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  • Art Basel Qatar names Wael Shawky as artistic director of unconventional inaugural edition – The Art Newspaper

    Art Basel Qatar names Wael Shawky as artistic director of unconventional inaugural edition – The Art Newspaper

    In a left-field move, Art Basel’s newest fair in Doha has appointed the Egyptian artist Wael Shawky as the artistic director of its inaugural edition. Art Basel Qatar (ABQ), a partnership between the Swiss fair brand and two Qatar state-owned enterprises, QC+ and Qatar Sports Investments (QSI), will be held across the M7 and Doha Design District sites from Thursday 5 to Saturday 7 February 2026, with VIP days on 3 and 4 February.

    Shawky, who received widespread critical acclaim for his Egypt Pavilion at the 60th Venice Biennale, is the first artist to be appointed to a leadership position at an Art Basel fair. He will work alongside Art Basel’s chief artistic officer and global director of fairs, Vincenzo de Bellis, to realise the inaugural show.

    “I am an unconventional choice,” Shawky tells The Art Newspaper. Fittingly then, the first edition of ABQ will stray from the traditional fair format: each prospective gallery is being asked to submit a solo artist presentation for a stand of around 33 sq m, in response to Shawky’s chosen curatorial theme of Becoming. “This framework will allow for an exploration of artistic practices in the Mena [Middle East and North Africa] region and beyond,” he says.

    “The flexible format will allow Wael to shape the show how he wants,” De Bellis says, adding that it will bear some resemblance to Art Basel’s Unlimited section. While an initial number of “approximately 50” exhibitors was floated in a May press release, De Bellis expects this number will increase, after QC+ granted the fair more space in the M7 venue.

    M7 in Doha, one of the two venues of Art Basel Qatar

    Courtesy of Art Basel

    It is unclear whether Shawky’s position as artistic director will extend past this edition, as ABQ is a “project that will evolve naturally over time,” De Bellis says. “Coming into this region, we wanted to do things carefully, thoughtfully, go more in-depth and not overwhelm. That doesn’t mean this is the only model that could work.”

    With regards to the gallery selection process, Shawky explains that he and De Bellis will jointly make the initial cut, before deliberating with the selection committee, made up of the following dealers: Lorenzo Fiaschi (Galleria Continua); Shireen Gandhy (Chemould Prescott Road); Daniela Gareh (White Cube); Mohammed Hafiz (Athr Gallery); Sunny Rahbar, (The Third Line); and Gordon VeneKlasen (Michael Werner).

    Can the fair tap into a burgeoning art scene?

    “It makes sense why Art Basel would align itself with Qatar,” Rahbar says. She opened a Doha branch of The Third Line in 2008 that shut two years later. “We were there too early, I think. But Qatar—and the whole region—has grown tremendously since. Qatar also has Al Jazeera and great universities, it has a culturally engaged audience. And I do think there is a collector base now that there wasn’t 18 years ago.”

    Rahbar notes similarities between the format of ABQ and the inaugural Art Week Riyadh, an April selling show held in the Saudi capital. Launched by Kingdom’s Visual Arts Commission, the event asked galleries to bring curated presentations of work, in a model described by some participants as halfway between a biennial and a fair. “Many agree that the format of art fairs will have to change,” Rahbar says. “What we saw in Riyadh, and will see in Qatar, allows for more in-depth learning about artists. I think it’s an appealing way to engage with what is a still a relatively new collecting base.”

    It is not just local collecting habits, but also cultural norms that will be tested with Art Basel Qatar first foray into the Gulf region. Chiefly, whether the Swiss fair brand can freely exhibit work about subjects that are restricted within Qatar, such as depictions of nudity and homosexual relations.

    De Bellis insists that there will be no oversight or restrictions from the Qatar state as to the content of the fair. “It is important for us to maintain a uniformity of standards across all our shows.”

    Rather, it will be up to Shawky, who relocated to Doha last year to launch the contemporary art space the Fire Station, to maintain the “nuances of the region”. Speaking on censorship in the Gulf, the artist says: “I understand there are some limitations here. But I’ve never seen these limitations stop things in terms of the quality of exhibitions in Doha.” Shawky also points out the presence of censorship in the West: “There is no complete freedom anywhere.”

    Unclear financial terms

    The exact relationship between Art Basel and Qatar, most importantly the extent of the financial transactions between the two, remains unclear. “While we do not comment on the financial terms of any partnership, joining forces with leading Qatari entities QSI and QC+ [a cultural commerce organisation] enables us to establish a long-term and sustainable presence in the region,” De Bellis says.

    De Bellis also addresses the fact that the inaugural ABQ will coincide with two of the Global South’s biggest art fairs, India Art Fair in New Delhi and Zona Maco in Mexico City (both held between 5-9 February 2026). “The situation is incredibly unfortunate,” says De Bellis. He explains that the 2026 dates were dictated by exhibitions taking place in M7 venues before and after the fair. In future editions, he continues, Art Basel will work in dialogue with these other fairs to try and avoid clashes.

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  • How to Succeed in Your Career When Change Is a Constant

    How to Succeed in Your Career When Change Is a Constant

    HANNAH BATES: Welcome to HBR On Leadership, case studies and conversations with the world’s top business and management experts—hand-selected to help you unlock the best in those around you.

    Bonnie Hammer is the Vice Chairman of NBC Universal, but her role in the media industry wasn’t always that glamorous. In fact, she’s held just about every title there is in the television industry—from production assistant to producer to president. And if you don’t know her name, you definitely know her work. Throughout the 2000s, she led major networks like USA, Syfy, Bravo, and Entertainment Tonight.

    Hammer is one of the most influential people in media. She joined host Alison Beard on HBR IdeaCast in 2024 to reflect on her decades-long career, and what it takes to navigate and thrive in one of the most disrupted industries—media.

    ALISON BEARD: So at the start of your career, were you looking for a job that would come with a lot of change and dynamism, or was it just something you had to figure out to survive in the industry?

    BONNIE HAMMER: Let’s just put it this way, at the start of my career, I was looking for anything to do that gave me a paycheck. I had a passion that I started with, which was photography, and I figured that somehow I’d make a living that way. So my first jobs out of college were working in a dark room at a commercial photography studio, and it led me to a photo editing job, that was kind of boring too. I really worked at finding something with my passion until I tripped into a position that led me to a job, which led me to a career.

    So I think the first one was giving up a dream that wasn’t leading me anywhere, and kind of what then became my philosophy in life, following the opportunities, and my first opportunity wasn’t exactly shining. I was the lowest grade production assistant on a kid’s math TV show, on public broadcasting in Boston, literally following a dog around the set and cleaning up his poop. I knew it was an opportunity. I was in a television studio and who knew what it could lead to, and I cleaned up the poop with a smile and realized from then on it was about attitude and following opportunities.

    ALISON BEARD: So how did you identify those opportunities that you knew were going to lead you in the direction that the industry was also going?

    BONNIE HAMMER: I didn’t look at it towards leaning me to the opportunities that would help me grow, and I think that is one of the obstacles in the way with I think a lot of young people trying to navigate the workplace. What I did was follow opportunities where I would learn, learn almost anything, new skills, how to do something I haven’t done before, meeting new people that I hadn’t met before, with the hope that one of those opportunities would lead me to the next step, as opposed to seeing it as a ladder where you climb rung by rung by rung to get up to the top.

