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  • Dams built by humans have shifted Earth’s poles

    Dams built by humans have shifted Earth’s poles

    The Earth spins steadily, but not without a wobble. While we imagine the North and South Poles as fixed points, they’re not exactly anchored. Over time, they shift slightly, influenced by how mass is distributed across the globe.

    Ice sheets melt, tectonic plates shift, and oceans swell. But now, researchers have revealed that humans, through dam building, have also nudged the planet’s spin ever so slightly.


    In a quiet but measurable way, our thirst for water control and hydroelectric energy has shifted the Earth’s poles. From the earliest major dams in the 19th century to the massive reservoirs constructed in Asia and Africa during the 20th century, the effect has grown stronger.

    According to a study published in the journal Geophysical Research Letters, this phenomenon has moved Earth’s rotational axis by more than a meter (3.3 feet) since 1835.

    Dam building shifts Earth’s poles

    True polar wander refers to the shifting of Earth’s solid outer shell relative to its spin axis. This motion occurs when mass on the planet’s surface moves around.

    Think of Earth like a spinning basketball. Place a lump of clay on one side, and the ball shifts slightly to balance the extra weight. When this happens on Earth, the solid crust adjusts its position, moving relative to the axis of rotation. The poles then pass through new locations on the surface.

    Traditionally, this phenomenon has been linked to natural processes like glacial melting. But the recent study by Natasha Valencic and her team at Harvard University shows that human activity, specifically water impoundment from dam construction, has become another significant contributor.

    The findings suggest that this artificial redistribution of mass has created a measurable shift in the Earth’s pole positions.

    “As we trap water behind dams, not only does it remove water from the oceans, thus leading to a global sea level fall, it also distributes mass in a different way around the world,” said Valencic. That mass, once fluid and ocean-bound, is now stored in still reservoirs scattered across continents.

    Earth’s poles moved in two phases

    Using data from the Global Reservoir and Dam (GRanD) database, the researchers mapped the water storage of 6,862 artificial reservoirs from 1835 to 2011. The dam analysis revealed a striking, non-linear shift in the Earth’s poles.

    From 1835 to 1954, dam building focused heavily in North America and Europe. This caused the North Pole to move about eight inches toward 103.4°E, a direction passing through Russia and parts of Asia.

    After 1954, the pattern of dam construction changed. Major projects emerged across East Africa and Asia. As a result, the pole reversed direction, moving 22.5 inches toward −117.5°E, roughly through the western United States and into the South Pacific.

    These changes did not follow a smooth path. The polar motion was highly variable, influenced by the size and location of dams being built over time.

    Across the entire study period, the poles shifted about 44.6 inches. Notably, 40.9 inches of that motion occurred during the 20th century. This finding suggests that modern infrastructure, rather than long-term natural processes alone, has become a key factor in Earth’s orientation.

    Dams and Earth’s pole positions

    To track these subtle shifts, the team used a detailed physical model. They combined gravitationally self-consistent sea level theory with equations for rotational stability.

    The researchers accounted for how Earth’s crust responds elastically to mass changes, and how these changes, in turn, influence Earth’s spin.

    The Earth model used, known as PREM (Preliminary Reference Earth Model), includes variations in Earth’s density and elasticity. The team also incorporated seepage, the loss of stored water into surrounding soils, using a parameterization method from earlier work by Chao et al. (2008).

    Despite excluding about 28 percent of the global impoundment volume, mainly from smaller dams, the results remained consistent.

    The missing volume came mostly from minor reservoirs, each contributing less than 0.024 cubic miles, and these had minimal influence on the final polar calculations.

    To test the significance of these smaller dams, the team plotted how pole position changed with each added reservoir. After about 6,000 of the largest were included, the results stabilized. This confirmed that the many small, excluded dams had negligible overall effect.

    Dam water storage and sea levels

    Global sea levels are rising today, but during the 20th century, the creation of reservoirs temporarily offset this trend. The researchers found that the 6,862 dams in their study led to a sea level drop of 0.86 inches between 1900 and 2011.

    This artificial dip matters. While it’s small compared to the rise caused by melting glaciers and warming oceans, it complicates calculations.

