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  • New clues from 2 million-year-old tooth enamel tell us more about an ancient relative of humans

    New clues from 2 million-year-old tooth enamel tell us more about an ancient relative of humans

    For nearly a century, scientists have been puzzling over fossils from a strange and robust-looking distant relative of early humans: Paranthropus robustus. It walked upright, and was built for heavy chewing with relatively massive jaws, and huge teeth with thick dental enamel. It’s thought to have lived between 2.25 million and 1.7 million years ago.

    Humans today have a diverse array of hominin distant relatives and ancestors from millions of years ago. The South African fossil record ranges from early hominins such as Australopithecus prometheus, A. africanus (Taung child), A. sediba and P. robustus, to early members of the genus Homo (H. erectus/ergaster, H. habilis), to later hominins such as H. naledi and Homo sapiens (humans).

    Fossils show how these early relatives evolved from as far back as A. africanus, 3.67 million years ago. They also document milestones in evolution, including the transition to walking on two legs, tool making and increased brain development. Ultimately, our species – Homo sapiens – appeared in South Africa 153,000 years ago.




    Read more:
    Palaeontology: a way of reaching into the past to build lessons for the present


    Fossils of P. robustus were first discovered in South Africa in 1938. But crucial questions remained. How much variation was there within the species? Were the size differences related to sex, or did they reflect the presence of multiple species? How was P. robustus related to the other hominins and early Homo? And what, genetically, made it distinct?

    Study co-leads Dr Palesa Madupe, Dr Claire Koenig and Dr Ioannis Patramanis with a replica of Paranthropus robustus.
    Victor Yan Kin Lee

    Until now, answers to these questions have been elusive. As a team of African and European molecular science, chemistry and palaeoanthropology researchers, we wanted to find answers but we couldn’t use ancient DNA to help us. Ancient DNA has been a game-changer in studying later hominins like Neanderthals and Denisovans but it doesn’t survive well in Africa’s climate because of its simple structure.

    We experienced a breakthrough when we decided to use palaeoproteomics – the analysis of ancient proteins. We extracted these from the enamel of the 2-million-year-old teeth of four P. robustus fossils from Swartkrans Cave in South Africa’s Cradle of Humankind.




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    World’s oldest _Homo sapiens_ footprint identified on South Africa’s Cape south coast


    Luckily, proteins that are millions of years old preserve well because they stick to teeth and bones and are not affected by the warm weather. One of these proteins tells us the biological sex of the fossils. This is how we found that two of the individuals were male and two were female.

    These findings open a new window into human evolution – one that could reshape how we interpret diversity in our early ancestors by providing some of the oldest human genetic data from Africa. From there, we can understand more about the relationships between the individuals and potentially even whether the fossils come from different species.

    More than one kind of Paranthropus?

    The protein sequences also revealed other subtle but potentially significant genetic differences. One standout difference was found in a gene which makes enamelin, a critical enamel-forming protein. We found that two of the individuals shared an amino acid with modern and early humans, chimpanzees and gorillas. The other two had an amino acid that among African great apes is, so far, unique to Paranthropus.

    What’s even more interesting is that one of the individuals had both the distinct amino acids. This is the first documented time we can show heterozygosity (a state of having two different versions of a gene) in proteins that are 2 million years old.

    When studying proteins, specific mutations are thought to indicate different species. We were quite surprised to discover that what we initially thought was a mutation unique to Paranthropus robustus was actually variable within that group – some individuals had it while others did not. Again, this was the first time anyone had observed a protein mutation in ancient proteins (these mutations are usually observed in ancient DNA).




    Read more:
    When did our ancestors start to eat meat regularly? Fossilised teeth get us closer to the answer


    We realised that instead of seeing a single, variable species, we might be looking at a complex evolutionary puzzle of individuals with different ancestries. This shows that combining analyses of morphology (the study of the form and structure of organisms) and the study of ancient proteins, we can create a clearer evolutionary picture of the relationships among these early hominin individuals.

