- Study Finds Planet Around Trappist-1 Star Shows No Signs of Life The New York Times
- NASA’s Webb Telescope Unveils the Truth About TRAPPIST-1 d: Why It’s Not the Earth Twin We Expected The Daily Galaxy
- The Webb telescope’s look at an Earth-size alien planet was bleak Mashable
- Scientists rule out an Earth-like atmosphere for nearby exoplanet TRAPPIST-1 d University of Chicago News
- Could Exoplanets around TRAPPIST-1 and Other Red Dwarfs Be Habitable? Sci.News
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Study Finds Planet Around Trappist-1 Star Shows No Signs of Life – The New York Times
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Olympic champ Yulimar Rojas skips Guadalajara meet, eyes Tokyo World Championships
The wait for Olympic triple jump champion Yulimar Rojas’ return will continue.
The seven-time (three indoors and four outdoors) world champion had been expected to take part in Thursday’s (14 August) Meeting Internacional C.D. Meliz Sport in Guadalajara, Spain, but Rojas withdrew from the event, meaning her comeback will now come at next month’s World Championships in Tokyo.
“I’m going all out to defend my world title where I won Olympic gold and a world championship, which is an extra motivation for me,” she said, according to EFE.
Coach Iván Pedroso said the Venezuelan withdrew from Thursday’s meeting in Guadalajara due to muscle overload.
Rojas, a heavy favourite to defend the Olympic gold she won at Tokyo 2020, couldn’t compete at last summer’s Paris Games after tearing her Achilles tendon in the lead-up. She last competed in March 2024.
Now, the 29-year-old says she’s putting “all her preparation” into Tokyo to be “in the best possible condition.”
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Taylor Swift’s Sultry, Spangled Next Act
The show(girl) must go on! If your router’s been down for 48 hours, let me be the first to share that tortured poet Taylor Swift has announced her 12th studio album, The Life of a Showgirl, coming out in October. On the back of a 21-month, billion-dollar Eras Tour and her first-ever podcast interview, the album is promised to be a “rapid-fire,” “upbeat” miscellany that also includes a cover of George Michael’s “Father Figure.”
TLOAS has been teased with a theatrical, behind-the-Broadway-curtain shoot, our showgirl found offstage—befeathered, boa-ed, and bejeweled bralette-ed—after her audience has filed out into the night. In the weeks before release, we can only guess at the type of showgirl Taylor will be—though it is difficult, without lyrical clues, not to draw a through line from this showgirl to Cristal “You are a whore, darlin’” Conners in the just-grotty-enough camp classic Showgirls; or Pamela The Last Showgirl Anderson.
Of course, there’s a certain gloss to Swift’s afterhours showgirl-ism, Taylor’s version leaning into sumptuous pink ostrich and vintage cabaret opulence over store-bought “Ver-sayce.” And as Swifite sleuths decode the album teaser’s orange hues, and the Internet ironically memes showgirls eternal—shoutout to Samantha Jones, Alison Hammond, and the long-suffering songstress Marnie from Girls—there’s an ebbing sense of film noir, of bias-cut diamond desire, of silver-screen sexuality.
For about as long as she’s been working, part of Taylor’s appeal has been that unlike so many modern popstars—and no shade to them—she doesn’t sell sexual availability or rudimentary male-gazing titillation. Taylor Swift is a hot comrade, a buxom BFF, a girls’ girl rather than an adversary, and despite her billionaire lifestyle (the PJ milage!), she’s more personably relatable than materially aspirational. Where the album art lightly evokes erotic thrillers and the illicit, shadowy thrill of a dingy cabaret, it manages to also remain true to Taylor’s brand of sexual inexplicitness: it’s sensual but not graphic; sexy, but in a safe way. (The feature from Sabrina Carpenter—the reigning queen of cartoonish carnality—on the album’s title song feels, in a word, perfect.)
