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  • Julian McMahon, star of ‘Nip/Tuck’ and ‘Fantastic Four,’ dies at 56

    Julian McMahon, star of ‘Nip/Tuck’ and ‘Fantastic Four,’ dies at 56

    LOS ANGELES – JANUARY 12: The cast and executive producer of the CBS series FBI: MOST WANTED at the TCA WINTER PRESS TOUR 2020 on Sunday, Jan. 12, 2020 at the Langham Huntington Hotel in Pasadena, CA. Pictured (L-R): Julian McMahon. (Photo by Francis

    Julian McMahon, the Australian actor who starred in hit series like “Nip/Tuck,” “Charmed,” and “FBI: Most Wanted,” has died at the age of 56.

    His wife, Kelly Paniagua McMahon, confirmed his death in a statement to Deadline on Friday, saying the actor died peacefully on July 2 in Clearwater, Florida, following a private battle with cancer. Warner Bros. Television also acknowledged his passing in a tribute post shared to the official “Nip/Tuck” Facebook page.

    What happened to Julian McMahon?

    The backstory:

    McMahon had not publicly disclosed his illness. His wife revealed in her statement that he had spent his final days surrounded by love.

    “With an open heart, I wish to share with the world that my beloved husband, Julian McMahon, died peacefully this week after a valiant effort to overcome cancer,” Kelly McMahon told Deadline.

    “Julian loved life. He loved his family. He loved his friends. He loved his work, and he loved his fans,” she continued. “His deepest wish was to bring joy into as many lives as possible.”

    She asked for privacy during this time and expressed gratitude “for the memories” they shared together.

    What we know:

    McMahon passed away on Wednesday, July 2, in Clearwater, Florida. His death was confirmed publicly by Warner Bros. Television in a message on the “Nip/Tuck” Facebook page, which read: “Warner Bros. Television mourns the loss of our friend Julian McMahon. Our thoughts are with his family, friends, colleagues, and fans.”

    He is survived by his wife, Kelly, and his daughter, Madison, from a previous marriage.

    What we don’t know:

    No details have been released about the specific type of cancer McMahon battled or whether a public memorial will be held. It’s also unclear if McMahon had any unreleased projects at the time of his death.

    Big picture view:

    McMahon gained widespread recognition in the early 2000s for his role as Dr. Christian Troy on FX’s “Nip/Tuck,” a dark medical drama that became a cultural touchstone. He later portrayed FBI agent Jess LaCroix on “FBI: Most Wanted,” and played the demon Cole Turner on “Charmed.”

    His film roles included Victor Von Doom in the 2005 and 2007 “Fantastic Four” movies, where he played one of Marvel’s most iconic villains.

    Born in Sydney in 1968, McMahon was the son of former Australian Prime Minister Sir William McMahon. He began his career as a model and actor in Australian soaps before finding long-term success in American television and film. Across genres—from supernatural thrillers to procedurals and comic book blockbusters—McMahon became known for his intensity, range, and charm.

    The Source: This report is based on a statement from Kelly McMahon published by Deadline on July 4, 2025, confirming the death of her husband, Julian McMahon. Additional confirmation came from Warner Bros. Television in a public tribute posted to the official “Nip/Tuck” Facebook page. Background information was gathered from Deadline, Variety, and publicly available records of McMahon’s film and television career.

    Entertainment

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  • Julian McMahon, Fantastic Four, Nip/Tuck and Charmed actor, dies aged 56 | Film

    Julian McMahon, Fantastic Four, Nip/Tuck and Charmed actor, dies aged 56 | Film

    Julian McMahon, the Australian actor best known for his television roles in Charmed, Nip/Tuck and FBI: Most Wanted as well as Fantastic Four supervillain Dr Doom, has died aged 56.

    The actor died in Clearwater, Florida on Wednesday after being diagnosed with cancer.

    His wife, Kelly Paniagua, confirmed his death on Friday, calling McMahon her “beloved husband”.

    “With an open heart, I wish to share with the world that my beloved husband, Julian McMahon, died peacefully this week after a valiant effort to overcome cancer,” she said in a statement to Deadline.

    “Julian loved life. He loved his family. He loved his friends. He loved his work, and he loved his fans. His deepest wish was to bring joy into as many lives as possible.”