    “Depending on where you place dams and reservoirs, the geometry of sea level rise will change. That’s another thing we need to consider, because these changes can be pretty large, pretty significant,” said Valencic.

    In the first half of the 20th century, the mean polar motion rate from impoundment was about 0.12 inches per year.

    In the second half, it rose to 0.37 inches per year, a threefold increase. The pole’s changing pace mirrors the rapid expansion of dam building after 1950.

    Revisiting old assumptions

    Previous studies underestimated the effect of dam-induced polar wander. One earlier estimate in 2008 suggested a mean movement of −0.06 inches per year in the east direction and −0.31 inches per year northward across the 20th century.

    But Valencic’s team found it was actually −0.12 inches per year and −0.09 inches per year, respectively. This difference matters because it rebalances the budget of polar motion.

    Scientists trying to understand how much glaciers, groundwater, or ocean changes contribute to Earth’s spin now have to subtract out the dam effect. Without this correction, estimates about ice loss and sea level rise remain incomplete.

    Interestingly, the influence of dam building didn’t act alone in shifting Earth’s poles. The researchers also modeled how the oceans responded to displaced water.

    While water impoundment dominated the first half of the century, the second half saw both dam storage and ocean mass redistribution playing nearly equal roles in shaping Earth’s polar path.

    Subtle shift in Earth’s poles

    This study began as a classroom project at Harvard but quickly grew into a deeper investigation of Earth’s shifting balance. It reveals that something as mundane as a dam, one of civilization’s most common tools, has reshaped the geography of our spinning planet.

    The pole has not leapt across continents. It has crept, step by engineered step, with every new concrete wall holding back a river. While not disastrous on its own, this shift reveals a truth: our actions reach farther than we often imagine.

    Every dam, every floodgate, becomes part of the Earth’s momentum. What we store on land doesn’t just change rivers. It nudges Earth’s rotation, redistributes the weight of water, and contributes silently to a planet that, while spinning, is never truly still.

    The study is published in the journal Geophysical Research Letters.

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  • ‘Prostate Cancer’s tests are simple and you’re better off knowing’

    ‘Prostate Cancer’s tests are simple and you’re better off knowing’

    Harriet Robinson & Sophia Allsopp

    BBC News, Bristol

    Ben Read Jonathon Wallace, Mike Ashwin, Ben Read, and Ben Smith pictured at Chipping Sodbury Golf Club, wearing white polo shirts and khaki shorts, standing on the green after completing their16-hour golf challenge with rolling fairways and trees behind them.Ben Read

    Jonathon Wallace (L), Mike Ashwin (second from left), Ben Read (second from right), and Ben Smith (R) completed the challenge in memory of loved ones

    Four men whose family members have been diagnosed with prostate cancer have completed a 16-hour golf challenge.

    Jonathon Wallace, Mike Ashwin, Ben Read, and Ben Smith played 100 holes on Chipping Sodbury Golf Club in South Gloucestershire in about 16 hours, raising £4,000 for charity Prostate Cancer UK.

    One in eight men will be diagnosed with the disease, which often does not have any symptoms until the tumour grows – meaning testing for the condition is crucial.

    Mr Wallace, whose father and wife’s uncle both had the disease, hopes the challenge will encourage people to get checked, saying: “It’s just a simple test and you’re better off knowing.”

    “The sooner you know, the better and easier everything is to do with it,” he added.

    Ben Smith’s father in law passed away from prostate cancer two and a half years ago, said Mr Wallace.

    “It’s so close to our heart that we thought this is the one to do.

    “This made the biggest sense to all of us,” Mr Wallace said.

    It took the group 34.8 miles (56km) and 18 lost balls to complete the feat.

    “An incredible feeling of achievement that will last forever,” said Mr Wallace. “Life is short. Do stuff that matters.”

    Prostate cancer is the most common cancer in men. It’s curable if caught early, but often shows no symptoms. You can check your risk in 30 seconds.

    Symptoms

    According to the NHS, prostate cancer does not usually cause any symptoms until the cancer has grown large enough to put pressure on the tube that carries urine from the bladder out of the penis (urethra).

