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Joey King is fully leaning into being a new redhead, after she retired her signature bronde (brunette/ blonde combination) hair.

The actor stepped out for a very English, very posh event on Saturday, June 12, as she attended Wimbledon in London. Strutting into the All England Tennis and Croquet Club with a fan in hand, King showcased her new strawberry hair, trading in her “vintage wood” color. The Uglies star first debuted her newfound look as a redhead last week in a post to Instagram, seemingly confirming the hair is part of her upcoming role in the Practical Magic sequel.

King wore a shiny forest green dress that complemented her ginger hair perfectly, and brought out her light eyes. She wore her hair pulled back into a loose, half-up, half-down look and kept her locks wavy and textured. Her Ralph Lauren dress clung tightly at the top and flowed out in a wave of fabric down to her calf.

King paired the dress with a brown handbag and strappy heels. She kept her glam simple with dark, drawn-in eyebrows, mascara, and a pretty pink lip.

Karwai Tang/Getty Images

Jelly Roll stepped into the WWE ring once again on Friday (July 11), facing off with Logan Paul during Smackdown in the singer’s hometown of Nashville.

Close to a year after making his WWE debut at SummerSlam 2024, the 40-year-old country star returned to the spotlight — this time at Bridgestone Arena — to perform his song “Liar,” which served as the official theme for last year’s SummerSlam.

Dressed once again in all black, Jelly Roll opened the night with a powerful aisle-walking performance of “Liar,” his chart-topping hit that spent six weeks at No. 1 on Billboard’s Country Airplay chart. But less than a minute in, the moment was interrupted by Paul, who stormed in with some cutting words for the singer-rapper.

“Everyone is here to see real WWE superstars. Certainly not to listen to music made for people who have tattoos of their children but don’t have custody of them,” Paul said. “Listen Jelly, this ring is sacred… you belong on a stage, not a WWE ring.”

He continued, “You know what I’m disgusted by? Celebrities, influencers, personalities — whatever you want to classify this as — coming in to our industry, leeching off of our success on a platform that we have built, brother. Clout chasers like you disgust me … The WWE doesn’t need a Jelly Roll, the WWE needs a Logan Paul.”

As Paul continued boasting about his new long-term deal with WWE, Jelly Roll fired back with some words of his own.

“Hold on, hold on, hold on. You must not completely understand where you are, Logan Paul,” he said. “You see, this is my hometown, Nashville, Tennessee. Just so we’re clear, down here, nobody gives a damn about your podcast, Logan.”

As the back-and-forth escalated, WWE legend Randy Orton made a surprise entrance, stepping in to defend Jelly. Orton confronted Paul and appeared ready to settle things in the ring until wrestler Drew McIntyre stormed in and blindsided Orton with a jump kick.

McIntyre was quickly escorted out, but the distraction gave Paul an opening, and he removed his vest and began landing punches on the disoriented Orton. Jelly stepped in to stop the attack, grabbing Paul by the hair and shoving him aside. Security then pulled Paul from the ring, but not before destroyed Jelly’s music equipment, smashing guitars, pushing over amps, and trashing the drum set.

The altercation could be setting the stage for an official showdown between Jelly and Paul at this year’s SummerSlam, scheduled for Aug. 2–3 at MetLife Stadium in East Rutherford, N.J.

Watch Jelly Roll face off with Logan Paul at WWE SmackDown in the clip below.

What with the tropical temperatures in the U.K. this week, the vast majority of the female population has been drifting through recent days in variations on summer’s by now ubiquitous boho skirt. Sienna Miller, being something of an architect of modern boho style, is presumably no different.

That was certainly the case at Wimbledon on Sunday, where the long-time tennis fan arrived to see Carlos Alcaraz and Jannik Sinner battle it out for the men’s singles title wearing an outfit that would have fit in equally well at the new Soho Farmhouse Ibiza as at SW19. Miller, who—along with the likes of Lila Moss and Theo James—was hosted by Ralph Lauren at Wimbledon, chose a floaty, crinkle effect maxi skirt by the brand, worn with a gently cropped crochet top and white kitten-heeled sandals.

And wait… is that a hint of a Glastonbury-in-the-early-Aughts coin belt we spy? Okay, not quite. But the metallic accents on her Western-inspired accessory certainly hark back to those photos of Sienna’s still-influential Worthy Farm wardrobe.

Miller was one of a whole host of famous faces in the crowd on finals day, chief among them the Princess of Wales—a patron of the All England Tennis Club—who chose a Roksanda dress in a vibrant shade of blue to take her seat in the Royal Box, accompanied by Prince William and two of their children, Prince George and Princess Charlotte.

Justin Bieber’s Swag, the superstar’s first album in over four years, is on track for a solid opening week as the album is taking over the daily charts on Spotify and Apple Music this weekend. 

Sources familiar with the matter tell The Hollywood Reporter that the projections for the album — his seventh full-length — are estimated at about 150,000 to 160,000 album equivalent units for week one, while Hits magazine is projecting 175,000 units.

Those estimates would yield a respectable debut, particularly given that Swag’s week one numbers likely won’t include any physical sales. Justice, Bieber’s next-most-recent album, debuted at No. 1 on the Billboard chart back in 2021 with 154,000 equivalent units, including 30,000 physical sales. 

Current estimates could also keep Bieber competitive for a No. 1 debut on Billboard’s 200 Albums chart, where Morgan Wallen has dominated the past two months; the country singer is projected to move more than 150,000 units this week. All of Bieber’s six previous albums have topped the chart in their opening weeks.

Bieber also elected to surprise-release Swag instead of sharing any singles in advance, teasing the drop on Thursday (July 10) with billboards popping up around the globe. 

Aside from Wallen’s I’m the Problem, Swag faces steep competition from Clipse — who released their first album in over 15 years this week with Let God Sort ‘Em Out — and from Travis Scott, who dropped JackBoys 2 on Sunday. Scott, in particular, is a perennial chart monster, with 2023’s Utopia debuting with nearly 500,000 units.

The day after its July 11 release, Bieber had taken the top seven slots on Spotify’s U.S. chart, with standout “Daisies,” featuring production and writing by Gen Z darling Mk.gee, landing at No. 1 with more than 8.5 million streams. As of this story’s publication, “Daisies” remains the top song on Spotify’s chart, and Bieber holds five of the top 10 slots on the Spotify chart. “All I Can Take,” meanwhile, topped Apple Music’s US chart, where Bieber took eight of the top 10 spots overall.   

Swag comes at a time of massive upheaval in Bieber’s life. Since the Justice era, he’d faced health issues, canceled a tour, sold his publishing catalog, had a child and notably split from Scooter Braun, his longtime manager. The two recently reconciled their remaining financial issues, with Bieber paying $31 million to settle a debt he owed Braun following the cancellation of his Justice tour, along with unpaid commissions.

The Hollywood Reporter reported in April that Bieber had assembled a new team and was readying the next chapter of his professional career.