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  • West Indies vs Pakistan, 3rd ODI Live Streaming: When and where to watch WI vs PAK live on TV and online

    West Indies vs Pakistan, 3rd ODI Live Streaming: When and where to watch WI vs PAK live on TV and online

    Mohammad Rizwan’s Pakistan and West Indies, led by Shai Hope, will take the field in the third and final ODI on Tuesday. The three-match series currently stands on level terms of 1-1, and both teams will aim to win the contest and register a series victory. Pakistan registered a win in the series opener. However, the Windies bounced back strongly in the next game, winning the rain-curtailed second ODI.

    West Indies will take on Pakistan in the third and final ODI on Tuesday. (AFP)

    Babar Azam failed to get going in the second ODI as he registered a three-ball duck. The batter has now gone 71 innings across formats without scoring a century in international cricket. The pressure is truly mounting and it needs to be seen how the former Pakistan captain performs in the third and final ODI.

    Squads:

    West Indies: Brandon King, Justin Greaves, Keacy Carty, Shai Hope(c), Sherfane Rutherford, Romario Shepherd, Amir Jangoo, Roston Chase, Johann Layne, Gudakesh Motie, Shamar Joseph, Jayden Seales, Jediah Blades, Jewel Andrew, Evin Lewis.

    Pakistan: Abdullah Shafique, Fakhar Zaman, Babar Azam, Mohammad Rizwan(c), Salman Agha, Hussain Talat, Shaheen Afridi, Naseem Shah, Abrar Ahmed, Hasan Ali, Sufiyan Muqeem, Faheem Ashraf, Mohammad Haris, Hasan Nawaz, Saim Ayub, Mohammad Nawaz.

    Here are all the streaming and telecast details for the third ODI between West Indies and Pakistan:

    When will the 3rd ODI between West Indies and Pakistan be played?

    The 3rd ODI T20I between West Indies and Pakistan will be played on Tuesday, August 12. The contest will begin at 7 PM IST, with the toss scheduled for 6:30 PM IST.

    Where will the 3rd ODI between West Indies and Pakistan take place?

    The 3rd ODI between the West Indies and Pakistan will be played at the Brian Lara Cricket Academy in Trinidad.

    Which channels will broadcast the 3rd ODI between West Indies and Pakistan?

    The 3rd ODI between West Indies and Pakistan will not be telecast live on any channel in India.

    Where will live streaming be available for the 3rd ODI between West Indies and Pakistan?

    The 3rd ODI between West Indies and Pakistan will be streamed live on the FanCode app and website.

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  • Star Entertainment reaches deal to sell 50% stake in Brisbane resort to HK investors – Reuters

    1. Star Entertainment reaches deal to sell 50% stake in Brisbane resort to HK investors  Reuters
    2. Star Entertainment revives bid to sell 50% stake in Brisbane resort, AFR reports By Reuters  Investing.com
    3. Star seals deal to sell Queen’s Wharf casino to HK partners  The Sydney Morning Herald
    4. Star salvages $1.4bn Queen’s Wharf rescue deal  The Australian
    5. Star Entertainment Trading Halt Amidst Deal Reports  Sharecafe

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  • British author slams Pakistan Army chief's nuclear threats; calls it "disgraceful, reckless" – ANI News

    1. British author slams Pakistan Army chief’s nuclear threats; calls it “disgraceful, reckless”  ANI News
    2. Foreign Office slams India’s MEA for ‘twisting’ COAS Asim Munir’s remarks  Dawn
    3. After Asim Munir’s Threat, A Look Inside Pakistan’s Nuclear Capabilities  NDTV
    4. Pakistan Army chief Asim Munir threatens to target RIL’s Jamnagar refinery  The Times of India
    5. ThePrint Exclusive: Asim Munir’s India nuke threat from US ballroom—‘will take half the world down’  ThePrint

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  • IOF mourns death of Italian athlete Mattia Debertolis

    IOF mourns death of Italian athlete Mattia Debertolis

    IOF President Tom Hollowell, on behalf of the International Orienteering Federation, expresses his deepest condolences to Mattia Debertolis’ family, friends, clubs, and the Italian Orienteering Federation.