    She added: “We ask for support during this time to allow our family to grieve in privacy. And we wish for all of those to whom Julian brought joy, to continue to find joy in life. We are grateful for the memories.”

    McMahon was born in Sydney and was the son of former Australian prime minister Sir William “Billy” McMahon. He began his career as a model in the 1980s before moving into acting, landing a role in the Australian soap Home and Away in 1990.

    He made his feature film debut in the comedy Wet and Wild Summer! alongside Elliott Gould, while he starred in TV shows Another World, Profiler, and gained wider recognition as the Cole Turner in the hit supernatural series Charmed.

    He later appeared in Nip/Tuck, the FX medical drama created by Ryan Murphy, where the show ran for six seasons from 2003 to 2010 and earned McMahon a Golden Globe nomination.

    Becoming known for playing charming villains, McMahon played the Marvel supervillain Doctor Doom in 20th Century Fox’s Fantastic Four films in 2005 and 2007. He also voiced Doctor Doom in the 2005 Fantastic Four video game.

    McMahon also portrayed Jess LaCroix, a special agent and team leader, in FBI: Most Wanted, appearing for three seasons before leaving the show.

    His more recent roles included playing the Australian prime minister Stephen Roos in Netflix’s The Residence, and appearances in The Surfer and The Supremes at Earl’s All-You-Can-Eat.

    McMahon was married three times, including to Australian singer Dannii Minogue in 1994 and to actor Brooke Burns, with whom he has a daughter. His final marriage, to Paniagua, began in 2014.

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  • Oasis Electrify Cardiff With First Show in 16 Years: Concert Review

    Oasis Electrify Cardiff With First Show in 16 Years: Concert Review

    “Oasis vibes in the area!”

    It wasn’t quite as epic an introduction as Noel Gallagher’s bold assertion at Knebworth ’96 —  “This is history!” — but those words from his younger brother Liam, spoken after the two of them walked arm-in-arm together onto a stage for the first time in 16 years, confirmed that Oasis are no longer consigned to history but are miraculously, thrillingly back as a going concern.

    As the pre-recorded intro music of “Fuckin’ in the Bushes” and the accompanying big-screen headlines about their reunion faded, Noel and Liam held their hands together in the air in triumph, quite literally brothers in arms, ready to take on the world.

    In the 5,795 days since the Gallagher brothers last played a gig together, pretty much everything in the world – fashion, music, politics – has changed beyond all recognition. But thankfully no one told Oasis who, tonight, transported us back to a time when a working-class guitar band playing straight-up rock’n’roll with attitude could rule the world, and maybe change it just a little.

    And there was certainly a ‘90s revival air both on the support bill (fellow Britpop-era stars Cast and Richard Ashcroft of the Verve offering strong support) and out on the streets, with the area around Cardiff’s Principality Stadium transformed into a massive street party. Every bar was blasting Oasis, nearly every chest was emblazoned with the Oasis logo, and seemingly every head covered by the ubiquitous bucket hat as the city became a giant Liam Gallagher Lookalike Competition in which Liam himself would have been lucky to make the Top 10.

    Once inside the stadium, the pre-show atmosphere was more like a Cup Final than a gig, with the crowd singing raucously along to the DJ’s pre-show selections of Slade, the Jam and the Rolling Stones. But this wasn’t just a celebration; there was a sense that this was one megagig where nobody knew quite what was going to happen, giving proceedings a high-stakes edge that you just don’t get at most big gigs these days.

    They needn’t have worried. The band came out swinging, rocketing through opener “Hello” with disorderly abandon, the “It’s good to be back!” refrain roared back at them by the vast crowd. But it was “Acquiesce” that really sealed the deal; the sight of Liam and Noel once more in brotherly harmony crooning “Because we need each other/ We believe in one another” at each other, surely enough to convince even the most cynical observer that this Oasis comeback means more than even the gargantuan sums of money reportedly involved.

    Because this was not the Oasis that haunted British stadiums at the end of their initial time together. That outfit was like a fading prize fighter – still capable of landing one hell of a punch, sure, but too often going through the motions in search of its old rhythm.

