Though Morgan Stanley’s Innovation Lab sits firmlyin Manhattan’s Financial District, I hardly saw any of the finance bros who dot the streets outside during my recent tour.
I didn’t know quite what to expect ahead of my visit — robots analyzing market moves? intricate gadgets? — and Megan Brewer, the head of firmwide market innovation and labs, tempered my wildest expectations when she described the space as “effectively a very large data center.” The lab, she said, gives people “all the infrastructure that is needed to test ideas in a secure, scalable fashion.”
Morgan Stanley employees who want to experiment with their own ideas or test third-party products that might help the firm can use the Innovation Lab. Brewer told me that most of the people who use the space are technologists, but that everyone at the bank has access.
“Most people don’t think of banks as where people are sitting there soldering and working on custom design trips,” she said. “But we offer that as well.”
Kids made Lego sculptures for the Innovation Lab during a recent tour.
Morgan Stanley
Morgan Stanley is sure to celebrate innovators
And it became clear to me that Brewer’s team is pulling multiple levers to attract and retain the firm’s technologists.She helps run the bank’s Patent Accelerator Program, which guides innovators through the patent process. When someone’s invention earns a patent, Brewer’s team sends a message to their manager. They post on internal sites, frame the physical patent, and note the accomplishment on the person’s company profile. Morgan Stanley has even put patent-holders’ faces on their digital ads in Times Square, Brewer said.
Patents don’t only grant legal control over an invention, but also acknowledge something as a creative, genuinely new idea. Inventions have to be “non-obvious” to get a patent, and they’re a quantitative way for banks to flex their technological chops.
Banks are generally racing to embrace the newest technology. A McKinsey report from late 2024 found that banks have massively increased their tech spending in recent years, and are especially focused on hiring people to produce products in-house.
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Whiletech companies are cutting back on new-hire offers, my time at Morgan Stanley made it clear that banks might be keen on snapping up some of the available talent. Citi also has a network of physical innovation labs across the world, and many banks have accelerator or innovation programs.
When we were ready to enter the lab, Brewer told me I might need to leave my notebook behind, since it’s flammable. The first room, though, seemed pretty innocuous: a bunch of computers with black screens, and a lone guy sitting at a desktop. I almost felt like I was in a “Black Mirror” episode, the rows of blank monitors a dystopian end-of-world tableau.
The rows upon rows of blank computers seemed almost dystopian.
Morgan Stanley
The lab was full of high-end, deceptively plain machines
As we kept moving through the lab, the image of a stereotypical bank continued to fade. It was hot and loud inside the data center, with a white noise of whirring machines and fluorescent lighting. Brewer advised me to stand on a vent if I got too hot amid the rows of equipment.
Most of the time, I didn’t know what I was looking at — at one point, it turned out to be the lab’s first GPU. I asked how much it was all was worth, and everyone laughed, saying I didn’t want to know.
The lab got its first GPU in 2017.
Morgan Stanley
“Many millions,” Brewer said, adding that some pieces cost as much as rent on a New York City apartment. (I became very conscious of not stepping on the many blue wires grazing the floor in my kitten heels.)
Huge investment aside, though, some parts of the lab seemed almost scrappy, evidence of exploration and technology that’s still in the works. There were labels made of blue tape and Sharpie, stickers that looked like they came from a name-tag machine, flame-retardant Post-Its.
At the end of the tour, I met an electrical engineer, who was standing in front of a clearly very complex, very impressive machine he’d made. My tour guide told me that he’d already built and patented multiple versions of the chip machine sitting before us, which he was too polite to mention himself.
He carefully explained his project — Morgan Stanley asked that don’t get into specifics here — and indulged my many questions, talking to me in what were likely excruciatingly simple terms. When I asked whether he ever expected to work at a bank, I got an emphatic no and some knowing head-nods from those leading my tour.
Morgan Stanley has around 23,000 tech employees, 15,000 of whom are developers. At the time of this writing, the bank had 249 full-time technology jobs listed on its site.
The equipment in the lab is worth many millions.
Morgan Stanley
The lines between banking and Big Tech
I didn’t talk to, or maybe even see, a single banker the whole time I was there, which makes some sense given that Morgan Stanley’s main New York headquarters are in Midtown and I was at a smaller office downtown. People talked in the terms of a startup, pushing themes like innovation that may appeal to an engineer more than the average investment banker.
We eventually left the lab and emerged into a similarly harshly lit hallway, the walls lined with cardboard boxes, before passing through a door and into the shinier, more central office area. I stepped into the bathroom before leaving; it was designed in the crisp image of the finance aesthetic, with a few cubbies holding hair straighteners.
Looking around, I remembered where I was: a bank at the tip of Manhattan, not a tech company in California. I wondered, though, how the lines between the two will continue to blur — and how much they’ve blurred already.