    However, to confirm that P. robustus fossils have different ancestry, we will need to take samples of tooth enamel protein from more of their teeth. To do this, we plan to sustainably sample more P. robustus from other sites in South Africa where they’ve been found.

    Preserving Africa’s fossil heritage

    Our team was careful to balance scientific innovation with the need to protect irreplaceable heritage. Fossils were sampled minimally, and all work followed South African regulations. We also involved local laboratories in the analysis. Many of the authors were from the African continent. They were instrumental in guiding the research agenda and approach from the early stages of the project.

    Doing this kind of high-end science on African fossils in Africa is an important step towards transformation and decolonisation of palaeontology. It builds local capacity and ensures that discoveries benefit the regions from which the fossils come.




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    By combining data on molecules and morphology, our study offers a blueprint for future research – one that could clarify whether early hominins were more or less diverse than we’ve known.

    For now, the Paranthropus puzzle just got a little more complex – and a lot more exciting. As palaeoproteomic techniques improve and more fossils are analysed, we can expect more surprises from our ancient relatives.

    (Jesper V. Olsen, Rebecca R. Ackermann and Enrico Cappellini were also the principal investigators on this project.)

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  • Google Unpacks Another Round of AI Features, Starting With Gemini On Wear OS – PCMag

    1. Google Unpacks Another Round of AI Features, Starting With Gemini On Wear OS  PCMag
    2. 4 new AI updates on Android coming to Samsung Galaxy devices  Google Blog
    3. Your Smartwatch Is About to Get More Productive Thanks to Gemini AI  CNET
    4. Galaxy Z Flip 7, Flip 7 FE get a major cover screen widget upgrade  Android Authority
    5. Google brings Gemini to Wear OS watches, adds AI Mode to Circle to Search  Yahoo Finance

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  • ‘The Morning Show’ Season 4 Trailer Intros Marion Cotillard, Boyd Holbrook

    ‘The Morning Show’ Season 4 Trailer Intros Marion Cotillard, Boyd Holbrook

    When The Morning Show returns, the Apple series that takes place at a news network is entering the current post-truth climate.

    “We have to question everything that we see and we hear now more than ever,” says Jennifer Aniston‘s newly appointed top exec at the network, Alex Levy, in the new teaser trailer that dropped on Wednesday (below). Her former news-anchor-in-crime Bradley Jackson, played by Reese Witherspoon, agrees: “The truth always comes out, you know that.”

    The teaser doesn’t have any new footage from the forthcoming season, but lines spoken by the characters are overlaid as Aniston and Witherspoon are seen walking towards each other and next to a mirrored building modeled after their Manhattan news network. The other characters in the Apple TV+ show’s ensemble appear instead of their reflections, teasing some of the show’s new characters via audio.

    The returning allies to the women played by Mark Duplass and Billy Crudup are heard talking about “dirt to exchange” and offering to do “someone’s dirty work,” while Alex’s ex-lover and professional enemy, played by Jon Hamm, offers her some advice: “You wanna run this place? You have to really, really want it.”

    The female managers played by Greta Lee and Karen Pittman struggle with their roles in the new hierarchy, while new characters played by Boyd Holbrook, a provocative podcaster and talk show host named Brodie, and the Oscar-winning Marion Cotillard try to get their bearings. “I like to know who’s an ally and who’s a liability,” says Cotillard’s character, Celine Dumont, who is described as a savvy operator from a storied European family.

    The 10-episode season returns Sept. 17 on Apple TV+ with one episode, followed by a weekly Friday release through Nov. 19.

    Alongside stars and executive producers Aniston and Witherspoon, new season four castmembers also include Jeremy Irons, Aaron Pierre and William Jackson Harper. Additional returning stars are Nestor Carbonell and Nicole Beharie.