    Symptoms of prostate cancer can include:

    • needing to pee more frequently, often during the night
    • needing to rush to the toilet
    • difficulty in starting to pee (hesitancy)
    • straining or taking a long time while peeing
    • weak flow
    • feeling that your bladder has not emptied fully
    • blood in urine or blood in semen

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  • 111 monsoon-related deaths in Pakistan since late June: disaster agency

    111 monsoon-related deaths in Pakistan since late June: disaster agency


    BERLIN: A German doctor went on trial Monday accused of killing 15 patients with lethal injections and acting as “master of life and death” over those in his care.


    The 40-year-old palliative care specialist, named by German media as Johannes M., is alleged to have killed 12 women and three men between September 2021 and July 2024 while working in Berlin.


    The doctor is accused of injecting the victims, aged between 25 and 94, with deadly cocktails of sedatives and in some cases setting fire to their homes in a bid to cover up his crimes.


    The accused had “visited his patients under the pretext of providing medical care,” prosecutor Philipp Meyhoefer said at the opening of the trial at the state court in Berlin.


    Johannes M. had organized “home visits, already with the intention of killing” and exploited his patients’ trust in him as a doctor, Meyhoefer said.


    “He acted with disregard for life… and behaved as the master of life and death.”


    A co-worker first raised the alarm over Johannes M. last July after becoming suspicious that so many of his patients had died in fires, according to Die Zeit newspaper.


    He was arrested in August, with prosecutors initially linking him to four deaths.


    But subsequent investigations uncovered a host of other suspicious cases, and in April prosecutors charged Johannes M. with 15 counts of murder.


    A further 96 cases were still being investigated, a prosecution spokesman said, including the death of Johannes M.’s mother-in-law.


    She had been suffering from cancer and mysteriously died the same weekend that Johannes M. and his wife went to visit her in Poland in early 2024, according to media reports.


    The suspect reportedly trained as a radiologist and a general practitioner before going on to specialize in palliative care.


    According to Die Zeit, he submitted a doctoral thesis in 2013 looking into the motives behind a series of killings in Frankfurt, which opened with the words “Why do people kill?”


    In the charges brought against Johannes M., prosecutors said the doctor had “administered an anesthetic and a muscle relaxant to his patients… without their knowledge or consent.”


    The relaxant “paralyzed the respiratory muscles, leading to respiratory arrest and death within minutes.”


    In five cases, Johannes M. allegedly set fire to the victims’ apartments after administering the injections.


    On one occasion, he is accused of murdering two patients on the same day.


    On the morning of July 8, 2024, he allegedly killed a 75-year-old man at his home in the Berlin district of Kreuzberg.


    “A few hours later” he is said to have struck again, killing a 76-year-old woman in the neighboring Neukoelln district.


    Prosecutors say he started a fire in the woman’s apartment, but it went out.


    “When he realized this, he allegedly informed a relative of the woman and claimed that he was standing in front of her flat and that nobody was answering the doorbell,” prosecutors said.


    In another case, Johannes M. “falsely claimed to have already begun resuscitation efforts” on a 56-year-old victim, who was initially kept alive by rescuers but died three days later in hospital.


    Prosecutors said he had “no motive beyond killing” and are seeking a life sentence.


    The case recalls that of notorious German nurse Niels Hoegel, who was handed a life sentence in 2019 for murdering 85 patients.


    Hoegel, believed to be modern Germany’s most prolific serial killer, murdered hospital patients with lethal injections between 2000 and 2005, before he was eventually caught in the act.


    More recently, a 27-year-old nurse was given a life sentence in 2023 for murdering two patients by deliberately administering unprescribed drugs.


    In March, another nurse went on trial in Aachen accused of injecting 26 patients with large doses of sedatives or painkillers, resulting in nine deaths.


    Last week, German police revealed they are investigating another doctor suspected of killing several mainly elderly patients.


    Investigators are “reviewing” deaths linked to the doctor from the town of Pinneberg in northern Germany, just outside Hamburg, police and prosecutors said.