There is, of course, something to be said about girls and being on show. To be a woman is to perform—to have your visage assessed as it moves though the world—and to calibrate what’s transmitted with what’s recieved. The Life of a Showgirl is bound to tackle what it is to be perceived—from Taylor’s klieg-lit perspective, sure, but also one that will inevitably strike a more universal chord. Swift is a professional performer, observed by millions on the world’s biggest stages—but don’t we all stage performances of self, putting on our own little shows? Taylor Swift may be the one in the rhinestone bralette, but aren’t we all showgirls at heart?
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AI Slop Is Ripping Off One of Summer’s Best Games. Copycats Are Proving Hard to Kill
Getting clones taken down can be an exhausting process for developers. Small studios have less time, energy, and resources to dedicate to this process, and they’re at the whims of the digital distribution platforms these games exist on.
Wren Brier, Unpacking’s creative director, says that since the game’s release in 2021, developer Witch Beam has reported more than 80 clones. “It feels like whack-a-mole sometimes,” Brier says. These are games that are not just similar in nature but “blatant copyright infringements” that lift the game’s assets or even its name. “The majority have been extremely low-effort scams using Unpacking’s name or imagery to trick players into downloading something that isn’t even a game, just a series of ads,” she says.
When it comes to many AI-made clones, Brier says there’s a misconception about what that means. “They’re not AI-made games, they’re AI-generated marketing images attached to a completely unrelated, hastily slapped-together, bare-bones skeleton of a game,” she says. “They are literally a scam: They are trying to trick players into buying a crappy product by using misleading imagery and by pretending to be a real game that the player might have heard of.”
Clones don’t always threaten a developer’s profits—Aggro Crab is confident about its bank account, thanks to Peak’s massive success—but the damage can be widespread in other ways. Brier says that AI-clones hurt developers the same way AI books hurt authors: “Flooding a storefront with garbage that no one wants to play makes it impossible for players to organically discover indie games.” Game certification, the process of getting onto a platform, used to be stricter.
“It’s not a problem just for the games that get cloned,” Brier says. “It’s a problem for all of us.”
For developers, there aren’t many options to fight clones, regardless of how they’re made. Intellectual property attorney Kirk Sigmon says clones are already difficult to tackle legally; copyright protection doesn’t extend to a genre, aesthetic, or even gameplay mechanics. AI “definitely makes slop generation faster, but the issue has been around for well over two decades,” he says. “All that’s really happened is that the bar has moved ever so slightly lower for new entrants, because you can make an AI model pump out stuff for you faster.”
The easiest case for copyright infringement typically happens when a cloner lifts work from the game directly—as happened with Unpacking. “It’s not uncommon for knockoff games to accidentally (or intentionally) copy assets from the game they are knocking off,” Sigmon says.
In fact, he says, AI-generated games might actually be better protected from copyright infringement lawsuits. “After all, if knockoff developers are savvy, they’ll use AI models to develop unique assets/code rather than steal it from another game or just download it from some random Internet source,” he says. “That’ll make it much harder to go after them in court, for better or worse.”
Platforms ultimately hold the power when it comes to ridding a storefront of clones, though smaller developers bear the brunt of the work in filing a report and sorting out who to talk to. Sometimes that process is quick and wraps in a few days; sometimes it can take weeks. Social pressure may be the best defense a developer has. Sigmon says that complaining to storefronts or enlisting fans are workable solutions. “I don’t know many gamers who are a fan of half-hearted slop games,” he says.
Aggro Crab and Landfall are taking this route. “We’re not really the type to be litigious,” says Kamen, the cofounder. Instead, they’re being outspoken in their distaste. In early August, the company posted on X, in reference to one copycat, that it would rather users “pirate our game than play this microtransaction-riddled [Roblox] slop ripoff.” Landfall tweeted that the company has “been reporting a bunch of these AI slop things” in response to a screenshot of the game Peaked Climbing. It was available on the PlayStation Store before being removed; Peak was released only on PC. WIRED has reached out to PlayStation, Roblox, and Steam and will update accordingly.
