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  • Trump announces deadly US strike on another alleged Venezuelan drug boat | Trump administration

    Trump announces deadly US strike on another alleged Venezuelan drug boat | Trump administration

    Donald Trump said on Monday that the United States had carried out a strike on a second Venezuelan boat and killed three alleged terrorists he claimed were transporting drugs, expanding his administration’s war against drug cartels and the scope of lethal military force to stop them.

    The US president gave few details about the strike, saying in a social media post that the action was on his orders and that it had happened earlier in the morning. The post was accompanied by a video clip showing the boat, which appeared to be stationary, erupting into a fireball.

    “The strike occurred while these confirmed narco-terroists from Venezuela were in International Waters transporting illegal narcotics (A DEADLY WEAPON POISONING AMERICANS!) headed to the US,” Trump wrote on Truth Social.

    Trump’s announcement of the strike appeared to be worded in a way to suggest there was a valid legal basis for the strike – an issue that became a source of heavy criticism in Washington after the operation against the first alleged Venezuelan drug boat earlier this month, which killed 11 people.

    According to people familiar with the matter, the administration briefed Congress last week that the first strike was legal under the president’s article 2 powers because it involved a boat connected to the Tren de Aragua gang, which Trump designated a foreign terrorist organization.

    The administration has provided little evidence that the first boat was carrying illegal drugs beyond asserting they had tracked the drugs being loaded on to the boat in order to be distributed in the United States, even if the boat at one point was said to have turned around.

    Asked on Sunday about that first strike and claims it was a fishing vessel, Trump said in response to questions from the Guardian: “You saw the bags of white. It’s nonsense. So we knew it before they even left. We knew exactly where that boat, where it came from, where the drugs came from and where it was heading.”

    By claiming, for the strike on the second boat, that the drugs were a threat to the United States and asserting that the boat’s crew were “terrorists”, Trump appeared to be preemptively setting the groundwork to make the same article 2 legal claim to order a missile strike against the second boat.

    The latest strike comes as the US continues a massive buildup of forces around Venezuela. Over the weekend, five F-35 fighter jets arrived in Puerto Rico to join about half a dozen US navy destroyers already moved to the US territory recently, and support assets the administration said had been deployed to disrupt the flow of illegal drugs.

    The US naval forces in the region are comprised of the Iwo Jima amphibious ready group – including the USS San Antonio, USS Iwo Jima, USS Fort Lauderdale carrying 4,500 sailors – and the 22nd marine expeditionary unit, with 2,200 marines, according to administration officials.

    Trump has been noncommittal about conducting military operations inside Venezuela against the drug cartels or the government, and deflected questions about the legality of the strikes on Sunday night. “What’s illegal are the drugs that were on the boat,” he told the Guardian.

    On Monday evening, Adam Schiff, a Democratic senator, said in a post on social media that “I’m drafting a resolution and forcing a vote to reclaim Congress’s power to declare war.” He said: “These lawless killings are just putting us at risk” and could prompt another country to target US forces without proper justification.

    For his part, from Caracas, the Venezuelan president Nicolás Maduro said hours before Trump announced the second strike that his country would defend itself against foreign aggression as he lashed out at US secretary of state, Marco Rubio.

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    “[He is] the Lord of Death and War and Hatred,” Maduro said at a news conference of Rubio, who has played an outsize role in the administration’s Venezuela operations as both the top US diplomat and Trump’s national security adviser.

    Observers have downplayed the likelihood of a US military intervention on Venezuelan soil. Many believe the US pressure campaign is partly designed to trigger defections that might help bring down Maduro’s administration and partly political theatre for a domestic audience.

    Still, given Trump’s unpredictable nature, members of Maduro’s regime and officials in other South American countries have watched the situation anxiously.

    “In Venezuela, the governing Chavistas have gone from disbelief to surprise, from surprise to indignation, and from indignation to horror” over Trump’s behaviour, the Spanish newspaper El País reported on Monday.

    The newspaper said Maduro’s inner circle had initially interpreted the US naval deployment as a Trumpian negotiating tactic. “As the days passed, however, they have become convinced that Washington is preparing for an invasion,” El País reported.

    “All that’s left is for them to shoot at the buildings we’re sitting in, damn it,” one senior official close to Maduro was quoted as saying.

