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  • Model Predicts Molecule Dissolution in Solvents

    Model Predicts Molecule Dissolution in Solvents

    Using machine learning, MIT chemical engineers have created a computational model that can predict how well any given molecule will dissolve in an organic solvent – a key step in the synthesis of nearly any pharmaceutical. This type of prediction could make it much easier to develop new ways to produce drugs and other useful molecules.

    The new model, which predicts how much of a solute will dissolve in a particular solvent, should help chemists to choose the right solvent for any given reaction in their synthesis, the researchers say. Common organic solvents include ethanol and acetone, and there are hundreds of others that can also be used in chemical reactions.

    “Predicting solubility really is a rate-limiting step in synthetic planning and manufacturing of chemicals, especially drugs, so there’s been a longstanding interest in being able to make better predictions of solubility,” says Lucas Attia, an MIT graduate student and one of the lead authors of the new study.

    The researchers have made their model freely available, and many companies and labs have already started using it. The model could be particularly useful for identifying solvents that are less hazardous than some of the most commonly used industrial solvents, the researchers say.

    “There are some solvents which are known to dissolve most things. They’re really useful, but they’re damaging to the environment, and they’re damaging to people, so many companies require that you have to minimize the amount of those solvents that you use,” says Jackson Burns, an MIT graduate student who is also a lead author of the paper. “Our model is extremely useful in being able to identify the next-best solvent, which is hopefully much less damaging to the environment.”

    William Green, the Hoyt Hottel Professor of Chemical Engineering and director of the MIT Energy Initiative, is the senior author of the study, which appears today in Nature Communications. Patrick Doyle, the Robert T. Haslam Professor of Chemical Engineering, is also an author of the paper.

    Solving solubility

    The new model grew out of a project that Attia and Burns worked on together in an MIT course on applying machine learning to chemical engineering problems. Traditionally, chemists have predicted solubility with a tool known as the Abraham Solvation Model, which can be used to estimate a molecule’s overall solubility by adding up the contributions of chemical structures within the molecule. While these predictions are useful, their accuracy is limited.

    In the past few years, researchers have begun using machine learning to try to make more accurate solubility predictions. Before Burns and Attia began working on their new model, the state-of-the-art model for predicting solubility was a model developed in Green’s lab in 2022.

    That model, known as SolProp, works by predicting a set of related properties and combining them, using thermodynamics, to ultimately predict the solubility. However, the model has difficulty predicting solubility for solutes that it hasn’t seen before.

    “For drug and chemical discovery pipelines where you’re developing a new molecule, you want to be able to predict ahead of time what its solubility looks like,” Attia says.

    Part of the reason that existing solubility models haven’t worked well is because there wasn’t a comprehensive dataset to train them on. However, in 2023 a new dataset called BigSolDB was released, which compiled data from nearly 800 published papers, including information on solubility for about 800 molecules dissolved about more than 100 organic solvents that are commonly used in synthetic chemistry.

    Attia and Burns decided to try training two different types of models on this data. Both of these models represent the chemical structures of molecules using numerical representations known as embeddings, which incorporate information such as the number of atoms in a molecule and which atoms are bound to which other atoms. Models can then use these representations to predict a variety of chemical properties.

    One of the models used in this study, known as FastProp and developed by Burns and others in Green’s lab, incorporates “static embeddings.” This means that the model already knows the embedding for each molecule before it starts doing any kind of analysis.

    The other model, ChemProp, learns an embedding for each molecule during the training, at the same time that it learns to associate the features of the embedding with a trait such as solubility. This model, developed across multiple MIT labs, has already been used for tasks such as antibiotic discovery, lipid nanoparticle design, and predicting chemical reaction rates.

    The researchers trained both types of models on over 40,000 data points from BigSolDB, including information on the effects of temperature, which plays a significant role in solubility. Then, they tested the models on about 1,000 solutes that had been withheld from the training data. They found that the models’ predictions were two to three times more accurate than those of SolProp, the previous best model, and the new models were especially accurate at predicting variations in solubility due to temperature.