    Tonight’s Oasis, however – the line-up completed by stalwart guitarists Gem Archer and Paul “Bonehead” Arthurs and bassist Andy Bell, plus new drummer Joey Waronker (previously of R.E.M. and Beck) – looked sharp and lean, and sounded it too. The opening, breathless opening section – also featuring the likes of “Morning Glory”, “Some Might Say”, “Cigarettes & Alcohol”, “Supersonic” and “Roll With It” – was the work of a hungry true contender.

    After that, everyone needed a breather and Noel stepped up with his trusty acoustic guitar and the big ballad section to end all big ballad sections. But while “Talk Tonight”, “Half the World Away” and “Little by Little” may have dropped the pace a little, the intensity never lessened, the crowd singing every word with the senior Gallagher.

    Liam returned from his break refreshed and, while the songs got longer and the guitar solos more elongated, his vocals never wavered as the band blasted through “D’You Know What I Mean?” and “Stand by Me”, despite an occasionally booming sound system.

    No one said much, allowing the music to do the talking. But at one point, Liam did jokingly acknowledge the ticket-price furore that is still rumbling away, quipping: “Are you all having a good time? Was it worth the £40,000 you spent on the ticket?”

    Nor was there much visible communication between the brothers, but then there was no bickering either, so often a feature of past Oasis tours.

    This, then, was Oasis in the raw, a throwback to their unstoppable ascent in much smaller venues than this rather than the enormo-dome gigs of their latter years. True, the fine art of playing a stadium show has evolved hugely since Oasis last roamed the earth. But, bar a few eye-catching visuals on the big screen, Oasis remain a band that relies on its music and its attitude to make an impact: there were no surprise songs here, no special guests, no Instagram-friendly production set pieces, and at no point did Liam or Noel fly around the stadium. But the band certainly soared; fuelled by rock’n’roll that was often thrillingly simple and always simply thrilling. (See Oasis’ full setlist here.)

    The pace picked up again as the set hurtled towards its conclusion, via a widescreen “Whatever”, a glorious “Live Forever” and the unbridled, primal energy of “Rock ‘n’ Roll Star.”

    They swiftly returned with an encore for the ages, Noel introducing the band – Waronker is dubbed “Our 14th drummer”, Arthurs an “uber-legend” – before an emotional “Masterplan.” If anyone was still in any doubt about the hold Oasis have over the great British public, watching tens of thousands of them singing every word of that B-side as if it was the greatest hit of all time should have done the trick.

    In truth, many in the crowd looked so young they probably don’t even know what a B-side is. But the passing of time has, if anything, made the Oasis brand even stronger: British alternative rock groups just don’t write monumental anthems like these anymore.

    Not that the show was lacking industry veterans, with the likes of Sony Music chief Rob Stringer; Capitol Music Group boss Tom March; YouTube head of music Lyor Cohen and his colleague Dan Chalmers; outgoing Arista president/CEO David Massey; Polydor MD Jodie Cammidge and Glastonbury supremo Emily Eavis all braving the flying pints that punctuated every song, certifying it as the most unmissable reunion show since Led Zeppelin played the O2 in 2007.

    They were rewarded with a triumphant triumvirate of final songs: “Don’t Look Back in Anger”, sung by Noel, before Liam took over for the ubiquitous, but still undeniably wonderful “Wonderwall” (Liam changing the words to “There are many things that I would like to say to you/ But I don’t speak Welsh” in honor of the location) and a final, epic “Champagne Supernova”. Although, in truth, the crowd hollered every word louder than either brother could dream of.

    Noel may have sung “Please don’t put your life in the hands/ Of a rock’n’roll band,” on “Don’t Look Back in Anger” but, after tonight, a lot of people will be sorely tempted to do precisely that.

    There are, of course, 40 further shows to play — hopefully — where old tensions could resurface and adrenalin could fade. But tonight, as Liam acknowledged the crowd (“Nice one for putting up with us over the years”) and the brothers embraced one more time before leaving the stage, Oasis were reunited in every sense of the word. And based on tonight’s comeback, you’ll want to be there when they are flying this high.