The Governor of Tokyo, Yuriko Koike, officially opened the MOWA Heritage Athletics Exhibition Tokyo 2025 on Sunday (6). The exhibition is being staged for 11 weeks in the Tokyo Metropolitan Government (TMG) building.
The TMG’s headquarters is a landmark skyscraper complex which, in addition to temporarily hosting the Museum of World Athletics (MOWA), offers visitors a 45th floor public observatory platform with spectacular views across the skyline of Tokyo.
The TMG building is situated just three metro stations – a six-minute journey – away from the National Stadium where the World Athletics Championships Tokyo 25 will take place from 13-21 September.
Distinguished gathering
The opening ceremony was honoured by an exclusive gathering of invited guests.
In addition to Governor Koike, among those actively participating in the ceremony were World Athletics Council Member Yuko Arimori, 2004 Olympic marathon gold medallist Mizuki Noguchi and Japan’s first world champion Hiromi Taniguchi, the Tokyo 1991 marathon winner.
The Japanese team was represented by Naoki Koyama, who will line up in the marathon during the World Athletics Championships in September. Mitsugi Ogata, President of the WCH Tokyo 25 local organising committee, made up the distinguished cast of participants.
The ceremony began with a welcoming address by Arimori, a two-time Olympic medallist and newly elected President of the Japan Association of Athletics Federations, who was representing World Athletics President Sebastian Coe.
In response, Governor Koike delivered her welcome on behalf of the Tokyo Metropolitan Government.
Tokyo awarded World Athletics Heritage Plaque
In this prestigious context, World Athletics announced the award of the World Athletics Heritage Plaque to Tokyo, in the category “City”, with Arimori presenting the honour to the Governor. The plaque serves as a lasting tribute to Tokyo’s central role in the development and celebration of athletics worldwide.
In a statement read out by Arimori, World Athletics President Coe commented: “Tokyo’s credentials as a World Athletics Heritage City are beyond question. The host to the 1964 and 2020 Olympic Games and the 1991 and 2025 World Athletics Championships, Tokyo has historically been the stage for great competitions and has witnessed numerous world records.
“Bob Hayes, Abebe Bikila, Ann Packer, Betty Cuthbert, Carl Lewis, Mike Powell, Karsten Warholm, Sydney McLaughlin-Levrone and Yulimar Rojas are just a few of the track and field greats, both past and present, whose performances in the Japanese capital have created headlines around the world.
“Annually, 38,000 runners also take to the streets of the Japanese capital. In a country where the marathon race is a sacred sporting tradition, the Tokyo Marathon is rightfully one of the World Marathon Majors.
“Yet among all other reasons, the heroic staging of the rescheduled 2020 Olympic Games during the pandemic exemplifies the unique contribution that Tokyo has made to the history of our sport.
“Congratulations, Tokyo, on the award of this exceptionally well-deserved honour.”
A highlight of this MOWA exhibition is the first-ever public display of the gold, silver and bronze medals from both editions of the World Athletics Championships held in Tokyo. The two sets embody the continuity of Tokyo’s deep-rooted legacy in global athletics and its renewed commitment as host of this year’s championships.
During the ceremony on Sunday, a historic photograph was taken of the two golds, with the Tokyo 1991 medal held by Taniguchi and Arimori alongside Koike and Ogata, who posed with the equivalent from Tokyo 2025.
Arimori donates Olympic shoes to MOWA
Arimori marked the opening of the exhibition by generously donating her Barcelona Olympic Games marathon shoes, which she wore when taking silver in 1992, to the collection of the Museum of World Athletics. She presented her donation to the Governor, who received the shoes on behalf of the MOWA. The shoes will go on display on Monday (7) when the exhibition opens to the public.
Arimori made her marathon debut in 1990 and set a national record on her second attempt. The 1991 World Championships was a turning point in her career, as she finished fourth in the women’s marathon, a performance that set the stage for her global breakthrough.
Reflecting on her personal connection to the World Athletics Championships, Arimori commented: “I remember vividly the great excitement of watching on television the first World Athletics Championships, which were staged in Helsinki in 1983. Then, eight years later, I felt enormous pride when the championships came to Tokyo for the first time.
“I was competing in the marathon and finished fourth, while in second place Sachiko Yamashita took Japan’s first-ever World Championships medal. Then, on the last day of those 1991 championships, Taniguchi courageously won the men’s marathon, Japan’s first-ever gold medal.”
Coached by Yoshio Koide (recipient in 2019 of the World Athletics Heritage Plaque in the posthumous category of ‘Legend’), Arimori went on to win not only silver at the 1992 Barcelona Olympics but bronze four years later in Atlanta, becoming the first Japanese woman to claim two medals in the event. Arimori’s achievements elevated the status of women’s distance running in Japan, and she now serves as a member of the World Athletics Council.