    “Being able to accurately reproduce those small variations in solubility due to temperature, even when the overarching experimental noise is very large, was a really positive sign that the network had correctly learned an underlying solubility prediction function,” Burns says.

    Accurate predictions

    The researchers had expected that the model based on ChemProp, which is able to learn new representations as it goes along, would be able to make more accurate predictions. However, to their surprise, they found that the two models performed essentially the same. That suggests that the main limitation on their performance is the quality of the data, and that the models are performing as well as theoretically possible based on the data that they’re using, the researchers say.

    “ChemProp should always outperform any static embedding when you have sufficient data,” Burns says. “We were blown away to see that the static and learned embeddings were statistically indistinguishable in performance across all the different subsets, which indicates to us that that the data limitations that are present in this space dominated the model performance.”

    The models could become more accurate, the researchers say, if better training and testing data were available – ideally, data obtained by one person or a group of people all trained to perform the experiments the same way.

    “One of the big limitations of using these kinds of compiled datasets is that different labs use different methods and experimental conditions when they perform solubility tests. That contributes to this variability between different datasets,” Attia says.

    Because the model based on FastProp makes its predictions faster and has code that is easier for other users to adapt, the researchers decided to make that one, known as FastSolv, available to the public. Multiple pharmaceutical companies have already begun using it.

    “There are applications throughout the drug discovery pipeline,” Burns says. “We’re also excited to see, outside of formulation and drug discovery, where people may use this model.”

    The research was funded, in part, by the U.S. Department of Energy.

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  • Crowdology | translating exhibitions for global audiences

    Crowdology | translating exhibitions for global audiences

    How do you translate the experience of a French scientific exhibition for a North American audience? The answer lies in the recent journey of Crowdology by Universcience, an organisation that works to make science accessible to all, now on display as Crowds: Humans in Interaction in Quebec.

    Crowds: Humans in Interaction is currently on display at the Musée de la civilisation in Quebec City, Canada, under the French title of Foules. Laboratoire humain. This exhibition explores the phenomena associated with several types of crowds. Initially created in France in 2022, its Quebec adaptation is the result of a collaboration between Universcience and the Musée de la civilisation, illustrating Universcience’s expertise in exhibition export.

    To learn more, we speak with Dorothée Vatinel, an experienced museum project manager at Universcience, who spent a year in Quebec to support the Musée de la civilisation, among others, with the exhibition.

    From France to the world

    Universcience offers three types of exports worldwide: file transaction, duplication, and turnkey solution.

    For the first type, Universcience provides the partner museum with a comprehensive technical file containing all the elements that comprise the exhibition. The receiving museum can then reproduce all the elements with a certain freedom of interpretation, while respecting the original editorial and technical guidelines.

    When it comes to duplication, either Universcience or the museum itself creates a faithful reproduction of the exhibition. This copy can be identical to the original or partially adapted to meet specific needs.

    Finally, for a turnkey solution, the export exhibition receives technical adjustments before going on loan. Universcience’s technical team also travels on-site to ensure maintenance and installation.

    For each export, Universcience collaborates closely with its clients to create an exhibition tailored to the available space and target audience. These projects typically span one year, allowing both organisations to support and assist each other. This is why most collaborations are established with institutions that Universcience fully trusts.

    The Crowds: Humans in Interaction project perfectly illustrates this process. Launched in April 2023, the initiative began with discussions that allowed the teams to get to know each other. The project then materialised through the creation of a complete file containing all the exhibition elements as well as the complementary notes necessary for the adaptation process.

    See also: Universcience: how to create an engaging children’s exhibition

    Universcience as cultural translator

    After the initial meetings between the teams, Universcience intervenes to train the client’s museum teams. This training covers furniture functions and plans, as well as the latest comments and advice gathered from the first exhibition. The contract is then legally drafted, with its structure having been jointly defined by both teams.

    Just before opening, Universcience and the partner museum collaborate on visual and technical updates. The final file includes visual design and adaptation of media and audiovisual content.