    The third season ended with the third consecutive cliffhanger for the series by setting the starring women on diverging paths. Alex (Aniston) had outsmarted the Elon Musk-ish tech billionaire played by Hamm who was attempting to acquire TMS parent network UBA, finally giving Alex a seat at the table to steer the morning show into a merger with their rival news brand. Bradley (Witherspoon), meanwhile, was facing a possible felony charge for tampering with evidence and obstructing justice related to the investigation of the Jan. 6 attack on the Capitol (her brother, played by Joe Tippett, assaulted a police officer during the insurrection; Bradley caught the moment on camera and covered it up in her reporting, forcing her resignation).

    “Everybody has to face what they have to face,” showrunner Charlotte Stoudt told The Hollywood Reporter after season three’s finale. “There is accountability, but it’s not bleak. Even when you have to be accountable for something, life can go on.”

    The fourth season will again time jump to open nearly two years after the events of season three. In the Morning Show‘s world it’s now spring 2024 and the UBA-NBN merger is complete. Per the season logline, the newsroom “must grapple with newfound responsibility, hidden motives and the elusive nature of truth in a polarized America. In a world rife with deepfakes, conspiracy theories, and corporate cover-ups — who can you trust? And how can you know what’s actually real?”

    The Media Res-produced drama is executive produced by showrunner Stoudt, director Mimi Leder, Michael Ellenberg and Lindsey Springer through Media Res, Witherspoon and Lauren Neustadter for Hello Sunshine, Aniston and Kristin Hahn for Echo Films, along with Zander Lehmann and Micah Schraft.

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  • Scientists Find Most Distant Fossil Galaxy, Unlocking Secrets of Early Universe

    Scientists Find Most Distant Fossil Galaxy, Unlocking Secrets of Early Universe

    A recent study published in the Monthly Notices of the Royal Astronomical Society reveals the discovery of the most distant and most pristine fossil galaxy ever found, KiDS J0842+0059, located about 3 billion light-years away from Earth. This galaxy, which has remained largely unchanged for an astonishing 7 billion years, provides a unique opportunity to study the early universe and the processes that shaped the formation of massive galaxies.

    The discovery was made possible by the work of a team led by the Italian National Institute for Astrophysics (INAF), who used cutting-edge tools like the Large Binocular Telescope in Arizona. The galaxy is not only the most distant fossil galaxy discovered so far but also the first of its kind observed beyond the local universe, a region only about 1 billion light-years from Earth. This find expands the frontiers of what we know about the early cosmos.

    What Are Fossil Galaxies and Why Are They So Important?

    Fossil galaxies are rare objects that provide a glimpse into a universe long past. They are galaxies that, unlike most others, escaped the typical evolutionary processes such as mergers and active star formation. After an initial, rapid burst of star formation, fossil galaxies stopped evolving. For reasons not yet fully understood, they remained undisturbed for billions of years.

    “Relic galaxies, just by chance, did not merge with any other galaxy, remaining more or less intact through time,” explained Crescenzo Tortora, a researcher at INAF and lead author of the study. “These objects are very rare because, as time goes on, the probability to merge with another galaxy naturally increases.”

    What makes fossil galaxies particularly fascinating is that they essentially serve as time capsules, preserving an image of the universe in its infancy. Studying these galaxies allows scientists to understand how galaxies first formed and how star formation occurred in the early stages of the universe. While most galaxies grow larger and merge with others, these fossil galaxies avoided such chaos, providing clues about the original conditions that led to their formation.

    The Early Stages of Fossil Galaxy Formation

    Fossil galaxies are born in two distinct phases. The first phase is marked by a sudden burst of star formation that is quick and violent. This intense period results in a galaxy that is compact, dense, and small — essentially the “progenitor” of the fossil galaxy.

    “First, there’s an early burst of star formation, a very quick and violent activity,” said Chiara Spiniello, co-author of the study and researcher at the University of Oxford. “We end up having something very compact and small, the progenitor of this relic.”

    The second phase is where the typical galaxy evolution takes place: galaxies grow larger by interacting with one another, merging and evolving their shapes and star populations. Fossil galaxies, however, missed this phase entirely. They formed almost entirely during the first star formation burst, and, as a result, they have a unique structure, with their mass nearly fully established in that first phase.

    Why Are Fossil Galaxies So Dense and Unchanging?

