Summary
- Collider’s Steve Weintraub chats with Josh Brolin for Weapons.
- From Zach Cregger, Weapons is a new horror about a classroom of children who disappear at exactly the same time one night.
- In this interview, Brolin discusses why he joined the cast and what makes Cregger and his films so special. He also shares details on upcoming projects, including The Running Man, Wake Up Dead Man, and more.
Josh Brolin was looking for something he’d never done before. Talking with Collider’s Steve Weintraub, he admits, “When I saw Barbarian, I was like, ‘Yeah, I really liked it, but I don’t know why.’” Something about Zach Cregger‘s 2022 horror lingered with the actor, and after consulting with his daughter, it was clear that this “young man” might be the answer to his content-overhaul fatigue. When he joined the filmmaker’s sophomore feature, Weapons, he was proven correct.
In the movie, Brolin plays Archer Graff, a man outraged by the 17 Maybrook children who mysteriously went missing at 2:17 a.m. Even more peculiar is that all 17 kids belonged to the classroom of Justine Gandy (Julia Garner), and all of them seemingly left their homes and ran through the streets of their own accord. Weapons also stars Alden Ehrenreich (Ironheart), Benedict Wong (Doctor Strange), and Austin Abrams (Euphoria).
In this interview, Brolin also talks about how he had a similar reaction to Weapons as he did with No Country for Old Men, why it’s the perfect cure for boredom, and challenging Cregger on set. He also shares updates for his dream director lineup coming up, with Rian Johnson‘s Wake Up Dead Man, Edgar Wright‘s The Running Man, Ridley Scott‘s The Dog Stars, and more.
Zach Cregger’s ‘Weapons’ Is the Cure for Boring Content
If the quantity-over-quality effect of streaming’s got you down, you’re in the right place.
COLLIDER: Let me start by saying I love this movie, and all of you guys did such great work. One of the things I want to talk about is how the horror genre allows filmmakers to take these big risks and swings that other movies can’t do because of the budget. Can you talk about the freedom that the genre has?
JOSH BROLIN: It’s not only the freedom of it, because you’re inciting a reaction. Do you know what I mean? So you’re getting people raw. You’re getting people reactive. I know that the story came from something that was very emotional for Zach. When I met with Zach after I read, I thought, a really well-designed script, he told me that every character is based off a certain reaction that he was having to a very traumatic event that happened to him. I thought that was really cool. He just personalized it for me.
You’re looking for great filmmakers, and you’re hoping that there’s another new good filmmaker out there. Right now, with so much content, you’re just watching things on whatever streaming service you’re on, and you’re just going, “Fuck, why is this so boring, man? Why?” And just go to the next thing. It’s all the same shit. And then somebody not only takes the horror genre, but then fucks with it and then does something on the edge of absurdity, and it’s sort of humorous, so it’s keeping you off-[balance] enough for him to have an emotional impact, ultimately.
Josh Brolin Knew There Was Something Special About Zach Cregger
“He’s like a god to them.”
One of the things that I was surprised to learn was Zach told me that weeks before they’re going to shoot, him and his DP are going to the set and figuring out every possible shot, the lens, everything. So as actors, when you show up, you’re essentially filming like knocking off boxes.
BROLIN: No, I know what you mean.
What is that like as an actor when the director has such a vision?
BROLIN: If you trust the director, then it’s great because then he’s tweaking and all this kind of stuff. But I know that I challenged him, because he’s young.
Wait, you challenged him? I’m shocked
BROLIN: I know. How surprising! [Laughs] But how can you not, man? He’s a young guy who’s done his sketch comedy, which is something totally different than what he’s doing, and then he did Barbarian. When I saw Barbarian, I was like, “Yeah, I really liked it, but I don’t know why.” Do you know what I mean? So I had to call my daughter, and then I said, “What did you think of Barbarian?” And she said, “One of the greatest movies of the last 10 years or five years or whatever she said.” I talked to her husband. Then you talk to that era of people, and, I mean, he’s like a god to them. And I’m like, okay, so they’re reacting to something that I may not understand. I would rather not understand it and do business with that guy and understand it better later. And I think that Weapons is a much more refined version of something that he had his finger on the pulse of with Barbarian.
No spoilers, but what was something that you really challenged him on on set?
BROLIN: I don’t know, man. I just generally challenged him. [Laughs] I think he had a very strong DP, and I had experienced this before where a DP kind of took over. Do you know what I mean? A lot of DPs want to be directors, so they kind of…
I’ve never heard that.
BROLIN: Yeah, I know. So, I think that he had a very strong DP, and then what I ended up seeing is a very strongly cinematic, emotionally lit movie, which was good.
The cinematography in this film is actually excellent.
BROLIN: It’s amazing.
I love the way the camera moves and follows people. So, what was your actual reaction like? You read the script and on the page, you’re thinking one thing. What was your reaction when you actually saw the finished film versus what you imagined going in?
BROLIN: I’m not going to say it was the same, but I remember doing No Country [for Old Men] and thinking, “A few people will see this film.” I think they felt that way. And then I saw No Country, and I was like, “Holy shit. I had no idea.” There was a similar reaction to Weapons. I thought, “This is a cool thing to do. It’s something new for me to do.” And then I saw the movie and I said, “Oh no, no, no. This has elevated beyond what I thought it was.” So yes, I was extremely pleased.
Josh Brolin Is Searching for His “Milestone Moment”
Between Ridley Scott, Edgar Wright, and Rian Johnson, he may have found it.
What are you filming this year? What are you working on?
BROLIN: I did Weapons, and then I went to Knives Out.
No, not the stuff you shot. I mean this year.
BROLIN: This year? Oh, no. I’m not going to work for the rest of the year. I finished Whalefall, and I’m not going to work for the rest of the year.
Speaking of Whalefall, you shot four other things, and I wanted to bring up all four. If you could just touch on why you wanted to do the projects and just tell people about them. You did Whalefall with Brian Duffield, a real talented filmmaker…
BROLIN: Very.
Ridley Scott, The Dog Stars.
BROLIN: Which turned out great.
That’s holy shit. You did Edgar [Wright], The Running Man, and then Rian [Johnson] with Wake Up Dead Man, Knives Out 3. Are you joking? These are four incredible projects.
BROLIN: It was a good year. And I remember there was one moment where I called my agent, and I was like, “What the fuck am I doing all these little parts for, man?” Do you know what I mean? I had, like, a little freakout moment, and then I got over it really quick.
What do you want to tell people?
BROLIN: It’s the filmmakers, man. It’s the filmmakers. Then finding Brian Duffield, or not finding, not seeking, but being lucky enough to be able to be in business with Brian Duffield, Zach Cregger, and all that, like I said, you’re watching movies and you’re like, “I want to see something that impacts.” I want to see like when I saw Taxi Driver, or even when I saw Friday the 13th. I want something that has an impact that I can look back on and say, “God, that was a milestone moment for me. I remember. I couldn’t get over it for a year and a half.” Do you know what I mean? And then I get texts from people, and they’re like, “Holy shit, this was a really effective, affecting movie,” and it makes me happy to be involved with things like that.
Weapons is now in theaters and IMAX.

Weapons
- Release Date
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August 8, 2025
- Runtime
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128 minutes
- Director
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Zach Cregger
- Writers
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Zach Cregger
- Producers
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Roy Lee, Miri Yoon, J.D. Lifshitz
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