    Universcience’s role as a cultural translator is pivotal throughout the adaptation process. The host museum, with the help of the local team, must make the exhibition relevant in its new context. The primary objective of this adaptation is to enrich the original exhibition and present content tailored to a new audience type, while preserving the essence of the subject.

    To facilitate communication between teams, Universcience can deploy its team members to accompany the partner museum on-site. This was the case for Crowds: Humans in Interaction, as Vatinel journeyed to Quebec. During her stay, she supervised the export and all its components to ensure the final result met the client’s expectations.

    Bringing Crowdology to Quebec

    Talking about what drew the Musée de la civilisation to select Crowdology as a candidate for adaptation, the museum says: “The collaboration and trust between the MCQ and Universcience have developed and deepened over time, especially through previous joint projects such as Dogs & Cats and Special Effects.

    “The choice of Crowdology quickly became evident due to the originality of its subject — the crowd — a true civilizational phenomenon that is experienced and perceived differently around the world, depending on geographic, social, cultural, and environmental contexts. It’s a topic that fits perfectly within the MCQ’s mission.

    “With its interactive museography and wide audience appeal — including children — the exhibition also complements the MCQ’s cultural offering particularly well.”

    doorways Crowdology Universcience

    The topic of crowds resonates with all cultures, and every country associates this topic with specific events, whether joyful or dramatic, adds Vatinel:

    “Presenting the Crowdology exhibition in Quebec only required a few minor adjustments, such as tweaking the rumours or the songs in the group karaoke section to make them more local. As a result, the Quebec version is very close in content to its French cousin.

    “That said, I find its scenography even more successful than in France, as the Musée de la civilisation was able to benefit from the feedback gathered at the Cité des sciences et de l’industrie — for example, regarding the placement of certain interactives or the lighting of the final section of the exhibition.

    “Now I find myself wondering: is the notion of crowds perceived in the same way on both sides of the Atlantic — by Quebecers, who are eight times fewer than the French on a territory three times as large? Perhaps a new research topic for Mehdi Moussaïd, the exhibition’s scientific advisor we worked with.”

    A customised exhibition

    Thanks to the many exchanges between the dedicated teams at the Musée de la civilisation and Universcience, a sense of mutual trust and a shared desire to adapt the exhibition for North American visitors emerged quickly.

    Crowdology exhibtiion crowd surfing

    “As is often the case at the MCQ, we customised a portion of the exhibition for the Quebec version,” says the museum.

    “For example, in Paris, the first hallway featured anamorphic visuals where visitors could take photos. In Quebec, that space references the famous Québec City Summer Festival (FEQ), a major cultural event in the region. With an installation developed by our technical team, visitors can simulate bodysurfing through the crowd.

    “Like in Paris, it’s become a great photo opportunity. It really makes you feel like you’re there!”

    Just like with the French version, the team gathered one morning in the auditorium to sing popular Quebec songs together as a group, part of the process of adapting the group karaoke feature.

    “As in Paris, it was a joyful and unifying experience. It was also a great way for Dorothée to meet the museum teams and get acquainted with our local expressions!”

    Collaboration, in-person training, and long-standing ties

    Vatinel’s presence on-site shaped the collaboration and implementation of the museum.

    “Although our institutions were already collaborating well remotely, having Dorothée on-site significantly streamlined communication, especially as the opening date approached. She either had the answers herself or quickly connected us to the right person in France.

    “Her in-person training of the mediation team was also invaluable, and our mediators haven’t hesitated to ask her for additional context whenever they run into her at the museum.

    “Dorothée truly became part of our team. Her expertise in science communication, touring exhibitions, and global museology has been a tremendous asset. Our staff regularly consult her for advice and new ideas.”

    Crowdology exhibition Quebec

    While Vatinel has had the chance to work with many international museum partners, co-producing exhibitions in Finland, Belgium, Portugal, and Italy, she says she experienced a whole new type of collaboration with Crowdology.

    “Being on-site for a full year to accompany an exhibition I co-developed with my French colleague, Astrid Aron, made the intercultural connection even more meaningful.

    “It was a joy to see Foules. Laboratoire humain (a highly relevant title, created by the Musée de la civilisation) resonate with North American audiences — the visitor feedback has been extremely positive!

