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  • Harry Potter Actor Calls First Day on Set “One of the Worst Days of My Life” (& the Reason Is Wild)

    Harry Potter Actor Calls First Day on Set “One of the Worst Days of My Life” (& the Reason Is Wild)

    Being part of a major franchise like Harry Potter can be an exciting opportunity for an actor, but it can also be a nerve-wracking experience. With a large built-in fan base eagerly anticipating the next installment, the creative team is under a significant amount of pressure to deliver a high-quality product. So much work goes into ensuring every little detail is just right before the cameras roll. Actors arguably have the most challenging job, as they’re tasked with bringing beloved characters to life. They have to strike a balance between doing the source material justice and putting their own spin on things. Every actor’s dream is for things to go smoothly on set, but that didn’t happen for Domhnall Gleeson.

    During an appearance on Late Night With Seth Meyers, Gleeson recalled the terrible first day he had on the Harry Potter set. The Irish actor attempted to do an English accent for his portrayal of Bill Weasley and it didn’t go very well. “I went Australian and I couldn’t stop,” Gleeson said. “And I went Australian on the first take and there were like 300 people on set, and the director was like, ‘Cut!’ and this weird, long pause. And the director came over and was like, ‘So you’ve gone Australian … is there anything you can do?’ … it was one of the worst days of my life. And then things got a little bit better.”

    Domhnall Gleeson Had a Small Role in the Harry Potter Movies

    Image Courtesy of Warner Bros. Pictures

    In the book series, Bill Weasley made his first appearance in Harry Potter and the Goblet of Fire, but the character’s on-screen counterpart played a much smaller role in the story. Gleeson portrayed Bill in just two films: Harry Potter and the Deathly Hallows – Part 1 and Harry Potter and the Deathly Hallows – Part 2. By the time he joined the cast, the franchise had long been established as a global phenomenon. All of the previous movies had achieved tremendous box office success, establishing Harry Potter as one of the defining film series of a generation.

    Gleeson has very little screen time across the two films and only a handful of lines. One of the more notable sequences he was a part of is early on in Deathly Hallows – Part 1 where several of Harry’s allies take polyjuice potion to transform themselves into Harry and trick Voldemort’s forces. Bill also participates in the Battle of Hogwarts during the film’s epic finale.

    Even though Bill didn’t have much to do in the movies (something that will hopefully be rectified by HBO’s Harry Potter TV show, which has already cast several members of the Weasley family), Gleeson took his role seriously and wanted to do the best job possible. All of the other Weasleys had British accents, so it would have been strange if one sibling had a different dialect. Nerves likely played a part in Gleeson sliding into Australian territory. Then a relative unknown, the actor probably felt the pressure joining a massive franchise for the final installments.

    Fortunately, once he got that first Australian take out of his system, Gleeson was able to speak with an English accent. Again, he only has a few lines in his two films, and his voice for Bill never came off as distracting. Ultimately, he fit right in with the rest of the on-screen Weasleys, convincingly portraying the family’s eldest child. It’s a shame that such a talented actor had minimal screen time, and it would have been fun to see what Gleeson could have done if the films’ version of Bill was more accurate to the source material.

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  • 21 Thoughts I Had While Watching the Brand-New Teaser for Emerald Fennell’s ‘Wuthering Heights’

    21 Thoughts I Had While Watching the Brand-New Teaser for Emerald Fennell’s ‘Wuthering Heights’

    There are so many thoughts to be had about the little scraps of information we’ve been given so far about Emerald Fennell’s adaptation of Wuthering Heights, starring Margot Robbie and Jacob Elordi (remember the early shots of Robbie’s possibly anachronistic wedding dress?). But now, we’ve finally been given some proper food in the form of a 90-second teaser trailer.

    Here, without further ado, find every single thought I had about the new Wuthering Heights trailer:

    1. Am I the only one who constantly croons Kate Bush’s “Wuthering Heights” in my head—against my will and at top volume—whenever this movie is brought up?
    2. HEATHCLIFF! IT’S MEEEE, I’M KATHYYY, I’VE COME HOME!
    3. Okay, sorry, I’m done.
    4. For now.
    5. Okay, I cannot lie; I watched 10 full seconds of what turned out to be very much a fan edit thinking it was the actual trailer, but now we’re back on track.
    6. Margot, drop the blush rec, because the apples of those cheeks are poppin’.
    7. I will never get enough slow, intense shots of hands kneading bread.
    8. Let alone set to “Everything is romantic” by Charli XCX!
    9. This is, perhaps, the best use of Charli XCX’s oeuvre in recent memory—and I am extremely including Kamala Harris’s 2024 presidential campaign.
    10. Jacob Elordi’s wig wrangler, take a bow.
    11. His mutton-chop stylist, however…resign.
    12. OMG, this pop of red cloak!
    13. It’s not an Emerald Fennell joint if nobody’s crawling sexily.
    14. “Do you want me to stop?” “No.”
    15. Oh, honey, I am seated.
    16. As is one of my coworkers, whose name shall be withheld but whose comment was: “This looks way better than I expected.”
    17. It’s going to be a Fennell Fall, I fear!
    18. Well, actually, the movie comes out on Valentine’s Day 2026, so maybe “Emerald Winter” has a better ring to it.
    19. To quote Tina Fey on Las Culturistas: “Then Act Three takes a sexually violent turn, and you have to pretend to be surprised by that turn!”
    20. Emerald, my brightly shining diamond, I pledge to be forever surprised by that turn.
    21. Is anyone really surprised that I’m perilously excited for this movie? I even stanned Promising Young Woman, for God’s sake!