    I think if you do that, especially these days when industries are changing so quickly, that the likelihood that, that job, that position or even that industry would still be there in 10 or 20 years, is not realistic. So for me, it was taking on different things that at least sounded interesting or had a new skillset that I could learn, so I could broaden myself. And part of it was sometimes it was the only thing available. So do I not take it and do nothing and complain, or do I take it and just see where it leads me?

    ALISON BEARD: And when you could see changes looming, whether it was the rise of cable or the digitization of the industry, I think you went through seven mergers to become what is now NBCUniversal. What did you do to figure out those learning opportunities but also places where you would be safe? How did you try to stay ahead of the change?

    BONNIE HAMMER: Well, I think first and foremost, what people have to do is not fear change. Change is going to come. Whether you want it or not, whether you try to control it or not, your boat is going to be rocked, whether you do it or the waves do it, you’re going to get wet.

    In our world, change is inevitable. So rather than waste time fearing it and complaining about it and being a naysayer, my gut has always been embrace change. Because you have no control doing anything else. Yes, there’s always a moment of “I can’t believe this is happening again.” And as you said, I’ve gone through seven corporate changes, eight different bosses, and somehow still navigated my way through.

    So the first thing was embrace it, meaning, “It’s here, what I have to do is figure out a way that I can fit into this new world.” Which means figuring out what their culture is, doing your homework, talking to people, are they more creative than financial-based? Are they more interested in the bottom line than a great hit? Do they give good feedback and criticism or are they quiet and just watch you? So understand what the culture is and try to accept that.

    Then basically try to figure out where the door’s going to be open, meaning, what are your skill sets? What have you done before? What do they need, and how can you fit into their world? And then try to talk to people, get advice on where and how you can fit into this new culture. The minute you become negative, the naysayer, they’re not going to want you around. The minute you seem positive, optimistic, “I want to learn. This is what I’ve done before. I’d love to fit into your world. Show me how.” It empowers the new powers that be to take you under their wing and want to help you grow you, and have you be part of their new regime. That was my way. It was finding a door rather than walls and obstacles.

    ALISON BEARD: Yeah, and I think what’s so impressive is that you’ve done that, not just when you were a lowly production assistant, but you’ve done that when you were a really senior executive, trying to figure out what a new regime would feel like and work like.

    BONNIE HAMMER: Yes, it happens at every level, and in some ways it’s easier when you’re younger because you can fit in a lot of new areas, but once you have a style of management and you are in a much more senior position, embracing it can be more difficult because you’ve developed your own style. And will that style fit the new regime? Nine out of 10 times, it can, and it will. And I kind of joke that the reason I can be in a room is because I’ve been in so many rooms that I’ve figured out a way where the door is, where a window is, where a crack is, to figure out a way to fit in and join that new culture.

    It doesn’t mean I’m not going to have a voice or I’m going to give up my voice, or not be authentic to me or my style of management. It’s just being open to figure out how my style can integrate with the new style, the new tone. I’ve still always remained Bonnie. I’ve still led my team, my people in the same way, but I had to figure out how to translate their values, their bottom line, their definition of success to all of my people so we could still have fun and do what we do, but have it translate in a way that they understand and get it.

    ALISON BEARD: Was there ever a time, during the industry ups and downs and the mergers, when you were really worried about the future? And if so, how did you stay focused?

    BONNIE HAMMER: You always worry about the future. People keep saying what’s happening now in the business is the biggest change that’s ever happened. AI is going to come in, companies are restructuring, getting smaller and smaller. The truth is that’s happened from the get go. What happened with cable over the decades, that I was lucky enough to be in it, we basically out did broadcast in terms of revenue because we had two sources of revenue coming in, so we were making a lot more money than broadcast was making.

    Then everybody said, Peacock or streamers at large, were going to completely blow away linear TV. Guess what? We’re all going to still survive it, but differently. And because I’ve been around so long, each decade, something else was surely going to kill something else. There’ll always be something new, always be something threatening it. See what it is, learn about it, understand it, and then try to figure out how the two can co survive while you’re navigating your way to see where it really ends up.

    ALISON BEARD: Yeah. So I do want to talk about NBC’s entrance to streaming with Peacock. It’s always difficult with new technology. You don’t want to enter if it’s not going to pan out. You don’t want to be too early, but then you also don’t want to be too late. NBCUniversal did start a bit behind. So how did you approach that challenge as the person who was tasked with creating Peacock?

    BONNIE HAMMER: Well, in hindsight, Steve Burke, Brian Roberts were right to wait. However, for the five years leading up to when we started, I and several other senior people, within the NBC family, were pushing them to jump into streaming. “We’re late, we’re late, we have to do it. Look what’s going on in the world.” And they kind of listened, but not really, until one day Steve said, “Okay, we’re going to do this, and I want you to lead the charges to at least launch it.” And my reaction to him, other than me being one of several who were pushing it was, “Why me?” I am so not a technological buff. I’m a content creator and yes, I’m a leader, but I was very honest saying, “This isn’t my world.” But I think the honesty was what led him to put me in the position.

    Because he knew I knew how to lead, he knew I knew content, and he also knew that I didn’t need to be the smartest one in the room, that I will surround myself with people who knew a lot more than I did, and let them teach me and help me grow a team that can launch it.

    ALISON BEARD: Talk me through your process for making important decisions, whether it goes back to green lighting a show or hiring a key producer or making your own career move, like saying, “Sure, I will take on launching the streaming channel.” How do you weigh the pros and cons or consider information versus instinct?

    BONNIE HAMMER: This has grown over time, and the easiest way for me to describe it is the ABCs all the way to G, of gut. I’ll start with A. Analyze. What are you trying to do, where are you trying to get to, whether it’s a show or a career decision or anything else. And really take the time to figure out what it is you want and why. B is brainstorming, which is my favorite thing because it’s collaborative. Get a bunch of people together and talk about it. What we always did with every single show before we greenlit it, I had every one of my senior people, even people who had nothing to do with creative, sit in a room, read the script before they came in, and we would brainstorm the good, the bad, what we liked, what we didn’t like, et cetera, to just see where people are coming out.

    Then C, compare. What are you trying to do versus what has happened before, either in your life or other shows that were on other networks or other streamers before? Did it work? Why did it work? If it didn’t work, why did it fail? D, which I love as well, find a devil’s advocate. It is what most people do not do, because most people don’t want to hear negative stuff. Find somebody who is going to pick apart whatever you are choosing to do, just to see where the holes are. It’s not so they can talk you out of it, it’s so at least they’re going to give you a side of whatever you’re deciding that might not be in your language at that point or might not be in your mind. E, it’s just the effort that you put into what it is and finding the experts that are in that world.

    So you know what the red lights, green lights are in that decision. Someone who already has a job, someone who’s already produced a show, somebody who is an expert in directing visual effects that you haven’t done.

    F, simple, the facts. You actually have to know the facts of what you’re doing, compared to what has come before. And then G is gut. Trust your gut, especially when you’ve been in that world before, done what you’ve done before. So for me it’s using the two brains, the brain in your head and the brain in your stomach. And when together, you may not be guaranteed success, but you’re definitely going to limit failure.