    – I am not able to adequately describe in words the unfathomable dept of sadness in this tragic loss of life. Our thoughts are with all who mourn Mattia. I encourage the global orienteering community to honor his memory, says the IOF President.

    The International World Games Association (IWGA), Local Organising Committee (LOC) of The World Games 2025 Chengdu and the International Orienteering Federation (IOF) confirm with great sadness the passing of Italian orienteering athlete, Mattia Debertolis.

    Mattia Debertolis was found unconscious during the Men’s Middle Distance competition of Orienteering on the morning of Friday, 8 August 2025 in Chengdu, China, during the 12th edition of The World Games. Despite receiving immediate expert medical care at one of China’s leading medical institutions, he passed away on 12 August 2025.

    Mattia Debertolis was part of the Italian Orienteering Federation’s team at the World Games 2025. He was a member of the Italian national team and participated in several World Championships and World Cups. The 5th place with the Italian team in the World Cup Final 2022 Relay is one of several highlights on the international stage.

    In his childhood and youth years, Mattia was active both in orienteering, cross-country skiing and football. His love for navigating and finding the control points made him prioritize orienteering and pursue a career within elite orienteering.

    Mattia was not only an elite athlete, but also a highly skilled civil engineer, with studies in progress for a PhD at the university in Stockholm, where he lived and was part of the orienteering club IFK Lidingö. In addition to this impressive combination with his athlete career, he supported his family with their local hotel in his home valley Primiero.

    This statement is issued with the consent of the family of Mattia Debertolis.

    Together with IWGA and the LOC in Chengdu, IOF will continue to support the family of Mattia Debertolis and has no additional comments at this time.

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  • Airdrops stunt

    Airdrops stunt



    Palestinians carry aid supplies that entered Gaza through Israel, in Beit Lahia, northern Gaza Strip, August 2, 2025. — Reuters

    Last week, I saw aid dropping from the sky near my central Gaza neighbourhood of az-Zawayda. Neither I nor any of my neighbours had the courage to chase after it because we knew that the moment it hit the ground, a battle would erupt. If the aid survived the air, it wouldn’t survive the looters.

    It is almost always the same scene. Gunfire breaks out the second the plane drops the boxes. Armed gangs are already waiting on the ground, ready to take the goods by force. Whoever gets there first, whoever shoots first, also walks away with the food. It is never those who need it the most.

    Later, we would see those same “aid boxes” in the market in Deir el-Balah, their contents up for sale at exorbitant prices.

    Recently, my little brother was craving a biscuit. I saw biscuits from an aid package at the market and asked for the price. It was 20 shekels ($5) for a biscuit, something we could not afford.

    The aid dropped from the sky not only fails to feed the hungry, but it also kills them. On Monday, an airdropped pallet hit a tent for the displaced and killed Uday al-Quraan, a medic working at Al-Aqsa Martyrs Hospital. A week ago, 11 people were injured when another airdropped pallet hit tents in northern Gaza.

    Last year, in other failed airdrops, people also died. Five were killed in the Shati refugee camp in Gaza City when the parachute of a pallet did not open; 12 drowned trying to reach boxes that dropped into the sea; six were killed in a stampede after a crowd of people rushed to an airdrop location.

    The idea for these latest airdrops came from Israeli Prime Minister Benjamin Netanyahu, who called on the world to help with the process. Many governments welcomed the idea and some joined the effort, including Jordan, the United Arab Emirates and European countries.

    But Netanyahu knows very well that the airdrops will not stop the starvation of Palestinians, which is why he called for them instead of opening the land crossings into Gaza and allowing United Nations agencies to distribute aid in a fair and orderly fashion, just like they have always done.