Ribbon cut
Sunday’s ceremony, which included archive footage of the 1991 and 2023 World Athletics Championships and the global victories of Taniguchi and Noguchi, concluded with the Governor and her fellow principal cutting the ribbon to officially open the exhibition.
Step aside, Bloomin’ Onion. Get back in the batter, onion rings.
There’s a new onion dish that’s going viral on social media, and it’s not like anything you’ve seen before.
It’s the onion boil.
What is an onion boil?
An onion boil is simply a different way to prepare an onion as a vegetable to accompany a meal. According to Southern Living, the onion boil goes well with a steak and some fresh green beans.
On a roll: 32 Delaware food trucks you must try
TikTok makes onion boil trendy
While the onion boil has lived quietly in cookbooks, TikTok has brought it to the forefront.
Search for “onion boil” on TikTok, and you’ll find a plethora of videos showcasing people’s onion boil talents. Each person is doing it a little differently.
How to make an onion boil
Don’t let the name fool you, there’s no boiling involved. As the videos show, it’s not incredibly difficult to make.
Take a yellow or Vidalia onion and cut off the top and bottom, then remove the outer layer.
Core out the center of the onion
Add 4 tablespoons of butter to the core.
Add spices of your choice – paprika, garlic powder, parsley, black pepper are popular – along with either Old Bay or a form of Cajun spices.
After spicing the onion, wrap it in aluminum foil.
Bake the onion at 350°F for 1 hour, or until tender.
This article originally appeared on Delaware News Journal: Onion boil trends on TikTok. How to make it
Nationwide is under fire for refusing to give members a binding vote on a controversial 43% pay rise for its chief executive, Debbie Crosbie, which could total up to £7m.
Campaigners say it leaves the mutual’s members with fewer rights than shareholders of listed UK banks and exposes a worrying “loophole” in building society rules.
Nationwide argues that after its £2.9bn takeover of Virgin Money Crobie’s pay should compete with that offered by banks such as Lloyds and NatWest. However, the board is only offering members an “advisory” vote at its annual general meeting (AGM) on 25 July, meaning there are no repercussions if they reject it.
Large high street banks are required to hold a binding vote on their pay policies at least once every three years, under laws governing large businesses listed on the London Stock Exchange. If shareholders reject the policy, they have to revert to the old pay plan and put a revised pay deal to shareholders within 12 months.
Nationwide could do the same, but said it is already going further than required under the Building Societies Act, which only requires binding votes for the election of board members.
“As part of our commitment to member engagement and transparency, Nationwide voluntarily puts the remuneration policy to the membership on an advisory basis at the AGM and we currently have no plans to change this approach,” a spokesperson said.
While Nationwide has never held a binding vote on pay, it has also never proposed such a large renumeration package for its chief executive, which could result in a record payout worth up to £7m from current levels of £4.8m. That is close behind NatWest Group, which in April secured backing for a package worth up to £7.7m for chief executive Paul Thwaite.
Luke Hildyard, the director of the High Pay Centre thinktank, described the situation as a “loophole in the governance of building societies”.
“Mutuals are supposed to have a more collective approach to business than corporate banks, but while the banks are required to revise pay policies that are rejected by a majority of shareholders, and provide a response to the stock market if more than 20% vote against, building societies can in theory ignore their members.”
“The Nationwide case, where there may be significant discomfort with the huge pay out planned for the chief executive, highlights the need for the loophole to be closed,” he said.
Crosbie’s £7m pay deal has angered some members. “I’m a Nationwide customer and didn’t know about this? Please send me a voting form immediately,” one posted on X. “Building societies are supposed to be the good guys. The apple has fallen far from the tree,” another claimed.
Sara Hall, the co-executive director at campaign group Positive Money said Nationwide “hiking its chief executive’s pay because that’s what the big banks are doing would be completely at odds with what building societies are supposed to stand for”.
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The move is “counterintuitive for an institution whose main selling point is putting its customers before shareholders”, Hall added.
A Nationwide spokesperson pushed back against the criticism, saying its pay proposals – although advisory – “always received overwhelming member support”.
“Any suggestion that we would ever ignore a vote against it is simply ridiculous. We always consider their views and at the last AGM over 94% of votes were in favour of the proposed remuneration policy,” they said.
“Nationwide delivered record member value last year, we are still first for customer satisfaction among high street banks, and more people switched their current accounts to Nationwide than to any other brand.
“We have managed this because we can attract, retain and motivate talented leaders. Even after the changes that are being proposed at the AGM, Nationwide’s chief executive will still be paid substantially less than the other large banks.”
The colourful boats at the SkiffieWorlds are generally community-built
More than 2,000 rowers from around the globe are expected in south west Scotland for the SkiffieWorlds championship.