    ALISON BEARD: So it sounds like also that gut instinct, even if you’re operating in a completely new environment, there are parts of your experience in different realms that will inform it in a really positive way.

    BONNIE HAMMER: Absolutely. I have one – once we were trying to do a show called Political Animals, which everybody on the team was absolutely positive was going to be huge success. It had Sigourney Weaver and Ellen Burstyn. We had a great producer, we had a great director. We did none of the ABCs of gut checking other than check our gut. When we got the ratings, we were absolutely shocked because it did worse than any other show we had ever, ever done before.

    And the first thing I had to do, I owned the failure. Wrote a note to my boss, before the ratings were public, said, “We are devastated. We have no idea how or why this happened. We’re going to figure out what went wrong, but I just want to let you know before the ratings come in officially, we blew it, just totally blew it.”

    The other instance was a show where we all knew, my entire team, the script did not fit USA Network. It was a little too dark, actor wasn’t really known, but he was interesting and quirky. Nothing about it fit what we wanted to do in USA, but the director, writer, we thought, was exceptional. The character involved was fabulous.

    And we made the decision consciously that nothing about this should fit on USA, but it is too good for any other network to get it. And we decided we are willing to take a calculated risk and do this. And what happened was, this is Mr. Robot, which did incredibly well, was a huge success for USA. The conscious calculated risk worked out. And we were willing to fail if we had to because we knew all the ABCs, all the way through gut, of making that decision and we were willing to fail. There were no surprises there.

    ALISON BEARD: And so the contrast with Political Animals is that you didn’t do A through F, you just did G.

    BONNIE HAMMER: Correct.

    ALISON BEARD: You are this person who’s risen to the very top of your industry, and that meant that you went from managing small teams to huge ones, like more than 2000 people. So how did you figure out that transition? You seem like you rely very much on interpersonal connection, collaboration, team culture. How do you maintain all of that as your span of power increases, and make all of those people, who you’re managing, feel as comfortable as you are in managing change in a really difficult dynamic industry?

    BONNIE HAMMER: Well, first you have to maintain the values you had when you were leading a smaller group, meaning collaboration, caring, empathy, creating a high bar for success, but having really good communication in that process. So it’s knowing what your brand or your culture is for managing your team, then teaching that to all your direct reports so they can push it down. There has to be consistency and an understanding. Some of the ways I helped do that – once I got into larger teams and multiple channels that I was managing, I would do what I called Breakfast with Bonnie. And those breakfasts would be once a month with probably about 20 in each breakfast, from executive assistants to directors. And we would sit in a room, I would do a very fun, easy open, I would talk about at the moment what was going on, what was succeeding, what was not succeeding within our own world.

    And then I would open it up to questions, and I would literally say to people, “This room is Vegas. Whatever happens here stays here. Nothing is going to go up to your direct boss or up to anybody higher in my room. I need to understand what’s working and what’s not working in our division. And I know you guys are truth tellers, so tell me what’s happening, what’s working, what’s not. What messages are you getting? Do you feel comfortable? Do you feel like you’re growing?” I wanted to hear the truth. And eventually somebody would raise their hand and open up and tell me the truth of a problem that existed or an attitude, or something that wasn’t happening that should happen. And I would learn about what’s happening at the more junior levels so I could fix it, or at least I’d be aware of it.

    Because it wasn’t bubbling up to my level, I didn’t know about it. And I got to know a whole lot of people on the lower levels. And because I went through every single level getting to where I am, I appreciated everything that other people do on the lower levels that most people don’t get are so important to the product. So I did that for years and it worked incredibly well. So you have to articulate your values, people have to understand your culture, and you have to push those values down, all the way to the entry-level people as well. When you do that, people stay within that culture, and want to stay and grow within your world for a long time.

    ALISON BEARD: So it sounds like you’re willing to hire people who have different leadership styles than you. What specifically do you look for to make sure that they’re going to be the people who approach challenges the way you do?

    BONNIE HAMMER: Well, I think often people hire people because of skillset, or in the early stages, because of degrees or the school they went to. Yes, skillset is important, basic smarts, intelligence, but for me it’s a quality of a person. When they come in, are they willing to listen or are they just going to babble about themselves? Do they give other people credit in the conversation you have with them or do they take credit for themselves? I look for tone. I look for somebody who has some grace. I look for someone who I think can be trusted as a team member who’s willing to collaborate. So listening rather than talking, asking smart questions that shows they want to learn, all for me go way above any kind of degree or skillset experience.

    ALISON BEARD: Yeah. And when you have team members that you don’t see embracing change in the way you want them to, how do you give them critical feedback? What’s the key to doing that well?

    BONNIE HAMMER: Well, I think first and foremost, you have to give that feedback. And I think oftentimes, in the workplace, people watch, they judge, but don’t necessarily have real conversations with those that work with and for them. And they may wait for the end of year review, but I don’t think that’s enough. You have to have the tough conversations with people who you think have the possibility to grow. And even those you might not think can grow, but you should give them another try to see, to let them know what’s going on or not going on. Ask them how are they doing? How do you think you’re doing here and why? And then tell them, “Well me tell you how I see it, and I just want to help you learn and help you grow.” I don’t believe people can grow without a little tough love and being told the truth, but it should come in a helpful, useful, positively tonal way.

    ALISON BEARD: I feel like one real struggle for managers now is working with people who are very, very good at what they currently do, but need to learn something new. For example, it’s me, I’m an excellent editor, I’m a great podcast host, hopefully, and I need to learn GenAI. I need to learn these new technologies, but it’s easy for me to rest on my laurels. So how do you push those people who are great performers, to do more and challenge themselves?

    BONNIE HAMMER: Well, first and foremost, I always look for those people who will raise their hands and say, “I want to learn. I don’t know anything about AI yet, and what’s the best way to do it?” It starts with a conversation that says, “You’re doing amazingly well. Everything I ask you to do, within your skillset, your task, your title, is great, but the world is changing. And I think for you to grow, and I think for you to have a runway within this world, this company, this skillset, you’ve got to start reaching a little out of your comfort zone. And here’s several ways in which you could do it.

    It’s basically approaching that individual in a way that, again, doesn’t sound like, “Oh my God, I’m going to lose my job if I don’t learn this skillset,” but in a way that is offering them the possibility. And if they jump at it, fabulous. If they don’t, you can still give them a little nudge, but if they really don’t take you up on it, then as a leader, as a boss, you have to realize what their limitation is.

    ALISON BEARD: I just want to say for the record, I attended a large language model lunch and learn this week, and I also went to a conference where I learned about all of these AI tools. So I’m trying. What advice do you give young people who want careers in media or any other really fast-changing industry today?

    BONNIE HAMMER: My advice is to understand that you have to work at your worth to get what you want. That in order to stand out, you have to be seen, which means coming in early, raising your hands for opportunities, staying late, not seeing anything beneath you, particularly in the first few years during those learning years –

    ALISON BEARD: Yeah. A reminder that Bonnie Hammer picked up dog poo in her first job.