    While, the global public may be deceived that something is being done about the hunger, inside Gaza, these airdrops aren’t seen as a real solution or a humanitarian gesture. We see them as nothing more than a PR show – a way to cover up a crime that hasn’t stopped: starving an entire population under tight siege by preventing thousands of trucks from entering while a few boxes fall from the sky for the cameras. It’s all part of a strategy to extend the starvation and ease international pressure on Israel.

    And so the famine proceeds at full speed. According to Gaza’s Ministry of Health, more than 180 people have died from hunger, including 92 children.

    It is not just in Gaza that airdrops are seen as inefficient and dangerous. In Afghanistan in 2001, airdropped aid was packaged in the same way as cluster bombs.

    The latter would get mistaken for food boxes by children who would get killed running after them. In Syria, aid airdropped into a besieged area did not reach the starving civilians because it was either damaged or fell into ISIL (ISIS)-held territory.

    It is well known that airdrops do not work and when other options are available, there is no reason to use them. The UN has repeatedly said this method is ineffective and ground delivery is safer and far better. A truck can carry four to 10 times more aid than a parachute. It is also much cheaper. Thousands of trucks are waiting on the Egyptian side of the border, enough to feed people and prevent more deaths from starvation.

    And yet, we see this futile spectacle once again in Gaza. Here we know not to look to the sky with hope. The same sky that drops bombs can’t be trusted to drop food.


    Excerpted: ‘The airdrops on Gaza are a PR stunt, not a humanitarian operation’. Courtesy: Aljazeera.com

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  • A welcoming change

    A welcoming change


    entertainment

    In Pakistan, our biggest source of entertainment, besides food, is movies. The film culture is thriving in our country. Whenever a new movie comes to the big screen, moviegoers flock to the cinemas. Our indigenous film industry, also known as Lollywood, has experienced many ups and downs over the years. Despite facing challenges, the industry is alive, and films – though few in number – are still being made each year. Some make it to the box office, while others bomb, but that’s part of the game.

    In the last seven months several movies have been released including ‘Baap’, ‘Kabeer’, ‘Qulfee’, ‘Lambi Judai’, ‘Deemak’ and ‘Love Guru’. The latter two movies have done pretty good business. Now, ‘Welcome to Punjab’, a highly anticipated movie, is ready to be released on August 14th.

    Written and directed by Shahzad Rafique, ‘Welcome to Punjab’ promises a blend of humour, cultural exploration, and entertainment. The film introduces Aadi Khan alongside Zara Hayat, a fresh face in the industry. Together, they bring a new energy to this much-awaited project. Along with fresh faces, the film also boasts of an ensemble cast including veteran actors like Mumtaz, Bushra Ansari, Adnan Siddiqui and Javed Sheikh. The film is produced by Safdar Malik and marks the comeback of Shehzad Rafique as a director after an eight-year hiatus, and Mumtaz after a long break from the film industry.

    A welcoming change

    “Welcome to Punjab is more than just a film – it’s a journey of culture, emotion, and dreams. Being a part of this project is an honour that I will cherish forever. From the colours of our land to the depth of our hearts, this film celebrates the soul of Punjab. I am beyond grateful to be part of a story that is so close to our roots, our people, and our identity,” shares Zara Hayat Khan on her Instagram.

    The story centres on two families – one based in Karachi, the other in Lahore. Due to unavoidable circumstances, the family from Karachi is compelled to travel to Lahore. From the trailers and teasers, it’s evident that the film highlights cross-cultural encounters and delves into themes of identity, family, and tradition, all delivered with a comedic twist. The narrative brings together characters from different backgrounds, weaving a mix of quirky, light-hearted moments with emotionally resonant scenes.

    According to Shahzad Rafique, the film aims to highlight unity and cultural exchange between Pakistan’s provinces. “It is essentially a love story – but with a twist. There’s romance, some family drama, and a deeper message of harmony woven into the narrative,” shares Shahzad, who has been a part of the film industry for 30 years. The film explores and celebrates Pakistan’s rich cultural diversity, using a romantic storyline set against the backdrop of interprovincial understanding and togetherness.