“I consume media because it’s made by humans,” Kamen says. “I want to experience a piece of art, whatever it may be, another human has made and get their perspective and their outlook on the world. If AI is used to make the game, then you’re removing that from the equation. There’s no value in it.”
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Community Pharmacies Are Safe, Accessible Locations for Adolescent Reproductive Health Care
In a review of 34 studies, investigators identify community pharmacies as safe and accessible locations for adolescents seeking care on sexual and reproductive health. Adolescents often face greater barriers to reproductive health care than adults, and community pharmacies are very accessible within both urban and rural settings.1
Adolescents often are at higher risk of unwanted pregnancy, unsafe abortion, and sexually transmitted infections due to the inadequate knowledge of protective practices. | Image Credit: charnsitr – stock.adobe.com
Adolescents often are at higher risk of unwanted pregnancy, unsafe abortion, and sexually transmitted infections due to the inadequate knowledge of protective practices, according to the World Health Organization (WHO). Furthermore, adolescent pregnancy can also be associated with higher risks of health issues, including anemia, postpartum hemorrhaging, and mental disorders, including depression. WHO states that for sexual and reproductive health services for adolescents, “these are either not available or are provided in a way that makes adolescents feel unwelcome and embarrassed.”2
Investigators of the current study conducted a systematic review to examine adolescents’ experiences and acceptability of contraception and abortion clinical and dispensing services in community pharmacies. Eligible studies were published from 2000 onwards due to a shift in the pharmacist’s scope of practice since 2000. Studies of any design were considered and included or focused on data on patients aged 10 to 19 years.
Investigators ultimately included 34 studies in the final analysis, with 24 from the US, 4 from the UK, 2 from Australia, and 1 each from Switzerland, Canada, and New Zealand. Of the studies, 21 focused on emergency contraceptive pills and 10 focused on broader contraceptive methods, and 32 studies were considered high quality, with the other 2 being moderate quality.1
Investigators found that adolescents and pharmacists agreed that the delivery of contraceptive services for adolescents was accessible at the pharmacy level and pharmacists were considered knowledgeable sources of information. Furthermore, adolescents viewed pharmacists as acceptable sources of information regarding contraception and preferred them as health care professionals for the information.
Pharmacies were seen as accessible and convenient for these services; however, adolescents did anticipate judgmental attitudes and were concerned about confidentiality, specifically related to the layout of the pharmacy. Pharmacists also identified lack of access to medical history as a potential reason that pharmacies were not suited for these services, and they identified needs for additional training regarding providing contraceptive information and counseling adolescents.1
However, investigators found that adolescents did experience embarrassment and pharmacist judgment that did impact their overall experience. They mentioned feeling embarrassed due to poor privacy, awkwardness when interacting with pharmacy staff, and judgement from pharmacy staff. Furthermore, embarrassment for patients was worth it when they felt that the pharmacy staff lacked sensitivity, were dismissive, were unhelpful or negative, or asked repetitive or intrusive questions unrelated to care.1
Additionally, investigators noted that pharmacists’ and pharmacy staff’s attitudes towards providing contraception were influenced by their beliefs on contraception as well as age and adolescent sexual activity. Empathetic care was identified as a factor in making adolescents feel more comfortable, which included approachability, awareness of stigma, nonjudgmental and respectful environments, and keeping a mindful tone and expression. Pharmacists also recognized the importance of respect and empathy.1
Investigators concluded that pharmacies were accessible and convenient sources for sexual and reproductive health care services and pharmacists can provide adolescents with comprehensive information. The authors stated, “From the pharmacists’ perspective, their attitudes and comfort regarding adolescent sexual activity and contraception provision (including ECP [emergency contraceptive pill]), along with their need for further training, appeared to influence their acceptability to provide these services.”1
READ MORE: Women's Health Resource Center
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REFERENCES
1. Stephenson J, Bailey JV, Blandford A, et al. An interactive website to aid young women's choice of contraception: feasibility and efficacy RCT. Health Technol Assess. 2020;24(56):1-44. doi:10.3310/hta24560
2. World Health Organization. Adolescent sexual reproductive heath. Accessed August 14, 2025. https://www.who.int/southeastasia/activities/adolescent-sexual-reproductive-health
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CME Group Opens Registration for 22nd Annual Global University Trading Challenge
CHICAGO, Aug. 14, 2025 /PRNewswire/ — CME Group, the world’s leading derivatives marketplace, today announced that registration for the 22nd annual CME Group University Trading Challenge, which will be held from Sunday, October 5 to Friday, October 31, is now open for interested college students. The deadline for registration is 5:00 p.m. CT on Thursday, September, 25.
