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  • Scientists discover explosive origins of superspeed electrons streaming from the sun

    Scientists discover explosive origins of superspeed electrons streaming from the sun

    The joint European Space Agency (ESA) and NASA Solar Orbiter spacecraft has tracked electrons traveling at nearly the speed of light back to the sun, finding they originated in different types of solar outbursts.

    Solar Orbiter detected these so-called Solar Energetic Electrons (SEEs) in space after being accelerated to high energies, and researchers were able to pinpoint their source in an attempt to better understand the physics of the sun.

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  • Weinstein accuser Kaja Sokola: ‘It is very important for people to speak out’ | Harvey Weinstein

    Weinstein accuser Kaja Sokola: ‘It is very important for people to speak out’ | Harvey Weinstein

    Victims of sexual crimes and #MeToo harassment have, on multiple fronts, seen setbacks in the US in recent months.

    The movie mogul Harvey Weinstein is now looking at a third trial on sexual assault charges after previous cases delivered mixed results for his victims. A high-profile case of federal racketeering conspiracy and sex trafficking against the rapper Sean Combs returned a verdict only on lesser charges.

    At the same time, some men accused of sexual misconduct or harassment have made their way back toward the spotlight – Donald Trump is in the White House, comedian Louis CK is headlining a national tour, and former New York governor Andrew Cuomo is running for New York City mayor.

    For Kaja Sokola, Weinstein’s youngest sexual assault accuser, it is a tough moment to speak out as a victim.

    “I believe they are a setback for #MeToo, and I believe that it is very important right now for people to speak out,” she told the Guardian. “For people that are being abused, the most important message I can send is that you don’t have to go to court to get justice – but you need to talk to other people.”

    Sokola knows about disappointment in the face of US justice. She says Weinstein raped her twice, in 2002 when she was 16, and in 2006 when she was 19. At trial in June, Sokola, now 39, testified about the alleged 2006 rape. Sokola testified that she had gone with her older sister to a meeting with Weinstein when he took her to hotel and raped her.

    The jury found that the charge relating to Sokola’s claim had not met the burden of proof required for conviction. But the jury found Weinstein guilty of raping accuser Miriam Haley and were hung on a charge relating to accuser Jessica Mann – the charge that may now be retried.

    After Weinstein was found not guilty on the Sokola charge in June, Manhattan district attorney Alvin Bragg apologized to Sokola for the verdict and thanked her for her bravery.

    “Without the courage of survivors like you, prosecutors like us cannot pursue accountability and justice,” he said. He added that the case was “about an immense power imbalance”.

    Sokola has had time to consider the events of that time. Her sister had turned over to the defense personal writings from a spell in rehab when Sokola was treated for alcoholism and bulimia that did not mention the alleged Weinstein rape among a list of men that had abused her. The sisters are not on speaking terms. “No, and I will not [speak to her],” she said.

    “I was terrified that Harvey’s lawyers could crush me, so that’s why I didn’t write about it.” A former friend had also testified that Sokola and Weinstein had been together earlier, throwing off the timeline of her account.

    “The trial, from what I understand, was more about proving the point that people who thought they were untouchable are not untouchable,” Sokola said. “I’m pleased that I came forward for people to hear my story, and prosecutors decided that it was a case. The jurors are a whole different story.”

    She said she identifies with Cassie Ventura, who testified at length in the Sean Combs case. Sokola too had been in a long, abusive relationship. In Sokola’s case, that became a custody battle with her husband of seven years that a US court found had subjected her to “severe, unrelenting psychological and physical abuse”.

    “I really connected with Cassie’s story, because I think people don’t really understand right now how difficult it is to step out of a relationship that’s abusive,” she said. “That’s why I have so much empathy for Cassie. I met Harvey when I was 16; she met Sean when she was 19. We were just kids.”

    The picture Sokola paints of young women like her coming to the US at the time is in keeping with stories of that era in the 2000s. The fashion industry wanted to cast eastern European and Brazilian models, and model agencies readily delivered.

    “I was definitely the type for that. But I think sending a 16-year-old to cities like this is inappropriate.”

    What she found was not necessarily what she anticipated. Models would be encouraged to go nightclubs by promoters who were often also models. Two New York nightclubs of the time, Seraphina and Butter, were mentioned at trial.

    “Everyone knew about what was going on. It was not a secret. The first time I went out for dinner, at Seraphina, I was like, ‘Oh my God, someone is paying for my dinner. They’re so generous. How lucky!’ It was only later that I understood the trade and I changed my perspective.”

    “The [modelling] agencies are like pimps for rich people,” Sokola now considers.

    Weinstein, who denies the allegations against him, is currently in jail on Rikers Island in New York, and faces sentencing on 30 September on the Miriam Haley conviction, which could add 10 years to the 16-year sentence he received from a separate sexual assault conviction in California. But the New York sentencing will only happen if there is no retrial on the Jessica Mann rape charge.

    Weinstein’s defense team told the Guardian their client is not willing to plead guilty to raping Mann to avoid a fourth trial.

    “At some point this becomes a little too much,” said Weinstein crisis PR Juda Engelmayer. “The prosecution had a hard time making their case last time, and they’ll have a hard time the next time around. Harvey is more than ready for his next day in court.”

    But Sokola’s part is done – she can’t be called again to tell her story in court. And she has come to terms with that.

    “He’s probably going to die in jail. I’m not 16 any more. I’m 39, and I can stand my own ground. I think I’m good with whatever it is right now. It was like the closing of a chapter.”

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  • Inside The Mind Of A Hitchcock Blonde

    Inside The Mind Of A Hitchcock Blonde

    “The ghost of Alfred Hitchcock was undeniably present during the making of this film,” says a note in the closing credits of Alexandre O. Philippe’s latest artisanal documentary. For once, though, the film’s subject has nothing but affection for the late master of suspense, clearly having fared better than Tippi Hedren did in the pantheon of Hitchcock blondes. Indeed, the 92-year-old sees their one and only collaboration — on 1958’s celebrated thriller Vertigo — as the highlight of her movie career, which opened with a bang and ended with a slow fade after she willfully absented herself from Hollywood (she now lives in Oregon).

