3.6M,logged the biggest anime opening ever and the highest opening weekend locally since Deadpool & WolverineHong Kong, at $3.5M, had the largest anime opening ever and the top start since 2019. Thailand bowed to $3.2M, the best anime and animation opening of all time. Other anime records were set in Malaysia ($3.3M) and Vietnam ($2.5M).

    Infinity Castle has, of course, already broken records since its July release in Japan and still has several markets to release including the U.S., Mexico, Australia, UK, Spain, France and Germany. The global cume is estimated at $192.8M through Sunday.

    Turning back to the studio top-liners, New Line/WB’s Weapons pulled in another $18.4M from 73 overseas markets for a 33% drop from opening weekend. The international running cume is $59.7M and the global cume to date is $148.8M through Sunday.

    Among strong individual holds were Chile (+2%), Sweden (-6%), Germany (-11%), Holland (-17%), Saudi Arabia (-22%), Philippines (-23%), Brazil (-25%), France (-28%), Italy (-29%), Mexico (-29%), Argentina (-30%) and Australia (-31%).

    In like-for-like markets and using today’s exchange rates, the film is tracking ahead of Sinners (+47%), Smile (+42%), M3GAN (+41%) and 28 Years Later (+27%).

    The Imax cume is $13.8M global.

    Universal/DreamWorks Animation’s The Bad Guys 2 continued its staggered offshore release this session, adding $13.7M from 67 markets (-34% in the holdovers). That brings the international running total to $60.2M, which is above the original at the same point. Globally, Bad Guys 2 crossed the century mark for $117.4M to date.

    New openers included China, where the gang bowed on Saturday amid stiff local competition (including an animated title), and stole away with $6.7M for the two-day debut — the biggest studio animation opening in the market this year. The start is above Elemental, and well above Trolls and The Bad Guys (which all opened on a Friday). The Maoyan score is 9.5 with the ticketing site predicting a $40M+ full run.

    Drops were very good in majors like France (-13%), Korea (-25%) and Spain (-29%) while increases were seen in Argentina (+10%) and Netherlands (+7%), among others.

    Still to release are Italy, Germany and Australia.

    The Top 5 to date are: UK ($11.8M), France ($6.7M), Spain ($5M), Mexico ($4.7M) and Korea ($2.4M).

    The Jurassic juggernaut continues for Universal with Jurassic World Rebirth adding another $9.9M in 83 offshore markets this 7th session. That’s a 39% dip from last frame and takes the international cume to $496.5M. Global is now well across the eight-century mark, with $828.6M worldwide through Sunday. 

    This weekend, JWR surpassed the overseas box office cumes of Mission: Impossible – Rogue Nation, Guardians of the Galaxy Vol. 3 and Jumanji: The Next Level.

    Japan was a standout in its second frame despite local competition, already reaching $20.8M.

    All markets have been released, and the Top 5 to date are: China ($79M), UK ($46.4M), Mexico ($36M), Germany ($31.6M) and France ($27.7M). 

    Marvel/Disney’s The Fantastic Four: First Steps has reached a global cume through its fourth Sunday of $468.7M, still skewing domestic with a little over 47% from the international box office where the running cume is $221.7M.

    This overseas frame was $9.3M with all markets released. F4:FS is the highest-grossing superhero genre title of the year across Latin America and was again No. 1 in Brazil this weekend. The overall overseas drop was 48% and included good holds in such majors as France (-26%), Spain (-28%), Italy (-39%), Japan (-42%), Brazil (-43%), Mexico (-47%), Australia (-49%), UK (-49%) and Germany (-50%).

    The Top 5 offshore markets to date are: UK ($27.9M), Mexico ($26.2M), France ($14.3M), Brazil ($12.8M) and Australia ($10.6M). 

    Meanwhile, last weekend’s new Disney pic, Freakier Friday, grossed $9.3M in 47 material overseas markets, taking the offshore cume to $31.5M and global to $86.3M

    The reteam of Lindsay Lohan and Jamie Lee Curtis dipped by just 37% internationally, and has been performing strongly in Latin America. This weekend it held the No. 1 spot in that region as a whole with great holds in some markets including Brazil (-22%) and Mexico (-32%).