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  • Astro Bot July 2025 update: Vicious Void Galaxy DLC full details | Esports News

    Astro Bot July 2025 update: Vicious Void Galaxy DLC full details | Esports News

    It was July 2025, and Sony had brought back its fan-favorite platformer character with a new mind-blowing expansion. Any hardware that supports the Astro Bot game will be compatible with the Vicious Void Galaxy DLC, adding new content to play, as well as new environments and exciting mechanics to challenge the player’s platforming capabilities to the extreme. As a standalone game, the base title was well received, and the DLC is a welcome addition for both old and new players. And with new challenges and twists awaiting players in the further reaches of space, the Vicious Void Galaxy update is the next step that is going to enlarge the Astro Bot universe both in terms of scale and complexity, but presented in the same package of love and out-of-the-box thinking that marks a series.

    Vicious Void Galaxy DLC full details

    ASTRO BOT – Vicious Void Galaxy 100% Walkthrough + Secret Final Level (All Bots Rescued) DLC

    The Vicious Void Galaxy DLC introduces a striking narrative to Astro Bot, featuring a brand-new storyline about a mysterious black hole that poses a threat to the peace of the Bot galaxy. They are to control Astro through the five new spaces in the universe, which are stocked to the brim with the intense and platform-related gameplay, secret toys, and challenges to defeat bosses.

    Key Features of the Vicious Void Galaxy DLC:

    1. Five new galaxy zones

      • Graviton Grinders: Navigate the floating debris and shifting fields of gravity.
      • Photon Peaks: While dodging the laser traps, solve the light-based puzzles.
      • Echo Engine Abyss: Sneak through stealthy challenges while using sound cues.
      • Neon Nebula: Dash through the neon-lit platforms and speed sections.
      • Event Horizon Vault: The last stage, where the new and strong boss was, full of warping of the gravity, and full of a new boss, Nullcore.
    2. New gameplay mechanics

      • Gravity flip boots: Allow Astro to walk on walls and ceilings to uncover hidden paths.
      • Black hole portals: Shortcuts that warp to secret areas.
      • Chrono orbs: Slow down the time to survive intense traps.
    3. Collectibles and rewards

      • 50 brand-new Astro Artifacts inspired by classic PlayStation icons.
      • Discover a new hidden Memory Cube with behind-the-scenes content.
      • Completion of all challenges unlocks a new skin: Void Explorer Astro.
    4. Difficulty scaling

      • The DLC adds more challenge to this by providing an optional Expert Mode, which is more challenging with harder enemies, stricter platforms, and potentially no forgiveness to anyone seeking to test their twitch skills.

    The DLC Vicious Void Galaxy gives Astro Bot new life, including some creativity, nostalgia, challenge, and overall fun in one package. Regardless of whether you like to collect each and every item or simply ride on the map, this July 2025 update has something appealing to any type of gamer. The new mission of Astro is not only a new stage in history—it is a space voyage to the stars, which is worth making.


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  • Paddy Power and Betfair users warned of ’email danger’ after hack

    Paddy Power and Betfair users warned of ’email danger’ after hack

    Some Paddy Power and Betfair customers have been warned to “remain vigilant” after a hack of up to 800,000 users.

    A spokesperson for Flutter Entertainment, which owns the online gambling brands, confirmed to the BBC it had “suffered a data incident.”

    Some personal information including IP addresses, email addresses, and online activity data has been compromised.

    The company provided affected users with online safety information and told them: “There is nothing you need to do in response to this incident, however we recommend you remain vigilant.”

    Flutter Entertainment has 4.2 million average monthly players across all its brands in the UK and Ireland.

    Its other betting companies include Sky Bet and Tombola.

    The company said the incident has now been contained and added: “No passwords, ID documents or usable card or payment details were impacted.”

    However, cybersecurity experts have warned the breached data could be used to target unsuspecting customers with convincing personal emails in what’s known as a spear phishing attack.

    Harley Morlet, chief marketing officer at Storm Guidance, said individuals that spend large amounts of money with these gambling companies could be targets.

    “With the advent of AI, I think it would actually be very easy to build out a large-scale automated attack,” he told the BBC’s Today programme. “Basically, focusing on crafting messages that look appealing to those gamblers.”

    Tim Rawlins, director and senior adviser at global security firm the NCC Group, told the BBC’s Wake Up to Money programme that customers should look out for detailed emails that might refer to their previous betting habits, encourage them to click links or give away credit card information.