    Philippe tells that story in a roundabout way; like some of his previous films (Chain Reaction, Lynch/Oz or Memory: The Origins of Alien), Kim Novak’s Vertigo is all about subtext and nuance as opposed to any kind of objective truth. Towards the end of the film, Novak decides that she has lived “a big, beautiful circle”, and this is the approach Philippe has embarked on, taking no small inspiration from Vertigo’s unforgettable title sequence and the hypnotic, almost psychedelic spirals devised by graphic designer Saul Bass.

    In this respect, the title has a double meaning, the more literal interpretation being Novak’s uneasiness with life at the top. Not only does she recoil at the thought of ever having been a movie star, she even refutes the word actor, claiming to have been more of a re-actor, like her Vertigo co-star James Stewart, whose toes come under special scrutiny in a clip from their second 1958 pairing, Bell, Book and Candle. In fact, the Hollywood years are recalled with something approaching horror; having stumbled into acting after a brief stint modelling for a refrigerator company, the Chicago-born Novak soon found herself under contract to Columbia Pictures and its notoriously controlling head Harry Cohn, who called her “the fat Polack” and made her change her first name from Marilyn to Kim.

    This particular experience is at the very heart of Philippe’s film and leads us to the other meaning of the film’s title. Though it is ostensibly a thriller about a very elaborate murder plot, Alfred Hitchcock’s Vertigo is actually a study of obsession in which Novak effectively plays two roles: the mousey brunette Judy and the ice-cool blonde Madeleine. It doesn’t take a degree in psychology to see how this relates to Novak’s own insecurities — “I was Marilyn Novak from nowhere,” she says — and her feelings of impostor syndrome. It also rather brilliantly illustrates her frustrations with Hollywood, a town she talks so much about leaving that it’s easy to forget her movie career lasted nearly 40 years.

    “I had to get reborn,” she says, and running through the film — alongside clips from her mostly underrated performances in the likes of The Man With the Golden Arm (1955), Pal Joey (1957), Kiss Me, Stupid (1964), and the delirious, almost Fassbinder-esque Hollywood drama The Legend of Lylah Clare (1968) — is her ethereal artwork, which she paints with her left hand. Hitch’s influence can be seen here too, in the circles and spirals that fill the frame, although the director — inserting himself into his own story, which might be a first for Philippe — points out that her romantic depictions of birds, and bluebirds in particular, is distinctly at odds with Hitchcock’s famously dim view of them.

    The climax of the film, if it can be called that, comes when Philippe discovers the iconic gray suit that Novak wears in Vertigo when she’s playing Judy, who’s pretending to be Madeleine. The emotion Novak shows is a lot, especially considering it’s just been sitting in a box upstairs the whole time and it hasn’t taken any special effort to find it. It does, however, take her spinning back in time, to a brief but clearly momentous period in her early 20s, and her power of recall is truly remarkable, not even just for her age. “My body was in this, and my body and soul were in it too,” she marvels, and it immediately takes on the significance of a sacred relic. (Does she try it on? Spoiler: She does not.)

    Chances are, the ghost of Alfred Hitchcock was also in the house when Philippe’s film premiered at the Venice Film Festival, where he debuted Spellbound (1945), Rear Window (1954) and To Catch a Thief (1955). Hitch would undoubtedly approve, because Kim Novak’s Vertigo only adds to the mystique of one of his many masterpieces, augmenting its many layers of mystery without seeking to explain and thus destroy them. More importantly, it gives Novak an excuse (she humbly calls it “permission”) to look back on her life and give us her side of the story — unapologetic and, right from the start, impressively unfiltered.

    Title: Kim Novak’s Vertigo
    Festival: Sundance (Out of Competition – Non-Fiction)
    Director: Alexandre O. Philippe
    Distributor: Dogwoof
    Running time: 1 hr 16 mins

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  • 39% of gamers in China are interested in generative AI’s application in games

    39% of gamers in China are interested in generative AI’s application in games

    According to a new report, gamers in China are expressing a “high interest” in generative AI.

    Niko Partners’ China Gamer Behaviour and Market Insights report, published on August 27, 2025, surveyed 1,058 gamers in China to provide insights on player demographics, behaviour, and engagement in 2025.

    The report found that 39.4% of gamers in China are interested in generative AI’s application in games, while 85.2% are aware of the technology.

    Niko Partners noted that Chinese studios are “ahead of the game” with 60% already using generative AI in their development pipelines.

    The analysis firm, in particular, highlighted NetEase, which has “integrated multiple generative AI features into Justice Online Mobile, allowing players to interact with smart NPCs or create custom videos with their in-game character.”

    Elsewhere, the report found that esports and game livestreaming remain “key verticals” in China in 2025.

    46.5% of respondents said they have engaged with esports, defined as having played or watched an esports game, or competed in a tournament themselves, while one in four respondents said they regularly watch game livestreamers, with “influencers and streamers playing a key role in game marketing and promotion.”

    According to Niko Partners’ report, short video apps, like Douyin (TikTok) and Kuaishou, have continued to grow in importance and are “key marketing channels for game developers looking to target players in the country.”

    The survey found that these short video apps are one of the leading sources of video game information, with 41% of gamers in China getting new game information from these platforms, compared to game platforms and stores (38.7%), social media (33.9%), messaging apps (33.4%), and influencers and streamers (31.6%).

    Niko Partners noted that while “short video is the leading source for both mobile and PC gamers,” game platform recommendations are the leading source on console.

    The report also found that mini games have “emerged as a notable segment” in China.

    The firm defines mini games as those “can be played instantly, without download, and are typically available within platforms and apps such as WeChat and Douyin.”

    The report found that 84.4% of gamers in China have played a mini game, with 17.7% of women playing these games daily, compared to 10.3% of men.

    “Mini games are reaching a broader and more casual demographic in China, already accounting for nearly 10% of total player spending on video games,” Niko Partners stated.

    In June, Niko Partners released its Market Model Reports, which reported that the Asia, Middle East, and North Africa (MENA) games markets generated $86.6 billion from player spending on software and services in 2024, marking a 1.4% increase.