    Currently playing in about 85% of the overseas footprint, Freakier Friday opens next weekend in Taiwan and has such majors as Korea (August 27) and Japan (September 5) on deck.

    The Top 5 to date are: Mexico ($5.7M), UK ($5.5M), Australia ($2.6M), Argentina ($1.8M) and Colombia ($1.4M).

    Capping off the trifecta of movies grossing $9.3M internationally this weekend, Apple Original Films’ F1, via Warner Bros clocked only a 23% drop from last weekend – seriously impressive in the 8th frame. The international total is currently $407.2M and the global running cume is $590M through Sunday.

    In Korea, where audiences are driving hard, F1 is now the No. 1 movie of 2025, ahead of all local titles. In addition, this is the biggest film ever for Brad Pitt in the market and the 4th biggest WB film ever.

    WB/DC’s Superman is also headed to $600M global, now at $594.5M through Sunday.

    MORE…

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  • Over 40 missing after boat accident in Nigeria’s Sokoto State

    Over 40 missing after boat accident in Nigeria’s Sokoto State

    This representational image shows a boat carrying migrants. — AFP/File

    Rescue workers are searching for more than 40 people after a boat accident in Nigeria´s northwestern Sokoto State, the country´s emergency agency said on Sunday.

    The National Emergency Management Agency (NEMA) said in a statement that the boat, which was carrying more than 50 passengers to a market, capsized on Sunday morning.

    “About 10 persons have been rescued, while more than 40 passengers remain missing,” NEMA added.

    Boat accidents are common on Nigeria’s poorly regulated waterways due to overcrowding and poor maintenance, particularly during the annual rainy season when rivers and lakes overflow.

    At least 16 farmers died in a similar accident in August 2024 when a wooden canoe carrying them across a river to their rice fields capsized in Sokoto state.

    On July 29, six girls drowned after a boat taking them home from farm work capsized midstream in northwestern Jigawa State.

    Two days earlier, at least 13 people had died in another boat accident in central Niger State.


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  • All 16 participating teams officially welcomed to Women’s Rugby World Cup 2025

    All 16 participating teams officially welcomed to Women’s Rugby World Cup 2025

    • All 16 participating teams now officially welcomed to Women’s Rugby World Cup 2025
    • Following Saturday’s events in Sunderland, Northampton and Exeter, the remaining eight teams – Australia, Samoa, Scotland, Wales, Canada, Fiji, Spain and New Zealand – were welcomed on Sunday in Manchester and York
    • VNR material, photos and speeches available for download

    After the three colourful events held on Saturday in Sunderland, Northampton and Exeter, the remaining eight participating teams have attended the final two Welcome Ceremonies in York and Manchester for their official tournament welcomes from World Rugby, England 2025 and local dignitaries.

    Former England full-back and current World Rugby Vice-Chairman Jonathan Webb addressed Australia, Samoa, Scotland and Wales at Rates Hall in Manchester, before World Rugby CEO Alan Gilpin was among those who addressed Canada, Fiji, Spain and defending champions New Zealand (captains pictured above) at Tempest Anderson Hall in York’s Museum Gardens.

    Inspiring ahead of 2029 – Palu

    “We are so incredibly excited to be part of this Rugby World Cup because we know it is going to be a remarkable tournament, one of the best ever,” said Australia captain, Siokapesi Palu.

    YORK, ENGLAND – AUGUST 17: Team Canada take a selfie as they arrive during the Women’s Rugby World Cup opening ceremony at York Museum Gardens on August 17, 2025 in York, England. (Photo by Jack Thomas – World Rugby/World Rugby via Getty Images)

    “It is truly inspiring and something that we hope for back at home (at Women’s Rugby World Cup 2029). Women’s sport probably isn’t as visible at home as it is here, so it’s good to see with our own eyes, a great benchmark for where we are.”

    Scotland captain Rachel Malcolm added: “Playing at a World Cup is truly something we have dreamt of our entire lives. And to be here and have an opportunity to be part of what is going to be the biggest event in women’s rugby so far… I’m so proud.”

    Now we can really feel it is happening – Turani

    Italy’s Silvia Turani and France’s Manaé Feleu summed up the mood among all of the players at the ceremony their teams shared at Exeter Cathedral on Saturday.