The world championships for the St Ayles class coastal rowing boats is taking place on Loch Ryan, near Stranraer, from Sunday for seven days.
A record-breaking 79 clubs from as far afield as Australia, South Africa, the USA and Canada are set to make it the biggest ever gathering of the colourful community-built boats.
Events begin with an opening ceremony before the competition and an on-shore festival get under way.
Saskia Coulson
The event was last held in Stranraer six years ago
The SkiffieWorlds attracted about 30,000 visitors when they were previously held in Stranraer in 2019 and are estimated to have generated up to £4m for the local economy.
But is is hoped the 2025 edition will surpass those figures.
The event is the world championship for the St Ayles class of coastal rowing boat and takes place every three years.
The St Ayles skiff is a 22-foot (6.7m) fixed-seat rowing boat designed specifically for community building and coastal rowing.
Each boat is typically built by the community that rows it.
Wendi Cuffe, trustee of Stranraer Water Sports Association (SWSA), said: “SkiffieWorlds is a world championship rowing event, but it’s about so much more than competition.
“It’s a celebration of community, connection, active participation and coastal heritage.
“The shoreside festival programme reflects everything that makes this sport special, from the international friendships forged through shared love of the water to the wellbeing benefits that keep people coming back to rowing.”
The championships will see more than 100 races across a number of age categories.
Big screens will show live drone footage with commentary for spectators on the shore.
Stranraer water sports hub
The youngest competitor is 14, while the oldest is thought to be 81.
Rebecca Edser, head of EventScotland, said it was delighted to support the event which could encourage economic growth and bring physical, mental and social benefits.
The competition showcases wider efforts to boost Stranraer’s transformation into a major water sports destination.
Work started earlier this year on a water sports hub in the town and it is scheduled to open next summer.
Are you happy? Do you sleep well? Do you have many friends? Are you a workaholic?
Those are some of the questions Katelin Eagan, 27, said she had to answer recently when she was applying for a job.
She agreed to take a cognitive and personality assessment as part of the hiring process, but was a bit bewildered. Many of the questions had nothing to do with the engineering position, which, after completing the tests and going through several months of silence, she was eventually rejected for.
Eagan says she’s been applying for jobs full-time since the start of the year. Her efforts haven’t panned out yet, which she attributes partly to how competitive her field has become and employers having room to be picky.
“I think there’s definitely a lower amount than I thought there would be,” she said of available roles.
But that may be only part of the story. Employers are growing increasingly selective, partly because many are seeing a flood of seemingly perfect candidates, many of whom are suspected of using AI to finesse their applications, according to recruiters and hiring assessment providers who spoke to BI.
The solution many companies have come to?
Make everyone take a test — and see who candidates really are, irrespective of what ChatGPT suggested they put on their résumés.
According to surveys conducted by TestGorilla, one firm that administers talent assessments for employers, 76% of companies that had hired in the 12 months leading up to April said they were using skills tests to determine if a candidate was a right fit, up from 55% who said they were using role-specific skills tests in 2022.
Employers seem most interested in testing for soft skills — amorphous qualities like communicativeness and leadership — as well as administering general aptitude and personality tests, Wouter Durville, the CEO of TestGorilla, told Business Insider.
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TestGorilla’s Critical Thinking test was completed more than 100,000 times in the first quarter of this year, a 61% increase compared to the same quarter in 2024.
The firm also offers a Big 5 personality assessment, which was completed more than 127,000 times in the first quarter — a 69% increase compared to last year.
Demand among US employers in particular has been “massive,” Durville said, adding that many firms have turned to tests as a result of being overwhelmed with job applications. The US is the largest market for the firm, which is based in the Netherlands.
“The biggest thing is people just want to hire the best people. It’s very selfish and it’s fine,” Durville said.
Canditech, another firm that offers hiring assessments, says it’s also seen rapid growth in the last year. In 2024, the assessment usage grew 135% compared to the prior year, CEO Guy Barel told BI. He estimates that assessment usage is on track to soar 242% year-over-year.
Barel says the surge is partly due to the job market tipping more in favor of employers. In many cases, companies he works with are flooded with “tons of candidates” and looking to “move forward as fast as possible,” he said.
Criteria, another skills-based assessment provider, says test usage has more than doubled in recent years.
“AI is kind of creating this authenticity crisis in talent acquisition, because everyone can and is putting their résumé into ChatGPT.” Criteria CEO Josh Millet told BI. “It’s all about demonstrating your ability or your skill or your personality in an objective way that’s a little bit harder to fake.”
The AI job market
Jeff Hyman, a veteran recruiter and the CEO of Recruit Rockstars, estimates that demand for testing among his clients has increased by around 50% over the last 18 months.