    The report also projected that “the regions’ development will continue reliably through 2029” with revenue estimated to reach $96 billion in Asia and MENA by 2029.

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  • Climate Change and Pediatric Skin Health: Emerging Threats, Innovations, and Equity Gaps

    Climate Change and Pediatric Skin Health: Emerging Threats, Innovations, and Equity Gaps


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  • Kick-off times for the madridistas on international duty

    Kick-off times for the madridistas on international duty

    Thirteen Real Madrid players have been called up by their countries to play fixtures in the September international break. Carvajal and Huijsen (Spain), Mbappé and Tchouameni (France), Rüdiger (Germany), Arda Güler (Turkey), Alaba (Austria), Courtois (Belgium), Lunin (Ukraine), Brahim (Morocco), Valverde (Uruguay) and Mastantuono (Argentina) all play two World Cup 2026 qualifiers, while Gonzalo (Spain U21s) is set to be involved in a couple of qualifying matches for the 2027 Euro U21.
    SPAIN
    Bulgaria-Spain (Thursday, September 4, 8:45 pm)
    Turkey-Spain (Sunday, September 7, 8:45 pm)

    The Spanish national side, with Carvajal and Huijsen in their ranks, play their first two 2026 World Cup qualifiers, both away from home. In the first, they head to Sofia to face Bulgaria, before travelling to face Güler’s Turkey.
    FRANCE
    Ukraine-France (Friday, September 5, 8:45 pm)
    France-Iceland (Tuesday, September 9, 8:45 pm)
    Mbappé 
    and Tchouameni have been named in France’s squad for two 2026 World Cup qualifiers. First, they will face Lunin’s nation in Wroclaw, Poland. A few days later, they host Iceland at the Parc des Princes.
    GERMANY
    Slovakia-Germany (Thursday, September 4, 8:45 pm)
    Germany-Northern Ireland (Sunday, September 7, 8:45 pm)
    Rüdiger 
    is in the Germany squad for the first two qualifying matches as they look to secure a spot at next summer’s World Cup. The Germans will face Slovakia in the opener, and Northern Ireland in their second clash.
    TURKEY
    Georgia-Turkey (Thursday, September 4; 6:00 pm)
    Turkey-Spain (Sunday, September 7; 8:45 pm)

    Turkey, with Arda Güler in their squad, face two qualifying matches for the 2026 World Cup. Georgia are their first opposition, with the clash taking place in Tbilisi. A few days later, the madridista will go head-to-head with Carvajal and Huijsen’s Spain side in Konya.
    AUSTRIA
    Austria-Cyprus (Saturday, September 6, 8:45 pm)
    Bosnia and Herzegovina-Austria (Tuesday, September 9, 8:45 pm)

    Alaba is set to captain the Austrian national team in two World Cup qualifiers. The madridista will face Cyprus in the opener, before a clash with Bosnia and Herzegovina in the second fixture.
    BELGIUM
    Liechtenstein-Belgium (Thursday, September 4; 8:45 pm)
    Belgium-Kazakhstan (Sunday, September 7; 8:45 pm)
    Courtois
     has been selected by Belgium to play in two 2026 World Cup qualifiers. In the first, our goalkeeper will face Liechtenstein away, while his next match comes at home against Kazakhstan.
    UKRAINE
    Ukraine-France (Friday, September 5, 8:45 pm)
    Azerbaijan-Ukraine (Tuesday, September 9, 6:00 pm)
    Lunin
     travels with the Ukrainian national team as they look to pick up points towards qualification for the upcoming World Cup. They will play two matches: against France, and his club teammates Mbappé and Tchouameni, and then against Azerbaijan.
    MOROCCO
    Morocco-Niger (Friday, September 5, 9:00 pm)
    Zambia-Morocco (Monday, September 8, 3:00 pm)
    Brahim 
    is part of Morocco’s squad for the upcoming African qualifiers for the 2026 World Cup. His country has two matches ahead in this window. First, they will host Niger in Rabat, before heading on the road to Zambia.
    URUGUAY
    Uruguay-Peru (Friday, September 5, 1:30 am)
    Chile-Uruguay (Wednesday, September 10, 1:30 am)
    Fede Valverde
     will look to lead Uruguay to another World Cup. To achieve that goal, he now faces the last two matches of this South American qualifying phase. He will face Peru in the opener in Montevideo, and then Chile in Santiago.
    ARGENTINA
    Argentina-Venezuela (Friday, September 5, 1:30 am)
    Ecuador-Argentina (Wednesday, September 10, 1:00 am)

    Mastantuono’s country faces their two final matches in the South American qualifiers for the 2026 World Cup, having already qualified. In the first, they face Venezuela at the Estadio Monumental, before taking on Ecuador in the second match.
    SPAIN U21
    Spain-Cyprus (Friday, September 5, 8:00 pm)
    Kosovo-Spain (Tuesday, September 9, 7:00 pm)

    Gonzalo has been called up by Spain’s U21 side for two qualifiers ahead of the U21 European Championships in 2027. He’s set to face Cyprus at the Estadio de Los Pajaritos in Soria, before taking on Kosovo away from home.

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  • X-ray near-field multi-slice ptychography for in-situ imaging

    X-ray near-field multi-slice ptychography for in-situ imaging

    Near-field ptychography is a scanning phase-contrast imaging technique, which recovers the illumination and the sample transmission function from overlapping scan positions. Multi-slice reconstructions extend the capabilities of ptychography to the imaging of optically thick specimens. It was initially used in FFP27 and has recently been introduced for the near-field regime24. Multi-slice ptychography enables multiple layers of a 3D sample to be recovered.