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  • Google's AI video maker Veo 3 is now available via $20 Gemini – BleepingComputer

    1. Google’s AI video maker Veo 3 is now available via $20 Gemini  BleepingComputer
    2. This simple trick gets you 3 months of Google Gemini Veo 3 for free – here’s how you can create the best AI videos without dropping a dime  TechRadar
    3. The $2K Ad That Shook the NBA Finals — and Put Hollywood Production on Notice  The Ankler.
    4. Google Gemini AI app gets Veo 3 video generator feature in India  Deccan Herald
    5. Google Veo 3 now available in India with a Gemini Pro subscription: Details  Business Standard

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  • Black Sabbath and Ozzy Osbourne head back home for their last show – Reuters

    1. Black Sabbath and Ozzy Osbourne head back home for their last show  Reuters
    2. First Official Photo of Ozzy + Black Sabbath’s All-Star ‘Back to the Beginning’ Lineup  Loudwire
    3. Black Sabbath Returns to Birmingham for Major Weekend Events  Railway Supply
    4. This Isn’t the First Time These Hard Rock Legends Have Said Goodbye  parade.com
    5. “Ozzy took a look around and said, ‘You’re joking aren’t you?’ I said, ‘It’s a lot nicer on the inside.’ ” Zakk Wylde cracks us up with tales of Ozzy as he reveals the stories behind his greatest tracks  Guitar Player

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  • ‘The first free black man I’d ever seen’

    ‘The first free black man I’d ever seen’

    Patricia Whitehorne

    BBC News

    Sports Illustrated/Getty Images Arthur Ashe, in a blue tracksuit top, smiles as he holds up the Wimbledon trophy after winning the men's final on 5 July 1975.Sports Illustrated/Getty Images

    The Wimbledon title was the third of Arthur Ashe’s Grand Slam crowns

    Fifty years ago Arthur Ashe pulled off an amazing feat, upsetting the odds and becoming the first black man to win the Wimbledon Men’s final when he beat fellow American Jimmy Connors – but it was not something he wanted to define his life.

    His fight to break down barriers around racial discrimination was closer to his heart – and apartheid South Africa became one of his battle grounds.

    “I don’t want to be remembered in the final analysis for having won Wimbledon… I take applause for having done it, but it’s not the most important thing in my life – not even close,” he said in a BBC interview a year before his death in 1993.

    Nonetheless his Centre Court victory on 5 July 1975 was hailed as one of those spine-tingling sporting moments that stopped everyone in their tracks, whether a tennis fan or not, and it is being commemorated with a special display at the Wimbledon museum.

    Ashe was already in his 30s, tall, serene and with a quiet and even-tempered demeanour. Connors, 10 years younger and the defending champion, was an aggressive player and often described as “brattish”.

    Ashe’s achievements and the skills and courage he displayed on the court were certainly matched by his actions off it.

    Sports Illustrated/Getty Images Jimmy Connors and Arther Ashe - both in tennis whites - shake hands over the net after Ashe's victory in the Wimbledon final of 5 July 2025. The clapping crowd can be seen behind themSports Illustrated/Getty Images

    Ashe’s victory at Wimbledon was an iconic moment in sport

    In the early 1970s, South Africa repeatedly refused to issue a visa for him to travel to the country alongside other US players.

    The white-minority government there had legalised an extreme system of racial segregation, known as apartheid – or apartness – in 1948.

    The authorities said the decision to bar him was based on his “general antagonism” and outspoken remarks about South Africa.

    However, in 1973, the government relented and granted Ashe a visa to play in the South African Open, which was one of the top tournaments in the world at the time.

    It was Ashe’s first visit to South Africa, and although he stipulated he would only play on condition that the stadium be open to both black and white spectators, it sparked anger among anti-apartheid activists in the US and strong opposition from sections of the black community in South Africa.

    British journalist and tennis historian Richard Evans, who became a life-long friend of Ashe, was a member of the press corps on that South Africa tour.

    He says that Ashe was “painfully aware” of the criticism and the accusation that he was in some way giving legitimacy to the South African government – but he was determined to see for himself how people lived there.

    “He felt that he was always being asked about South Africa, but he’d never been. He said: ‘How can I comment on a place I don’t know? I need to see it and make a judgment. And until I go, I can’t do that.’”

    Evans recalls that during the tour, the South African writer and poet Don Mattera had organised for Ashe to meet a group of black journalists, but the atmosphere was tense and hostile.