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  • Telesat pitches Lightspeed as stopgap to Europe’s IRIS²

    Telesat pitches Lightspeed as stopgap to Europe’s IRIS²

    TAMPA, Fla. — Canada’s Telesat is pitching Lightspeed as a bridge to IRIS² as its low Earth orbit (LEO) broadband constellation is set to come online in 2027, at least three years before Europe’s sovereign multi-orbit network is due to enter service.

    “We believe there’s a great opportunity for the Government of Canada to work with the EU and its allied governments in Europe to leverage Lightspeed in advance of IRIS² being available,” Telesat CEO Dan Goldberg said Sept. 15 during World Space Business Week in Paris.

    “And so that’s something that we’re very open to. I believe the Government of Canada is very open to that.”

    IRIS² (or Infrastructure for Resilience, Interconnectivity and Security by Satellite), a public-private partnership led by European operators SES, Eutelsat and Hispasat, envisages a constellation of more than 290 satellites, mostly in LEO. 

    However, the $11 billion project has been beset by skepticism over its costs and business case, even as demand rises amid Starlink’s growing LEO dominance and upcoming Chinese broadband constellations.

    Meeting evolving government needs

    Starlink “has proven to be absolutely consequential and decisive” in conflicts such as in Ukraine, Goldberg noted, which has “underscored for governments all around the world the importance of having that type of a capability.”

    Telesat sees a significant opportunity for Lightspeed to support Canada as it boosts defense spending to meet NATO commitments, as well as for other governments seeking sovereign or allied LEO capabilities.

    “Ideally they build it themselves, but these LEO constellations are expensive, they’re complicated and they take a long time to roll out,” he added.

    “And so at least, I would say for the foreseeable future, there will be governments all around the world leveraging commercial LEO networks.”

    Telesat has also pitched Lightspeed for U.S. Department of Defense needs, including its $175 billion “Golden Dome” initiative.

    Commercial operators adapt

    Goldberg shared a panel with executives from other legacy geostationary orbit (GEO) operators, who stressed that even the United States is looking to diversify with external networks, despite being home to Starlink, Amazon’s upcoming Project Kuiper constellation and the DoD’s own proliferated LEO plans.

    “I think the geopolitical situation — and unfortunately the war we are seeing at our borders in Europe — have been showing also that warfare is changing,” said Jean-François Fallacher, CEO of French multi-orbit operator Eutelsat.

    “And I think our defense ministries have been realizing that civil … means are used now for military purposes. That’s what we see in Ukraine, and there is more and more interest in our assets, whether those are GEO or LEO.”

    Mark Dankberg, CEO of U.S.-based geostationary player Viasat, noted how the blurring of civil and military domains is pressuring operators to make their commercial networks more secure. 

    “Clearly, there’s opportunity there to come up with more robust systems,” Dankberg said on the panel.

    “The other thing I think that’s also becoming a big issue for national security perspective is there’s almost no boundary anymore between civil, civilian, commercial and defense targets. Some of the robustness that people need, or have always recognized that they need for military systems, is now going to be necessary on the commercial side.”

    Post-video business

    An ongoing decline in satellite video broadcasting that once formed the bulk of GEO revenues continues to pressure legacy operators.

    Wholesale video revenues have fallen 20% over four years to $4.4 billion, according to boutique research firm Novaspace, shrinking from half the wholesale capacity market to about 35%.

    “It faces meaningful, secular headwinds,” Goldberg said. “There’s no hiding from that.”

    Telesat’s main direct-to-home broadcast customers in Canada and the U.S. continue to rely on GEO capacity, but the company has not been able to justify a new business case for launching fresh broadcast satellites.

    Fallacher said the video decline is slower outside North America but still requires operators to pivot to new lines of business. 

    However, panelists agreed consumer broadband is unlikely to be one of them, given Starlink’s dominance and Project Kuiper’s looming entry. 

    Paul Gaske, chief operating officer of EchoStar, the U.S.-based geostationary operator that owns residential broadband service Hughes, said consumer broadband systems “eat a lot of capacity for the amount of capital you invest. So when we look at it today, we don’t see that growing. 

    “It has competitive pressures from the LEO world, but it also has regulatory pressures [from terrestrial fiber] subsidies rolling out, and then lastly it has natural economic pressures from the cellular operators that actually can offer the fixed wireless near their towers.”