    The minimum thickness of layers distinguishable in multi-slice ptychography is described by the depth of field of the imaging system. In general, the depth of field (DOF) in ptychography is defined as:

    $$begin{aligned} {DOF} = c cdot frac{delta _r^2}{lambda } end{aligned},$$

    (1)

    where (delta _r) is the lateral resolution, (lambda) the wavelength of the illumination, and c a constant reported to be between 1.0 and 5.228,29,30. Stockmar et al. defined (c:=1.0) for NFP28. Hu et al. define the depth resolution for near-field multi-slice ptychography based on raytracing as:

    $$begin{aligned} {DOF} = frac{delta _r cdot (z_1+z_2)}{D} end{aligned},$$

    (2)

    where (z_1+z_2) is the propagation distance between the focus of the cone beam and the detector and D is the beam diameter on the detector24. For small angles, as generally valid for X-ray optics, one can rewrite Eq. (2) with the numerical aperture as (textit{NA}approx 0.5cdot D/(z_1+z_2)). Defining (NA) in terms of the Abbe criterion is identical to Eq. (1) with (c=1.0), so this again matches the definition by Stockmar et al.28. The achievable resolution in NFP is slice dependent since the pixel size of each slice depends on the individual focus-to-slice distance. Therefore, the DOF in NFP, as defined by Eqs. (1) and (2), is also slice dependent.

    Although NFP is a lensless imaging technique that does not use an objective lens, the achievable depth resolution as described in Eq. (2) is directly related to the numerical aperture of the lens placed upstream of the sample. To achieve superior lateral and depth resolution, high-NA lenses should be used.

    Many in-situ studies require bulky reaction environments. For this reason, a high penetration depth of the illuminating beam is required, which can be achieved by using hard X-rays. MLLs are the optics type with the highest NA in the hard X-ray range and were therefore utilized for this setup. In our experiment, we set the photon energy to (E =) 18 keV. A set of MLLs for horizontal and vertical focusing created a focal spot of 30 nm (times) 24 nm (see supplementary material Fig. S10). The MLLs were illuminated fully coherently for the in-situ series shown in Fig. 3. For the other measurements prefocusing compound reflective lenses located 54 m upstream of the MLLs were used. These reduced the spatial coherence length at the MLL position to 15 µm in the horizontal and 85 µm in the vertical direction and led to a partially coherent illumination. In near-field imaging, coherence over the first Fresnel zone width would be sufficient31 and the coherence length for all measurements is well above this limit. As shown schematically in Fig. 1, the focused beam was cleaned from other diffraction orders by a rectangular pinhole. The sample was positioned on a piezo scanner between 0.63 and 3.00 mm downstream of the focal plane and diffraction patterns were recorded at a distance of 3.29 m behind the sample by an Eiger X 4M in-vacuum detector. Further details of the setup can be found in the Methods.

    The scans were reconstructed using the ePIE32 algorithm for the single-slice case and the 3PIE27 algorithm for the multi-slice case. In the reconstruction, the wavefield is propagated between the slices and between the sample and the detector using a Fresnel propagator. Details of the reconstruction parameters for each scan are tabulated in the supplementary material. In contrast to FFP, NFP is modeled with a cone beam geometry. For efficient image reconstruction, the cone beam must be converted to a parallel-beam geometry, which is done by applying the Fresnel scaling theorem33. The pixel size and the propagation distance of each slice are scaled accordingly. This step requires the knowledge of the distance between the focus and the sample, measured during the experiment. In this work, the focus-to-sample distance and the distances between slices were refined interactively by performing reconstructions with the aforementioned distances varied by (pm 10%) around the expected value. The values that produced a flat phase profile for the illumination and visually good results for the slices were chosen for the final reconstruction. The adjustments in the 3PIE algorithm can be found in the supplementary material. In our experiment, the divergent MLL-beam had a size of 11.3 mm (times) 12.6 mm on the detector, with a propagation distance of 3.29 m between sample and detector. Using Eq. (2), it is found that the depth resolution is (DOFapprox 275 cdot delta _r). At a source-size-limited lateral resolution of (delta _r=) 30 nm the achievable depth resolution with our setup is therefore (DOF=) 8 µm.

    Fig. 1

    Schematic of the experimental setup. The X-ray beam is focused by a set of two MLLs to a focal spot of 30 nm (h) (times) 24 nm (v) (FWHM) in horizontal and vertical direction, respectively. A pinhole between the lenses and the focal spot acts as an order sorting aperture and cleans the beam. The sample is positioned at a distance between 0.63 mm and 3.00 mm downstream of the focus and scanned laterally across the beam. For each scan point, a diffraction pattern is recorded on a photon-counting detector at a distance of 3290 mm behind the sample. Image is not to scale.

    Capabilities for ex-situ imaging

    We first characterize our method by imaging cuprous oxide nanoparticles synthesized ex situ on both sides of a 225 µm-thick polyimide foil, as conceptually illustrated in Fig. 2a. Details of the image acquisition are described in the Methods—Scanning parameters section. The reconstructed illuminating beam (Fig. 2b) shows a relatively flat phase profile (indicated by the colors), as it is expected in near-field imaging without a diffuser10. The grid-like structure visible in the amplitude of the illumination (indicated by the brightness) is caused by the layered structure of the multilayer Laue lenses. Structure in the illumination is in general beneficial for a robust reconstruction in ptychography34,35 and even more important in NFP. For efficient phase retrieval, NFP relies on a structured illumination10,15. The structure is conventionally realized with a diffuser, such as sand paper, positioned in front of the lens. The use of MLLs, whose slight imperfections produce an inherently structured wavefield, made a diffuser unnecessary in our work.

    For the multi-slice reconstruction, the polyimide foil is a model specimen with two distinct planes of cuprous oxide cubes on either side of the foil, slice 1 and slice 2, as shown in Fig. 2a. A conventional NFP reconstruction of the foil, treating the object as optically thin, is shown in Fig. 2c. The features on the upstream side of the foil are well resolved and sharp, while the cuprous oxide cubes on the back side appear blurred (see blue arrow in the figure). This indicates that the single-slice approximation for the object is not sufficient to model the thicker sample. To resolve both sides of the foil, beam propagation effects between the different layers must be taken into account. With multi-slice NFP, the individual slices can be sharply recovered. Slice 1 (Fig. 2e) shows the particles located on the upstream side of the foil and slice 2 (Fig. 2f) the nanocubes on the downstream side. The pixelwise sum of the two slices, shown in Fig. 2d, exhibits sharp edges for all features of both layers. Due to the cone-beam geometry, the effective pixel sizes are not the same for the two object slices. The pixel size for slice 1, which is closer to the focus, is 64.7nm and for slice 2 it is 69.8nm. To create the pixelwise slice sum in Fig. 2d as a parallel projection, we scaled the pixel size of slice 2 to match the pixel size of slice 1 using the scikit-image36 resize function.