The CME Group University Trading Challenge is an educational and interactive opportunity for undergraduate and graduate students worldwide. Students or faculty advisors can lead their teams to manage a variety of marketplace risks to protect their mock investment portfolios.
“We are pleased to kick off this year’s Trading Challenge, which continues to empower the next generation of traders around the world. Since it began 22 years ago, we’ve had more than 35,000 students participate,” said Anita Liskey, Global Head of Brand Marketing and Communications at CME Group. “More young people are taking an active interest in markets, and this unique competition allows students to gain hands-on experience in managing risk and pursuing opportunities by trading futures.”
Teams will experience the daily challenges and opportunities of managing an investment portfolio through a simulated, professional trading platform provided by CQG. Students will also receive education through a range of available resources, including market-related data, news and live updates from the Dow Jones newsfeed and The Hightower Report–all to test their skills at navigating market dynamics in real time.
Last year, participation reached a record 570 teams, including approximately 2,300 students from 180 universities across 24 countries. The 2024 winning team came from Indiana University.
CME Group is committed to educating the next generation of finance professionals on the significance of global derivatives markets and risk management. In addition to interactive events, like the University Trading Challenge, CME Group partners with other industry organizations to offer educational tools, such as Futures Fundamentals, a one-stop educational resource that explains the role of futures markets in everyday life. The goal of the site is to make financial education an engaging experience for anyone, regardless of how well versed they are in the world of finance.
For more information on the CME Group University Trading Challenge, visit https://www.cmegroup.com/events/university-trading-challenge/2025-trading-challenge.html
As the world’s leading derivatives marketplace, CME Group (www.cmegroup.com) enables clients to trade futures, options, cash and OTC markets, optimize portfolios, and analyze data – empowering market participants worldwide to efficiently manage risk and capture opportunities. CME Group exchanges offer the widest range of global benchmark products across all major asset classes based on interest rates, equity indexes, foreign exchange, energy, agricultural products and metals. The company offers futures and options on futures trading through the CME Globex platform, fixed income trading via BrokerTec and foreign exchange trading on the EBS platform. In addition, it operates one of the world’s leading central counterparty clearing providers, CME Clearing.
CME Group, the Globe logo, CME, Chicago Mercantile Exchange, Globex, and E-mini are trademarks of Chicago Mercantile Exchange Inc. CBOT and Chicago Board of Trade are trademarks of Board of Trade of the City of Chicago, Inc. NYMEX, New York Mercantile Exchange and ClearPort are trademarks of New York Mercantile Exchange, Inc. COMEX is a trademark of Commodity Exchange, Inc. BrokerTec is a trademark of BrokerTec Americas LLC and EBS is a trademark of EBS Group LTD. The S&P 500 Index is a product of S&P Dow Jones Indices LLC (“S&P DJI”). “S&P®”, “S&P 500®”, “SPY®”, “SPX®”, US 500 and The 500 are trademarks of Standard & Poor’s Financial Services LLC; Dow Jones®, DJIA® and Dow Jones Industrial Average are service and/or trademarks of Dow Jones Trademark Holdings LLC. These trademarks have been licensed for use by Chicago Mercantile Exchange Inc. Futures contracts based on the S&P 500 Index are not sponsored, endorsed, marketed, or promoted by S&P DJI, and S&P DJI makes no representation regarding the advisability of investing in such products. All other trademarks are the property of their respective owners.