    “As I passed someone,” Evans told the BBC, “I heard someone say: ‘Uncle Tom’” – a slur used to disparage a black person considered servile towards white people.

    “And then one or two very vociferous journalists stood up and said: ‘Arthur, go home. We don’t want you here. You’re just making it easier for the government to be able to show that they allow someone like you in.’”

    Gerry Cranham / Offside Arthur Ashe in red shirt and navy blue tracksuit bottoms serves as a crowd of South African children in tennis whites watch him from behind a tennis court fence in Soweto - November 1973.Gerry Cranham / Offside

    Arthur Ashe went to Soweto in November 1973 to hold tennis clinics for children in the township

    But not all black South Africans were so vehemently opposed to Ashe’s presence in the country.

    The South African author and academic Mark Mathabane grew up in the Alexandra township – popularly known as Alex – in the north of Johannesburg. Such townships were set up under apartheid on the outskirts of cities for non-white people to live.

    He first became aware of Ashe as a boy while accompanying his grandmother to her gardening job at a British family’s mansion in a whites-only suburb.

    The lady of the house gifted him a September 1968 edition of Life magazine from her collection, and there, on the front cover, was a bespectacled Arthur Ashe at the net.

    Mathabane was mesmerised by the image and its cover line “The Icy Elegance of Arthur Ashe” – and he set out to emulate him.

    When Ashe went on the 1973 tour, Mathabane had only one mission – to meet Ashe, or at least get close to him.

    The opportunity came when Ashe took time off from competing to hold a tennis clinic in Soweto, a southern Johannesburg township.

    The 13-year-old Mathabane made the train journey to get there and join scores of other black – and mostly young – people who had turned out to see the tennis star, who they had given the nickname “Sipho”.

    “He may have been honorary white to white people, but to us black people he was Sipho. It’s a Zulu word for gift,” Mathabane, now aged 64, told the BBC.

    “You know, a gift from God, from the ancestors, meaning that this is very priceless, take care of it. Sipho is here, Sipho from America is here.”

    Gerry Cranham / Offside Young girls, some in in tennis whites and sunglasses, pose with racquets as boys in suits and hats walk by. They are part of crowd gathered in Soweto to see Arthur Ashe in November 1973.Gerry Cranham / Offside
    Gerry Cranham / Offside Arthur Ashe in red shirt and navy blue tracksuit bottom and white tennis shoes, holds three white tennis balls in one hand and a grey tennis racquet in the other as he talks to children in front of him during a tennis clinic in Soweto. Others are watching from behind a tennis court fence - November 1973. Gerry Cranham / Offside

    Excited crowds descended on the tennis clinic to catch a glimpse of the superstar tennis player…

    By 1973 Arthur Ashe had already won the US Open and Australian Open…

    The excitement generated at the Soweto clinic was not just contained to that township but had spread across the country, he said.

    From rural reservations to shebeens or speakeasies (bars) – wherever black people gathered, they were talking about Ashe’s visit.

    “For me, he was literally the first free black man I’d ever seen,” said Mathabane.

    After the 1973 tour, Ashe went back to South Africa a few more times. In early 1976 he helped to establish the Arthur Ashe Soweto Tennis Centre (AASTC) for budding players in the township.

    But not long after it opened, the centre was vandalised in the student-led uprisings against the apartheid regime that broke out in June of that year.

    It remained neglected and in disrepair for several years before undergoing a major refurbishment in 2007, and was reopened by Ashe’s widow Jeanne Moutoussamy-Ashe.

    The complex now has 16 courts, and hosts a library and skills development centre.

    AFP/Getty Images US tennis player Serena Williams (left) in a yellow top and white cap flanked by her sister Venus in a white  top and cap pose with children in red caps and white T-shirts, some holding rackets after a two-hour tennis clinic at the Arthur Ashe Soweto Tennis Centre - November 2012.AFP/Getty Images

    The Arthur Ashe Soweto Tennis Centre has big ambitions – and Serena and Venus Williams have held tennis clinics there

    The ambition is to produce a tennis star and Grand Slam champion from the township – and legends such as Serena and Venus Williams have since run clinics there.