    Background fluctuations (brighter and darker areas without any sharp edges) are apparent in the reconstructions of the slices and cancel out in the sum of the two. These low-frequency image artifacts are often present in multi-slice ptychography30,37, typically caused by the short propagation distance between the slices. The maximum width between two points in one plane, for which interference effects can be observed after propagation over an effective distance (z_textrm{eff}), can be estimated by the first Fresnel zone radius (r_F)38:

    $$begin{aligned} r_F=sqrt{lambda cdot z_textrm{eff}} end{aligned},$$

    (3)

    where (lambda) denotes the X-ray wavelength. This effectively limits the lowest spatial frequency that can be recovered for a given propagation distance.

    In the multi-slice reconstructions, the scattering of the polyimide foil was neglected, and the wavefield propagated between the two slices. In reality, though, the polyimide foil introduces a phase shift. However, this effect is negligible at the used photon energy for a homogeneous foil of the given thickness. Applying Eq. (2) with a lateral resolution of (delta _r=) 102.6 nm, the DOF for this scan was equal to 27.5 µm while the reconstructed slices were separated by 225 µm, which is well above the DOF limit. Here, we demonstrated multi-slice NFP on an ex-situ model sample; in the next step we show its capabilities for in-situ imaging of chemical reactions.

    Fig. 2
    figure 2

    Near-field multi-slice ptychography of ex-situ cuprous oxide nanoparticles deposited on both sides of a polyimide foil. (a) schematic of the sample placed 2840 µm downstream of the focus of the X-ray beam with the two particle layers separated by a 225 µm-thick polyimide foil. (b) shows the corresponding reconstructed illumination with a size of 8.5 µm (times) 10 µm. (c) reconstruction of the scan assuming a single optically thin object. (d) summed phase of the multi-slice reconstruction shown in (e) first slice (upstream) and (f) second slice (downstream). The particles on the downstream side of the foil (slice 2) appear blurred in the single slice reconstruction (see e. g. the blue arrow), while they are well resolved in the reconstruction of the second slice and in the sum of the slices.

    In-situ imaging of the galvanic replacement reaction of cuprous oxide nanocubes with gold

    The galvanic replacement reaction of cuprous oxide nanocubes with gold acts as a model reaction for in-situ multi-slice NFP. We mounted our reaction cell for in-situ imaging of nanoparticle growth39 at a distance of 3.0 mm behind the focal plane. The polyimide foil with the cuprous oxide cubes is placed on the upstream side of the reaction container. The downstream window is an empty polyimide foil, which is separated by 1 mm from the upstream window using a PTFE-frame between them. The resulting reaction container is enclosed in a metal casing (for photographs of the cell see supplementary material Fig. S5). The reaction solution containing the gold precursor is injected between the two polyimide windows. The pre-synthesized cuprous oxide nanocubes are attached to a polyimide foil and, over the course of the reaction, the cuprous oxide is replaced by gold, as schematically shown in Fig. 3a,b. The reaction conditions are described in the Methods—Synthesis procedure and details can be found in Grote et al.39.

    The in-situ series of the galvanic replacement reaction of (hbox {Cu}_2 hbox {O}) with Au was measured over 4.2h. A single ptychographic scan spanned a field of view of 10 µm (times) 10 µm and required a total scan time of 9.6 min. The reconstruction parameters can be found in the supplementary material Table S2.

    For this in-situ series, the DOF was 21 µm and the two reconstructed slices were separated by 1 mm. Scattering by the reaction solution was neglected and the distance between the two windows was modeled with a free-space propagator. In the post-processing step, a high-pass filter was applied to the reconstructed phase images of the upstream window to reduce low-frequency artifacts. We used the scikit-image36 Butterworth filter with a cutoff frequency ratio of 0.018.

    At the beginning of the reaction at 0.0 h (Fig. 3c), the upstream polyimide foil was covered with (hbox {Cu}_2 hbox {O}) cubes with an edge length of 150 nm to 250 nm (see Supplementary Fig. S7). The reaction solution containing the gold precursor (20 mM (hbox {HAuCl}_4)) was slowly injected into the cell with a syringe pump. In the first phase of the reaction, Au particles formed on the surface of the nanocubes. In the second phase, the Au particles grew larger and fused together, (hbox {Cu}_2 hbox{O}) was further oxidized and dissolved, and the cubes became less dense in their centers. The final stage of the reaction was the formation of hollow Au nanocages, similar like observed in our FFP experiments reported previously.39

    Between 0.0 h and 2.8 h (Fig. 3c–f), a growth of the particles could be observed. A beam dump between 3.0 h and 3.8 h after the start of the reaction did not allow data acquisition during this period. In the first scan after the beam dump (at 3.8 h, Fig. 3g), the particles appeared hollow and in the subsequent scans the hollow structures seemed to connect. The growth in the first phase can be attributed to Au particles forming on the (hbox {Cu}_2 hbox {O}) surface. The galvanic replacement reaction progressed during the beam dump and at 3.8 h after the start of the reaction the hollow cages resembled the expected final result. The later Au deposition (Fig. 3h) can be attributed to beam damage. This is also evidenced by Au deposition on the downstream window of the reaction container (see Fig. S8 in the supplementary material), which is not the case in comparable ex-situ laboratory experiments.

    For this in-situ series, the spatial resolution determined by Fourier-ring correlation was between 88 nm and 129 nm (see supplementary material Fig. S2), which is comparable to the spatial resolution achieved in a similar experiment with FFP39. The average dose per projection was 0.36 MGy with a dose rate of 1.28 kGy/s, which corresponds to a reduction in dose by a factor of 2.5 for a given field of view and a reduction of the dose rate by more than two orders of magnitude compared to the FFP results. The dose and dose rate were calculated according to the procedure reported by Grote et al.39. The significantly reduced dose rate is a result of the large illumination. However, the cumulative dose is comparable and, therefore, so is the spatial resolution.