    EchoStar recently pivoted to operate as an “asset-light growth company,” following the sale of spectrum to Starlink owner SpaceX and AT&T. The operator’s executives provided few details about their future strategy during a Sept. 15 press conference at WSBW. 

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  • Verizon’s Google-powered chatbot frustrates customers

    Verizon’s Google-powered chatbot frustrates customers

    Ideally, a customer service chatbot should handle issues without a human having to dial a phone or talk to another of its kind. But ever since Verizon added Gemini integration to its Verizon Assistant, customers have been desperate to deal with real people, as Android Headlines has discovered.

    In June, Verizon announced that it added Google’s Gemini to the MyVerizon app to the assistant for “greater transparency and control, giving consumers the ability to easily become a customer, manage upgrades, add new lines, ask billing questions, take advantage of savings, and more.”

    The latest issue comes just six months after Verizon reported losing 289,000 subscribers in the first quarter of the year.

    Customers unable to get out of SOS mode have been advised to “use Wifi and not use the cellular network.”

    And while Verizon touted a feature called Savings Boost, when Reddit user Nextp2w confronted the Verizon Assistant with, “T-Mobile is offering to pay off my phone balance and give me better coverage,” it offered no negotiation or incentives, answering only, “Sorry. I am unable to help you with that.”

    One customer who repeatedly answered “Yes” to the chatbot asking them “I see you are frustrated, would you like to be connected to a live agent?” had their account flagged as possible fraud.

    When I grew up, I thought science would have advanced to the point where scientists could clone dinosaurs and other extinct species. All we have now is enough scientific advancement to make my uncle yell slurs at an AI-powered customer service chatbot at the Verizon store.
    — Alex Hevesy (@venomlance.bsky.social) 2025-07-21T16:56:17.504Z

    Complaints about the chatbot have spread across social media, from Bluesky to X. While frustration with customer service is certainly nothing new, adding the contentious element of AI to it is only fueling customer anger and could cost Verizon some cash.

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  • Champions League preview, team news, kick-off time & how to watch

    Champions League preview, team news, kick-off time & how to watch

    Chelsea make their Champions League return on Wednesday night when they face Bayern Munich at the Allianz Arena.

    Enzo Maresca’s side make their first appearance in Europe’s top-tier club competition in two seasons after their quarter-final exit to Real Madrid in 2022-23.

    They enter the competition as Conference League and Club World Cup champions, and a tricky start awaits them as they head to Munich to face Vincent Kompany’s side.

    Bayern, who have won eight of their last ten home matches against English teams (D1 L1), beat Chelsea 7-1 on aggregate the last time the two teams met back in 2019-20 in the last-16 of the Champions League.

    Chelsea have been boosted for their trip to Germany after Cole Palmer made his return to the side following a groin problem, which saw him net during their 2-2 draw against Brentford on Saturday. Estevao was involved in training after missing out due to illness.

    IMAGO / News Images

    Maresca’s Blues could come up against Nicolas Jackson, who joined Bayern Munich on an initial loan deal during the summer. UEFA rules permit the Senegal international to face his parent club, and the 24-year-old is hoping to inflict defeat on Chelsea.

    “I’m very happy to see my friends and teammates from Chelsea. Hopefully we have a good game and we win.”

    Here are all of the details ahead of the Champions League clash between Bayern Munich and Chelsea.


    Date, time, location of Bayern Munich vs Chelsea

    Date: Wednesday 17th September 2025

    Kick-off time: 8pm UK / 3pm ET / 12pm PT

    Stadium: Allianz Arena, Munich

    Competition: Champions League / Matchday 1

    Allianz Arena, Munich

    IMAGO / Lobeca

    How to watch Bayern Munich vs Chelsea

    United Kingdom: TNT Sports 2

    United States: Paramount+, Amazon Prime Video

    Prediction

    Bayern Munich 1-1 Chelsea

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  • Sandstorm Gold Royalties Declares Quarterly Dividend

    Sandstorm Gold Royalties Declares Quarterly Dividend

    VANCOUVER, BC, Sept. 15, 2025 /PRNewswire/ – Sandstorm Gold Ltd. (“Sandstorm Gold Royalties”, “Sandstorm” or the “Company”) (NYSE: SAND) (TSX: SSL) is pleased to announce that its Board of Directors has declared the Company’s third quarterly cash dividend for 2025 in the amount of C$0.02 per common share to shareholders of record as of the close of business on  September 26, 2025. The dividend will be paid on October 7, 2025. The dividend qualifies as an “eligible dividend” as defined in the Income Tax Act (Canada).