    BONNIE HAMMER: Yeah. Yes. Did I complain to my friends and family? Of course I did, but when I showed up on the set, I did it with a smile, and anything they asked me, to run out for three lattes, I did it knowing that if I was optimistic, if I was positive, they would want to have me around. And if you are positive, people are going to want you continue to have you around. Then you have to perform. If you’re asked to do something, do it. Do your homework, do it well. If you’re going to miss a deadline, don’t BS about it. Basically say, “I’m not going to have it in on time. This is the reason. I’ll definitely have it for you by,” give a date.

    People have to trust you, and then you have to master the skill set, whatever it is. Then raise your hand to learn as much as you can for opportunities outside of your skill set, even if you’re not going to get extra pay for it, because that too will show people you have the energy, the eagerness, the desire to learn more. Make sure that you don’t go into a situation pretending that you know what you can do if you can’t do it. Ask questions. Learn. Show people what you know and tell them what you don’t. It’s very hard to win back trust, but it’s very easy to empower others to want to help you and teach you. I think it’s important to remain humble, have humility, even along with confidence. You don’t need entitlement and arrogance. That makes a huge difference in the middle part of your career in terms of how you navigate it.

    And once you get a little bit more senior, then it really is the ABCs of gut in terms of how you grow, and learning how… Winning is wonderful, but you also have to learn how to lose, learn from losing, so that you can move forward and understand all that is, is a learning experience. It was an obstacle, but it’s not a stop sign. It’s not a dead end. Use it to challenge yourself to find a way to win in a different way. And then ultimately, it’s just embracing change. Because it’s going to come for you no matter what you do. So learn how to run towards it and embrace it.

    ALISON BEARD: Well, Bonnie, that’s such great advice. So many pearls of wisdom in this conversation and in the book. I really appreciate you coming on the show.

    BONNIE HAMMER: Alison. Thank you for having me. I always enjoy talking with you.

    HANNAH BATES: That was NBC Universal Vice Chairman Bonnie Hammer, in conversation with Alison Beard on HBR IdeaCast. Hammer is also the author of the book 15 Lies Women are Told About Work: …and the Truth We Need to Succeed.

    We’ll be back next Wednesday with another hand-picked conversation about leadership from Harvard Business Review. If you found wthis episode helpful, share it with your friends and colleagues, and follow our show on Apple Podcasts, Spotify, or wherever you get your podcasts. While you’re there, be sure to leave us a review.

    When you’re ready for more podcasts, articles, case studies, books, and videos with the world’s top business and management experts, find it all at HBR.org.

    This episode was produced by Mary Dooe and Me, Hannah Bates. Curt Nickisch is our editor. Music by Coma Media. Special thanks to Maureen Hoch, Rob Eckhardt, Erica Truxler, Ramsey Khabbaz, Nicole Smith, Anne Bartholomew, and you – our listener. See you next week.

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  • Like humans, monkeys are attracted to videos showing conflict

    Like humans, monkeys are attracted to videos showing conflict

    Have you ever wondered what kind of video content would most grab the attention of monkeys?

    A new study of long-tailed macaques suggests the monkeys seem to like some of the same kind of content that humans do: videos featuring aggression and individuals they know.

    “Humans and macaques are both social animals who have a fundamental need to belong,” said Brad Bushman, co-author of the study and professor of communication at The Ohio State University.

    “It’s not surprising that they both would be most interested in the video content that may help them navigate relationships in their groups.”

    The study was published online recently in the journal Animal Cognition. It was led by Elisabeth H.M. Sterck, professor of animal behaviour and cognition at Utrecht University in The Netherlands.

    Researchers showed two-minute videos to 28 macaques that lived at a primate research center in The Netherlands. Each macaque saw multiple videos over time featuring monkeys in their group or strangers. Each individual video showed monkeys in one of four types of activities: conflict, grooming of each other, running, or sitting.

    The researchers calculated how much time the monkeys spent looking directly at the screen and their reactions while watching.

    Findings showed the macaques paid the most attention to videos featuring conflicts between monkeys. Running was the next most popular type of video. Grooming and sitting attracted the least attention.

    It is notable that both macaques and humans seem to be attracted to videos featuring similar content, Bushman said.

    “We have plenty of research showing the popularity of violent media with humans. Now we have some evidence that other primates might also be attracted to conflict and aggression in videos,” Bushman said.

    “From an evolutionary perspective, this makes sense. Both humans and other animals may be hardwired to pay attention to aggression because that is an adaptive response that increases survival,” he added.

    The other significant finding of the study was that the macaques watched videos featuring members of their own group more closely than those involving strangers.

    “This indicates that gathering social information on group members is more important than getting information about strangers,” Sterck said.

    And seeing familiar faces on the screen isn’t just something that’s attractive to monkeys.

    Elisabeth H.M. Sterck“When we as humans watch movies, we like to see actors we know – we like to see the stars playing in big movies more than we do actors who are not familiar to us,” Bushman said.

    Findings also showed that low-ranking and less aggressive macaques paid more attention than others to the videos.

    “More dominant individuals can be more confident that aggression will not affect them – they don’t have to pay attention to others as much,” Sterck said.

    “Lower-ranking individuals can become an aggression victim and that may be why they pay more attention to what others are doing in the videos.”

    In addition, high-strung macaques that were more easily stressed paid less attention to group members than those who did not act as stressed.

    “We found that the gathering of social information from the videos differed with dominance rank and behavioral tendencies, which may reflect personality,” Sterck said.

    The research involved two separate groups of macaques that live at the Biomedical Primate Research Centre in Rijswijk, The Netherlands.

    The “stranger” videos that the macaques viewed were those monkeys from a third out-of-view group.

    In each enclosure, there is a corridor where the macaques are accustomed to participating in cognitive tests. There were four compartments where the monkeys could watch videos on a laptop.  The subjects entered the corridor on their own volition, and were isolated from other monkeys of their multi-generational group during the two-minute videos.

    “The macaques are very visual animals. Their eyesight is similar to that of humans and they are very interested in watching videos,” Sterck said.

    The researchers said the findings showed that humans share tendencies with our monkey relatives, including the attraction to videos with conflict.

    “Even this brief exposure to aggressive media captured the attention of macaques in the study,” Bushman said. “When you see this in some of our closest primate relatives, it is easy to see why humans are so interested in violent media.”

    Other co-authors of the study, all from Utrecht University, were Sophie Kamp, Ive Rouart, Lisette van den Berg, Dian Zijlmans and Tom Roth.

    ';

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  • From Jaguar to MIG-29: 9 times IAF fighter jets crashed recently – When and how

    From Jaguar to MIG-29: 9 times IAF fighter jets crashed recently – When and how

    As a Jaguar trainer aircraft of the Indian Air Force (IAF) crashed on Wednesday in Rajasthan’s Churu, it reminds of the past similar incidents when the IAF fighter jets crashed in the last two years. Notably, this is the fourth time this year that an IAF fighter jet has crashed.

    From Tejas to Sukhoi 30 MKI, or the Jaguar fighter jet, almost every time, the reason behind the crash has been a “technical snag”.

    Here is the list of recent IAF fighter jet crashes

    July 2025

    On Wednesday (July 9), an IAF aircraft crashed in Rajasthan’s Churu. Later, the plane was found in pieces in the region. According to the statement issued by the Indian Air Force, two pilots, who were onboard the Jaguar fighter jet were killed.