    The growth and formation of the hollow cages was clearly observed. This study demonstrates the competitiveness of NFP for in-situ imaging with reduced dose rate and improved temporal resolution while maintaining high spatial resolution. NFP is an excellent method for radiation sensitive samples. However, beam damage is a complex process with many experimental parameters to consider, such as beam size, photon energy and more. Björling et al. describe comprehensively the interplay between experimental parameters and free-radical formation in aqueous solutions17.

    The spatial resolution of the scans was between 129 nm for the early scans, without significant beam damage, and 88 nm for the later scans, with significant beam damage, where we observe additionally to galvanic replacement a deposition of gold in the exposed areas of the sample. The increased size and thickness of the gold particles leads to an increased phase shift and thus an increased X-ray optical contrast, thereby improving the spatial resolution of the reconstructions of later scans. The resolution of all scans was close to or below the size of two pixels. Therefore, they can be described as pixel size limited when the resolution is considered in terms of the Nyquist-Shannon limit. In future experiments, the use of a detector with a smaller pixel size could improve the spatial resolution for similar temporal resolution and dose. Alternatively, an improved resolution could potentially be achieved by reducing the demagnified pixel size using a two-stage Fresnel propagator as described by Witte et al.40.

    Fig. 3
    figure 3

    In-situ near-field multislicing ptychography of cuprous oxide nanocubes undergoing a galvanic replacement reaction. (a) Schematic of the galvanic replacement reaction. Gold particles form on the surface of the cuprous oxide cubes, (hbox {Cu}^{2+}) dissolves over the course of the reaction and hollow gold nanocages form (adapted from39). (b) Schematic of the reaction container. A polyimide foil with pre-synthesized cuprous oxide and a clean foil encapsulate the reaction solution with the gold precursor. (c)–(h) In-situ galvanic replacement reaction over 4.2 h. Multi-slice near-field reconstructions of the upstream window (phase shift).

    In-situ imaging at highest spatial resolution

    In a second in-situ series of the same reaction, our aim was to achieve imaging with an even higher spatial resolution. The reaction cell was moved to a position 630 µm downstream of the focal plane of the MLLs. By moving the sample closer to the focal plane, the magnification was increased by a factor of 4.75 to (M=5223) and the pixel size in the first slice was reduced by the same factor to 14.4 nm. The reaction was running for 1.0 h when the scan shown in Fig. 4 was recorded. The distance between the upstream and downstream window was 1.2 mm, slightly larger than in the previous experiment. However, this is within the assembly tolerances of the reaction container.

    Figure 4b shows a single-slice reconstruction, where the sample was treated as a single, optically thin object. A big inclusion in the polyimide foil is clearly visible in the background in the lower left corner. The polyimide foils often contain inclusions from additives used as slipping agents in the production process41,42 (see supplementary material Fig. S6), which compromise the reconstruction of the layer of interest containing the nanoparticles.

    To optimize the resolution of the plane of interest and to remove any inclusions obscuring the view on the nanoparticles, we recovered four distinct slices (Fig. 4c–f) in a multi-slice reconstruction (see Table S2 in the supplementary material for specific reconstruction parameters). The two slices of the upstream window of the reaction cell (slice 1 and slice 2) are separated by 125 µm. The exit window is located 1200 µm downstream of the second slice and divided into two slices separated by 62.5 µm.

    A distance of 630 µm between focal plane and sample may seem small to consider this measurement in the near-field imaging regime. The effective Fresnel number F for this scan is given by Eq. (4)10:

    $$begin{aligned} F=frac{W^2}{lambda z_textrm{eff}}=126.5 end{aligned}$$

    (4)

    with the extent of the illumination (W^2={2.2},upmu textrm{m}times {2.5},upmu textrm{m}), the wavelength (lambda =) 0.69 Å and the effective propagation distance (z_textrm{eff}=) 630 µm. Even though the effective Fresnel number for this measurement is considerably larger than unity, the scan can still be reconstructed with a far-field propagator between the last slice and the detector. However, the slice separation achieved with the near-field multi-slice reconstruction is superior to that of the far-field reconstruction (see supplementary material Fig. S4). The contribution from other slices remaining in the plane of interest is significantly smaller, showing that the Fresnel approximation models the measurement more accurately in this case. The plane with the nanoparticles (slice 2, Fig. 4d) shows only a weak shadow of the large inclusion from slice 1 compared to the single slice reconstruction. In order to correctly evaluate the reaction process, it is of great importance to obtain an undisturbed, quantitative image of the plane of interest, which we have achieved here in the multi-slice reconstruction. The large inclusions in slices 1, 3, and 4 are surrounded by a halo. This is a well-known artifact for strongly phase-shifting features in phase-contrast imaging43,44,45,46, resulting from the small modulation transfer of the low spatial frequencies.

    The spatial resolution for slice 2, determined with Fourier ring correlation47,48, is 30 nm. This is close to the theoretical limit given by the focal spot size of the MLLs and below the resolution limit of two times the pixel size, given by the Nyquist criterion. The reconstruction can therefore be described as pixel size limited. The resolution for the other slices was 48 nm for the first slice, 84 nm for the third slice, and 130 nm for the fourth slice. The resolution of slice 1 is lower than slice 2 despite a smaller pixel size. This can be explained by a sparse sample plane for slice 1 with more than half of the scan points containing only little structural diversity and, hence, being more challenging to reconstruct. Details of the Fourier ring correlation analysis can be found in the supplementary material Fig. S3. For these spatial resolutions the slice thicknesses are all greater than the depth of field limit given by Eq. (2) (slice 1: 13 µm, slice 2: 8 µm, slice 3: 23 µm). Nevertheless, the separation of slice 3 and 4 does not appear to be perfect. The dark particle in the center of slice 3 appears as a white shadow in slice 4. The slice thickness seems to be close to the practical reconstruction limit. Hu et al. already describe that the actual thickness of the slices in X-ray NFP often has to be significantly larger than the theoretical limit given by Eq. (2)24. However, applying Eq. (1) with the constant (c=1) seems to overestimate the limit for slice separation ((DOF=) 102.6 µm).