    “You might re-enter your credit card number, you might re-enter your bank account details, those are the sort of things people need to be on the look out for and be conscious of that sort of threat,” he said.

    He added: “If it’s too good to be true, it probably is a fraudster who’s coming after your money.”

    Mr Rawlins said his security firm has seen an increase in the quality of phishing emails and said AI is making it harder to tell a fraudulent email from a real message.

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  • Police believe four killed in Southend Airport plane crash were foreign nationals

    Police believe four killed in Southend Airport plane crash were foreign nationals

    What do we know about the airline?published at 16:02 British Summer Time

    Sofia Bettiza
    BBC News, reporting from The Netherlands

    We are at the headquarters
    of Zeusch Aviation, external – the Dutch company operating the plane that crashed at Southend Airport.

    The aircraft was returning here to Lelystad
    Airport when it went down yesterday. This is a small airport in the Netherlands, on an island to the east of Amsterdam – and today, it’s almost deserted.

    We were able to speak to a pilot from another
    airline. He told us he’s worried that one of his colleagues may be among the
    victims, as many of the staff here know one another.

    We tried to speak to someone from Zeusch Aviation,
    but their offices are closed, and they are not responding to journalists.

    We just saw airport security staff lowering the Dutch flag to half mast at the entrance of the airport.

    So what do we know about the
    airline?

    It’s a privately owned, small
    company – they operate 14 aircraft. Zeusch specialises in medical evacuation
    flights, private charters, and aerial filming for various events.

    On a typical air ambulance flight, there are
    usually four people on board: a pilot, a co-pilot, and two medical staff.

    The airline has issued a statement saying they are
    actively supporting the investigation – and that their thoughts are with
    “everyone who has been affected”.

    But key questions remain
    unanswered – most importantly: who was on board that flight, and what caused
    it to crash?

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  • Space Rider Nose Cone Passes Key Milestone

    Space Rider Nose Cone Passes Key Milestone

    Credit: CIRA

    The Italian Aerospace Research Centre (CIRA) has completed the structural dynamic qualification testing campaign of the Space Rider nose cone, marking a key milestone in the development of the vehicle’s Thermal Protection System.

    Space Rider consists of two main sections: the expendable Service Module and the reusable Re-entry Module. The latter is designed to fly up to six missions with only minimal refurbishment between flights. The Re-entry Module’s multi-element Thermal Protection System, a key enabler of its reusability, shields the vehicle from extreme heat and mechanical stress during atmospheric re-entry.

    The nose cone, a single fibre-reinforced ceramic structure with a diameter of 1.3 metres, is the largest single component of the Thermal Protection System. This monolithic dome is made from a proprietary material called ISiComp, developed by CIRA and its partner Petroceramics. Weighing just 40 kilograms, it is designed to withstand temperatures of up to 1650°C while maintaining its aerodynamic shape with deformations of no more than one millimetre.

    On 9 July, CIRA announced the completion of the Space Rider nose cone’s structural dynamic qualification testing campaign. The tests were conducted at CIRA’s Space Qualification Laboratory in Campania, Italy, and were designed to assess the nose cone’s behaviour under the vibrational loads it will experience during launch.

    “The success of these tests is the culmination of four years of intense work and paves the way for the completion of the Space Rider TPS,” explained CIRA Program Manager Giuseppe Rufolo.

    With the structural design now validated, CIRA will move ahead with the production of the first flight-ready nose cone.

    CIRA has also completed the qualification of the Space Rider body flaps, another important element of the vehicle’s Thermal Protection System that is also manufactured from the same ISiComp material. The organisation announced the successful qualification of the body flap’s design in February.

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  • Cheers to The Weir! What makes Conor McPherson’s mysterious pub drama so mesmerising? | Theatre

    Cheers to The Weir! What makes Conor McPherson’s mysterious pub drama so mesmerising? | Theatre

    Appearances are deceptive. On the face of it, The Weir is not an exceptional play. Set in a rural pub somewhere in north-west Ireland, it is naturalistic and familiar. It does not call for fanciful interpretations or big directorial statements. Even its author, Conor McPherson, seems ambivalent. “It was just people talking, so it shouldn’t have worked,” he once observed.