    A welcoming change

    Veteran filmmaker Shahzad Rafique, known for directing acclaimed titles such as ‘Nikah’, ‘Ghunghat’, ‘Rukhsati’, ‘Salakhain’, and ‘Mohabbataan Sachiyaan’, has high expectations from his latest project, ‘Welcome to Punjab’. “Audiences want to see fresh faces,” says Shahzad. “In this film, I’ve introduced newcomers Zara Hayat and Aadi Khan.” He adds that giving new talent a platform has always been a priority for him. Over the years, he has launched several, now-prominent actors in Lollywood, including Ahsan Khan in ‘Nikah’ (1998), Ahmed Butt and Sajid Hasan in ‘Salakhain’ (2004), Adnan Khan and Maria Khan in ‘Mohabbataan Sachiyaan’ (2007), and Wiam Dahmani in ‘Ishq Khuda’ (2012).

    ‘Welcome to Punjab’ marks Shahzad’s sixth directorial venture following ‘Rukhsati’ (2001), ‘Salakhain’ (2004), ‘Mohabbataan Sachiyaan’ (2007), ‘Ishq Khuda’ (2012), and ‘Salute’ (2016). Reflecting on his journey, he shares, “I began my career as an assistant producer in 1996, but direction was always my true calling. The last film I directed was ‘Salute’ in 2016. After a hiatus of eight years, I’m returning with ‘Welcome to Punjab’. I was away from the scene for quite some time, but now I’m back with a renewed passion and a brand-new film,” describes Shahzad.

    When asked about his experience working with Zara Hayat and Aadi Khan, Shahzad says, “My script required fresh faces, and I guess Zara Hayat and Aadi Khan were the right choices. Working with both of these actors was a delightful experience. During the shoot, I did not face any starry tantrums. Since the main cast was new, there was no issue with dates. They were committed to their work and always arrived on time.”

    A welcoming change

    While praising other cast members Shahzad expresses, “Senior artists like Bushra Ansari, Sajid Hasan, Adnan Siddiqui, and Javed Sheikh were also very cooperative. The Wall City, Pakistan Railway, and Al Hamra Arts Council were all very supportive. I would also like to express my heartfelt gratitude to Sir Ganga Ram, Mr Kamran Lashari, and Mr Yousaf Salahuddin for their unwavering support throughout the filming process. The film’s shooting went smoothly and was completed in a record time of seven months. And for your information, these days I am working on a new project. The film is called ‘Heer Ranjha’. It’s a classic Punjabi film.”

    Shahzad is of the opinion that concrete steps should be taken for the revival of cinema. “We need international film festivals. They provide an excellent opportunity to meet different filmmakers under one roof. It’s also a great market strategy. We must support young directors and incorporate modern technology into our films. Film should be included as a subject for aspiring filmmakers. Seminars on different aspects of films, such as cinematography and storytelling, should also be held regularly,” he emphasises.

    Shahzad Rafique
    Shahzad Rafique

    While highlighting the steps taken by the Punjab government for the revival of cinema Shahzad tells, “Punjab government has launched a Chief Minister Film Fund of PKR 2 billion, attracting nearly 2,500 applications from filmmakers nationwide seeking grants, infrastructure, and training support. An eight-member Film Fund Disbursement Committee now oversees transparent grant allocation. Key infrastructure proposals include Punjab’s first Film City, a dedicated studio complex, post-production lab, and a national film school within Lahore’s IT City.”

    During his conversation with this scribe, Shahzad also pointed out a very relevant issue: the high cost of film tickets. “Film tickets should be made cheaper. This multiplex culture has made watching movies so expensive. Films were once a poor man’s entertainment, but no longer. We need to open cinemas in small towns too, to reach a wider audience. We need to promote regional cinema. There was a time when 50 to 60 Sindhi films and more than 100 Punjabi movies were made in a single year. But now, hardly any regional films are being made,” he laments.