    The aircraft took off from Suratgarh air base. The incident happened when a twin-seater trainer version of the Jaguar fighter aircraft crashed near Bhanuda village.

    April 2025

    Just three months ago in April, an Indian Air Force Jaguar fighter jet crashed in Gujarat. The jet which was on a training mission, crashed on April 2 near Suvarda village, located 12 km from Jamnagar city, and caught fire.

    The Jaguar broke into pieces and in no time, turned into a ball of fire after the crash, according to the visuals.

    One of the two pilots died in the crash after suffering fatal injuries. Meanwhile, there were no casualties on the ground, according to the IAF statement.

    March 2025

    An IAF transport aircraft made a crash landing at Bagdogra in West Bengal in March this year. However, the crew of the AN-32 aircraft escaped unhurt.

    On the same day, another similar incident happened. A Jaguar fighter aircraft crashed in Haryana’s Ambala district during a routine training sortie. The pilot escaped safely before the aircraft went down.

    According to the IAF statement, the Jaguar took off from Ambala airbase and crashed due to a system malfunction. “The pilot maneuvered the aircraft away from any habitation on the ground before ejecting safely,” the IAF stated.

    February 2025

    In February this year, an IAF Mirage 2000 trainer aircraft crashed in Madhya Pradesh’s Shivpuri district during a routine training sortie. Fortunately, both pilots were safely ejected before the crash.

    As per the reports, the aircraft suffered a technical malfunction, which led to the crash. There have been concerns over the safety of ageing fighter jets and trainer aircraft.

    November 2024

    An MIG-29 fighter jet crashed into a field near Uttar Pradesh’s Agra during a routine training sortie in November last year. The IAF and defence officials said that the crash happened due to a technical glitch.

    The pilot ejected himself to safety, and saved himself at the time of the crash.

    This happened, as the plane took off from Adampur in Punjab and was on its way to Agra for an exercise.

    September 2024

    An MiG-29 fighter jet of the IAF crashed in Rajasthan in September last year, during a routine night training mission, while the pilot ejected safely.

    The incident that took place in Barmer, happened as the jet suffered a “critical technical snag”, according to the Indian Air Force. Moreover, no loss of lives was reported in the incident.

    June 2024

    The IAF’s Sukhoi-30 MKI fighter jet crashed on June 4 near Shirasgaon village of Niphad tehsil in Nashik. According to reports, after the crash, the aircraft caught fire which was extinguished.

    While some parts of the jet were scattered over a 500-metre radius. Both the pilot and co-pilot ejected safely before the crash.

    The aircraft caught fire after the crash, which was later extinguished.

    March 2024

    In March last year, a Tejas aircraft crashed near Jaisalmer during an operational training sortie.

    The pilot ejected safely before the crash. A court of inquiry was constituted to figure out the cause of the crash.

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  • SUPRAME Trial Seeks to Establish IMA203 as the First TCR-Based Therapy for Cutaneous Melanoma

    SUPRAME Trial Seeks to Establish IMA203 as the First TCR-Based Therapy for Cutaneous Melanoma

    Positive safety and efficacy findings with the PRAME-directed T-cell receptor (TCR) T-cell therapy IMA203 in patients with PD-1 inhibitor–refractory metastatic melanoma from the phase 1 ACTengine trial (NCT03686124) have propelled the launch of the phase 3 SUPRAME trial (NCT06743126), which is comparing IMA203 with investigator’s choice of treatment in patients with previously treated unresectable or metastatic cutaneous melanoma.1

    “IMA203 is a novel treatment for melanoma…. It’s the first engineered cell therapy that we have for the potential [management] of melanoma,” Justin Moser, MD, said in an interview with OncLive. “Many [standard melanoma therapies] have 10%, 20%, maybe up to 25% response rates in the refractory setting. [IMA203] looks like it has much higher potential for patients with refractory melanoma.”

    Moser is an associate clinical investigator, a melanoma and cutaneous oncology specialist, and a phase 1 trialist at HonorHealth Research Institute in Scottsdale, Arizona. He is also a research associate professor at Arizona State University School of Medicine and Advanced Medical Engineering and a clinical assistant professor at the University of Arizona, both in Phoenix.

    IMA203 is engineered to recognize an intracellular PRAME-derived peptide presented by human leukocyte antigen (HLA)-A*02:01 on the cell surface and subsequently initiate an antitumor response.2

    “[IMA203] is being studied in [patients with] melanoma because the expression pattern of PRAME in melanoma…is somewhere between 90% and 100%,” Jason J. Luke, MD, FACP, said in an interview with OncLive. “[It’s] important to understand that this is a new kind of cell therapy that’s easier…and faster to make, [which] seems to work better and is less toxic for patients.”

    Luke is an associate professor of medicine in the Division of Malignant Hematology and Medical Oncology at the University of Pittsburgh in Pennsylvania. He is also the associate director for clinical research and director of the Immunotherapy and Drug Development Center (Phase I) at the University of Pittsburgh Medical Center (UPMC) Hillman Cancer Center.

    ACTengine Data Act as a Catalyst for Further IMA203 Research in Melanoma

    Safety data from ACTengine, which were related to the trial’s primary end point and presented during the 2025 American Society of Clinical Oncology Annual Meeting, showed that the most common treatment-emergent adverse effects (TEAEs) were cytopenias associated with lymphodepleting chemotherapy; mild-to-moderate cytokine release syndrome (94.6%); and infrequent, mild, and manageable immune effector cell–associated neurotoxicity syndrome (13.5%). Investigators observed no grade 5 IMA203-related AEs.1 The recommended phase 2 dose (RP2D) was identified as 1 x 109 to 10 x 109 TCR T cells.

    The confirmed objective response rate (ORR) with IMA203 was 56% (n = 18/32) among response-evaluable patients with melanoma. Additionally, the unconfirmed ORR was 64% (n = 21/33), and the disease control rate (DCR) was 91% (n = 30/33). At a median follow-up of 13.4 months (n = 33), the median duration of response (DOR) was 12.1 months (range, 1.8+ to 32.6+). Furthermore, at a median follow-up of 14.4 months, the median progression-free survival (PFS) was 6.1 months (range, 1.4 to 34.0+), and the median overall survival (OS) was 15.9 months (range, 2.4 to 34.2+).

    In the population of patients with cutaneous melanoma (n = 14), the confirmed ORR was 50%, the unconfirmed ORR was 57%, and the DCR was 93%. At a median follow-up of 16.7 months, the median DOR was not reached (range, 4.2 to 32.6+). Moreover, at a median follow-up of 14.4 months, the median PFS was 6.0 months (range, 1.4 to 34.0+), and the median OS was 13.9 months (range, 2.4 to 34.0+).