    “We have been talking about the World Cup in England for a long time and now we can really feel it is happening. The flight yesterday, the Opening Ceremony today, being in England, it is happening now,” said Turani.

    “The venue was amazing. We weren’t expecting such a sacred venue. Having a ceremony for a World Cup is special and having it in a cathedral was so special. I think the girls all enjoyed it. It was so incredible to be in this place,” said Feleu.

    RWC 2025 - Welcome Ceremony - New Zealand

    Black Ferns out to inspire next generation

    The Black Ferns of New Zealand kick off their title defence against Spain in York on Sunday, 24 August, two days after hosts and world number one side England get the tournament underway against USA at the Stadium of Light in Sunderland.

    “What motivates us is everybody back home,” said co-captain, Kennedy Tukuafu. “It makes us just want to get out there, put out a performance that we’re really proud of and inspire the next generation. [Our legacy] is what we do on the field but also what we do off the field, giving back to the community to make people want to pick up a rugby ball.”

    The defending champions are due to visit a local school in York on Monday as Rugby World Cup fever grips the north of England.

     

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  • Earendel, farthest and earliest star ever seen, might not be what it seems

    Earendel, farthest and earliest star ever seen, might not be what it seems

    A quirk of nature that helps magnify extremely distant cosmic objects allowed a space telescope to see a star that existed when the universe was only 900 million years old. 

    NASA’s Hubble observatory made the discovery in 2022, making it the farthest and earliest star ever seen. Astronomers named it Earendel, meaning “morning star” in Old English. 

    A year later, scientists followed up with the James Webb Space Telescope because it has a larger mirror and collects light at longer infrared wavelengths. At that point, scientists thought they may have spotted a companion star, something they were surprised was technically possible, even with Webb’s unprecedented power. 

    Now, a new study suggests that the astonishingly distant starlight of Earendel may be coming from more than just a single star or close pair. The paper, published in The Astrophysical Journal Letters, analyzes the previous Webb telescope data with computer models and finds a compelling case that Earendel may, in fact, be a star cluster, made up of a collection of stars. 

    “My secret hope is that it is an individual star,” Massimo Pascale, who led the research at UC Berkeley, told Mashable. 

    SEE ALSO:

    How AI helped astronomers uncover one truly weird supernova

    Scientists are eager to find and research stars as old as Earendel because such relics may solve mysteries of the ancient universe, thought to be 13.8 billion years old.

    Hubble detected Earendel through a phenomenon known as gravitational lensing — when a galaxy cluster in the foreground of a telescope’s view magnifies and bends light beyond it. NASA often uses the analogy of a bowling ball placed on a trampoline to illustrate this point, with the ball representing a massive celestial object and the trampoline being the fabric of spacetime. Light that would otherwise travel straight curves gets distorted as it passes through that warped spacetime. It’s like adding a more powerful lens to a telescope.

    A massive galaxy cluster’s magnification allowed astronomers to see Earendel with the Hubble Space Telescope.
    Credit: NASA / ESA / Brian Welch / Dan Coe / Alyssa Pagan

    But gravitational lensing also has the potential to replicate or stretch objects, the way a funhouse mirror can create multiple irregular copies of images.

    Mashable Light Speed

    Because galaxy cluster WHL0137-08 is serving as a colossal magnifying glass in the sky, the light of Earendel’s incredibly distant galaxy, the Sunrise Arc, popped into Hubble’s view. Scientists could see it as it was 12.9 billion years ago. But today, because the universe has also stretched out through cosmic expansion, the Sunrise Arc is estimated to be 28 billion light-years away from Earth.

    Astronomers have a lot of experience identifying the effects of gravitational lensing, but that wasn’t always the case. In 1987, an enormous blue arc thought to be hundreds of trillions of miles long was at first considered one of the largest things ever detected in the cosmos. Later that year, scientists figured out they were looking at an optical illusion, a distortion caused by a galaxy cluster. The New York Times published a story about the “bizarre” implication of Einstein’s General Theory of Relativity, titled “Vast Cosmic Object Downgraded to a Mirage.”