    When asked about his expectations for ‘Welcome to Punjab’, he replies, “Each director gives his best shot, but luck plays a major role in deciding the fate of the movie. So, let’s see whether the film will make it to the box office or not.”

    – Erum Noor Muzaffar

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  • CASUAL AND CRISP

    CASUAL AND CRISP


    beauty

    Casualwear today is defined by ease, versatility, and an understated sense of polish. It’s no longer confined to loungewear or off-duty dressing – it has evolved into an everyday uniform that feels relaxed yet refined.

    Gulabo Casuals by Maheen Khan captures this shift with a line of thoughtfully designed separates that bring structure to softness. From sharply cut co-ords with bold button details to fluid duster coats that add dimension and movement, each piece is built to layer, pair, and repeat. These are the staples you reach for when you want to feel put-together without overthinking your look. With breathable

    fabrics, tailored silhouettes, and subtle design touches – pleats, frills, cap sleeves – the collection balances comfort with a strong aesthetic, allowing every outfit to carry its own effortless confidence. This week You! takes a look at standout pieces from the collection and how to style them with ease…

    Classic polka dots meet a contemporary silhouette in this two-piece satin set. The loose boat-neck top with dolman sleeves brings fluidity, while the straight-cut trousers anchor the look with ease. Best styled with flats for daytime or statement earrings after hours – and yes, the trousers come with pockets.

    CASUAL AND CRISP

    With a soft drape and cuffed sleeves on the coat, the olive toned outfit is designed for effortless layering. The muted green tone adds depth to summer dressing, especially when styled over earthy palettes or crisp whites. The coat can belted or worn open, as it brings an understated polish.

    CASUAL AND CRISP

    In slate grey, this duster coat offers a subtle statement for transitional weather. The delicate frill detail at the sleeve adds a feminine contrast to its otherwise clean lines. Ideal for pairing with soft neutrals, denims, or its matching set, it’s a refined addition to any warm-weather wardrobe.

    CASUAL AND CRISP

    A timeless black co-ord elevated with sharp tailoring and oversized golden buttons – the kind that command attention without effort. Ideal for day-to-night dressing, this set strikes a balance between structure and ease. Pair with minimal gold jewellery and a sleek clutch for a refined finish.

    CASUAL AND CRISP

    The duster coat remains a defining piece in this collection – and in neutral sandstone, its versatility is unmatched. The waterfall front and wide collar lend movement and structure, making it ideal for layering over monochromes or tonal separates. Best styled with light trousers or a co-ord set for a relaxed yet put-together silhouette.

    Text: Wallia Khairi l Model: Trinette Lucas l Designer: Maheen Khan l Photography: Hussain Piart l Makeup: Nabila’s 

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  • Severe Presentation of De Novo Type II Diabetes in Abiraterone and Prednisone Therapy

    Severe Presentation of De Novo Type II Diabetes in Abiraterone and Prednisone Therapy


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  • Microplastics found in all popular UK drinks, with hot beverages worst offenders

    Microplastics found in all popular UK drinks, with hot beverages worst offenders

    From your morning tea to a cold soft drink, UK beverages carry hidden microplastic loads, and hot drinks could be giving you an even bigger dose.

    Study: Synthetic microplastics in hot and cold beverages from the UK market: Comprehensive assessment of human exposure via total beverage intake. Image Credit: SAG stock / Shutterstock

    In a recent article published in the journal Science of the Total Environment, researchers assessed the levels of microplastics (MPs) that people are exposed to through their daily intake of fluids using survey data and laboratory analysis in the UK.

    They detected MPs in all the beverages that people reported consuming and noted higher concentrations in hot drinks like tea, probably due to leaching from plastic packaging induced by heat, with average concentrations expressed in MPs per litre also reported for direct comparison.

    Background

    MPs, defined as synthetic particles between 1 μm and five mm in size, are persistent environmental contaminants found in marine, freshwater, terrestrial, and atmospheric environments. In practice, this study’s detection threshold was >10 μm due to μ-FTIR analytical limits. They can carry toxic chemicals, enter the food chain, and pose potential risks to human health.