    One of the most defining features of fossil galaxies is their remarkable density and lack of star formation. Unlike our own Milky Way, which is still actively forming new stars, fossil galaxies have stopped producing new stars altogether. They contain billions of stars, each as massive as the sun, but they are static, doing “essentially nothing.”

    “They contain billions of stars as massive as the sun and they are not forming any new stars — they’re doing essentially nothing, and they are the fossil records of the very ancient universe,” said Spiniello. “They formed when the universe was really, really young. And then, for some reasons that we honestly don’t understand yet, they did not interact. They didn’t merge with other systems. They evolved undisturbed, and they remained as they were.”

    This feature is what makes fossil galaxies such valuable objects of study. They have avoided the chaotic processes that most other massive galaxies have gone through, providing astronomers with a direct link to the conditions of the universe billions of years ago.

    The Role of Supermassive Black Holes in Fossil Galaxies

    Another aspect of fossil galaxies that remains a mystery is why they stopped forming stars so abruptly. Michele Cappellari, a professor of astrophysics at the University of Oxford, believes that feedback from supermassive black holes may be responsible for halting star formation in these galaxies. Supermassive black holes, found at the center of most large galaxies, can emit powerful winds that either expel or heat the gas within a galaxy, preventing the formation of new stars.

    “As ‘living fossils,’ they have avoided the chaotic mergers and growth that most other massive galaxies have experienced. Studying them allows us to reconstruct the conditions of the universe in its infancy and understand the initial bursts of star formation,” said Cappellari. “Evidence from both local and distant observations suggests that feedback from supermassive black holes may be responsible. These black holes can produce powerful winds that expel or heat the gas in a galaxy, preventing further star formation. However, this remains an active area of research.”

    What Makes KiDS J0842+0059 So Special?

    KiDS J0842+0059 stands out even among other fossil galaxies for its extreme nature. It is what scientists call an “extreme relic” because almost all of its stars (99.5%) were formed during the initial starburst phase of the galaxy’s creation. After this burst, the galaxy has remained inactive, making it the perfect example of a fossil galaxy.

    “This is what we call an extreme relic,” said Spiniello. “Because almost all, or 99.5% of its stars were formed incredibly early on in cosmic time, and the galaxy did absolutely nothing thereafter.”

    This galaxy’s status as an extreme relic has important implications for our understanding of galaxy formation. It provides valuable information about the early universe and could help scientists understand why some galaxies evolve while others remain static.

    The Future of Fossil Galaxy Research

    The confirmation of KiDS J0842+0059 as a distant fossil galaxy is a major milestone in the study of the universe’s ancient past. As technology continues to advance, astronomers expect to discover more fossil galaxies, particularly with the help of telescopes like James Webb and Euclid, both of which are designed to observe distant objects in the universe. These instruments will make it easier to find and study these rare and mysterious objects, helping scientists further unravel the mysteries of the early universe.

    “There must be something that prevents them from merging, but without knowing what, we cannot really predict what’s going to happen in the future,” said Spiniello, pointing out that while fossil galaxies have avoided mergers for billions of years, their future remains uncertain.

    The Rarity of Fossil Galaxies

    The rarity of fossil galaxies makes their study particularly important, but also challenging. The number of known fossil galaxies is very small, and it’s difficult to know exactly how rare they are. Sébastien Comerón, an astronomer at the Universidad de La Laguna in Spain, emphasized the rarity and mystery of these objects.

    “Relic galaxies are mysterious,” Comerón said. “The fact that a few galaxies are nowadays untouched relics of the first large galaxies needs an explanation.”

    The discovery of KiDS J0842+0059 gives scientists hope that more fossil galaxies can be identified and studied, offering a unique window into the early universe. By studying these ancient objects, astronomers may uncover vital clues about the birth of galaxies, star formation, and the evolution of the cosmos itself.