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  • Bar Laika presents Playback 0021 with Rafiq Bhatia – Events

    Bar Laika presents Playback 0021 with Rafiq Bhatia – Events

    Join us at Bar Laika on September 24th for the 21st edition of Playback, featuring Rafiq Bhatia.

    The New York Times proclaims, “Rafiq Bhatia is writing his own musical language,” heralding him as “one of the most intriguing figures in music today.” A guitarist, producer, and Academy Award-nominated composer, Bhatia “treats his guitar, synthesizers, drum machines, and electronic effects as architectural elements,” the Times writes.

    Bhatia’s 2018 album Breaking English finds common ground between ecstatic avant-jazz, mournful soul, tangled strings, and building-shaking electronics, resulting in a “stunningly focused new sound” (Chicago Tribune). 2020’s Standards Vol. 1 renders repertoire from the American songbook “completely deconstructed, infused with brand new textures and electronic effects” (BBC). In 2025, Bhatia released Each Dream, a Melting Door, a collaborative EP with pianist Chris Pattishall described by TapeOp as “a mind-melting work that pushes the boundaries of ‘jazz.’” 2025 also sees the release of his latest album Environments, conjuring worlds of improvised, organic sound that bloom, melt, crackle, and combust.

    Since 2014, Bhatia has been a member of the band Son Lux, releasing several recordings and giving hundreds of performances worldwide. The trio earned Oscar and BAFTA nominations for their score for 2023’s Best Picture-winning film Everything Everywhere All At Once, on which they collaborated with David Byrne, Mitski, and more. Their latest score is for Marvel Studios’ critically-acclaimed Thunderbolts*.

    Bhatia has collaborated with a beguiling breadth of artists across generations and disciplines, including Apichatpong Weerasethakul, Cécile McLorin Salvant, Arooj Aftab, Kronos Quartet, Billy Hart, and many others. His work has been commissioned by major institutions and presented in performances across three continents.

    Playback is a series of informal listening events curated by Kamran Sadeghi where record labels, musicians, composers, and producers feature recordings from their catalog, and premiere album pre-releases, archives, and other rarities. 

    For more information, contact laika@e-flux.com.

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  • Earth science’s future at NASA hangs in the balance

    Earth science’s future at NASA hangs in the balance

    • Acting NASA Administrator Sean Duffy’s statements indicated a potential shift in NASA’s focus away from Earth science and climate research, prioritizing human space exploration instead, aligning with proposed budget cuts significantly reducing Earth science funding.
    • This proposed shift contrasts with NASA’s historical mandate, enshrined in the 1958 National Aeronautics and Space Act, which includes the expansion of human knowledge of atmospheric and space phenomena, and with the agency’s established collaboration with other agencies like NOAA.
    • Critics argue that NASA’s Earth observation capabilities are crucial for national security, disaster preparedness, economic benefit, and informing planetary science research, and that a complete transfer of these functions to the private sector is neither feasible nor desirable.
    • The debate over NASA’s future direction involves not only budgetary considerations but also questions about the agency’s fundamental mission, the role of government in scientific research, and the potential consequences of prioritizing human space exploration at the expense of Earth science.

    During an Aug. 14 appearance on Fox Business, Acting NASA Administrator Sean Duffy declared that the agency’s mission is “to explore, not to do all of these earth sciences,” signaling a potential shift away from NASA’s decades-long role in Earth observation and climate research.

    Duffy later softened his stance during an Aug. 18 visit to Johnson Space Center, saying that NASA would still adhere to its congressional directives. But he still suggested that other agencies could take the lead on climate science. 

    “Listen, you can go other places for your climate change science. This is the only civil agency in government that does human space exploration. No one else does it, just us, and so that is, that’s the focus, and that’s what I meant by that,” Duffy said, according to a transcript of the comments provided to Astronomy by the NASA press office. 

    This vision for NASA largely aligns with the White House’s 2026 budget proposal, which cuts NASA’s overall budget by 24 percent; while human exploration receives an increase, the agency’s science funding is slashed by nearly half, including earth science by 53 percent.