    Human exposure occurs through food, water, air, and consumer products, but drinking water studies dominate the research, showing variable MP concentrations across countries. Evidence also shows MPs in beverages like beer, tea, coffee, and soft drinks, with possible sources including the water used, packaging materials, manufacturing processes, and preparation methods.

    While some studies report MPs in individual beverage types, no comprehensive assessment exists for a broad range of hot and cold beverages from one country. Furthermore, most exposure estimates consider only water intake, overlooking the role of other drinks in total fluid consumption.

    Given that beverage choices vary socially and culturally, excluding them may underestimate exposure. Researchers addressed this gap by establishing baseline MPs data for widely consumed UK beverages, surveying daily beverage intake among UK adults, and combining this data to estimate MPs exposure from total fluid intake to provide a more realistic assessment essential for evaluating potential health risks.

    About the Study

    In this study, researchers analyzed MPs in 155 samples comprising 5 samples from 31 beverage types from popular UK brands, collected from supermarkets and coffee shops in 2024. Beverages included hot and iced coffee, hot and iced tea, juices, energy drinks, and soft drinks.

    Samples were processed in a clean room under strict contamination controls. Cold drinks were filtered immediately, while hot drinks were cooled for 30 minutes before filtration. MPs were extracted by vacuum filtration through 0.45 μm silver membrane filters, followed by digestion of organic matter using hydrogen peroxide at 60 °C for 24 hours.

    Analysis was performed using spectroscopy methods to identify polymer types and particle characteristics with a 70% or more spectral match. Shapes, sizes, and counts were determined via microscope imaging.

    An online survey of 201 adults recorded daily beverage intake, which was combined with MPs concentration data (expressed in MPs/L in the primary results and in MPs/cup for product-specific discussion) from this study and previous UK water studies to estimate exposure in MPs/kg body weight/day. Quality control included blank samples and recovery tests. Statistical analyses assessed differences between beverage types.

    Key Findings

    MPs were detected in all 155 beverage samples analyzed. In MPs/L terms, hot coffee averaged 43 ± 14 MPs/L, iced coffee 37 ± 6 MPs/L, hot tea 60 ± 21 MPs/L, iced tea 31 ± 7 MPs/L, fruit juice 30 ± 11 MPs/L, energy drinks 25 ± 11 MPs/L, and soft drinks 17 ± 4 MPs/L.

    For product-specific serving comparisons, hot coffee in disposable paper cups averaged 16 MPs/cup, much lower than some previous studies, as they excluded cellulose-based particles and focused only on synthetic polymers thicker than 10 μm. Coffee in glass cups had fewer MPs, while older coffee machines released more MPs, likely from material degradation. Iced coffee in cups made of polyethylene terephthalate (PET) averaged 11 MPs/cup, mostly PET, with possible contributions from ice. Ice used in iced coffee has previously been identified as a potential MP source. Hot coffee contained significantly more MPs than iced coffee.

    Hot tea in paper cups averaged 22 MPs/cup, higher than tea in glass cups (14 MPs/cup). The most expensive tea bags had the highest MP counts, averaging 27 ± 3 MPs/cup. Iced tea in PET bottles had fewer MPs than hot tea, reinforcing heat’s role in MP release.

    Fruit juice in PET bottles had higher MP levels (42 ± 4 MPs/L) than carton packs (23 ± 3 MPs/L). Energy drinks in plastic packaging contained more MPs (40 ± 7 MPs/L) than canned versions (18 ± 3 MPs/L). Soft drinks in plastic bottles averaged 17 ± 4 MPs/L, in line with international studies.