    SUPRAME Plans to Provide an In-Depth Look at IMA203 vs Standard Therapies in Cutaneous Disease

    SUPRAME is an ongoing, prospective, multicenter, open-label, parallel-group trial that is enrolling patients with pathologically confirmed and documented unresectable or metastatic cutaneous melanoma, including acral melanoma.3,4 Patients need to have HLA-A*02:01–positive disease, adequate per-protocol selected organ function, an ECOG performance status of 0 or 1, a life expectancy of more than 6 months, measurable disease per RECIST 1.1 criteria, and disease progression on or after 1 or more PD-1 inhibitors either as monotherapy or in combination with other therapies for the management of unresectable or metastatic cutaneous melanoma. Notably, patients with BRAF-mutated disease should have received 1 prior line of BRAF-directed therapy (with or without a MEK inhibitor) before their initial eligibility assessment for SUPRAME. Exclusion criteria include primary mucosal or uveal melanoma and melanoma of unknown primary, as well as a history of other malignancies (except for adequately treated basal or squamous cell carcinoma or carcinoma in situ) within the past 3 years.

    “This is a TCR-based therapy, and for that reason…we need to know if the patient is [positive for] HLA-A*02:01,” said Luke. “This is a new biomarker that will be necessary in our field.”

    “The main limitation for recruiting for this study is the restriction for…HLA-A*02:01, which is found in approximately 30% to 50% of Caucasians, and much less so in patients of other ethnicities,” Moser noted.

    Patients eligible for enrollment in SUPRAME who are also eligible for leukapheresis may undergo leukapheresis for the potential manufacturing of IMA203. Patients will be randomly assigned to receive either IMA203 or investigator’s choice of active comparator approved by their respective competent authority.

    Patients in the experimental arm will undergo nonmyeloablative chemotherapy for lymphodepletion over 4 days using fludarabine and cyclophosphamide, followed by a onetime administration of IMA203 at the RP2D and adjunctive therapy with low-dose IL-2 for a maximum of 10 days beginning approximately 24 hours after IMA203 infusion. Patients in the control arm may receive nivolumab (Opdivo) as monotherapy or in combination with relatlimab (Opdualag), lifileucel (Amtagvi), pembrolizumab (Keytruda), ipilimumab (Yervoy), dacarbazine, temozolomide (Temodar), paclitaxel as monotherapy or in combination with carboplatin, or albumin-bound paclitaxel. Patients in both arms may receive optional bridging therapy.

    “Currently, the only…available option [for patients with refractory melanoma] outside of checkpoint inhibitors is lifileucel, [a] TIL [tumor-infiltrating lymphocyte] therapy, which has roughly a 30% response rate but has logistical [hurdles] in the fact that [patients] have to have disease that can be collected, [and they] have to be a candidate to undergo high-dose chemotherapy and high-dose IL-2,” Moser explained. “IMA203 is unique in the fact that [patients] would not need surgery for collection, and [they] are treated with lower doses of chemotherapy and lower doses of IL-2, meaning patients who may not be candidates for lifileucel may be candidates for IMA203 in the future, if they have the right HLA type and [IMA203] receives FDA approval.”

    The primary end point of SUPRAME is PFS, centrally assessed by blinded independent central review per RECIST 1.1 criteria. Secondary end points comprise OS; ORR; PFS locally assessed using RECIST 1.1 criteria; TEAEs; AEs of special interest; serious TEAEs; the frequency and duration of dose interruptions, reductions, and discontinuations; and quality-of-life measures.

    SUPRAME was initiated in January 2025 and is enrolling patients at 24 centers in the US and Germany. The estimated primary completion date for the trial is January 2028, and the study is anticipated to run through October 2031.

    “[An important contribution from SUPRAME] will be identifying patients at the right period in their care,” Luke emphasized. “What we observed in [ACTengine] was that you can get responses to this agent even in heavily refractory patients, but the risk of toxicity goes up the [longer] you wait. There’s a lot going on in the immune system as cancer is progressing, and now we’re harnessing and administering a powerful immune treatment. Some of the worst AEs we’ve seen have been in patients who have been in the furthest lines of therapy. We want to try to move [IMA203] into the earlier lines of therapy as much as possible. [SUPRAME] requires progression on a frontline therapy, but I would heavily advocate that we should be looking quickly for patients who are refractory to immune checkpoint blockade and quickly moving them to this type of approach. [This is important] for [patients with] melanoma. In the patients [in whom] we identify [that checkpoint inhibition] isn’t working, transitioning to a fundamentally different mechanism—cell-based therapy—is going to be a huge priority. This is going to require a major shift in the way oncologists think. Cellular therapy is going to become a standard [treatment we consider] in solid tumors.”

    References

    1. Wermke M, Alsdorf W, Araujo DM, et al. Phase 1 clinical update of IMA203, an autologous TCR-T targeting PRAME in patients with PD1 refractory metastatic melanoma. J Clin Oncol. 2025;43(suppl 16):2508. doi:10.1200/JCO.2025.43.16_suppl.2508
    2. Immatics IMA203 PRAME cell therapy data presented at 2025 ASCO Annual Meeting continues to show strong anti-tumor activity and durability in patients with metastatic melanoma. News release. Immatics. May 31, 2025. Accessed June 26, 2025. bit.ly/3ZOIcNg
    3. SUPRAME-ACTengine IMA203 vs investigator’s choice of treatment in previously treated, unresectable or metastatic cutaneous melanoma (SUPRAME). ClinicalTrials.gov. Updated July 2, 2025. Accessed June 25, 2025. https://www.clinicaltrials.gov/study/NCT06743126
    4. Luke JJ, Warner AB, Chmielowski B, et al. SUPRAME: a phase 3 trial comparing IMA203, an engineered T-cell receptor expressing T cell therapy (TCR-T) vs investigator’s choice in patients with previously treated advanced cutaneous melanoma. J Clin Oncol. 2025;43(suppl 16):TPS2673. doi:10.1200/JCO.2025.43.16_suppl.TPS2673

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  • Mom Shares Sign of Ovarian Cancer That Doctors Mistook For A Cold

    Mom Shares Sign of Ovarian Cancer That Doctors Mistook For A Cold

    When Nikki Myers found the lump in her neck last fall, she visited an urgent care clinic. Doctors suspected Myers had a chest infection that caused an inflamed lymph node and performed a CT scan. But the scan offered unclear results.

    “They were confused because they were like, ‘Usually these areas on a CT scan would determine some sort of infection,’” Myers, 33, of Long Beach, Texas, tells TODAY.com. “They were like, ‘Here try this antibiotic, and then if it doesn’t get better, come back and we can do additional testing.’”

    When Nikki Myers found a lump in her neck she visited urgent care and was treated for a chest infection.Courtesy Nikki Myers

    Over the next two weeks, the lump remained, and doctors sent her for more testing. Eventually, she learned what was wrong — she had Stage 4 ovarian cancer.

    “The red flag was there. I hadn’t been sick prior. I had no previous colds,” she says. “Cancer was totally random in my eyes.”

    A Lump Suddenly Appears

    In September 2023, Myers gave birth to her third child via Cesarean section and appeared to be healthy then.

    “During that time, I had multiple scans, ultrasounds and blood work and nothing was detected,” she recalls.

    In the summer of 2024, she noticed that she had some bloating often around the time of her period, which she didn’t think was unusual.

    “Bloating was not uncommon for me,” she says. “(I was) trying to lose some weight … the first place I would lose weight was my stomach (but) it didn’t go anywhere.”