    For Earendel, some astronomers have continued to wonder whether it is indeed a star. Pascale, now an Einstein Fellow at UCLA, and collaborators decided to reassess its size, which may have been low-balled since estimates didn’t account for mini halos of dark matter, a mysterious, yet abundant substance that doesn’t shine or interact with light. Such clumps of dark matter could be influencing the magnification. With these effects considered, Earendel’s size could be consistent with a star cluster. 

    The researchers compared Earendel to a widely acknowledged star cluster in the same galaxy, known as 1b. What they found was that Earendel and the 1b cluster have similar features: They’re both already between 30 and 150 million years old in Webb’s snapshot, they lack heavy elements made by “newer” stars, and they resemble nearby ancient star clusters. 

    While 1b fit extremely well in star cluster models, so did Earendel, according to the study.

    “In order for Earendel to be an individual star, or maybe a binary of two stars very close to each other, the chance alignment of Earendel with the foreground galaxy cluster that’s causing the gravitational-lensing effect would have to be an incredible stroke of luck,” Pascale told Mashable. “If it is a star cluster, that chance alignment — it doesn’t have to be quite as perfect.”

    Though the new paper doesn’t speculate on how many stars could be among such a cluster, Pascale says its mass might be equal to that of hundreds of thousands of suns — or more. 

    One possible way to answer the question of whether Earendel is a lone star is to watch for flickers. Through multiple observations, scientists might be able to catch the light source suddenly and briefly getting brighter. A star cluster wouldn’t show such fluctuations because all of the other stars’ light would wash it out. 

    Though securing the telescope time to conduct the research would be expensive, Pascale said it might be a worthwhile endeavor for the scientific community to explore.

    So far, colleagues have seemed open to considering a star cluster as an explanation for Earendel, but Pascale emphasizes that the paper doesn’t definitively prove that it is: The previous teams that made the discovery make a compelling case, too. He hopes the new study merely adds to the discourse.

    “Maybe everybody keeps what their secret thoughts are about it a little bit more private,” he said, “but most people are pretty happy to say, ‘Yeah, a star cluster seems like an option.’”

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  • ‘Stranger Things’ star gets candid about big career decision

    ‘Stranger Things’ star gets candid about big career decision

    ‘Stranger Things’ actor gets honest about acting choices

    Dacre Montgomery said he took a hiatus from acting after his breakout role in Stranger Things as played Billy Hargrove.

    In an interview with People, he shared that the success of the series was overwhelming, to say the least. “I think with Stranger Things — as any big show on Netflix — it’s kind of like you lose your anonymity overnight.” 

    “It was amazing and overwhelming and a combination of many things, and I felt really lucky and really fortunate to have that opportunity,” the star added.

    But the actor noted the Netflix show pushed his career in a direction he wasn’t initially interested in.

    “I grew up really wanting to work with all tour directors on arthouse films and really explore how far I can push myself in terms of character development and really, really fall in love with stories,” the 30-year-old noted.

    “And when Stranger Things came out, I felt like … I was really being pushed in a commercial direction,” he said.

    Following the Netflix series, Dacre said he “took time to step back” to figure out what projects he should be doing. “That sort of stuff takes time to kind of reverse engineer a career that’s going one way into a different direction.“

    “It takes time, and I can’t just generate a story, an amazing story [and] an amazing director in front of my eyes,” he noted.

    Besides Baz Luhrmann’s Elvis, Dacre said he is more interested in appearing in indie movies.

    Stranger Things season five, volume one, will be out on November 26.


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  • Lil Yachty Thanks Tyler, The Creator After Bringing him on ‘Chromakopia’ World Tour

    Lil Yachty Thanks Tyler, The Creator After Bringing him on ‘Chromakopia’ World Tour

    Seeing so much of the world during a massive tour has to be an eye-opening experience. Even for someone like Lil Yachty, as big a name as he is, it still brings a lot of new perspective. Consequently, when touring under Tyler, the Creator with Paris Texas, he got to see the world and learn a lot from one of the biggest rappers working today. Now, he’s giving thanks to Tyler for the experience and everything he learned along the way.