    “I also really enjoyed training the mediation team, who now run engaging activities directly in the exhibition — a different format from what we do at the Cité des sciences.

    “Since the original exhibition team is no longer at the museum, Quebec colleagues now often turn to me for protocol visits or communications. I’m proud to play this role, which feels like a “concentrated” version of this francophone collaboration.”

    Visitor feedback as Crowdology becomes Crowds: Humans in Interaction

    Guest feedback for the exhibition at the Musée de la civilisation has been overwhelmingly positive. One visitor in May 2025 said:

    “The ‘Human Lab’ exhibition was amazing! Our students really enjoyed it and wished they could have stayed longer! The final room, where they realized that everyone could see them and control elements in the other spaces, was the highlight! It’s probably one of the best exhibitions I’ve ever seen — and I’ve seen a lot!”

    During our peak summer season, the museum says that the team has even overheard visitors — after waiting in a very long line — referencing their new understanding of crowd behaviour gained from the exhibition: “Sometimes, understanding a phenomenon helps us cope with it more calmly!”

    Crowds: humans in interaction

    As for future international partnerships, the museum is more eager than ever:

    “This experience confirmed the value of cross-institutional collaboration — pooling expertise, embracing innovation, and pushing the boundaries of what’s possible to create the best possible experience for our visitors.”

    Vatinel adds: “I believe the interactive museology of Crowdology complements the Musée de la civilisation’s more collection-based exhibitions very well. This project was truly the result of regular, constructive dialogue between our two institutions, and I’m very happy to have been part of it.

    “This francophone collaboration is continuing through new projects — I feel that this Quebec partner is becoming a true friend.”

    Shared museological standards

    As the exhibition continues to impress visitors at the Musée de la civilisation, Vatinel reflects on the experience, saying that it was a museum she had dreamed of visiting since she started her museology career:

    Crowds: humans in interaction exhibition

    “Spending a full year with their team was even better! It was fascinating to contribute to building a bridge between my home institution, the Cité des sciences et de l’industrie, and my host institution in Quebec.

    “It gave me the opportunity to observe and understand what unites us, the visitor-centric approach and our shared museological standards, and what sets us apart. In Paris, exhibition content is often created from scratch, while in Quebec, existing collections are interwoven with other interpretive devices.

    “Working in my native language in a different culture was, at first, disorienting but incredibly enriching. I love how the Québécois people defend the French language. When I return to France, I’ll no longer say ‘mail’ but ‘courriel’, ‘slide’ but ‘diapo’, or even ‘marketing’ but ‘mise en marché’.

    “More seriously, though professional practices are very similar between our two institutions, the Québécois approach is often more pragmatic, and a simpler hierarchy makes meetings shorter and more efficient — something I’d like to apply back home.”

    After Crowdology: more partnerships to come

    This wasn’t the first collaboration with Universcience for the Musée de la civilisation: “Perhaps that’s one reason it went so smoothly,” says the museum. “We’ve come to know each other well, institution to institution, and we now have a clear understanding of what each can bring to the table.

    “This collaboration also inspired us to keep working together. In fact, Universcience will soon host one of our exhibitions and adapt it for a European audience. Ô merde! (Brown Gold, for your English readers) will be presented at the Cité des sciences et de l’industrie in 2027, and possibly in other European museums afterwards.”

    This collaboration turned out to be a truly enriching experience for both teams. It enabled more transparent communication and information sharing without interference. It also created strong bonds between the two institutions, paving the way for future exchanges and export projects with this museum.

    As Universcience continues to expand its touring exhibitions worldwide, the Crowdology project exemplifies meaningful and adaptive international collaboration.

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  • Argentina’s Ojam Bullrich splits into two IP boutiques

    Argentina’s Ojam Bullrich splits into two IP boutiques


    [Clockwise L-R:] Juan Carlos Ojam, Paula Galván, Mariel Chichisola and Camila Sirianni

    Argentine Highly Recommended outfit Ojam Bullrich Flanzbaum has split into two firms that will operate independently as IP boutiques.