That’s due to a handful of different reasons, he said — but companies being inundated by job applications is near the top, thanks to candidates leaning more on AI to gain an edge and send out résumés en masse, he says.
Hyman says a typical job he tries to fill for a client has around 300 to 500 applicants, though he’s spoken to companies trying to fill roles with more than 1,000 candidates within several days of being posted online.
The number of job applications in the US grew at more than four times the pace of job requisitions in the first half of 2024, according to a report from WorkDay.
Companies also want to test candidates’ soft skills as remote work grows more common, Hyman adds — and they want to be sure they’re getting the right person. Depending on the size of the organization, a bad hire can cost a company anywhere from $11,000 to $24,000, a survey conducted by CareerBuilder in 2016 found.
According to TestGorilla, 69% of employers who issued tests this year said they were interested in assessing soft skills, while 50% said they were interested in assessing a candidate’s cognitive ability. A separate survey by Criteria ranked emotional intelligence as the most sought-after skill among employers, followed by analytical thinking.
“It’s about their personality and to see if they are a good fit to the organization, if they share the same DNA,” Durville said, though he noted that, in many cases, companies find the results of the tests to be shaky as a sole evaluation metric.
TestGorilla, Canditech, and Criteria told BI that employers say they’re enjoying the time and cost savings of administering tests.
According to TestGorilla, 82% of employers who said they used skills-based hiring — a catch-all term for hiring based on proven skills — said they were satisfied with new hires, compared to 73% of US employers on average.
Canditech, meanwhile, claims its assessments can help employers cut down on hiring time by as much as 50%, and reduce “unnecessary interviews” by as much as 80%, according to its website.
But Hyman thinks there are some issues with hiring tests. For one, he says employers turn down candidates who don’t score well “all the time,” despite them being otherwise qualified for the job.
The trend also appears to be turning off job candidates. Hyman estimates around 10%-20% of applicants will outright refuse to take a test if employers introduce it as a first step in the hiring process, though that’s a practice Canditech’s Barel says is becoming increasingly common.
Hyman says he frequently has conversations with employers urging them not to put so much weight on test results, due to the potential for a mis-hire.
“That’s lazy hiring, to be honest. I think that’s not the right way to go about it,” he said.
ISLAMABAD: The Power Division has assured development partners that commercial operations of the Competitive Trading Bilateral Contract Market (CTBCM) are expected to begin by the end of September 2025.
The new system will allow bulk power consumers with a demand of 1 MW or more to purchase electricity through direct contracts with competitive suppliers.
The operationalisation of the Independent System and Market Operator will be a key part of this transition. The framework for open access charges and the allocation of wheeling capacity is in the final stages of preparation.
A phased market opening will follow, supported by the establishment of market rules and wheeling charges.
During a meeting with representatives of nearly a dozen development partners, the Power Division discussed updates on power sector reforms, industrial and agriculture pricing packages, grid capacity strategy, and distribution sector reforms, including private sector participation and investment readiness.
The Power Division said capacity costs, denominated in US dollars, have risen from Rs 11.1 per kWh to Rs 18.8 per kWh due to currency depreciation. However, fuel costs have remained steady with the addition of lower-cost generation.
The government said it aims to de-link capacity costs from currency movements and increase reliance on domestic energy sources for long-term sustainability.
Electricity tariffs remain high due to taxes and duties, adding pressure on consumers. The circular debt continues to grow due to inefficiencies and poor debt pricing. A roadmap to address this debt is under development.
Inefficient pricing has raised debt servicing costs and reduced demand.
The government has introduced the Bijli Sahulat package for the winter, offering power at marginal cost plus a small margin. A similar approach is being considered for industrial users to boost grid usage without adding subsidies.
The mechanism would offer marginal pricing while protecting fixed cost recovery through base tariffs.
To increase consumption, the government has proposed a three-year package from March 2025 to December 2027 for industrial and agricultural users. The plan projects an increase in demand of 3,745 MW in March–June 2025, 10,720 MW in 2026, and 11,018 MW in 2027.
The proposed rate is Rs 22 per unit for both sectors, with industrial users saving Rs 10.50 per unit and agricultural users saving Rs 7.77 per unit compared to current rates.
Nepra has set total fixed charges at Rs 2.505 trillion based on 106 billion units. A 5–10 percent drop in demand does not reduce these costs due to their fixed nature, highlighting the importance of increasing usage for cost recovery.
Development partners raised the need for clear pricing over the next three to five years and urged the government to avoid policies that shield inefficient domestic industries. They also stressed the need to finalize wheeling charges and market rules by September, track and publish marginal generation costs, accelerate grid and metering upgrades, and begin structured talks with industry on long-term energy policy.
The government said it is preparing a 10-year plan for generation and transmission planning. It also highlighted the importance of digital tools such as SCADA and AMI for data use and performance tracking.