    The declaration, timing, amount, and payment of future dividends will be subject to the discretion and approval of the Board of Directors. The Company will review the dividend program on an ongoing basis and may amend it at any time depending on the Company’s then current financial position, capital allocation framework, profitability, cash flow, debt covenant compliance, legal requirements and other factors considered relevant. As such, no assurances can be made that any future dividends will be declared and/or paid. Dividends paid to shareholders outside Canada (non-resident investors) will be subject to Canadian non-resident withholding taxes.

    ABOUT SANDSTORM GOLD ROYALTIES

    Sandstorm is a precious metals-focused royalty company that provides upfront financing to mining companies and receives the right to a percentage of production from a mine, for the life of the mine. Sandstorm holds a portfolio of approximately 230 royalties, of which 40 of the underlying mines are producing. For more information visit: www.sandstormgold.com.

    CAUTIONARY NOTE REGARDING FORWARD-LOOKING INFORMATION

    This press release contains “forward-looking statements”, within the meaning of the U.S. Securities Act of 1933, the U.S. Securities Exchange Act of 1934, the Private Securities Litigation Reform Act of 1995 and “forward-looking information” within the meaning of applicable Canadian securities legislation, concerning the business, operations and financial performance and condition of Sandstorm Gold Royalties. Forward-looking statements include, but are not limited to: the payment of the dividend and declaration of future dividends, including the timing and amount thereof; the future price of gold, silver, copper, iron ore and other metals, the estimation of mineral reserves and resources, realization of mineral reserve estimates, and the timing and amount of estimated future production. Forward-looking statements can generally be identified by the use of forward-looking terminology such as “may”, “will”, “expect”, “intend”, “estimate”, “anticipate”, “believe”, “continue”, “plans”, or similar terminology.

    Forward-looking statements are made based upon certain assumptions and other important factors that, if untrue, could cause the actual results, performances or achievements of Sandstorm Gold Royalties to be materially different from future results, performances or achievements expressed or implied by such statements. Such statements and information are based on numerous assumptions regarding present and future business strategies and the environment in which Sandstorm Gold Royalties will operate in the future, including the receipt of all required approvals, the price of gold and copper and anticipated costs. Certain important factors that could cause actual results, performances or achievements to differ materially from those in the forward-looking statements include, amongst others, failure to receive necessary approvals, changes in business plans and strategies, market conditions, share price, best use of available cash, gold and other commodity price volatility, discrepancies between actual and estimated production, mineral reserves and resources and metallurgical recoveries, mining operational and development risks relating to the parties which produce the gold or other commodity the Company will purchase, regulatory restrictions, activities by governmental authorities (including changes in taxation), currency fluctuations, the global economic climate, dilution, share price volatility and competition.

    Forward-looking statements are subject to known and unknown risks, uncertainties and other important factors that may cause the actual results, level of activity, performance or achievements of the Company to be materially different from those expressed or implied by such forward-looking statements, including but not limited to: the impact of general business and economic conditions, the absence of control over mining operations from which the Company will purchase gold, other commodities or receive royalties from, and risks related to those mining operations, including risks related to international operations, government and environmental regulation, actual results of current exploration activities, conclusions of economic evaluations and changes in project parameters as plans continue to be refined, risks in the marketability of minerals, fluctuations in the price of gold and other commodities, fluctuation in foreign exchange rates and interest rates, stock market volatility, as well as those factors discussed in the section entitled “Risks to Sandstorm” in the Company’s annual report for the financial year ended December 31, 2024 and the section entitled “Risk Factors” contained in the Company’s annual information form dated March 31, 2025 available at www.sedarplus.com. Although the Company has attempted to identify important factors that could cause actual results to differ materially from those contained in forward-looking statements, there may be other factors that cause results not to be as anticipated, estimated or intended. There can be no assurance that such statements will prove to be accurate, as actual results and future events could differ materially from those anticipated in such statements. Accordingly, readers should not place undue reliance on forward-looking statements. The Company does not undertake to update any forward-looking statements that are contained or incorporated by reference, except in accordance with applicable securities laws.