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  • Monster Chetwynd Turns Chaos into Carnival

    Monster Chetwynd Turns Chaos into Carnival

    For ‘The Trompe l’oeil Cleavage’, Monster Chetwynd transformed the rooms of Kunsthaus Zürich into a dramatically lit sequence of spaces inspired by accounts of the ancient Via Appia, the Roman thoroughfare that doubled as a burial ground. Set against the backdrop of sprawling wallpaper collages and dotted with sculptural structures of wood, cardboard, papier mâché and latex, the exhibition brings together a constellation of objects, paintings and films celebrating over two decades of the artist’s idiosyncratic practice. The result is evocative of a walk through the set of Federico Fellini’s Satyricon (1969) combined with remnants of a DIY session involving psychedelic substances.

    Monster Chetwynd, ‘The Trompe l‘oeil Cleavage’, 2025, performance view. Courtesy: © Monster Chetwynd and Kunsthaus Zürich; photograph: Franca Candrian

    Passing through Hell Mouth (2025) – an enormous portal in the shape of an open jaw with gaping nostrils – visitors find themselves looking at an equally monumental blue head, tipped upon its side, its fabric formed to appear as if chiselled from stone (Benjamin’s Head, 2025). Nearby, another face plays its nose like an instrument (Flute Nose, 2025). Referencing liminal spaces as the gateways to hell in medieval pageants, plays and paintings, these sculptures double as shelters, operating as both protagonists of and a backdrop to Chetwynd’s earlier works.

    Recordings of her early collective performances play throughout the space, frequently employing both classical and popular tropes to mount her signature critique of modern-day capitalism. ‘I think of my performances as exploded paintings’, observes the artist in the catalogue accompanying the show. The Walk to Dover (2005/7), a slideshow of a journey retracing the escape of Charles Dickens’s David Copperfield from the hardships of child labour, interacts with Debt – A Medieval Play (2005) and A Tax Haven Run by Women (2011), the latter featuring Chetwynd’s memorable Catbus, fashioned after a character in Hayao Miyazaki’s My Neighbour Totoro (1988).

    monster-chetwynd-lantern-fly-pastoral-2021
    Monster Chetwynd, Lantern Fly (Pastoral), 2021, inkjet print on wood, papier-mâché, paint, fabric, 190 × 201 × 43 cm. Courtesy: the artist and Galerie Gregor Staiger, Zurich/Milan

    Scattered across the space are several small-scale models made with cut-outs and improvised materials that allow a glimpse into the artist’s process of working with scale for commissioned works, as well as for whole exhibition designs. Chetwynd’s sensitivity to scale is also evident in her ‘Bat Opera’ series (2003–ongoing). Small in format, and painstakingly executed in oil, the presentation includes around 50 paintings that cast bats as the protagonists – from individual close-ups (Bat Opera XXIII, 2020) to group scenes where they are barely discernible from falling leaves in the clouds (Bat Opera (478), 2017). Bats make an ideal subjects for Chetwynd: unique as the only flying mammals, they carry a powerful symbolic charge across cultures, from harbingers of events good and bad to serving an important role in ecosystems as both regulators and transmitters of disease. In the ‘Bat Opera’ series, they encapsulate it all. Similarly ambiguous is the lanternfly – ‘a bizarre mistake by science’ as the artist says – featured in works such as Lantern Fly (Pastoral) and Lantern Fly (Mars&Venus) (both 2021), in which Chetwynd constructs huge versions of the insects in papier mâché and sets them atop inkjet-printed paintings by François Boucher, where they seem as much to obscure the sensual scenes as to join in the acts, bringing them to another level of bizarre.

    monster-chetwynd-hermitos-children-2025
    Monster Chetwynd, ‘The Trompe l’oeil Cleavage’, 2025, installation view. Courtesy: © Monster Chetwynd and Kunsthaus Zürich; photograph: Franca Candrian

    Humour threads throughout Chetwynd’s practice. In the final room, the series of films ‘Hermitos Children’ (2008–25), are presented together for the first time, to follow the tribulations of trans detective Joan Shipman who uses telepathy to solve sex crimes. Working across media, scales and registers, invariably implicating herself – changing her name from Alalia to Spartacus to Marvin Gaye and now to Monster – Chetwynd remains consistent in that her scenarios and characters are as preposterous as they are reasonable. ‘I have always wanted to make a large head and live inside it’, said the artist in the exhibition catalogue. This show sees that wish, finally, realised.