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  • What is ‘Greater Israel’ and why is it relevant today? – Al Arabiya English

    1. What is ‘Greater Israel’ and why is it relevant today?  Al Arabiya English
    2. Arab, Islamic countries condemn Netanyahu’s ‘Greater Israel’ remark  Al Jazeera
    3. Pakistan rejects ‘Greater Israel’ displacement plans  Dawn
    4. Are Arab states waiting to be occupied by Israel one by one? | Daily Sabah  Daily Sabah
    5. Netanyahu says he’s on a ‘historic and spiritual mission,’ also feels a connection to vision of Greater Israel  The Times of Israel

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  • Leonine’s Nina Etspuler Joining BBC Studios – Global Briefs

    Leonine’s Nina Etspuler Joining BBC Studios – Global Briefs

    Leonine’s Nina Etspüler Joining BBC Studios

    Formats industry veteran Nina Etspüler is joining BBC Studios Germany to launch a dedicated comedy and reality genre label. As on January 1, 2026, the Leonine exec will lead the unit as producer and exec producer and aim to make scripted and entertainment programs for the German TV and streaming markets. Etspüler will work closely with the BBCS Germany team in Cologne to adapt BBC formats for the local market and develop original IP. Her hire comes after BBCS Germany remade comedy hit Ghosts for local pubcaster WDR and streamer ARD Mediathek. Etspüler has worked for Red Arrow Studios, Florida TV and ProSiebenSat.1 during a career in formats. The former Group Creative Director at Red Arrow was most recently at Mediawan-owned Leonine Studios, where we revealed back in 2020 she had been hired as Head of Entertainment Development. “My time at Leonine Studios was exciting and formative,” said Etspüler. “I’m proud to have built Madame Zheng Production into an established player in the fields of reality, factual entertainment, and reportage, together with my co-managing director Tina Wagner and a fantastic team. At I&U TV, we were able to produce great comedy formats such as the Grimme Award-winning The Teddy Teclebrhan Show, Heinz Strunk’s Last Exit Schinkenstraße and currently Sträter’s Problem Zones. Now I’m looking forward to a role with a more international focus at BBC Studios Germany.” Phil Schmid, Managing Director at BBCS Germany called Etspüler “one of the most respected and creative leaders in our industry,” adding: “This is a perfect strategic fit for our ambitions in Germany and an equally strong match on a personal level. With Nina joining in January 2026, alongside our fantastic Entertainment team led by Markus Templin and our growing Fiction division under Eva Holtmann, we look forward with confidence and excitement to the next chapter of BBC Studios Germany’s growth.”

    Prime Video Release ‘Top End Bub‘ Trailer

    Here’s the trailer for Australian Prime Video original series Top End Bub. The show, a follow up to 2019 local box office hit Top End Wedding, will launch on Amazon’s streaming service in Australia and New Zealand on September 12, with Miranda Tapsell and Gwilym Lee reprising their lead roles as Lauren and Ned, respectively. The trailer sees the couple living their best life in the city until Lauren receives a heartbreaking call telling her that her sister Ronelle has died. Rushing back to Darwin, they become guardians to Ronelle’s daughter, Taya, aka Bub, played by a debuting Gladys-May Kelly.  Ursula Yovich, Huw Higginson, Shari Sebbens, Elaine Crombie, Rob Collins and Tracy Mann return from the film, alongside new cast members Brooke Satchwell, Guy Simon and Clarence Ryan. Goalpost Pictures is producing, with ZDF Studios handling international distribution. No U.S. home for this one just yet.

    James Durie Exits Cineflix Rights

    James Durie has left his post as Head of Drama at distributor Cineflix Rights. According to a statement from the transatlantic company, he exited at the end of July “pursue new opportunities”, as Cineflix pivots to a new strategy “strategy in response to shifting global demand.” Durie spent five years at Cineflix, having joined from Miramax. During that time, he played a key role in the international financing of shows such as Leonard Cohen drama So Long, Marianne His previous roles include stints at sports marketing agency Pitch International and IMG Media. According to Cineflix, he will continue to work with “high-end scripted producers and financiers in the wider market.” Broadcast International was first with the news of Durie’s exit.