    For Mothobi Seseli and Masodi Xaba, who were once both South African national junior champions and now sit on the AASTC board, the centre goes beyond tennis.

    They feel that fundamentally it is about instilling a work ethic that embraces a range of life skills and self-belief.

    “We’re building young leaders,” Ms Xaba, a successful businesswoman, told the BBC.

    Mr Seseli, an entrepreneur born and raised in Soweto, agrees that this would be Ashe’s vision too: “When I think about what his legacy is, it is believing that we can, at the smallest of scales, move the dial in very big ways.”

    Ashe was initially inclined to challenge apartheid through conversations and participation, believing that by being visible and winning matches in the country he could undermine the very foundation of the regime.

    But his experience within South Africa, and international pressure from the anti-apartheid movement, persuaded him that isolation rather than engagement would be the most effective way to bring about change in South Africa.

    He became a powerful advocate and supporter of an international sporting boycott of South Africa, speaking before the United Nations and the US Congress.

    In 1983, at a joint press conference set up by the Organisation of African Unity (OAU) and UN, he spoke about the aims of the Artists and Athletes Against Apartheid, which he had just co-founded with the American singer Harry Belafonte.

    Getty Images US tennis player Arthur Ashe (centre in dark blue shirt, aviator sunglasses and holding a stick) links arms with others, including US singer Harry Belafonte (in white with a 'USA for Africa' sweatshirt march during a demonstration against US support of apartheid in South Africa outside the UN in New York - August 1985.Getty Images

    Arthur Ashe and US singer Harry Belafonte (R), seen here during an anti-apartheid protest outside the UN in New York, founded Artists and Athletes Against Apartheid

    The organisation lobbied for sanctions against the South African government, and at its height had more than 500 members.

    Ashe joined many protests and rallies, and when he was arrested outside the South African embassy in Washington DC in 1985, it drew more international attention to the cause and helped to amplify global condemnation of the South African regime.

    He was the captain of the US Davis Cup team at the time, and always felt that the arrest cost him his job.

    Ashe used his platform to confront social injustice wherever he saw it, not just in Africa and South Africa, but also in the US and Haiti.

    He was also an educator on many issues, and specifically HIV/Aids, which he succumbed to, after contracting the disease from a blood transfusion during heart surgery in the early 1980s.

    But he had a particular affinity with South Africa’s black population living under a repressive regime.

    He said that he identified with them because of his upbringing in racially segregated Richmond in the US state of Virginia.

    No wonder then that Ashe was one of the key figures that South African anti-apartheid hero Nelson Mandela was keen to meet on a trip to New York, inviting him to a historic townhall gathering in 1990 shortly after his release from 27 years in prison.

    The pair met on a few occasions, however Ashe did not live to see Mandela become president of South Africa following the 1994 election, which brought in democratic rule and the dismantling of apartheid.

    But like Ashe, Mandela was able to use sport to push for change – by helping unify South Africa – notably during the 1995 Rugby World Cup when he famously wore the Springbok jersey, once a hated symbol of apartheid.

    To celebrate this year’s anniversary of Ashe’s victory, the Wimbledon Championships have an installation in the International Tennis Centre tunnel and a new museum display about him. They are also taking a trailblazer workshop on the road to mark his achievement.

    His Wimbledon title was the third of his Grand Slam crowns, having previously won the US and Australian Opens.

    But to many people like Mathabane – who in 1978 became the first black South African to earn a tennis scholarship to a US university – Arthur Ashe’s legacy was his activism, not his tennis.

    “He was literally helping to liberate my mind from those mental chains of self-doubt, of believing the big lie about your inferiority and the fact that you’re doomed to repeat the work of your parents as a drudge,” he said.

    “So that was the magic – because he was showing me possibilities.”

    You may also be interested in:

    Getty Images/BBC A woman looking at her mobile phone and the graphic BBC News AfricaGetty Images/BBC

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  • Ready for Euro 2025? Take our quiz

    Ready for Euro 2025? Take our quiz

    BBC News A designed image of England footballer Lucy Bronze against a collage background of mountains in Switzerland, a football pitch and players celebrating a Euro 2022 win. The image is surrounded by a purple border BBC News

    All eyes are on stunning Switzerland, as 16 teams battle it out to win Euro 2025, including Wales and defending champions England.