    SOURCE Sandstorm Gold Ltd.

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  • Women’s Rugby World Cup: France’s Berthoumieu given 12-match ban after biting Ireland star

    Women’s Rugby World Cup: France’s Berthoumieu given 12-match ban after biting Ireland star

    France flanker Axelle Berthoumieu admitted to biting Ireland’s Aoife Wafer in their Women’s Rugby World Cup quarterfinal but appealed her 12-match suspension on Monday.

    France captain Manaé Feleu was also appealing a three-game suspension which also threatens to rule her out of the World Cup semifinal against England and the final or bronze final.

    Berthoumieu’s admission occurred in a foul play review hearing. The panel said she accepted her bite was worthy of a red card and the off-field citing was warranted.

    No action was taken against her on the field at the time.

    Wafer accused Berthoumieu of biting her arm during France’s 18-13 win on Sunday in Exeter. The referee referred it to the Television Match Official to review footage.

    World Rugby said in a statement: “In reviewing the matter live, the TMO was unable to determine clear and obvious foul play and did not have the benefit of additional evidential submissions to corroborate.”

    Berthomieu was charged after the match by the citing commissioner.

    For a sanction, the panel started the suspension at 18 games and deducted six.

    “Although the player acknowledged the foul play and was remorseful, full mitigation was not given due to the seriousness of the player’s actions, and that the player had the opportunity not to continue with the action,” World Rugby said.

    Berthomieu appealed against the length of the 12-game suspension, which would rule her out of the rest of the World Cup and prevent her from playing to March 1.

    Her appeal will be heard on Tuesday.

    – Why Scotland’s World Cup exit has players demanding change
    – Women’s Rugby World Cup highlights gap between haves and have nots
    – Report: England down Scotland, set up France semifinal clash

    The 25-year-old Berthomieu has 27 caps since her 2019 debut, including all four of France’s matches at this World Cup, her first.

    Feleu, leading Les Bleues at her second World Cup, was cited for a dangerous tackle that wasn’t sanctioned on the field. At her hearing, she accepted there was foul play but didn’t believe it was worth a citing.

    But the panel found her guilty of head-on-head contact at speed with no mitigation.

    Her appeal will also be heard on Tuesday against a suspension that threatens to be a major blow to France’s title hopes.

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  • Majority of stocks idling after nice run to record

    Majority of stocks idling after nice run to record

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  • When dinosaurs vanished, forests flourished and rivers calmed down

    When dinosaurs vanished, forests flourished and rivers calmed down

    Most people know the story: An asteroid hit Earth 66 million years ago and the dinosaurs disappeared. But new research shows their loss also changed the very landscape they used to walk.

    Geologists analyzing rock layers in Montana and Wyoming found that the extinction of dinosaurs coincided with an abrupt reorganization of rivers and floodplains across North America. The team says dinosaurs acted as “ecosystem engineers,” and their disappearance allowed forests to grow thicker, rivers to settle into steadier paths and swampy areas rich in coal to take over.

    “Before the mass extinction, it would be similar what you see in Africa today with open savannahs maintained by large herbivores,” said study co-author Courtney Sprain, Ph.D., a geologist at the University of Florida. “Back then, you had large herds of triceratops wandering around in this region, flattening vegetation.”

    Like modern elephants, the trampling and grazing of giant dinosaurs kept landscapes open. Without stabilizing tree cover, rivers were broad, muddy and easily shifted course.

    After the impact, everything quickly changed. In the rock record, unstable streambeds gave way to broad, meandering rivers lined with dense vegetation. Coal seams suddenly appear, evidence of swampy, forested floodplains.

    Read more.

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  • Origins of paint in Jackson Pollock work identified after 77 years | Jackson Pollock

    Origins of paint in Jackson Pollock work identified after 77 years | Jackson Pollock

    Scientists have identified the origins of the blue color in one of Jackson Pollock’s paintings with a little help from chemistry, confirming for the first time that the abstract expressionist used a vibrant, synthetic pigment known as manganese blue.

    The work titled Number 1A, 1948 showcases Pollock’s classic style: paint has been dripped and splattered across the canvas, creating a vivid, multicolored piece. Pollock even gave it a personal touch, adding his handprints near the top.