    Recently, Lil Yachty posted on his Instagram stories as his portion of the Chromakopia tour is wrapping up. There, he calls the Golf Wang visionary a mentor for him, expressing his gratitude for his wisdom and his companionship. “Last leg of this tour for me and I just want to take the time to thank you for your friendship, thanking you for giving me the praises i needed to push me on and holding me accountable when i do some ignorant s**t,” Yachty writes. “All in all, i’m grateful.”

    Lil Yachty Writes Heartwarming Post to Tyler The Creator

    “1 of the few mentors i have, always held me accountable, always challenged me,” he continues. “Forever grateful. “Young men need mentors. Need a line of proper guidance. Thanks Tyyytyyy.”

    This connection between Yachty and Tyler, the Creator spans into musical inspiration as well. During an interview with Billboard in 2023, he reveals that his album Let’s Start Here gets a lot of its juice because of Tyler. Moreover, Lil Yachty desperately wants to make a collab album with him in the future.

    “I would love to do a project with Tyler [The Creator]. He’s the reason I made this album. He’s the one who told me to do it, just go for it. He’s so confident and I have so much respect for him because he takes me seriously, and he always has,” Lil Yachty explains. “I just want people to understand I love this. This is not a joke to me. And I can stand with my chest out because I’m proud of something I created.”


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  • Former Black Cap Colin Munro smashes spectacular century

    Former Black Cap Colin Munro smashes spectacular century

    Colin Munro playing for the Brisbane Heat in 2024.
    Photo: DAVE HUNT / PHOTOSPORT

    Former Black Cap Colin Munro has made a spectacular start to the Caribbean Premier League.

    Playing for the Trinidad Knight Riders, Munro smashed 120 off 57 balls in a 12 run win over St Kitts and Nevis in their opening game.

    His innings included 14 fours and 6 sixes and he had a strike rate of 210.

    Munro broke the record for most runs in boundaries (92) in an innings in T20’s for TKR, while his 120 is the highest individual score in T20’s for the franchise.

    He and Alex Hales put on a century opening partnership with the side going on to make 231/5.

    Munro then bowled an over as St Kitts and Nevis Patriots finished on 219/7.

    “A little bit of relief, pretty nice to get a big score, Munro said afterwards.

    “It was just about assessing conditions with Alex Hales. I’ve batted with Alex a number of times… we had a good partnership.

    “When we were none down for 70 or 80, the bowlers bowled in our zones, lucky enough to come off today.”

    Munro played for New Zealand between 2012 and 2020, including 65 T20I’s, 57 ODI’s and one Test.

    The 38-year-old has been playing franchise cricket around the world since then.

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  • How safe are cruise-ship water slides? A recent incident on a Royal Caribbean sailing raises concerns.

    How safe are cruise-ship water slides? A recent incident on a Royal Caribbean sailing raises concerns.

    By Charles Passy

    The slides are an increasingly popular attraction on many of the mega vessels operated by cruise lines

    Like many cruise ships, Royal Caribbean’s Icon of the Seas features water slides as one of its prime attractions.

    Should you think twice about taking a ride down that water slide on your next cruise?

    That’s what some may be asking in light of the news that a passenger was injured on a slide aboard Royal Caribbean’s Icon of the Seas ship earlier in August. The aftermath of the scene was captured on video, with fellow passengers reacting in horror as water gushed out of a hole in the attraction. “Stop the slide,” yelled one.

    According to reports and a statement from Royal Caribbean (RCL), the passenger did not fall through the hole, but was nevertheless injured when a piece of acrylic glass broke off from the slide. Icon of the Seas, which can hold up to 7,600 passengers plus crew, was dubbed the largest cruise ship in the world when it launched in 2024.

    But the Icon of the Seas incident is far from the only one to have happened on cruise-ship slides, which have become increasingly common features on many of the mega-sized vessels operated by numerous lines. Attorneys whose firms have represented clients in cases against cruise lines say the slides are often not designed ideally for the ships, given the relatively tight spaces they have to fit into versus land-based water slides.

    And that’s on top of the fact a ship is constantly moving, which can put additional stress on the slides, they say.

    “There’s really a degradation of materials at a much faster pace,” said Jason Margulies, a personal-injury lawyer with Lipcon, Margulies & Winkleman, P.A., a Florida-based firm that specializes in maritime and cruise ship cases.