    In September, she noticed the lump and visited an urgent care facility. After, she took the medication as directed.

    “On the last day of (taking) my antibiotic, I woke up and my shoulder felt a little stiff,” she says. “I was never in pain. I had always pressed on the lump. It never got bigger.”

    Myers visited urgent care again because the lump remained, and doctors gave her another antibiotic and performed a chest X-ray. They noticed more masses.

    “They started throwing around ‘an oncologist,’” she says. “They threw that word out there like, ‘Let’s send a referral to the oncologist.’”

    They referred her to an otolaryngologist for a biopsy, and recommended she get a mammogram because the doctor felt something in her right armpit. The biopsy and bloodwork revealed that Myers had ovarian cancer that had spread to her neck, making it Stage 4 ovarian adenocarcinoma, which had spread throughout her lymphatic system.

    “They knew that I had quite a lot of tumors,” she says. “It was quite far away from the origin, which was down below my pelvic region.”

    Nikki Myers
    Nikki Myers has an identical twin sister. Genetic testing revealed they had a BRCA mutation, which increases the chances of developing breast and ovarian cancer at a young age.Courtesy Nikki Myers

    She visited a gynecological oncologist in Dallas and learned about the next steps. She underwent a PET scan to determine “how invasive it was,” and started chemotherapy, which was four rounds of chemotherapy every three weeks.

    “I’m getting blasted with chemo,” she says.

    Genetic testing revealed that she was positive for BRCA1, a genetic mutation that increases one’s risk of breast and ovarian cancers, especially at an earlier age. Following chemotherapy, doctors performed another CT scan and more bloodwork to see if her tumor markers decreased. Then they performed surgery.

    “They wanted to remove the bulk of (the cancer),” she says. “They did a total hysterectomy.”

    Doctors removed her uterus, cervix, fallopian tubes and lymph nodes and “anything that looked questionable.”

    Following surgery, she underwent three more rounds of chemotherapy and is now on a PARP inhibitor, a medication that treats cancers from genetic mutations, such as BRCA, that restricts DNA repair in cancer cells, says MD Anderson Cancer Center.

    “I can take that up to two years in the hopes of not getting a recurrence,” she says.

    Ovarian Cancer

    Most ovarian cancers — about 85% to 90% — are carcinomas, the American Cancer Society notes. In 2025, about 20, 890 women will learn they have ovarian cancer with about 12, 730 dying from ovarian cancer, the organization says.

    While it often occurs in women in their 60s or older, having a BRCA mutation increases the chances of developing ovarian cancer the National Cancer Institute says. About 39% to 58% with a BRCA1 mutation will be diagnosed with ovarian cancer and 13% to 29% of people with the BRCA2 mutation will develop it.

    Nikki Myers
    Nikki Myers’ health is stable and she is taking a PARP inhibitor to help prevent her ovarian cancer from growing.Courtesy Nikki Myers

    Diagnosing ovarian cancer can be difficult because it has few symptoms. If symptoms do occur, they can be confused with other conditions, past TODAY.com reporting says. Signs can include:

    “A lot of the time there are no symptoms, and even when it’s Stage 3 or 4, symptoms are very vague,” Dr. Zaid Al-Wahab, a gynecological oncologist at Corewell Hospital in Royal Oak, Michigan told TODAY.com previously. “There’s always this perception that it happens in certain types of patients … it can happen in much younger women so more awareness of ovarian cancer (is needed).”

    ‘Terrifying’ and ‘Wonderful Moments’

    As a mom of three children under 10, Myers feels grateful that her “wonderful support group” helped her navigate a cancer diagnosis and treatment.

    “My entire family, the moment they found out I had cancer, flew in and drove in for me,” she says. “Helping whenever, especially with my children, and my kids have been wonderful through all of this.”

    Myers’ identical twin sister is also BRCA1 positive, and doctors removed her fallopian tubes and uterus after a difficult delivery. Luckily, she had no signs of cancer at that time. For now, Myers’ condition is stable, and she’ll see her doctor every three months to make sure she remains healthy.

    “I have been very fortunate to have a very positive reaction to everything,” she says. “I haven’t been in pain, except for obviously the pain chemo inflicted on me.”

    She shares her story on TikTok so other young people with cancer don’t feel as alone and that has helped her navigate some of the challenges of having cancer.

    “Cancer is scary. It’s all-consuming. But it doesn’t have to be that way,” Myers says. “There are terrifying moments and there are wonderful moments.”


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  • F1’s $293M 10-Day Haul Lands Apple Its First Box Office Smash, Giving Formula 1 Huge U.S. Visibility

    F1’s $293M 10-Day Haul Lands Apple Its First Box Office Smash, Giving Formula 1 Huge U.S. Visibility

    Apple’s (NASDAQ:AAPL) racing drama “F1 the Movie” roared into theaters, generating an impressive $144 million in global revenue, which included $55.6 million in North America, making it the tech company’s biggest opening ever for an original film. After 10 days, it has amassed $293 million — amongst Pitt’s highest-grossing movies — according to Screen Rant.

    Footage included real Formula 1 cars, immersive paddock access shot at actual F1 races.  Its success could have changed the fortunes for both the sport in the U.S. and Apple+, Deadline reports.

    Don’t Miss:

    Once considered a niche sport, F1 has gradually gained widespread public recognition. Liberty Media (NASDAQ:LLYVK) and Delta Topco Ltd.’s acquisition of F1 in 2017 and  Netflix (NASDAQ:NFLX) series “Drive To Survive” reshaped perceptions, paving the way for sold-out races in Miami, Austin, Texas, and Las Vegas—drawing more than a million fans combined, The Wall Street Journal reported.

    The timing couldn’t be better: as the film climbs the box office charts, American interest in F1 is accelerating. According to The Journal, talks are underway for more U.S. races—and perhaps a future American F1 driver to further energize fan engagement.

    Apple reportedly invested over $200 million in production and marketing, backed by an ambitious distribution strategy that included Imax (NYSE:IMAX)  theatrics and cross-promotion during the company’s Worldwide Developers Conference. Imax took the lead, generating $28 million globally —19% of total revenue — and demonstrated premium viewing demand, even with higher ticket prices — $19.51, on average, according to Business Insider.

    Trending: BlackRock is calling 2025 the year of alternative assets. One firm from NYC has quietly built a group of 60,000+ investors who have all joined in on an alt asset class previously exclusive to billionaires like Bezos and Gates.

    Before this win, Apple’s theatrical track record was shaky. Major titles like “Argylle,” “Fly Me to the Moon,” and even Martin Scorsese’s “Killers of the Flower Moon” underperformed, prompting Apple to reevaluate its investments in movies.

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  • The ‘sound of the Big Bang’ hints that Earth may sit in a cosmic void 2 billion light-years wide

    The ‘sound of the Big Bang’ hints that Earth may sit in a cosmic void 2 billion light-years wide

    Earth, its cosmic home the Milky Way, and even the very local region of universe around us could be situated within a void of low density compared to the rest of the universe.

    If so, that would solve one of the most frustrating and lingering problems in cosmology, the so-called “Hubble tension.”