    The painting, currently on display at the Museum of Modern Art in New York, is almost 9ft (2.7 metres) wide. Scientists had previously characterized the reds and yellows splattered across the canvas, but the source of the rich turquoise blue proved elusive.

    In a new study, researchers took scrapings of the blue paint and used lasers to scatter light and measure how the paint’s molecules vibrated. That gave them a unique chemical fingerprint for the color, which they pinpointed as manganese blue.

    The analysis, published in the US journal Proceedings of the National Academy of Sciences, is the first confirmed evidence of Pollock using this specific blue.

    “It’s really interesting to understand where some striking color comes from on a molecular level,” said study co-author Edward Solomon, a professor at Stanford University.

    The pigment manganese blue was once used by artists, as well as to color the cement for swimming pools. It was phased out by the 1990s because of environmental concerns.

    Previous research had suggested that the turquoise from the painting could indeed be this color, but the new study confirms it using samples from the canvas, said Rutgers University’s Gene Hall, who has studied Pollock’s paintings and was not involved with the discovery.

    “I’m pretty convinced that it could be manganese blue,” Hall said.

    The researchers also went one step further, inspecting the pigment’s chemical structure to understand how it produces such a vibrant shade.

    Scientists study the chemical makeup of art supplies to conserve old paintings and catch counterfeits. They can take more specific samples from Pollock’s paintings since he often poured directly onto the canvas instead of mixing paints on a palette beforehand.

    To solve this artistic mystery, researchers explored the paint using various scientific tools – similarly to how Pollock would alternate his own methods, dripping paint using a stick or using it straight from the can.

    While the artist’s work may seem chaotic, Pollock rejected that interpretation. He saw his work as methodical, said study co-author Abed Haddad, an assistant conservation scientist at the Museum of Modern Art.

    “I actually see a lot of similarities between the way that we worked and the way that Jackson Pollock worked on the painting,” Haddad said.

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  • In ‘Plainclothes,’ Russell Tovey and Tom Blyth play lovers on opposite sides of the law

    In ‘Plainclothes,’ Russell Tovey and Tom Blyth play lovers on opposite sides of the law

    In 2016, aspiring writer-director Carmen Emmi came across a Los Angeles Times article about undercover cops who would arrest gay men on charges of lewd conduct in public bathrooms — a controversial tactic criticized as a form of entrapment. Around that time, Emmi, then a film student at the University of Southern California, had just come out and his brother was in the process of becoming a police officer.

    Emmi channeled those experiences into his feature directorial debut, “Plainclothes,” which arrives in theaters Friday. Set in Emmi’s native Syracuse, New York, in the 1990s, the independent film follows Lucas (Tom Blyth), an undercover cop wrestling with his own sexuality while simultaneously leading a local police effort to lure and apprehend gay men on charges of cruising in a mall bathroom. Against his better judgment, Lucas secretly falls for Andrew (Russell Tovey), a sensitive, older gay man who becomes one of the targets of his sting operation.

    While the film largely unfolds as a psychological thriller told from Lucas’ perspective, “Plainclothes” is, at its core, a steamy romantic drama built around the crackling chemistry of its leads. When they first started discussing the film in early 2023, Blyth and Emmi agreed that they wanted Tovey — whom they had watched as a heartthrob in HBO’s gay romantic drama “Looking” — to play Andrew. After the actors’ virtual chemistry read, Blyth recalled texting Emmi, “I felt like there were fireworks going off in the Zoom.”

    In a joint interview with Tovey, Blyth told NBC News that the nature of the film — which he said required the lead actors to trust each other in order to go to a really “vulnerable place” — made this chemistry a necessity.

    Tom Blyth and Russell Tovey in a scene from “Plainclothes.”Magnolia Pictures

    “The two men, when they meet, are in two individual stages of hiding, fear and vulnerability, and the reason they connect is because they really see each other through that,” Blyth, 30, said of the main characters. “A big part of that is just showing up and being able to be playful. Being on set with Russell is very fun, always, and that makes it so much easier when you’re tackling the heavy, emotional stuff.”

    In preparation for the role, Blyth said he researched the realities of being an undercover cop and being gay in the ’90s in a smaller city without a big queer community. The combination of those two stressors would put an “immense” amount of pressure on anyone, he added. “We talked about how his breath catches in his chest when he’s hiding himself, when he’s putting on his cover as a straight cop, which ultimately he has to shed and then he can breathe again.”