The Energy Infrastructure Development and Management Company will take over planning and execution of PSDP-funded transmission projects by FY26/27. Board approvals are in progress and the CEO hiring is expected by year-end.
ISMO has been formed by combining technical teams from NTDC and CPPA-G, and will handle market operations independently of NTDC.
Ongoing transmission projects aim to expand northward evacuation capacity by 2,000 MW over the next three to four years. Development partners noted the urgency of investing in grid upgrades to meet the projected 25 percent rise in industrial demand.
They flagged several projects delayed at the planning or early implementation stage and urged quick resolution of legacy design and execution issues.
The planned rollout of 35 million advanced metering infrastructure units will require improved digital capacity and change management within distribution companies.
Ricci quickly disappeared (probably in search of cat food at my neighbour’s). In the distance, I could hear giant waves crashing against the shore – their pounding seemed to have started the moment my better half, ma moitié, left home. Alone again in a foreign land, I felt a sudden chill. While I enjoy solitude, I’m beginning to realise just how much my husband’s presence comforts me like a warm manteau set over my shoulders on a chilly night. What if I go off the rails while he’s gone? Skip our daily walks, linger in bed, and stay glued to YouTube? Suddenly, Ricci reappeared, bounding back from her brief escapade. Ahhh. I remembered that, in addition to my faithful dog, I have my fearless mom just around the side of our bungalow. And there’s Max, his darling Ana, and Jackie, who’ll soon be back from her périple in California. Returning to the kitchen. I removed the day’s loaf from the oven, the warmth and the scent of yeast inviting me to settle in and embrace this ever-shifting nest of ours. I noticed my belle-sœur‘s pairing knife, left at Christmas when she made that mouthwatering salade aux crevettes, avocats et pamplemousse. I’d call Cécile and see if she wants to return and share a favourite walk to les roches plates. I hear the dolphins are back!
“We are so blessed to have this family, and Jean-Marc is a true leader!” Mom toasted, during our farewell lunch for Chief Grape. My eyes locked with his. Leader indeed! The adventures he’s dragged us through! But, oh, the stories he’s given me to share. And now our chef has gone off again, leaving me solo but not alone, and with a mission: to tie up the loose ends on my manuscript about these last 12 months by the sea en famille. My forthcoming book, A Year in a French Life, is a collection of blog stories with full-page colour photos of La Ciotat. Ask for it at your favourite librairie. I hope you’ll enjoy reading it as much as I enjoyed living it – ups and downs, crashing waves and red tape. May it leave you enveloped in a warm Mediterranean hug on a quiet morning somewhere in the south of France.
When Lena Dunham messaged, Megan Stalter lost it. “Like d’uhh,” Stalter is explaining – delighting, really. “Who wouldn’t? I was at home: this really bad apartment in Laurel Canyon [in the Hollywood Hills]. The area is haunted, and it was actually a really scary building, and nothing ever got fixed because apparently in the lease I signed they didn’t have to repair anything! I don’t actually live there now …” Stalter, 34, has a tendency to wander off on tangents. So Dunham?
“OK yes, so we were just about to start filming Hacks again.” The wildly popular, 48-times-Emmy-nominated HBO comedy in which Stalter plays nepo-baby Kayla, a chaotic and kind-hearted talent agent, her total-commitment-to-the-bit characterisation making her a breakout star. “And there Lena was in my DMs.” Stalter opened the message, which said: “I have a project I want to talk to you about.” “That’s when I lost my mind,” she adds. “Panic set in.”
“I’m not,” Stalter clarifies, “a celebrity person. I don’t fangirl over people – but with Lena I do. She’s a creative genius; I’m such a Girls nut, and always felt so connected to her.” In its six seasons, Dunham’s HBO hit transformed television through its unflinching portrayal of millennial women. Eight years since the final episode broadcast, the Dunham buzz hasn’t abated.
Breathe, Stalter had to remind herself. “OK, calm down, diva – ‘project’ is vague. It might be a commercial, an event, a task, maybe.” Not that Stalter was fussy. “Anything she wanted me to do, I would obviously say yes.” Turns out, Dunham didn’t need errands running. “And thank God, honestly.”
Dunham was in the early stages of developing Too Much, her semi-autobiographical Netflix 10-parter, which is released on 10 July. Following Jessica (Stalter), an American thirtysomething workaholic who relocates from New York to England in the deepest throes of heartbreak, the show plays out as an offbeat romcom, with Will Sharpe (The White Lotus, Flowers) playing the indie-musician love interest.
Stalter’s attempts at regional British accents, and a cocaine-fuelled dance break from Richard E Grant, are some of the show’s unexpected highlights. Loosely, it’s based on Dunham’s own experiences: after splitting from music producer Jack Antonoff, she met her now husband, British musician Luis Felber, in London. They wrote Too Much together.