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  • Texas’s Camp Mystic was ‘a place of joy’. Floods turned it into a site of great loss | Texas floods 2025

    Texas’s Camp Mystic was ‘a place of joy’. Floods turned it into a site of great loss | Texas floods 2025

    The loss of 27 campers and counsellors from Camp Mystic to the Texas Hill Country flood may serve, at a terrible cost, to expand its considerable reputation across Texas and beyond. Even as the floods claimed more lives along the valley – more than 100 confirmed dead and 160 people unaccounted for as of Tuesday – the loss of several “Mystic Girls” has dominated the headlines.

    The camp, which offers two four-week terms and one two-week term over the summer, has been the go-to summer camp for daughters of Texans for nearly a century. It’s so popular that fathers have been known to call the registrar to get their daughters on the list from the delivery room.

    The camp, which spans more than 700 acres, has been widely described as an all-girls Christian camp, lending an image of Baptisms in the river, but the religious component may be overstated: the camp is known as one of dozens along the Guadalupe River that Texan families send their young to escape the brutal heat of the lowlands.

    Now at least one half of Camp Mystic, which was due to celebrate its centenary next year, lies in ruins, torn apart by raging floodwaters. The sound of song and girls playing has been replaced by the sound of chainsaws and heavy equipment as 19 state agencies and thousands of volunteers work to search and clear mounds of flood debris along the river, including the muddied personal items of the campers.

    Five days after the flood, the task along the valley has become a search-and-recovery: no one has been rescued from the river alive since Friday. In addition to the lost girls, Camp Mystic’s director Richard “Dick” Eastland, a fourth-generation owner of the camp, died while attempting to bring five girls to safety.

    “It tugs at the heart of anyone in the world that see the pictures of those little faces,” says Claudia Sullivan, author of a book on the Camp Mystic experience, Heartfelt: A Memoir of Camp Mystic Inspirations. “To know that they were there, having the time of their life, that they were innocent, and then to be taken away in such a tragic event – it takes you to your knees.”

    aerial view of before and after flooding

    Most alumni contacted by the Guardian indicated they were too upset to discuss the camp, or its reputation, as Texas Monthly put it in a 2011 article, for serving “as a near-flawless training ground for archetypal Texas women”.

    It has served generations of Texas women, often from well-to-do or politically connected Texas families, including the former first lady Laura Bush, who was a counsellor, and the daughters and granddaughters of Texas governors Price Daniel, Dan Moody and John Connally, President Lyndon Johnson, former secretary of state James Baker.


    The camp may have been incorrectly characterized as a “Christian” camp. “That evokes the idea of church camp but that’s not the case,” says Sullivan. “It’s a private camp for girls that holds Christian values. When I was there we spent a lot of time talking about being kind to one another and having compassion and there were people from other denominations and faiths.”

    Camp Mystic is better understood, Sullivan added, as being in a place free from pressure.

    “You’re in nature, in a beautiful setting, and really removed from the world”, says Sullivan. “It’s a place of joy and innocence – or was. My sense is that it will definitely be rebuilt, but it’s awfully early..”

    The outpouring of grief, and rush to support the community has been striking. A church memorial was held on Monday in San Antonio for the “mystic girls” who had been lost. Many dressed in the camp’s green and white, together in song and prayer.

    A wall is missing on a building at Camp Mystic along the banks of the Guadalupe River. Photograph: Julio Cortez/AP

    It was not possible to get to the camp on Tuesday, a tailback of 2.5 hours extended across the 7 miles from Hunt, the nearest hamlet, to Camp Mystic. At the season’s peak in July and August, the camp hosted 750 girls aged between seven and 17 years old – that’s more than half of Hunt’s population of around 1,300.

    At Ingram, a riverbank town that also lost dozens from RV camps and homes to the flood, emergency workers and volunteers were pitching in, in many cases in the hope of recovering people still lost, and many likely hidden under large piles of river debris, shattered homes and mangled possessions.

    John Sheffield, owner of Ingram’s Ole Ingram Grocery, said the flood had not recognized social differences and nor would the recovery effort: “This is Americans taking care of Americans. There’s been such a tremendous outpouring of support and compassion.”

    Down by the river, search crews were continuing to comb through debris and mud. Claud Johnson, the mayor of Ingram, was operating a digger up by Hunt. An EMS van pulled up, suggesting another person had been found. Helicopters continued to move overhead despite an incident on Monday when one was struck by a privately operated drone and was forced to make an emergency landing.

    Three baristas from AfterSome Coffee stand in San Antonio had come up to serve recovery workers. Allyson Bebleu said she had gone to church camp and it had given her some of her fondest memories.

    “It’s not just for the wealthiest families, people of all types go to camp,” she said. “Everyone is putting themselves in the shoes of the Camp Mystic girls. It’s tragic.”

    Camp Mystic was also the subject of a controversial video recently posed by Sade Perkins, a former member of Houston’s Food Insecurity Board. Perkins was “permanently removed” by John Whitmire, the Houston mayor, after she called Camp Mystic a “whites only” conservative Christian camp without even “a token Asian, they don’t have a token Black person”.

    Richard Vela, whose 13-year-old daughter Maya was evacuated from a nearby camp, Camp Honey Creek, on Friday and is still too upset to discuss it, said Perkins’ comments “were not right. You don’t talk about people like that. There’s a lot of death going on and they still haven’t found everybody.”


    Bruce Jerome, who was manning an outreach for flood survivors in Ingram, said he had known Jane Ragsdale, the director and longtime co-owner of Heart O’ the Hills Camp, in Hunt, Texas, who had died in the flooding.

    “She was just genuinely wonderful,” Jerome said.

    Campers’ belongings sit outside one of Camp Mystic’s cabins. Photograph: Eli Hartman/AP

    Further down the track to the river was Josey Garcia, a Democratic representative for San Antonio in the Texas state house. She and her team were also picking through the debris, pointing out vast piles that still need to be be sifted.

    Garcia, a military veteran, said it was important to come “and collaborate with our neighbors here to recover those that are missing and help Kerr county clean up. We’ve had folks coming from Laredo and outstate Kansas to lend assistance. It’s showing the spirit of Texas – when it comes to lives being devastated its our duty to step.”

    Garcia, too, rejected negative characterizations of Camp Mystic.

    “I’ve been hearing a lot of the rhetoric that’s been going around. This is not the time for those types of distinctions. I don’t care who was at the camp. All I know is that there are parents and families that are missing their loved ones. Whether its rich Caucasian children or any other children, we’d still be there.”

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  • Lions 24-36 ACT Brumbies REACTION: Tourists win, try-scorers, line-ups & updates

    Lions 24-36 ACT Brumbies REACTION: Tourists win, try-scorers, line-ups & updates

    Hopefully Kinghorn’s injury ‘not too serious’ – Farrellpublished at 13:20 British Summer Time

    FT: Brumbies 24-36 Lions

    British and Irish Lions

    British and Irish Lions head coach Andy Farrell, speaking to Sky Sports: “It was the same as the other games. There was some really good stuff, especially in the first half there was some nice flowing attacking play played at a nice tempo.

    “We kept them in the game. We kept them in with a sniff, especially by being held up three times over the tryline.

    On Blair Kinghorn’s injury: “Hopefully it is not too serious. He said someone landed on his knee, he was walking around.”

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