    Monster Chetwynd’s ‘The Trompe l’oeil Cleavage’ is on view at  Kunsthaus Zürich until 31 August

    Main image: Monster Chetwynd, Bat Opera (478), 2017, oil on canvas, 16 × 21 cm. Courtesy: the artist and Galerie Gregor Staiger, Zurich/Milan

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  • WTA welcomes Marcy Withington as Chief Financial Officer

    WTA welcomes Marcy Withington as Chief Financial Officer

    ST. PETERSBURG, Fla. — The WTA is pleased to announce the appointment of Marcy Withington as Chief Financial Officer, reporting to CEO Portia Archer. Marcy will work alongside WTA Ventures CFO Marijn de Wit to help deliver the WTA’s ambitious plans to grow and develop women’s tennis through strong financial planning and leadership, effective risk management and business strategy and operational efficiency.

    Marcy joins WTA from most recently serving as CFO of the Solomon R. Guggenheim Museum and Foundation from 2018 to 2025.  From 2022, she was also Deputy Director and Interim Chief Operating Officer. In 2023, she was one of three senior executives appointed to jointly oversee the Museum and Foundation during a leadership transition.

    Before joining the Guggenheim, Marcy was Chief Financial Officer and Executive Vice President of Operations at Mystic Seaport Museum, where she served for 11 years. From 1997 through 2007, she worked at Viacom and several of its subsidiaries, most recently at MTV Networks, where she was Senior Vice President for Finance and had responsibility for worldwide financial planning and analysis. She earlier served as the head of finance for the Nickelodeon Network.

    Marcy is a licensed CPA and began her career in public accounting at Coopers & Lybrand. She holds a bachelor’s degree in economics and political science from Middlebury College and a master’s degree in business administration from Cornell University.

    Portia Archer, WTA CEO, said: “I am thrilled to welcome Marcy to the WTA. Marcy’s vast global experience and exceptional track record in financial leadership, strategy and operations will drive our financial strategy forward and strengthen our ability to invest in the long-term growth of women’s tennis. I am certain that Marcy will make a valuable contribution to the WTA leadership team from day one.”

    Marcy joins the WTA during a period of unprecedented growth. The Hologic WTA Tour attracted a global audience of more than 1 billion in 2024 while total attendance at Tour events increased by 15% during the 2024 season, surpassing 3.5 million in total. WTA Ventures reported a 25% growth in commercial revenue over the same period, through new and extended commercial partnerships, the commercialization of data rights, expanded media broadcast rights deals and the success of the WTA Finals. Prize money reached a new high of $221 million in 2024, including a record prize pot of $15.5 million at the WTA Finals Riyadh presented by PIF.

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  • Diva Mezza Utopia from Focal Engineered to Serve as Benchmark Smart Home Speakers

    Diva Mezza Utopia from Focal Engineered to Serve as Benchmark Smart Home Speakers

    Meeting the growing market demand for an audiophile level speaker capable of delivering smart-home functionality, Focal has introduced its DIVA MEZZA UTOPIA loudspeaker.

    The new wireless, active loudspeaker is said to embody the pinnacle of the company’s craftsmanship and technological expertise. Focal points out that its latest speaker is larger and more powerful than its predecessor, the Diva Mezza Utopia and it incorporates four 8-inch ‘W’ cone woofers (at 20.5cm, they are 4cm larger than Diva Utopia) that are configured in a push-push layout to help the DIVA MEZZA UTOPIA speakers produce deep, dynamic, and controlled bass.  Further elaborating on the the speaker, Focal says its new product’s low-end response lays the foundation to allow the full capabilities of the ‘M’-shaped Beryllium tweeter and ‘W’ cone midrange driver to perform.