    Particle sizes ranged mostly from 10–200 μm, with iced tea having the smallest particles and hot tea the largest. Across all beverages, fragments dominated (72–93%) over fibres. Polymer types matched packaging materials, with polypropylene (PP) the most abundant overall, followed by polystyrene (PS), polyethylene terephthalate (PET), and polyethylene (PE). Detection of polyamide (PA) and polylactic acid (PLA) in some tea and coffee sachets was linked to intentional inclusion for texture. This confirmed packaging as a major MP source, with additional contributions from production processes, air, and water, including atmospheric deposition and wear from plastic machinery parts.

    Conclusions

    In this study, researchers revealed widespread MP contamination across popular UK beverages, with higher levels in hot drinks, underscoring the role of temperature in accelerating MP release from packaging.

    Polymer composition largely reflected packaging materials, but secondary sources, such as contaminated water, atmospheric fallout, and production equipment, also contribute. Estimated daily intakes from all beverages were 1.7 MPs/kg body weight/day for females and 1.6 MPs/kg body weight/day for males, exceeding UK drinking-water-only estimates, suggesting that water-based exposure assessments underestimate true intake.

    Strengths include a large sample size across multiple brands, focus on synthetic polymers, and polymer-type identification. The inclusion of a local consumption survey allowed estimation of real-world exposure.

    Limitations involve the use of regional consumption data rather than national statistics, potential market representation gaps, and a detection limit excluding MPs less than 10 μm. This size restriction may underestimate the total MP burden.

    Overall, the findings provide robust evidence that beverage consumption contributes significantly to microplastic ingestion. The research team highlighted the need for more comprehensive monitoring, improved packaging materials, and public awareness, in line with the discussion in the paper.

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  • Kodak warns investors it might not be around much longer

    Kodak warns investors it might not be around much longer

    By Claudia Assis

    Going-concern warning comes as Kodak reports second-quarter results

    A vintage Kodak camera and box. The company, which diversified its business to include chemicals and printing, spooked investors Monday.

    It’s the Kodak moment no one wanted to see again.

    Eastman Kodak Co. (KODK) late Monday warned investors that it runs the risk of not being around much longer.

    Similar warnings have plagued the company, an undisputable household name in the U.S. and abroad, in the past, most recently around 2019. A year later, it got a $765 million government loan to produce domestic ingredients for generic drugs in order to reduce U.S. reliance on foreign-made ones.

    Kodak has pivoted to other industries, including industrial printing and chemicals, and has offered nods to technology a little closer to its roots, including offering a Barbie-branded mini photo printer.

    The going-concern language was added to Kodak’s second-quarter results Monday. A plan to use excess funds from the end of a pension plan to pay down debt and remain afloat is “progressing as planned,” the company said.

    The company expects to have “a clear understanding” of how it will satisfy its obligations to plan participants this week; it says it expects to complete the funds reversion by December.

    The focus for the second half of the year is on continuing to reduce costs and on converting investments into “long-term growth,” Kodak said.

    After initially dropping nearly 20% in the extended session Monday, the stock ended the after-hours session down 6.6%.

    So far this year, the shares have gained about 3%, which compares with an advance of around 8% for the S&P 500 index SPX. The stock last ended in the black for the year in 2016, when it rose 24%. It lost 48% last year.

    Kodak reported second-quarter sales of $263 million, down 1% compared with the same period in 2024. It swung to a GAAP net loss of $26 million for the quarter, compared with a profit of $26 million in the year-ago quarter.

    Kodak ended the quarter with $155 million in cash, a drop of $46 million from Dec. 31. That’s mostly due to capital expenses to fund its growth plans, changes in working capital, higher costs and lower profitability from operations, the company said.

    The focus remains on improving “the efficiency of our operations and investing in growth initiatives in our [advanced materials and chemicals] group,” Chief Financial Officer David Bullwinkle said in a statement.

    -Claudia Assis

    This content was created by MarketWatch, which is operated by Dow Jones & Co. MarketWatch is published independently from Dow Jones Newswires and The Wall Street Journal.

    (END) Dow Jones Newswires

    08-11-25 2022ET

    Copyright (c) 2025 Dow Jones & Company, Inc.

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