    Audiences who saw JM Synge’s The Playboy of the Western World in 1907 would have recognised the bar stools, the fireplace and the sleepy camaraderie. They would have sensed the timeless smell of peat and whiskey. So too would they have recognised the locals: practical men, variously shy, garrulous and funny, who are joined by an outsider, a mysterious woman from Dublin. They shuffle in, have a few drinks, share stories, then leave.

    But such a prosaic description does no justice to McPherson’s play. For all its everyday trappings, The Weir takes a mesmerising hold. Audiences find it electrifying. The critic Michael Billington called its opening performance “one of those nights no one who was there will ever forget”. He included it among The 101 Greatest Plays, alongside Oedipus the King, Macbeth and Long Day’s Journey Into Night. What stood out, he said, was McPherson’s “narrative power, his gift for language and his ability to excavate the quiet desperation of the unfulfilled”.

    Ian Rickson’s production opened in 1997 at London’s Royal Court Upstairs (in exile at the Ambassadors theatre), and transferred to the Duke of York’s, where it ran for two years. Broadway came next. McPherson, only 25 when it opened, won Olivier, Evening Standard and Critics’ Circle awards.

    The Weir has duly attracted prestigious actors, the latest of whom, Brendan Gleeson, is about to play the mechanic Jack, in a production directed by McPherson in Dublin and London. Gleeson, star of The Banshees of Inisherin, calls the play “profoundly moving, inspiring and ultimately hopeful”.

    ‘God, that was amazing’ … Kieran Ahern, Des McAleer, Brendan Coyle, Julia Ford and Jim Norton in Ian Rickson’s Royal Court production. Photograph: Tristram Kenton/The Guardian

    First played by Jim Norton, Jack is one of the regulars in a rudimentary pub. Like barman Brendan and sidekick Jim, he is single – a reason to be prickly when the married Finbar, a hotelier, takes it upon himself to show around Valerie, a blow-in from Dublin. Taking it in turns to attempt to impress the stranger, the men spin supernatural stories. They are silenced when she then tells a devastating story of her own.

    Julia Ford was the first to play Valerie, performing for 60 people behind the curtain on the Ambassadors stage. “It was the most intimate play I’ve ever been involved in,” she says. “It was like they were in the bar with you. You were not really acting, just talking in a pub. After the first preview, people were really moved and saying, ‘God, that was amazing.’ It’s a special play.”

    Behind the surface realism, The Weir has a haunting appeal. “Mystery is the philosophical underpinning of life,” McPherson once told me. “We don’t understand who we are or where we come from. A fear of the unknown is very exciting on stage.”

    Ardal O’Hanlon warms to that idea. He played Jim, alongside Brian Cox and Dervla Kirwan, in Josie Rourke’s 2013 production for London’s Donmar. “It lives in that liminal space between the mundane and the ineffable,” says the actor. “It lives between past and present, natural and supernatural. There’s real depth to it. It’s an Irish thing: there is a healthy respect for the unknown, the mysterious and the supernatural in Ireland. Just because you can’t see it, doesn’t mean it’s not there.”

    Lucianne McEvoy recognises that setting well. She played Valerie in Amanda Gaughan’s production at Edinburgh’s Royal Lyceum in 2016 and knows exactly the kind of bar-cum-talking-shop McPherson had in mind. “My dad lived in the west of Ireland for the last 15 years of his life and was very much adopted by his Mayo family,” says the actor, currently appearing in Sing Street at the Lyric Hammersmith.

    ‘We don’t understand who we are or where we come from’ … Conor McPherson in 2011. Photograph: Martin Godwin/The Guardian

    “His pub was Inche’s bar in Ballinrobe. His little stool was kept for him. When I would visit, I would get an honorary stool pulled up beside him. The same characters were all along the bar and had the same amount of pints. It was like a ritual. If you were there, it was an honour to be there. Valerie probably felt very welcomed into that secret place.”

    That welcome is part of the play’s emotional pull. Valerie, a woman in an all-male space, not only acts as a catalyst for the men’s stories, but feels comfortable enough to reveal her own sad tale of loss. “If she was real, I’m glad she happened to go into that bar,” says Ford.