    DIVA MEZZA UTOPIA Offers Everything Necessary for Modern Listening

    Focal emphasizes that as an active loudspeaker the Diva Mezza Utopia integrates a completely reengineered Naim Audio electronics package. Delivering 500 watts per speaker, the system features a dual-stage power supply to help deliver dynamics and precision power management across the frequency range. At the rear, the sculpted, high-efficiency heat sink provides thermal stability and long-term reliability.

    Designed to perform in rooms up to 100m² (1,076 feet) DIVA MEZZA UTOPIA offers homeowners state-of-the-art features such as Ultra Wideband (UWB) to enable the wireless transmission of uncompressed, high-resolution signals up to 96kHz/24-bit. Focal suggests that UWB delivers the clarity of a wired connection without the physical constraints of cabling. For listeners seeking absolute fidelity, a direct wired connection is also available to deliver up to 192kHz/24-bit high-resolution performance.  The DIVA MEZZA UTOPIA complements these connectivity options with its Intelligent Dynamics Clocking (IDC), which it says is a precision clock-control system that ensures exact synchronization between channels for a coherent, stable soundstage.

    Additionally, the inclusion of Focal’s ADAPT (Adaptive Acoustic Personal Tuning) technology uses a sophisticated algorithm to calibrate the system to both room acoustics and user preferences. Accessible via the Focal & Naim app, ADAPT helps integrators to deliver personalized listening experiences to their customers.

    Like the Diva Utopia, Focal assets the DIVA MEZZA UTOPIA benefits from the Focal and Naim ecosystem through the advanced Pulse Platform. Through this platform, the audiophile smart home speakers offers extensive wireless connectivity with support for Bluetooth, AirPlay 2, Google Cast, and UPnP, enabling access to streaming services including Spotify Connect, TIDAL, Qobuz Connect, and QQ Music (China). The system supports high-resolution multiroom streaming and is compatible with smart home platforms such as Control4, Crestron, Savant, and RTI to provide integrated control options for integrators. Users can also control the DIVA MEZZA UTOPIA system from the Focal & Naim app, the included remote control, or voice assistants like Google Assistant and Apple Siri.

    The global audio company also emphasizes the speaker’s enclosure is crafted from high-density polymer using a low-pressure molding process, ensuring precise construction, efficient material use, and acoustic optimization. The speaker rests on a double-level, beveled base and features signature floating side panels.  These panels are made from felt, an eco-friendly material, presented in a new ivory hue that highlights the speaker’s contours. Additionally, the design is further elevated with touches such as a dual red and black grille on the tweeter and a brushed aluminum band encircling it.

    The $69,000 DIVA MEZZA UTOPIA speakers are rated to produce a frequency response of 27Hz to 40kHz, and the 192 pound speaker’s dimensions are 50 inches (H) x 18.125 inches (L) x 24.375 inches (D).

    More news from CE Pro: Bond Adds Smart Control to Infratech Outdoor Heating Systems via Wi-Fi Switches

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  • Boskovic tips Serbia to long-awaited first win in VNL 2025

    Boskovic raised two kill blocks and hammered 16 kills in attack to share the team’s top scorer honors with 20-year-old outside hitter Vanja Ivanovic, who registered three stuffs and 15 successful swings. The other 20-year-old Serbian outside, Aleksandra Uzelac, put away 15 points, while middle blocker Maja Aleksic scored 12 points, including the match winner.

    Experienced outside hitter Helena Grozer delivered a match-high 21 points for Czechia, while middle Magdalena Jehlarova impressed with five kill blocks towards a 15-point tally.

    “It was very exciting to be back with the team. It was our first win in this year’s VNL and we are happy, of course,” Boskovic told VBTV. “It was a really tough game, but I would like to give credit to my team for fighting. Today we struggled a little bit, especially in transition, but I hope in the next games we can show a better performance. But a win is a win. We will celebrate a little bit and then focus on tomorrow’s game.”