    We found that in the case of hard X-ray NFP, the experiment geometry must be well known at the time of measurement, to a much better degree than in the case of FFP experiments. The reconstruction is very sensitive to inaccuracies in defocus and interslice distance, as these have a strong impact on the effective Fresnel number.

    In the scans following the one shown in Fig. 2, beam damage overshadows the reaction progress (see supplementary material Fig. S9). Again, in-situ imaging is a balancing act between spatial resolution and tolerable beam damage. Nevertheless, we have shown that NFP is competitive with FFP. Multi-slice NFP extends the capabilities of the method to the imaging of optically thick specimens, making it attractive for in-situ imaging.

    Fig. 4
    figure 4

    Imaging of nanoparticles growing in solution. (a) shows a schematic longitudinal cross-section of the chemical reactor with four distinct object planes (slices) in the direction of the X-ray beam. (b) A conventional single-slice reconstruction of the chemical reactor with nanoparticles. Applying the multi-slice approach allows to isolate four object planes corresponding to: (c) the upstream reactor’s window, (d) the inner side of the upstream window with nanoparticles, (e) the inner side of the downstream reactor’s window, and (f) the outer side of the downstream reactor’s window. (c), (e), and (f) show inclusions present in polyimide foils that otherwise obscure the view on the nanoparticles.

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  • Ice Generates Electricity When Bent, Scientists Find

    Ice Generates Electricity When Bent, Scientists Find

    A study co-led by ICN2 reveals that ice is a flexoelectric material, meaning it can produce electricity when unevenly deformed. Published in Nature Physics, this discovery could have major technological implications while also shedding light on natural phenomena such as lightning.

    Frozen water is one of the most abundant substances on Earth. It is found in glaciers, on mountain peaks and in polar ice caps. Although it is a well-known material, studying its properties continues to yield fascinating results.

    An international study involving ICN2, at the UAB campus, Xi’an Jiaotong University (Xi’an) and Stony Brook University (New York), has shown for the first time that ordinary ice is a flexoelectric material. In other words, it can generate electricity when subjected to mechanical deformation. This discovery could have significant implications for the development of future technological devices and help to explain natural phenomena such as the formation of lightning in thunderstorms.

    The study, published in the journal Nature Physics, represents a significant step forward in our understanding of the electromechanical properties of ice. “We discovered that ice generates electric charge in response to mechanical stress at all temperatures. In addition, we identified a thin ‘ferroelectric’ layer at the surface at temperatures below -113ºC (160K). This means that the ice surface can develop a natural electric polarization, which can be reversed when an external electric field is applied—similar to how the poles of a magnet can be flipped. The surface ferroelectricity is a cool discovery in its own right, as it means that ice may have not just one way to generate electricity but two: ferroelectricity at very low temperatures, and flexoelectricity at higher temperatures all the way to 0 °C ” explains Dr Xin Wen, a member of the ICN2 Oxide Nanophysics Group and one of the study’s lead researchers. This property places ice on a par with electroceramic materials such as titanium dioxide, which are currently used in advanced technologies like sensors and capacitors.

    Ice, flexoelectricity and thunderstorms

    One of the most surprising aspects of this discovery is its connection to nature. The results of the study suggest that the flexoelectricity of ice could play a role in the electrification of clouds during thunderstorms, and therefore in the origin of lightning.

    It is known that lightning forms when an electric potential builds up in clouds due to collisions between ice particles, which become electrically charged. This potential is then released as a lightning strike. However, the mechanism by which ice particles become electrically charged has remained unclear, since ice is not piezoelectric — it cannot generate charge simply by being compressed during a collision.

    However, the study shows that ice can become electrically charged when it is subjected to inhomogeneous deformations, i.e. when it bends or deforms irregularly. “During our research, the electric potential generated by bending a slab of ice was measured. Specifically, the block was placed between two metal plates and connected to a measuring device. The results match those previously observed in ice-particle collisions in thunderstorms”, explains ICREA Prof. Gustau Catalán, leader of the Oxide Nanophysics Group at ICN2.

    Thus, the results suggest that flexoelectricity could be one possible explanation for the generation of the electric potential that leads to lightning during storms.

    Future perspectives

    The researchers in the group are already exploring new lines of investigation aimed at exploiting these properties of ice for real-world applications. Although it is still a bit early to discuss potential solutions, this discovery could pave the way for the development of new electronic devices that use ice as an active material, which could be fabricated directly in cold environments.

    Reference:

    Wen, X; Ma, Q; Mannino, A; Fernandez-Serra, M; Shen, S; Catalan, G. Flexoelectricity and surface ferroelectricity of water ice. Nature Physics. (2025).

    /UAB Public Release. This material from the originating organization/author(s) might be of the point-in-time nature, and edited for clarity, style and length. Mirage.News does not take institutional positions or sides, and all views, positions, and conclusions expressed herein are solely those of the author(s).View in full here.

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  • Amanda Seyfried on Going Feral in Shakers Founder Ann Lee Film: Venice

    Amanda Seyfried on Going Feral in Shakers Founder Ann Lee Film: Venice

    Amanda Seyfried tackled a tall task by stepping into the shoes and strict religious beliefs of Shakers founder Ann Lee for her new film, The Testament of Ann Lee, which is not quite a musical nor a straightforward biopic. The film’s writer and co-director Mona Fastvold fielded an obvious question during today’s Venice Film Festival press conference: Why Amanda?

    “Amanda has a lot of power. She’s really strong. She is a wonderful mother. She is a little mad,” Fastvold explained of her Emmy Award-winning and Oscar-nominated star. “So, I knew that she could access those things, the kindness, the gentleness, the tenderness. And she could also access this power and this madness.”

    The actress toplines the Venice selection directed by Fastvold from a script the filmmaker co-wrote with her The Brutalist partner Brady Corbet. It casts Seyfried opposite Thomasin McKenzie, Lewis Pullman, Stacy Martin, Tim Blake Nelson, Christopher Abbott, Matthew Beard, Scott Handy, Jamie Bogyo, Viola Prettejohn and David Cale with music by the Oscar-winning Daniel Blumberg, also from Corbet’s monumental work The Brutalist.