    Valerie was even more of an outsider in Caitríona McLaughlin’s production at Dublin’s Abbey three years ago. Then, she was played by Jolly Abraham, a New Yorker who now lives in Ireland. With McPherson’s blessing and a judicious tweak of the script, she played Valerie as newly arrived from Chicago.

    “I’ve been in an old man’s pub in Ireland, so I know what that feeling is,” says Abraham, back in rehearsal with McLaughlin for The Boy at the Abbey. “As a woman, you know Brendan, Finbar and Jack are all putting on a bit of a show. Valerie is amused by who’s peacocking and who’s not, but also how everything being said is freeing her from her past.”

    The stories also draw in the audience. McPherson calls storytelling “the most pure moment of theatre”, one that demands our engagement. “What’s brilliant about the theatre is the audience is willing to do that work,” he said when I interviewed him in 2013. “We are willing to go into what I call a collective trance. It probably goes to the nature of consciousness itself. We’re constantly putting order on the chaos.”

    O’Hanlon agrees: “Storytelling is central to human existence. It’s how we process the world. The form of storytelling in The Weir creates a little bit of a distance from your own experience. You protect yourself by couching your experience in terms of a story. Jim’s story is dark and disturbing, and you get the sense it is about something that happened to him in a way that he hasn’t fully acknowledged.”

    ‘It was an honour to be in that pub’ … Lucianne McEvoy in Amanda Gaughan’s production at Edinburgh’s Royal Lyceum. Photograph: Drew Farrell

    Abraham picks up the theme: “Storytelling, whether it’s a myth, or ‘Once upon a time …’, or something that happened to you on the metro, you as the person speaking need to get it out, but you as a listener are also trying to find a way to connect, relate and latch on. All those people in that pub need to be heard and seen. It’s primal.”

    “Conor has a great ear for dialogue,” says O’Hanlon. “It’s not just the rhythm and the beautiful use of language, it’s the jokes. He is a hilarious writer. As a standup myself, given that the play is in part a series of monologues, where each character gets their turn to shine, that’s something that I relish. I could really bring those standup chops to the set-piece story Jim tells: a shocking, inappropriate twist on the ghost story.”

    McEvoy also relished McPherson’s language: “It’s such a joy. You pay attention to the rhythms, the punctuation and how he phrases things. Valerie’s monologue is long and you have to let one thought lead you to another. If you trust the writing, it’s not about memorising it in a linear fashion, it’s about being in each moment and trusting that the next moment will come. They’ll line up. He’s in the train of thought with you.”

    Ford says that this play that is supposedly “just people talking” is anything but. “This is why I think Conor is a genius,” she says. “It is the combination of simplicity with themes that just go on and on. It’s about all the things we go through: grief, loneliness, loss, the need for other human beings. I feel quite moved saying it: the raw, immediate, essence of what humanity is. And one of the most basic human needs is storytelling.”

    For McEvoy, storytelling is what brings together the characters and, in turn, the audience: “In sharing the stories they are unburdened of something and we feel more connected. As a metaphor, that’s what theatre is: we come together, we don’t know most of the people around us, and we agree to bear witness to these mysteries.”

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  • How Long Can China Keep Propping Up Its Consumers With Subsidies? – The New York Times

    1. How Long Can China Keep Propping Up Its Consumers With Subsidies?  The New York Times
    2. China News Live: Alibaba reports 80 million deliveries in one day amid China price war  Moneycontrol
    3. China is buying appliances and iPhones. What happens when the subsidies stop?  thestar.com.my
    4. Why China is paying people to upgrade phones, cars, and appliances  Moneycontrol

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  • Investor Sentiment Pivots as Funding, M&A and Research Advances Spark Interest During Q2 2025

    Investor Sentiment Pivots as Funding, M&A and Research Advances Spark Interest During Q2 2025

    Insider Brief

    • Q2 2025 marked a potential turning point for quantum computing, with $1.16 billion in private investment and major technical, commercial, and policy milestones, according to The Quantum Insider’s Q2 2025 report.
    • Key deals included SandboxAQ’s $450 million raise, IonQ’s $1.075 billion acquisition of Oxford Ionics, and new advances from IBM, Microsoft, and Quantinuum on fault-tolerant quantum systems.
    • Momentum was further bolstered by supportive government actions, high-profile endorsements, and signs the industry is transitioning from research to real-world deployment.