CME-G
SOURCE CME Group
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Streaming Ratings July 14-20, 2025
Netflix’s Untamed claimed the top overall spot on the streaming charts for its premiere week, and Kpop Demon Hunters continued its momentum with its best mark so far.
Untamed, starring Eric Bana as a National Park Service agent investigating a murder in Yosemite, logged 2.1 billion minutes of viewing for the week of July 14-20 (it debuted July 17). The show led the overall rankings by a sizable amount, coming in about 750 million minutes ahead of Sullivan’s Crossing (1.36 billion) in second place.
Kpop Demon Hunters finished third overall and led all movies with 949 million minutes, its highest total in the four weeks after its June 20 release. In Netflix’s internal figures, the movie has had a remarkably consistent run over the summer, which likely means it will stick around for a while longer in Nielsen’s charts (which lag behind real time by four weeks) as well.
Peacock’s Love Island USA fell off by about half a week after its finale, but it continued to draw viewers. The series had 931 million viewing minutes, good for second among original shows and fourth overall. Two returning series also rejoined the charts with new seasons: Prime Video’s The Summer I Turned Pretty drew 639 million minutes of watch time, and Paramount+’s Star Trek: Strange New Worlds came in at 471 million minutes.
Also of note: Prime Video’s 2015-19 series Sneaky Pete got a boost a week after joining the Netflix queue. It scored 433 million minutes of viewing across both outlets to make the top 10 original series chart.
Nielsen’s streaming ratings cover viewing on TV sets only and don’t include minutes watched on computers or mobile devices. The ratings only measure U.S. audiences, not those in other countries. The top streaming titles for July 14-20, 2025, are below.
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Chrome 139 elevates Tab Groups, fixes new ‘Copy link’ shortcut
Google’s Tab Group tweaks continue with Chrome 139 for Android, which also makes a handful of other small changes across the browser.
Chrome’s three-dot menu now has an “Add tab to group” option. It prominently appears in the top-most section alongside New tab and New Incognito tab.
Tapping that button brings up a bottom sheet that lists all your groupings with the ability to make a new one. Similarly, the Tab Grid switcher has also added “New tab group.”
We’re seeing this widely rolling out — with an accompanying “You can now easily add tabs to groups here” message — today with version 139. (Force stop Chrome from App info if you’re not seeing it yet.)
Chrome 139 widely rolled out in recent days with a number of tweaks. The address bar’s “Copy link” action, which was introduced alongside the bottom option, now works. Previously, tapping caused the Pixel’s corner preview to say “Copied” but the URL was not actually saved to your clipboard. You can access the shortcut by long-pressing the Omnibox.
Google also continues to tweak Dynamic Color for the dark theme. In May, Chrome 136 made it less vibrant and darker. Version 139 goes the opposite direction and makes it lighter. It’s much closer to gray, with the separation between the top row of actions and the first section gone in the three-dot menu. This applies to system ‘chrome’ throughout the browser.
Meanwhile, over the past week or two, Chrome added a four-color ‘G’ logo to the “Search Google or type URL” field on the New Tab Page. This feels a bit unnecessary.
L-R: 135, 136, 139 (same wallpaper/Dynamic Color)
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Oropouche virus activity in the Americas mimics last year as UK notes its first case
Officials have confirmed 12,786 Oropouche cases in 11 countries in the Americas so far this year, according to an epidemiologic update from the Pan American Health Organization (PAHO) today, while the United Kingdom has logged its first-ever cases.
Five deaths in Brazil
Seven countries have documented local transmission and four have imported cases, PAHO said. Officials have confirmed five deaths, all in Brazil.
In 2024, the region recorded 16,239 cases across 11 countries and one territory, including 4 deaths, PAHO said. Last year, Brazil had 13,785 cases, including 4 deaths. This year’s deaths were in the states of Espirito Santo and Rio de Janeiro.
The virus, which is primarily transmitted by the Culicoides paraensis midge, made a resurgence in the Americas in 2023. As was seen last year, Brazil has the vast majority of this year’s cases (11,888), followed by Panama (501), Peru (330), Cuba (28), Colombia (26), Venezuela (5), and Guyana (1).