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  • The ITA reports that Kurash athlete Erkin Kozokov accepted a 3 year ban for his anti-doping rule violation

    The ITA reports that Kurash athlete Erkin Kozokov accepted a 3 year ban for his anti-doping rule violation

    The ITA reports that Kurash athlete Erkin Kozokov has agreed¹ to the consequences for his anti-doping rule violation (ADRV).

    Erkin Kozokov provided a sample under the testing authority of the IKA during an unannounced in-competition doping control performed on 17 December 2024 during the WSP (World Series Pro) Finals, Tashkent, Uzbekistan, which yielded an adverse analytical finding² (AAF) for meldonium.

    Meldonium is prohibited under the WADA Prohibited List as S4. Hormone and Metabolic Modulators. It is prohibited at all times (in- and out-of-competition) and is classified as a non-specified substance. Meldonium may enhance sports performance by improving endurance and recovery through increased oxygen uptake and energy metabolism.

    The athlete did not challenge the ADRV and agreed with the consequences proposed by the ITA. Accordingly, the case was resolved via an acceptance of consequences.

    When notified of the case, the athlete was provisionally suspended with immediate effect.

    Due to his early admission of the anti-doping rule violation, the athlete was entitled to a one-year reduction of the otherwise four-year period of ineligibility usually imposed for an ADRV for the presence of the prohibited substance as set forth in article 10.8.1 of the IKA anti-doping rules.³

    The athlete’s period of ineligibility is from 30 January 2025 until 29 January 2028. In addition, all the athlete’s individual competitive results from 17 December 2024 to the start of the period of ineligibility are disqualified.

    The decision may be challenged before the appeals division of the Court of Arbitration for Sport by the parties with a right of appeal in accordance with Article 13.2.3 of the IKA anti-doping rules.

    The ITA will not comment further on this case.

     

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  • UN Chief expresses sorrow over loss of lives due to floods in Pakistan – RADIO PAKISTAN

    1. UN Chief expresses sorrow over loss of lives due to floods in Pakistan  RADIO PAKISTAN
    2. Pakistan floods and cloudbursts visualised in maps and satellite images  Al Jazeera
    3. Pakistan defends flood response after over 270 people killed in northwestern district  AP News
    4. At least 358 dead as KP reels from devastating floods; rehabilitation efforts underway  Dawn
    5. Rain fury claims 25 lives in Swabi  The Express Tribune

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  • Rugby World Cup Daily – Tuesday, 19 August

    Rugby World Cup Daily – Tuesday, 19 August

    Anticipation levels are rising across England and far further afield as players and fans alike gear up for the opening weekend of the Women’s Rugby World Cup 2025. 

    Here is your latest slice of all the top stories, with plenty of action replays to get you in the mood. Do not forget to book mark us, with fresh content dropping throughout every day of the tournament. 

    1. ‘A fundamentally critical moment in women’s rugby’

    If you are relatively new to women’s rugby and want an idea of just what the next seven-and-a-half weeks mean, take a listen to men’s Rugby World Cup 2007 winner Bryan Habana: 

    It is spine-tingling stuff from the South African. 

    He will soon be on the ground in England for a tournament that he hopes will ensure “the game continues to rocket launch into the stratosphere” – get your tickets here, if you want to join him. 

    2. Inside track on match-week from Hope Rogers

    Interested in how players prepare for the biggest game of their careers? Curious as to what goes on in the final hours before kick-off? Want to know what the world’s best rugby players eat before smashing into each other? 

    If so, look no further than four-time Rugby World Cup player Hope Rogers’ Diary entry. 

    3. England hoping for more Kildunne magic

    Despite being the world No.1 ranked side, and on a 27-match unbeaten run, there is no doubt hosts England will be feeling the pressure ahead of Friday evening’s showdown with Hope Rogers’ USA (KO 19:30 BST). 