    Margulies’ firm is representing the unnamed passenger involved in the Icon of the Seas incident. In a statement, Alex Perez, another attorney with the firm, said: “Cruise ships have a responsibility to ensure that the attractions they open and encourage passengers to use are safe…Our client and his family are dealing with the catastrophic injuries suffered in this preventable incident, and have requested privacy in order to heal.”

    Royal Caribbean said it does not comment on pending legal matters. Shortly after the Icon of the Seas incident, the company said, “The guest is being treated for his injuries. The water slide is closed for the remainder of the sailing pending an investigation.”

    Other incidents involving cruise-ship slides include a 2015 one aboard the Carnival Cruise Line (CCL) Ecstasy ship that resulted in a lawsuit filed by Margulies and another attorney. In the filing, they wrote that the passenger involved was severely injured due to a variety of issues, including the cruise line failing to “properly configure the waterslide,” failing to have “sufficient assistance for passengers to safely exit the waterslide” and failing to have “sufficient water pressure on the waterslide.”

    According to court records, the case went to mediation and was settled. In a statement about the incident, Carnival said: “We have a dedicated engineering and maintenance team that works closely on the design, construction and upkeep of our water slides and other such recreational structures, including training for our onboard teams as they conduct frequent inspections and routine maintenance, and consulting with other shoreside attractions operators on best practices.”

    “I’m looking at this and going, ‘Where was the preventative maintenance?’”Royce D’Orazio, a former amusement-park ride technician

    A 2022 incident aboard a Norwegian Cruise Line (NCLH) ship involved a passenger getting stuck on a slide, as captured on a TikTok video that received hundreds of thousands of views as well as numerous comments. “I’m having a panic attack just watching this,” one commenter said.

    The passenger was able to eventually exit the slide, according to a report. Norwegian Cruise Line did not respond to a MarketWatch request for comment about the incident.

    Failures with slides are likely not only a result of the aforementioned issues, according to Royce D’Orazio, a former amusement-park ride technician who’s now a content creator. He says the incidents often speak to an upkeep problem.

    “I’m looking at this and going, ‘Where was the preventative maintenance?’” he said of the recent Royal Caribbean incident in particular.

    D’Orazio also says operational issues can contribute to a slide breakdown. For example, a slide might have a weight restriction for individuals to ensure it isn’t tested beyond its structural limits. But staff has to be mindful of that matter and not let certain individuals go through it.

    Of course, incidents with water slides can occur at land-based water parks – and sometimes do, including ones that result in death.

    Still, D’Orazio and others point out that land-based water parks in the U.S. are typically subject to state regulations that require regular inspection of attractions.

    When it comes to cruise ships – at least those that travel in U.S. waters – the U.S. Coast Guard has authority to ensure safety compliance. But a Coast Guard spokesperson said the agency is “not responsible for water slide or other entertainment equipment inspections on cruise ships.”

    That means the issue is often left to the cruise lines, says Jason Turchin, a Florida attorney who has also handled cases involving ships. “The burden lies solely with the lines to make sure rides are up to the standards of the manufacturer,” he said.

    Not that any of this may deter the vast majority of cruise-ship passengers, who readily enjoy the ever-increasing array of amenities that are offered onboard these days without injury. The industry is seeing high demand of late, with 34.6 million passengers boarding ships in 2024 – an increase of 9.3% over the prior year, according to Cruise Lines International Association (CLIA), a trade group.

    CLIA didn’t respond to a MarketWatch request for comment about issues regarding water slides.

    Melissa Newman, a regular cruise-ship passenger who also shares content about her travels online, says she isn’t overly worried about safety issues when it comes to onboard attractions and rides. There’s too much at stake for the ship operators to take the matter lightly, she observes.

    “I’m not terribly concerned because I know that their fear of massive reputational damage from even one tragedy is enough to keep cruise lines vigilant, even without the stricter oversight they’d face on land,” Newman said.

    -Charles Passy

    This content was created by MarketWatch, which is operated by Dow Jones & Co. MarketWatch is published independently from Dow Jones Newswires and The Wall Street Journal.

    (END) Dow Jones Newswires

    08-17-25 1606ET

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