Imported cases have been reported in Uruguay, Chile, Canada, and the United States.
Though most patients recover within 2 to 3 weeks, as many as 60% will experience relapses, and in rare cases infections could lead to meningitis or encephalitis. Case-patients present with a high fever and headaches for the first week after infection, and can be mistaken for dengue patients.
The virus’s spread to non-endemic areas, such as urban regions in Cuba, is driven by factors like climate change
“The virus’s spread to non-endemic areas, such as urban regions in Cuba, is driven by factors like climate change, deforestation, and urbanization of forested areas, which boost the midge population,” PAHO said in a news release.
Travel-related cases in UK, plus chikungunya
Meanwhile, UK health officials today confirmed three Oropouche virus cases in people who had traveled to Brazil, the first ever in the country.
UK officials are also reporting twice as many travel-related chikungunya cases as they usually see this time of year. Cases have been identified in people who traveled to Sri Lanka, India, and Mauritius.
“A total of 73 cases were reported between January and June 2025. The same period in 2024 saw 27 cases. 2025 has the highest number of cases recorded in this period to date,” officials said.
Chikungunya is a mosquito-borne infection, with most patients experiencing fever and joint pain. Up to 12% of patients will still experience symptoms after 3 years.
“Chikungunya can be a nasty disease and we’re seeing a worrying increase in cases among travellers returning to the UK. While this mosquito-borne infection is rarely fatal, it can cause severe joint and muscle pain, headaches, sensitivity to light and skin rashes.” said Dr Philip Veal, a consultant at the UK Health Security Agency.
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Study sheds light on graphite’s lifespan in nuclear reactors | MIT News
Graphite is a key structural component in some of the world’s oldest nuclear reactors and many of the next-generation designs being built today. But it also condenses and swells in response to radiation — and the mechanism behind those changes has proven difficult to study.
Now, MIT researchers and collaborators have uncovered a link between properties of graphite and how the material behaves in response to radiation. The findings could lead to more accurate, less destructive ways of predicting the lifespan of graphite materials used in reactors around the world.
“We did some basic science to understand what leads to swelling and, eventually, failure in graphite structures,” says MIT Research Scientist Boris Khaykovich, senior author of the new study. “More research will be needed to put this into practice, but the paper proposes an attractive idea for industry: that you might not need to break hundreds of irradiated samples to understand their failure point.”
Specifically, the study shows a connection between the size of the pores within graphite and the way the material swells and shrinks in volume, leading to degradation.
“The lifetime of nuclear graphite is limited by irradiation-induced swelling,” says co-author and MIT Research Scientist Lance Snead. “Porosity is a controlling factor in this swelling, and while graphite has been extensively studied for nuclear applications since the Manhattan Project, we still do not have a clear understanding of the porosity in both mechanical properties and swelling. This work addresses that.”
The open-access paper appears this week in Interdisciplinary Materials. It is co-authored by Khaykovich, Snead, MIT Research Scientist Sean Fayfar, former MIT research fellow Durgesh Rai, Stony Brook University Assistant Professor David Sprouster, Oak Ridge National Laboratory Staff Scientist Anne Campbell, and Argonne National Laboratory Physicist Jan Ilavsky.
A long-studied, complex material
Ever since 1942, when physicists and engineers built the world’s first nuclear reactor on a converted squash court at the University of Chicago, graphite has played a central role in the generation of nuclear energy. That first reactor, dubbed the Chicago Pile, was constructed from about 40,000 graphite blocks, many of which contained nuggets of uranium.
Today graphite is a vital component of many operating nuclear reactors and is expected to play a central role in next-generation reactor designs like molten-salt and high-temperature gas reactors. That’s because graphite is a good neutron moderator, slowing down the neutrons released by nuclear fission so they are more likely to create fissions themselves and sustain a chain reaction.