    But how much do you know about the tournament? Take our quiz and limber up for the football event of the summer.

    Written and produced by: Text Formats and Special Projects teams

    Designs by: Dan Hague

    Image credit: Getty Images

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  • Tivoli Gardens’ CEO on how Denmark’s most renowned theme park has stayed tech-free and relevant for 182 years 

    Tivoli Gardens’ CEO on how Denmark’s most renowned theme park has stayed tech-free and relevant for 182 years 

    When Tivoli Gardens opened its gates in central Copenhagen 182 years ago, one of the first people through the turnstiles was Hans Christian Andersen. Since then, this compact amusement park squeezed between the Central Station and City Hall has become more than just Denmark’s most popular visitor attraction, it’s a cultural landmark and a location for national celebration that holds a quasi-spiritual place in the heart of the Danes. 

    More the merrier: A Moorish palace in the Tivoli Gardens, circa 1965 (Image: Getty Images)

    The park blends beer garden aesthetic with highbrow culture, live music, theatre, modern thrill rides and old-fashioned fairground stalls, all of which combine with its world-famous lighting to create a fairytale setting. 

    Tivoli’s history is a crucial element of its appeal – but as CEO Susanne Mørch Koch knows all too well, to compete in 2025’s attention economy you can’t coast on legacy alone. Her stint as leader began with a baptism of fire. She took over in August 2020 amid the Covid crisis, as a result of which the park lost millions of kroner in revenue. But after a rollercoaster start, Tivoli posted a record for visitor numbers and turnover in 2024.

    Monocle meets Koch to find out more about how she has shepherded this cherished Danish brand from catastrophe to triumph, and about her plans for the future.

    Tivoli Gardens CEO, Susanne Mørch Koch

    Tivoli seems to hold a special place in Danish hearts. What is its appeal?
    Many of us carry childhood memories from Tivoli. My family didn’t have a lot of money when I was young, and looking back I now realise that my parents worked so hard and we didn’t have a lot of spare time together. But we would visit Tivoli every summer as a family, and it was something that I looked forward to for the whole week running up to it. I couldn’t sleep the night before. And that’s still true for kids today. My favourite ride was Galejen – just little boats running round in a circle but it’s quite a legacy ride today and always busy. It even has a special smell and feel. Now, I ride the old wooden rollercoaster most often.

    Who is your competition? Are you vying with computer games, streaming services and social media to capture the imagination of children?
    No, not really, because we are so different from that world. There has been pressure to gamify the park with apps – we had a suggestion for something a bit like Pokémon Go – but we have deliberately not done that. We are selling quality time and screens would get in the way of that. Of course, no one wants to stand in line and be bored, but we’re not afraid of people queuing a little: it’s where you can ground yourself, reflect on what you’ve just experienced and build anticipation. We see it as a benefit. Where apps can improve a visit, we use them – restaurant bookings, for instance – but we don’t want technology to be part of the show. And you don’t have to book a table, there’s always room for a little spontaneity. 

    Tivoli has iconic gates that seem to draw people in – how important is this exterior image? 
    The main entrance is crucial. It’s a magical place where we welcome and say goodbye to our guests, so there’s a lot of footfall. Throughout Tivoli there is an intentionality behind every detail. Rather than having things that shout for attention, it’s an accumulation of all the little things, such as the way that we use lighting, the planting and the sentiment of the people who work here.

    Gates of paradise: People queuing at the entrance to the Tivoli Gardens, circa 1965 (Image: Getty Images)

    How do you balance the history of Tivoli with a need to innovate? 
    When I started, people warned me that I risked provoking outrage by changing things. But I’m yet to experience that. Tivoli has always moved forward, it has never shied away from change. If it had done so, it would risk becoming a postcard version of itself – what use is a theme park with no thrill? From the start, my guideline has been that it has to make sense to the people who live just outside our walls. It’s not a typical amusement park that could be anywhere – with live entertainment and good food, we cater to more than tourists and day trippers. 