“Jessica is going through a really horrible breakup,” Stalter says, “and this person she was with previously made her feel she’s ‘too much’, and not in a good way. She falls for someone new pretty quickly who does accept who she is and, when she’s surrounded by people who appreciate her, realises she’s yes, a little bit much, in a great way.”
In the show, Dunham plays Jessica’s older sister. “When Lena and I got on Zoom we just clicked. She said right away that if Girls was about sex and discovering who you are, Too Much is a story of love and discovering acceptance. For Lena, like Jessica, finding someone who accepted her the way she is encourages her to embrace herself.”
‘When Lena and I got on Zoom, we just clicked’ … Stalter with Dunham in a scene from the series. Photograph: Ana Blumenkron/Netflix
Pre-Hacks, Dunham had been introduced to Stalter by Andrew Scott, who drops by for a cameo in this series. “From the moment I conceived the character,” Dunham says, “even before I began collaborating with Luis, it was always Meg. I had a feeling that she could be both intensely funny and do something darker and more vulnerable.”
Pre-Hacks, Stalter built a cult social media following, regularly posting clips of kooky skits and characters (small-town butter shop during Pride month; Woman flirts at a bowling alley) that caught Dunham’s eye. “Meg is never looking down on the characters she plays,” she says, “no matter how delusional or silly they may seem. She truly falls in love with, and goes to bat for, whoever she’s playing – and it’s contagious.”
It’s late March when I first meet Stalter, in the lobby of a central London hotel. Shooting on Too Much has wrapped, but it’s early stages in the months-long slog of a press and promo schedule a Dunham x Netflix collab demands. She’s late, 15 minutes maybe, although she’s staying right upstairs. “I’m sorry I’m sorry I’m sorry!” she gushes, all smiles, dropping her teddy bear phone case on the table. “We were working on the ponytail for the day and got carried away! Almond latte?”
Both Stalter and Dunham found bringing Jessica to life an intimate undertaking. Long before shooting started, they spoke extensively about the material and Dunham’s own experiences. Script by script, they’d dissect. “Lena had a small writers’ room where they’d bounce ideas together,” says Stalter, “then after that, it would come to me, and I would have lots of questions: her previous bad relationship; her family; how she was feeling.”
Bed fellows … Will Sharpe and Megan Stalter in Too Much. Photograph: Ana Blumenkron/Netflix
Dunham remembers these well. “Meg is a very intuitive performer,” she tells me, “not method, but she has her method. She asks specific questions that may seem random or left-of-centre and then it always finds its way into the work.”
Stalter made lists of how she and Jessica were similar, then differed. “So, like, in common: we are both very anxious people. Not in common: she’s lost her dad, I haven’t. Jessica is straight and I’m a mostly lesbian bisexual. But I have dated men. And Jessica might not date women, but sexuality is a spectrum … Me and Lena both agreed that if she’d explored a little, maaaaaybe she would have dated women.”
On set, over four months in London, this proximity continued. “If it felt like an emotional scene,” says Stalter, “I’d want a moment just with her, so I felt more connected.” There’s a post-coital scene where Jessica’s sexual self-confidence falters. “Lena and I talked a lot about how, after a breakup, no matter how hot or beautiful you feel and are, you can be so beaten down that insecurity hits.”
The pair spoke extensively, too, about the show’s title, with its heap of gendered connotations. Is “you’re too much” a phrase she’s had lobbed in her direction? Stalter furrows her brow. “Excuse me, sir, no; people see me as calm, cool and collected.” Three seconds of deadpan, before the laughter erupts. “I am definitely seen as too much. Any loud woman will be told she’s too much at some point. We are made to feel small or too big, sometimes both at the same time, unless we’re neatly in a perfect box. A lot of women experience it: me and Lena were both told we were too much, but then decided we like that about ourselves. I think it’s so sexy to be loud and funny, weird and strange, silly and goofy. It was at school that I realised those traits are often welcomed in boys, but not girls.”
‘I’m a loud woman from a loud family’ … Megan Stalter. Photograph: Nolwen Cifuentes/The Guardian
At the Stalter family home in Cleveland, Ohio, this just wasn’t the case. “I’m a loud woman from a loud family: 20 cousins, mostly women, a few males thrown in, I guess.” Dad’s a tattoo artist, and mum a nurse. “I have two sisters, a brother and lots of aunts. These are funny, opinionated, not-very-quiet women with big personalities – and that was totally normal. So it was, umm, interesting to then be in the real world where women are made to feel they can’t be those things.” She scrunches her face, lugging her voice up an octave: “We’re told to be polite and small and dainty.” Pitch back down. “But that’s not me, girl.”