    Described as a “speculative retelling,” Seyfried stars as the founder of the radical religious sect, the Shakers. The cult-like group, which formed as an offshoot of Quakerism in Manchester, England in 1747, got its name from worship practices that included trembling, dancing and speaking in tongues. Lee espoused gender and social equality while believing herself to be the female incarnation of Christ, and its members practiced celibacy and communal living. The Shakers ended up fleeing to America to escape persecution, ultimately settling near Albany, New York, to build their utopia.

    In Fastvold’s film, more than a dozen original Shaker hymns are transformed into ecstatic “movements” with choreography from Celia Rowlson-Hall, who worked with Corbet on Vox Lux. Fastvold said the Shakers’ catalog includes close to 1,000 hymns and they “found the ones that felt like they belonged” in the story, adding that it was a beautiful and exciting process to access this “rich history” of music. But don’t think of it as a straightforward song and dance pic because no one is actually singing dialogue.

    “It’s not a traditional musical and it’s not a traditional biopic,” Fastvold explained. “It’s a film with a ton of music, a ton of movement, and it’s about a historical figure, but we don’t really know that much about her, really. I really had to rethink what this could be for myself. And it was hard to look at any other musical as a reference, honestly, because I couldn’t really find anything that quite spoke to this.”

    Without any references and with a supportive director, Seyfried said she felt game to go completely free.

    “This did feel like an opportunity where there were just no tethers to anything,” the actress said at the press conference. “Basically, I follow Mona into the light and anything goes because there’s so much freedom, and the only threat is to not use that freedom to your advantage as an artist to go as far deep as you can go to make the craziest sounds. I’ve never been let loose in this way.”

    Even still, Seyfried admitted that she told Fastvold, “You don’t have to cast me.”

    “I kept saying, ‘Go with somebody English,’ because the accent seemed so hard. That wasn’t the hardest part,” added Seyfried, who had tackled tough parts like Cosette in Les Misérables and Elizabeth Holmes in The Dropout. “But it was just, I saw the love Mona had. This was her baby, and I didn’t want to f it up. But she believed in me, and so I believed in me, and here we are.”

    Thomasin McKenzie, Mona Fastvold, Amanda Seyfried, Lewis Pullman, Viola Prettejohn and Jamie Bogyo at ‘The Testament Of Ann Lee’ photocall.

    (Photo by Andreas Rentz/Getty Images)

    Another journalist asked Seyfried how she managed to pull off what is an “intense and physically challenging” role that requires lots of vocal energy and unique sounds. “There are so many things I can say,” Seyfried noted before praising Fastvold and the community she created on set that was not unlike what the Shakers experienced. “The reason I was able to face these challenges as an artist, which there were many as you say, was because I felt completely protected, held up and surrounded by loving artists, and in a place where everybody knew the value of making this, and understood Mona’s vision. It’s just very rare. I have to say it this was incredibly rare and might never happen again.”

    It sounded like a singular experience for many involved. “One of the great things for me was being able to work with Mona through the whole process, starting with pre-production on the set even up to the sound mix,” Blumberg explained at one point during the presser. “It’s one of the most experimental, extreme project I’ve ever done. But we were able to try things and use our instincts.”

    The press conference panel featured Fastvold, Corbet, Seyfried, Blumberg, producer Andrew Morrison and choreographer Rowlson-Hall. At one point, Corbet gave a shout-out to Morrison for being able to get the movie made for “$10 million bucks,” which he said was quite a feat. “As you can imagine, the elevator pitch for a Shaker musical was not the easiest thing to get off the ground.” Corbet, who handled second unit directing on the film, also noted that he and his romantic and professional partner insist on the final cut for their projects.

    In her festival director’s statement, Fastvold confirmed that while she was raised in a secular household, Lee’s prophecies, “however implausible,” moved her deeply. “Not because I share her faith, but because I recognize in her a yearning for justice, transcendence, and communal grace. Her radical pursuit of a self-fashioned utopia speaks to the creative impulse at the heart of all artistic endeavor: the urgent need to shape the world anew.”

    She said her film is offered as a tribute to Lee’s dream “and the silence that now surrounds it.” The Testament of Ann Lee has its world premiere on Monday afternoon inside Sala Grande. The Venice Film Festival runs Aug. 27-Sept. 6.

    Seyfried in The Testament of Ann Lee.

    Venice Film Festival

    Seyfried in Fastvold’s The Testament of Ann Lee.

    Courtesy of Cinetic Media

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  • Nintendo division rebranded to support movie business

    Nintendo division rebranded to support movie business

    Nintendo has rebranded its Warpstar, Inc subsidiary as Nintendo Stars and tasked the new-look division with supporting and strengthening its transmedia projects. 

    In a note to investors published on August 27, the Japanese company said Nintendo Stars has been made responsible for “the ancillary-use business tied to films that feature Nintendo Intellectual Property.”

    In other words, Nintendo Stars will support Nintendo’s growing movie roster through merchandising efforts, licensing, events, and other means. 

    Nintendo brought its famous plumber to the big screen in 2023 with the release of The Super Mario Bros. Movie—an animated flick developed in partnership with Minions creator Illumination Pictures. 

    According to Nintendo, the movie earned an estimated $1.35 billion at the international box office and was watched by 168.1 million people. The company has since announced another animated movie based on the Super Mario Bros. franchise that is currently slated for release on April 3, 2026.

    A live-action film based on The Legend of Zelda is also in development and is due to hit theatres on May 7, 2027. 

    Nintendo Stars will strive to support the company’s ongoing push into Hollywood while continuing to tend to the Kirby franchise. 

    The company was established in 2001 as a joint venture between Nintendo and long-term collaborator HAL Laboratory to oversee Kirby merchandising and external media, such as the Kirby: Right Back at Ya! anime series. Nintendo took full ownership of Warpstar earlier this year and has now outlined its vision for the subsidiary.

    Related:You now need a credit card to access mature content on Steam in the UK


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