    But to ease the frayed nerves of fans all over the country, here is clip from the last time the two teams played each other, in round 1 of WXV 1 2024: 

    That piece of magic from England’s Reigning World Rugby Player of the year, Ellie Kildunne, helped set the Red Roses on their way to a 61-21 win. How fans in Sunderland’s Stadium of Light will be hoping for more of the same… 

    4. Six Nations derbies dominate opening Saturday

    Scotland v Wales and France v Italy are fixtures that routinely send shivers of anticipation down the spines of rugby fans, and on Saturday, 23 August these old rivalries will take centre stage. 

    Given the brilliance of their recent meeting in round 1 of the 2025 Women’s Six Nations (highlights below) Scottish and Welsh fans at the Salford Community Stadium in Manchester (KO 14:45 BST) are in for a treat. 

    Meanwhile, world No.4 ranked France will be hoping to replicate some of their free-flowing best that was on show during their recent 34-21 Six Nations win over Italy (enjoy the best bits below) when they face off at 20:15 BST at Exeter’s Sandy Park.

    5. World Rugby launches blueprint for growth

     Ahead of the biggest women’s rugby tournament of all time, the sport’s governing body, World Rugby, has released a roadmap for the future of the game. 

    The study – the most comprehensive of its type – highlights five game-changing focus areas that will help propel women’s rugby to ever greater heights. 

    Catch up on all the detail here. 

    LONDON, ENGLAND – MAY 14: The new Women’s Rugby World Cup Trophy on display at Tower Bridge during a media event to mark 100 Days until the Women’s Rugby World Cup 2025 at Battersea Power station on May 14, 2025 in London, England. (Photo by John Phillips – World Rugby/World Rugby via Getty Images)

    6. Relive the wild history of Women’s RWC

    From sleeping on the floor to playing in front of packed out stadiums, the Women’s Rugby World Cup has come a seriously long way since 1991. 

    Enjoy a fascinating sweep through the history of the tournament – punctuated with great visuals and endlessly entertaining anecdotes – courtesy of the BBC.

    Who will match the mighty Black Ferns (below) and lift the Women’s Rugby World Cup Trophy in 39 days in a rocking Allianz Stadium? 

    England v New Zealand - Rugby World Cup 2021: Final

    AUCKLAND, NEW ZEALAND – NOVEMBER 12: Ruahei Denant and Kennedy Simon of New Zealand celebrate with the Rugby World Cup trophy after the Rugby World Cup 2021 Final match between England and New Zealand at Eden Park on November 12, 2022, in Auckland, New Zealand. (Photo by Hagen Hopkins – World Rugby/World Rugby via Getty Images)

     

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  • A new model predicts how molecules will dissolve in different solvents | MIT News

    A new model predicts how molecules will dissolve in different solvents | MIT News

    Using machine learning, MIT chemical engineers have created a computational model that can predict how well any given molecule will dissolve in an organic solvent — a key step in the synthesis of nearly any pharmaceutical. This type of prediction could make it much easier to develop new ways to produce drugs and other useful molecules.

    The new model, which predicts how much of a solute will dissolve in a particular solvent, should help chemists to choose the right solvent for any given reaction in their synthesis, the researchers say. Common organic solvents include ethanol and acetone, and there are hundreds of others that can also be used in chemical reactions.

    “Predicting solubility really is a rate-limiting step in synthetic planning and manufacturing of chemicals, especially drugs, so there’s been a longstanding interest in being able to make better predictions of solubility,” says Lucas Attia, an MIT graduate student and one of the lead authors of the new study.

    The researchers have made their model freely available, and many companies and labs have already started using it. The model could be particularly useful for identifying solvents that are less hazardous than some of the most commonly used industrial solvents, the researchers say.

    “There are some solvents which are known to dissolve most things. They’re really useful, but they’re damaging to the environment, and they’re damaging to people, so many companies require that you have to minimize the amount of those solvents that you use,” says Jackson Burns, an MIT graduate student who is also a lead author of the paper. “Our model is extremely useful in being able to identify the next-best solvent, which is hopefully much less damaging to the environment.”