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  • Goodwin Advises GREENPEAK Partners Portfolio Company encoviva on the Acquisition Financing of ING.FTG | News & Events

    Goodwin Advises GREENPEAK Partners Portfolio Company encoviva on the Acquisition Financing of ING.FTG | News & Events

    Goodwin advised GREENPEAK Partners’ portfolio company, ENCOVIVA Holding GmbH (“encoviva”), on the acquisition financing of ING. FTG Ingenieurgesellschaft für Technische Gebäudeausrüstung mbH (“ING.FTG”).

    encoviva is a network of leading companies that develops innovative and sustainable building concepts. From consulting to engineering services, the group offers comprehensive solutions for new and existing projects and supports its partners in shaping an emission-free and economically optimized future.

    GREENPEAK is a leading specialist focused on building and developing platforms that drive sustainable growth. With a hands-on approach, they collaborate closely with businesses to foster long-term value creation and success. By partnering with companies that share their vision and values, GREENPEAK creates synergistic ecosystems that fuel innovation and work toward a better future for all.

    Goodwin’s transaction team was led by partner Winfried Carli and associate Daniel Wagner and included associate Jakob Lutzenberger and transaction lawyer Rina Omura (Private Equity/Finance, Munich) as well as Frankfurt partner Felix Krüger and Munich associate Philipp Lauer (Tax).

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  • ‘Saturday Night Live,’ ‘Hawkeye,’ Helen Mirren: Rhys Thomas at KVIFF

    ‘Saturday Night Live,’ ‘Hawkeye,’ Helen Mirren: Rhys Thomas at KVIFF

    Saturday Night Live, Hawkeye, and Comrade Detective director Rhys Thomas shared insights into his work and career in the Czech Republic on Wednesday, giving a masterclass as part of the Industry Days program of the 59th edition of the Karlovy Vary International Film Festival (KVIFF). Forget about an Englishman in New York! Thomas is a Welshman.

    The Emmy Award-winning producer and director shared that when he joined Saturday Night Live, it took him a while to fully understand the brand of humor it represented. “As a Brit, I didn’t get it at first,” he shared about SNL, explaining that he couldn’t watch the show growing up in the U.K. “I wasn’t really that familiar with Saturday Night Live. [But] I knew that it was an institution.”

    Thomas, one of the headliners of the inaugural Small-Screen Forum, organized by KVIFF with its partner CME, actually began his career on Saturday Night Live, where he directed more than 100 short films and headed up the film unit. After Cold War-era propaganda satire Comrade Detective for Amazon and A24, he directed and executive produced Hawkeye, the Marvel series for Disney+.

    He is also known for his collaborations with John Mulaney and co-created and directed the doc satire series Documentary Now! Episodes of the latter are introduced by host Helen Mirren. So, how did he get such a big star for the project? “By asking Helen Mirren to do it,” Thomas told the masterclass. “Weirdly, she said yes.”

    Thomas was asked on Wednesday if the show would return for a fifth season. “Very possibly,” he replied, without sharing more details.

    Questioned about the Hawkeye series, he joked: “Hey look, we are all whores!” Thomas then shared that he had enjoyed Marvel content before getting a call about the series. “You get an opportunity for a bigger budget, and it’s Marvel, I mean, honestly, I’m not a stupid person,” he said. “I want to be entertained, and I like entertaining things.”

    What drew him to the series? “Honestly, what interested me in that show was the Hawkeye character, which, amusingly, if you Googled him, … people were not interested in. Because he does not have any superpowers. He’s a real guy. He’s essentially just a guy who has an incredible work ethic. That’s what I found interesting.” The comic book run that the creators highlighted to him as “a tonal reference” was the popular and beloved Matt Fraction run, he added.

    The creative also shared his tips on how to think about a show’s audience appeal: “I do think that sometimes that layer of jumping ahead to ‘what are people going to think about this’ can stifle and make you trip up. You kind of have to fly by your instinct. You do have to sort of just ground yourself in what you think works, and then build a team [around] that.”

    KVIFF, which runs through Saturday, has already honored Dakota Johnson, Peter Sarsgaard, and Vicky Krieps, with Stellan Skarsgård set to receive an award later this week.

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