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She found this first at school. “I was a cheerleader, but like, a nerdy one. Not popular. Teachers made me feel small and not smart. I found myself shrinking into myself, getting quiet and nervous, except in drama and performance. I’d never get good parts; people thought I was bad, but I could be myself at least.”
Through her late teens, Stalter tried all sorts at community college. Teaching wasn’t a good fit. Neither was nursing. “Listen, nurses are incredible,” she says, “but I’m not supposed to be a nurse. I pass out at blood. Emotionally I was into it, but practically, it was not working.” Nothing was sticking. “OK so I also love Jesus,” she continues, no change in pace. “I’m a real God-girlie. If I wasn’t going to do something I loved, I wanted to do something that helped God. I tried some mission work, and stuff with my church.” She attended a Pentecostal church from a young age, and aged 20 spent six months with a Christian youth organisation in South America. She gave Bible school a go, too. “I tried for several years, but I really missed performing. I thought: ‘If this is in me, maybe it’s my service. Maybe God wants me to do what I really want to do, and share it with the world.’”
Stalter joined a local improv class. “I thought I was so good,” she says, “but everyone there for some reason kept telling me I wasn’t? Later on, a friend told me I was a bit like Michael Scott in The Office: walking on and messing things up. But I always felt deluded in my talent and how special I was, which really kept me going until I actually got good.”
Dog days … Too Much. Photograph: Ana Blumenkron/Netflix
Aged 24, she moved to Chicago to pursue standup. “And I performed for years there. It went OK, but not much was happening for me.” Everything changed when she started posting – an art for which Stalter has a knack – launching a spoof self-titled online talkshow. “I was on Instagram live every night with a new theme. I’d set up weird things: ‘Crazy trip to Paris night’; be a travel agent and pretend to book things. That is when it all took off.” In 2019, she moved to New York, and the gigs kept coming: Hacks, indie film Cora Bora, sell-out standup shows and now Too Much.
In June, we speak again over Zoom, Stalter now back at home in Los Angeles in a thankfully ghost-free residence, with her girlfriend. “Oh, and our two kitties, and a terrier who is really attached to me. Too attached, really. The separation anxiety is a problem.”
It’s intense, Los Angeles right now: anti-ICE protests and the general bad Trump vibes percolating. “It’s really upsetting,” Stalter says, “devastating and scary.” She’s been to some marches. “People have to keep coming together to protest and support one another. We’re fighting for each other.” Throwing herself into Too Much has been a much-welcomed escape.
It’s no affront to Stalter’s range to see a through-line from her characters: from those early viral creations all the way to Jessica. Whether self-invented for standup and socials, or brought to life from scripts on screen, they tend to be big, bold, slightly berserk. “What,” she’s grinning, “am I not as crazy as you expected? I like to play people who are nervous-confident: women who have a level of self-love but are falling apart and pretend they’re not. I do a lot of standup with a persona I’ve built, too, where the character – me – pretends to be really talented but the show crumbles.”
Agent of chaos … Stalter and Hannah Einbinder in Hacks. Photograph: HBO
Stalter sees some of herself in these characters. “I’m wild in that way,” she says, “although I’m not horrible, I’m actually very nice. But I feel so confident on stage acting this crazy bitch. Something inside of me is over the top. When I’m at my most relaxed and comfortable, like on stage, it also comes out of me.” Playing characters who often move through the world unconcerned by judgment has made Stalter reflect.
“There’s something really freeing about playing someone like that,” she believes. “In real life, I’m such a people pleaser. I struggle with wanting everyone to be happy all the time, for them to be happy with me, scared of upsetting someone or having someone be mad at me. It’s my greatest fear: like I’m going to die if someone is mad at me. It’s something I’m working on in therapy.”
Might that be a tricky trait in her industry? Dunham told New York magazine in 2024 she refrained from casting herself as the lead in part because she “was just not up for having my body dissected again”. Too Much is Stalter’s first leading TV role, and it’s a big-hitter: there will be reviews, comparisons to Girls, so much more exposure.
Stalter feigns a look of panic at the prospect. “Wouldn’t it be so funny if I passed out?” She smacks her hand on the table, leaving her latte wobbling. Another smile. She shrugs off the pressure. “I’m a woman comedian who puts stuff on the internet, babe,” comes her reply, “and I’m not skinny. So I’ve already had the meanest stuff said about me. Any woman posting – yes, skinny women, too – will get it. So I’m not worried when someone says something unkind, or doesn’t like me in a show, honestly. I literally have a viral clip that’s me reading out the worst, craziest abuse: ‘Fat white comedian does crazy bomb set.’”
She pauses for a moment. “It’s only in my personal life that I’m a massive people pleaser. If strangers say they hate Too Much, or me, whatever: I think I’m hot, I love how I look, and I love my comedy. I am who I am, and can’t be anything but my loud self.”