    William Green, the Hoyt Hottel Professor of Chemical Engineering and director of the MIT Energy Initiative, is the senior author of the study, which appears today in Nature Communications. Patrick Doyle, the Robert T. Haslam Professor of Chemical Engineering, is also an author of the paper.

    Solving solubility

    The new model grew out of a project that Attia and Burns worked on together in an MIT course on applying machine learning to chemical engineering problems. Traditionally, chemists have predicted solubility with a tool known as the Abraham Solvation Model, which can be used to estimate a molecule’s overall solubility by adding up the contributions of chemical structures within the molecule. While these predictions are useful, their accuracy is limited.

    In the past few years, researchers have begun using machine learning to try to make more accurate solubility predictions. Before Burns and Attia began working on their new model, the state-of-the-art model for predicting solubility was a model developed in Green’s lab in 2022.

    That model, known as SolProp, works by predicting a set of related properties and combining them, using thermodynamics, to ultimately predict the solubility. However, the model has difficulty predicting solubility for solutes that it hasn’t seen before.

    “For drug and chemical discovery pipelines where you’re developing a new molecule, you want to be able to predict ahead of time what its solubility looks like,” Attia says.

    Part of the reason that existing solubility models haven’t worked well is because there wasn’t a comprehensive dataset to train them on. However, in 2023 a new dataset called BigSolDB was released, which compiled data from nearly 800 published papers, including information on solubility for about 800 molecules dissolved about more than 100 organic solvents that are commonly used in synthetic chemistry.

    Attia and Burns decided to try training two different types of models on this data. Both of these models represent the chemical structures of molecules using numerical representations known as embeddings, which incorporate information such as the number of atoms in a molecule and which atoms are bound to which other atoms. Models can then use these representations to predict a variety of chemical properties.

    One of the models used in this study, known as FastProp and developed by Burns and others in Green’s lab, incorporates “static embeddings.” This means that the model already knows the embedding for each molecule before it starts doing any kind of analysis.

    The other model, ChemProp, learns an embedding for each molecule during the training, at the same time that it learns to associate the features of the embedding with a trait such as solubility. This model, developed across multiple MIT labs, has already been used for tasks such as antibiotic discovery, lipid nanoparticle design, and predicting chemical reaction rates.

    The researchers trained both types of models on over 40,000 data points from BigSolDB, including information on the effects of temperature, which plays a significant role in solubility. Then, they tested the models on about 1,000 solutes that had been withheld from the training data. They found that the models’ predictions were two to three times more accurate than those of SolProp, the previous best model, and the new models were especially accurate at predicting variations in solubility due to temperature.

    “Being able to accurately reproduce those small variations in solubility due to temperature, even when the overarching experimental noise is very large, was a really positive sign that the network had correctly learned an underlying solubility prediction function,” Burns says.

    Accurate predictions

    The researchers had expected that the model based on ChemProp, which is able to learn new representations as it goes along, would be able to make more accurate predictions. However, to their surprise, they found that the two models performed essentially the same. That suggests that the main limitation on their performance is the quality of the data, and that the models are performing as well as theoretically possible based on the data that they’re using, the researchers say.

    “ChemProp should always outperform any static embedding when you have sufficient data,” Burns says. “We were blown away to see that the static and learned embeddings were statistically indistinguishable in performance across all the different subsets, which indicates to us that that the data limitations that are present in this space dominated the model performance.”

    The models could become more accurate, the researchers say, if better training and testing data were available — ideally, data obtained by one person or a group of people all trained to perform the experiments the same way.

    “One of the big limitations of using these kinds of compiled datasets is that different labs use different methods and experimental conditions when they perform solubility tests. That contributes to this variability between different datasets,” Attia says.

    Because the model based on FastProp makes its predictions faster and has code that is easier for other users to adapt, the researchers decided to make that one, known as FastSolv, available to the public. Multiple pharmaceutical companies have already begun using it.

    “There are applications throughout the drug discovery pipeline,” Burns says. “We’re also excited to see, outside of formulation and drug discovery, where people may use this model.”

    The research was funded, in part, by the U.S. Department of Energy.

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