    Don’t call it a comeback.

    The second quarter of 2025 may have marked a turning point in the global quantum computing industry, as a wave of investor activity, high-profile acquisitions, and key technical and scientific milestones signaled growing confidence in the sector’s near-term potential, according to a new report from The Quantum Insider.

    Total private capital investment in quantum startups surged to $1.16 billion in Q2 2025, a 50% increase over the same quarter last year. The quarter’s deal volume remained consistent with Q1, continuing the recent trend of fewer but larger funding rounds. Among the biggest was Multiverse Computing’s $215 million raise to commercialize a quantum-inspired AI compression tool for large language models. The Spain-based company claims its CompactifAI software can shrink LLMs by up to 95% without sacrificing performance.

    The funding wave extended to hardware players. Infleqtion, which builds atom-based quantum systems, raised a $100 million Series C round to expand its field-ready offerings in quantum computing, sensing, and timing. Meanwhile, SandboxAQ — focused on quantum-safe cybersecurity and enterprise AI — closed a $450 million Series E round backed by investors including Ray Dalio, BNP Paribas, Google, and NVIDIA.

    Qunnect, another standout, closed a $10 million Series A extension led by Airbus Ventures and Cisco Investments to support deployment of its quantum-secure networking hardware. The company was the first to implement quantum entanglement-based protocols over commercial fiber.

    Beyond funding rounds, the report that several public companies in the quantum space used the surge in interest in the technology to conduct work for equity offers during the quarter.

    M&A Activity

    Beyond funding, Q2 also featured significant merger and acquisition activity. IonQ, the only major publicly traded quantum company in the U.S., announced it will acquire Oxford Ionics for $1.075 billion in stock and cash. The deal combines IonQ’s commercial experience with Oxford Ionics’ semiconductor-based trapped-ion qubit systems, potentially accelerating scalability.

    Pasqal, the French neutral-atom quantum startup, acquired Canadian photonics chipmaker AEPONYX to bolster its hardware capabilities. The deal gives Pasqal access to specialized photonic integrated circuits, which the company says are critical to its fault-tolerant quantum computing roadmap.

    Inflection Point

    Investor and industry sentiment also appeared to shift in Q2, aided by new product announcements and endorsements from once-skeptical voices. NVIDIA CEO Jensen Huang, who last year warned that useful quantum computers might be two decades away, reversed course during a June keynote, saying the technology is nearing an “inflection point.” The report flags this change as emblematic of broader momentum, citing new technical progress from IBM, Microsoft, and Quantinuum.

    IBM’s updated roadmap for large-scale, fault-tolerant quantum computers calls for delivery of its Quantum Starling system by 2029. The company says it will perform 20,000 times more operations than current machines and be hosted in a new facility in New York.

    Microsoft researchers published new designs for “4D geometric codes,” which promise to simplify quantum error correction and reduce the number of physical qubits needed for fault-tolerant computation. Quantinuum also reported it had demonstrated a universal gate set that is both scalable and fault-tolerant, a milestone the company framed as a transition from the NISQ (noisy intermediate-scale quantum) era toward utility-scale performance.

    Policy shifts also played a role. U.S. lawmakers held a June hearing focused on the quantum threat to cybersecurity, calling for urgent modernization of cryptographic infrastructure. In parallel, the UK government committed £500 million (roughly $672 million) to quantum computing efforts as part of a national industrial strategy aimed at sovereignty and resilience.

    Altogether, the quarter’s developments suggest — in the least — a change in tone for an industry long defined by hype cycles and cautious optimism. At The Quantum Insider, we characterizes this period as a potential inflection point — not only for technological progress but for broader economic validation of the sector. Continual progress on the path is not inevitable, however, and it’s advised to keep a close eye on industry news and moves as we move into 2025 and beyond.

    You can read The Quantum Insider’s 2Q 2025 report here.

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