    When the characters first meet in the mall bathroom Lucas is surveilling, they feel like they have known each other forever, Tovey said. “They’re both desperately looking for or needing a connection that’s real. I think that’s why that spark happens, because they can spot it in each other. It’s unspoken.”

    Blyth noted that Lucas is experiencing many of his firsts with Andrew. “As an actor, it’s always fun to play someone’s first time experiencing something. You get to play the wonder, the awe and the childlike quality of, ‘This thing scares me and excites me at the same time,’” he said.

    A scene from  "Plainclothes."
    Tom Blyth in a scene from “Plainclothes.”Magnolia Pictures

    “There’s a nice dynamic there, because Lucas looks to Andrew as a lover and a mentor at the same time,” Blyth added. “He’s learning from him as he’s falling in love with him.”

    Tovey, 43, pointed out that, for most of the film, “there is a power dynamic” between Lucas and Andrew that is based on their difference in “age and experience.” Once Andrew discovers that Lucas has never had sex with another man, Tovey said he felt strongly that his character should educate the younger man about what a healthy sexual experience can look and feel like.

    “Andrew wants to make sure that, whatever happens, Lucas feels like his first experience was a good one. He isn’t someone that’s just thinking, ‘I’ve got a hookup. I’m going to get as much out of this guy as I can and then dump him.’ He feels the responsibility to make sure that Lucas is safe,” Tovey said. When the time came to shoot their first sex scene in the back seat of a van, Tovey added, he wanted it to be apparent to the viewer that the two men made a decision to wear condoms.

    A scene from  "Plainclothes."
    Russell Tovey in a scene from “Plainclothes.”Magnolia Pictures

    That whirlwind, fleeting romance ultimately transforms Lucas’ life for the better. “Lucas basically discovers how to be brave and how to believe in himself. He takes a risk to admit a massive truth about himself to his whole family at a family gathering, and he wouldn’t have gotten there if it wasn’t for Andrew,” Blyth said.

    Andrew is left similarly altered by the liaison, but Tovey said his character is “also trapped by his secrets” and the pain “he lives with” on a daily basis. “But there’s some hope in Andrew that he gave this gift to Lucas. There’s a part of him that feels like, ‘I did a good thing,’ even if he himself can’t be his authentic self.”

    Despite publicly identifying as gay his entire career, Tovey has developed a penchant for playing closeted men, which he has done so in “American Horror Story,” “Feud: Capote vs. the Swans,” “Angels in America” and now “Plainclothes.” While he has not intentionally sought out those kinds of roles, the actor said, he is “always drawn” to playing “characters that are struggling with their identity, with their emotions, with their relationships.”

    “I’m always drawn to the truth in what it is to be a human being and what it is to be a queer person, and in today’s climate, I just feel it’s fundamental to be more visible than ever,” he said. “We have to prove our existence. The only way to really do it is through art. We have to keep telling these stories, because if they exist in art, then they exist in reality. We have to tell stories that help people see similarities in these characters, rather than differences.”

    Tovey has never appeared overly concerned with how he is perceived by Hollywood — or the general public. Early in his career, he waved off concerns that playing mostly queer characters would typecast him as a gay actor. He never set out to be a “possibility model,” a term coined by trans actress Laverne Cox to describe a public figure who can serve as a beacon of inspiration for those struggling with the same marginalized identity.

    “I just wanted to play these characters. They felt connected to me, to the way that I live my life, to my romantic interests, to my friendship groups and my community, so I was able to draw on those to tell these stories better,” he said.

    But having come of age in the late ’90s and early aughts — when the AIDS epidemic was finally being addressed, and the United Kingdom’s anti-gay Section 28 laws were being repealed — Tovey said he now feels a renewed duty to tell as many queer stories as possible, especially at a time when many world leaders, including President Donald Trump, have been rolling back legal protections for LGBTQ people.

    “I stand on the shoulders of giants. The reason I get to tell these stories and say I am who I am is because of the hard work that so many other people — fundamentally, trans people — did back in history,” Tovey said. “I’m so proud now that I can be an advocate and someone that is visible and a possibility, and someone that can use what platform I have to raise awareness of the plights of many people, especially trans people. I feel very proud of my position, but I also know that it does carry responsibilities and, in the current climate, I don’t take them lightly.”

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