    What does the future hold for Tivoli? 
    There is still scope to grow visitor numbers, particularly in the shoulder seasons, spring and autumn. We are choosing to expand the Halloween season as the Norwegians have an earlier autumn vacation and we want to attract them. But there’s something huge ahead of next summer – we are redeveloping our street-like layout, with new rides and scenography. The budget is somewhere between DKK100-200 million (€13.4-26.8m) and it’ll feel like a real refresh. 

    Tivoli Gardens
    Founded 1843

    Open: Apr-Sept, Oct, mid-Nov-Early Jan

    Location: Central Copenhagen

    Total employees: high season 2,200+, low season 700-800

    Turnover (2024): DKK1.32bn (€177m)

    Visitors (2024): 4.25 million, of which 35 per cent are tourists

    Ownership: Tivoli is listed on the Danish stock market but is majority owned by the Augustinus Fonden

    Sustainability: Net zero by the end of 2025

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  • Fresh leak reveals critical info about Google’s Pixel Watch 4

    Fresh leak reveals critical info about Google’s Pixel Watch 4

    Google Pixel Watch 4 render | Image credit: @OnLeaks via 91Mobiles

    The smartwatch market is not nearly as crowded as the smartphone market, but that doesn’t mean that competition isn’t just as fierce. Between Apple and Samsung, Google is trying to find its own audience in the United States.

    If you’re a Google fan who prefers the company’s Pixel products, a fresh leak is spilling all the colors of the upcoming Pixel Watch 4. That includes the case colors and the band options that customers will be able to choose from once Google’s smartwatch goes on sale.

    According to reliable tipster @MysteryLupin, the Wi-Fi and LTE versions of Pixel Watch 4 will be available in two sizes: 41mm and 45mm. Both will come in four case/band colors, which we have listed below:

    • Black/Obsidian
    • Gold/Lemon
    • Moonstone Silver/Iris
    • Silver/Porcelain

    Besides those, Google will also launch a slew of Pixel Watch 4 bands, each aimed at different audiences. Here are all the options that will probably be available at launch:Bands

    • 2-Tone Leather Band: Jade
    • Active Band: Iris, Lemongrass, Moonstone
    • Active Sport Band: Indigo, Lemongrass, Moonstone, Peony
    • Crafted Leather Band: Moonstone
    • Metal Mesh Band: Matte Black, Polished Silver
    • Performance Loop Band: Moonstone
    • Woven Band: Indigo

    Gradient Stretch Bands

    • Lemongrass/Frost
    • Moonstone
    • Obsidian/Hazel
    • Peony/Iris

    It’s unclear if some these colors will only be available with the larger or smaller size Pixel Watch 4, like it happened with the previous model. In any case, if you’re considering the Pixel Watch 4, you’ll plenty of hues to choose from this year.

    Google Pixel Watch 4 render | Image credit: @OnLeaks via 91Mobiles

    One other piece of information revealed by the leaker is the fact that the bands will be available in sizes 1 to 5, but it remains to be seen if this is available for both Pixel Watch 4 sizes.

    While plenty information about Pixel 10 leaked, there are very few details about Google’s upcoming smartwatch. The only major Pixel Watch 4 leak dates from April and comes in the form of a set of renders made by @OnLeaks.

    Based on these renders, there won’t be too many case design changes between the current-gen Pixel Watch and the next model. The only changes that we’re aware of are wireless charging support and two mysterious buttons positioned to the left and right of the speaker.

    No release timeframe for the Pixel Watch 4 has leaked yet, but it’s worth mentioning that Google introduced the Pixel Watch 3 and August, so an announcement might be just one month away.

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  • Marcelo Bacci -  Executive Vice-president – Finance and Investor Relations

    Marcelo Bacci is Vale’s Executive Vice-president – Finance and Investor Relations (CFO).  

    Mr. Bacci has relevant executive experience in management and finance, including over 20 years in leadership positions in companies with different compositions and segments. 
    For the last 10 years, he was the Executive Vice-president of Finance and Investor Relations at Suzano S.A., where he had an outstanding performance. 

    He also served as Chairman and member of the Board of Directors of companies in the Suzano Group and other companies in the Brazilian market, such as Energisa S.A. and BRF S.A. 

    He holds a degree in Public Administration from Fundação Getulio Vargas, and MBA degrees from Stanford Graduate School of Business and IBMEC – Brazilian Capital Market Institute. 

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