“The simplicity of graphite makes it valuable,” Khaykovich explains. “It’s made of carbon, and it’s relatively well-known how to make it cleanly. Graphite is a very mature technology. It’s simple, stable, and we know it works.”
But graphite also has its complexities.
“We call graphite a composite even though it’s made up of only carbon atoms,” Khaykovich says. “It includes ‘filler particles’ that are more crystalline, then there is a matrix called a ‘binder’ that is less crystalline, then there are pores that span in length from nanometers to many microns.”
Each graphite grade has its own composite structure, but they all contain fractals, or shapes that look the same at different scales.
Those complexities have made it hard to predict how graphite will respond to radiation in microscopic detail, although it’s been known for decades that when graphite is irradiated, it first densifies, reducing its volume by up to 10 percent, before swelling and cracking. The volume fluctuation is caused by changes to graphite’s porosity and lattice stress.
“Graphite deteriorates under radiation, as any material does,” Khaykovich says. “So, on the one hand we have a material that’s extremely well-known, and on the other hand, we have a material that is immensely complicated, with a behavior that’s impossible to predict through computer simulations.”
For the study, the researchers received irradiated graphite samples from Oak Ridge National Laboratory. Co-authors Campbell and Snead were involved in irradiating the samples some 20 years ago. The samples are a grade of graphite known as G347A.
The research team used an analysis technique known as X-ray scattering, which uses the scattered intensity of an X-ray beam to analyze the properties of material. Specifically, they looked at the distribution of sizes and surface areas of the sample’s pores, or what are known as the material’s fractal dimensions.
“When you look at the scattering intensity, you see a large range of porosity,” Fayfar says. “Graphite has porosity over such large scales, and you have this fractal self-similarity: The pores in very small sizes look similar to pores spanning microns, so we used fractal models to relate different morphologies across length scales.”
Fractal models had been used on graphite samples before, but not on irradiated samples to see how the material’s pore structures changed. The researchers found that when graphite is first exposed to radiation, its pores get filled as the material degrades.
“But what was quite surprising to us is the [size distribution of the pores] turned back around,” Fayfar says. “We had this recovery process that matched our overall volume plots, which was quite odd. It seems like after graphite is irradiated for so long, it starts recovering. It’s sort of an annealing process where you create some new pores, then the pores smooth out and get slightly bigger. That was a big surprise.”
The researchers found that the size distribution of the pores closely follows the volume change caused by radiation damage.
“Finding a strong correlation between the [size distribution of pores] and the graphite’s volume changes is a new finding, and it helps connect to the failure of the material under irradiation,” Khaykovich says. “It’s important for people to know how graphite parts will fail when they are under stress and how failure probability changes under irradiation.”
From research to reactors
The researchers plan to study other graphite grades and explore further how pore sizes in irradiated graphite correlate with the probability of failure. They speculate that a statistical technique known as the Weibull Distribution could be used to predict graphite’s time until failure. The Weibull Distribution is already used to describe the probability of failure in ceramics and other porous materials like metal alloys.
Khaykovich also speculated that the findings could contribute to our understanding of why materials densify and swell under irradiation.
“There’s no quantitative model of densification that takes into account what’s happening at these tiny scales in graphite,” Khaykovich says. “Graphite irradiation densification reminds me of sand or sugar, where when you crush big pieces into smaller grains, they densify. For nuclear graphite, the crushing force is the energy that neutrons bring in, causing large pores to get filled with smaller, crushed pieces. But more energy and agitation create still more pores, and so graphite swells again. It’s not a perfect analogy, but I believe analogies bring progress for understanding these materials.”
The researchers describe the paper as an important step toward informing graphite production and use in nuclear reactors of the future.
“Graphite has been studied for a very long time, and we’ve developed a lot of strong intuitions about how it will respond in different environments, but when you’re building a nuclear reactor, details matter,” Khaykovich says. “People want numbers. They need to know how much thermal conductivity will change, how much cracking and volume change will happen. If components are changing volume, at some point you need to take that into account.”
This work was supported, in part, by the U.S. Department of Energy.
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