    The comments from Duffy are some of the most explicit yet from NASA leadership about the Trump administration’s downsized view of NASA’s role — and many scientists have pushed back vigorously against it. They argue that earth science is essential to NASA’s mission, not a distraction from it, pointing to the agency’s legal charter and historical relationships, and contending that its unique capabilities cannot be simply offloaded to other government agencies or the private sector.

    And, they point out, an agency that seeks to lead the world in planetary science but ignores Earth would be missing out on studying the most unique planet yet known in the universe — our own.

    “Earth is a planet,” Camille Bergin, an aerospace engineer and science communicator, tells Astronomy. “And I think that’s what people forget.”

    Defining the mission

    At the heart of the matter is the interpretation of NASA’s core function. Duffy’s comment that NASA is “meant to explore” frames the agency’s purpose as looking outward. The subsequent suggestion that “other agencies” could handle earth science points to a vision of a more streamlined NASA, free to focus on the unique challenge of sending humans to the Moon, Mars, and beyond.

    However, critics argue that it overlooks the agency’s foundational charter. “It’s the National Aeronautics and Space Administration,” Bergin says. “So much of what NASA does is within our atmosphere.” This perspective is rooted in the 1958 National Aeronautics and Space Act, which explicitly lists as a primary objective “The expansion of human knowledge of phenomena in the atmosphere and space.” 

    Duffy may be unaware of this history, suggests Robert Kopp, a climate scientist at Rutgers University. “To my knowledge, Sean Duffy is the first person to serve as administrator or acting administrator of NASA without any relevant experience,” Kopp says. “He might be unaware that [this] has been part of NASA’s statutory mission since its establishment.”

    According to a historical overview from the agency’s science division, this dual mandate has historically created a division of labor between NASA and other agencies, particularly the National Oceanic and Atmospheric Administration (NOAA). The early model established in the 1960s saw NASA’s role as pioneering new technology — developing and launching novel satellites and instruments. In this partnership, NOAA and the U.S. Geological Survey would then analyze the data for their operational missions, such as daily weather forecasting.

    Proponents of this model argue that it is why a simple handover of the mission is not a straightforward solution. Bergin is direct in her assessment: “I don’t think that any other agency can do what NASA does.” She explains that NASA’s “holistic view” of the solar system, which includes Earth, allows the agency “to do this research in ways that I don’t think other agencies can.”

    The commercial question 

    If NASA’s role in earth science is reduced, some private sector companies are eager to fill the void. In an article for EMSNow, which covers the global electronics manufacturing services industry, European commercial space executives framed a potential NASA pullback as a significant opportunity. “The potential rollback of NASA’s Earth-observation programmes should not be seen as a loss, but as a turning point,” said Anthony Baker, CEO of SatVu.

    Thomas Grübler, co-founder of OroraTech, echoed this, saying, “Private Earth-observation firms already offer a broad range of data and intelligence to governments and taxpayers, often at a much lower cost and with greater flexibility.”

    However, the enthusiasm from the private sector is tempered by a more balanced perspective among scientists. In a recent article for Nature, Danielle Wood, director of the Space Enabled Research Group at MIT, argues that while commercial data is innovative and useful, a balance is essential. “Private companies alone cannot provide all the Earth-observation data that the world needs. Nor should they,” she writes. Wood points out that public missions are set up to answer scientific questions and maintain public services, providing a trusted benchmark for data quality. Commercial missions, in contrast, are more likely to collect data based on customer requests or market opportunities.

    This aligns with the perspective of the NASA employees who signed a statement called the Voyager Declaration, arguing that “Basic research … and the stewardship of the Earth are inherently governmental functions that cannot and will not be taken up by the private sector.” 

    Planetary scientist Michael Battalio of Yale University says that the most important question isn’t whether private companies can take over, but whether they would. He argues that a private company has a “fiduciary responsibility to only spend on infrastructure that provides a return on investment,” which may not align with the long-term research and maintenance required. “Separately,” he adds, “companies may be financially incentivized to not observe our planet,” citing fossil fuel companies as an example. 

    Even if a transition to commercial earth science were to take place, says Bergin, when NASA steps back, there is a risk of a gap opening up before the private sector steps in. “We cannot afford to have that gap in the current political climate that we’re in,” she says.

    The view from the high ground

    In addition to its scientific and commercial value, Earth-observing capabilities are also deeply entwined with national security, says Bergin. “It protects people and it protects power,” Bergin explains, framing Earth observation as a dual-use technology, with “power” referring to military and geopolitical advantage. Bergin warns that in a transition to commercial imagery, any gap in access could present a direct security risk to the U.S.

    As polar ice melts, new shipping and military routes are opening in the Arctic. “If Russia and China have a clearer picture of the Arctic, for example, than we do, that’s not just a science gap, it’s a security risk,” Bergin warns. 

    A NASA brief on its Earth Science at Work initiative supports this view, stating its missions support national security by “enhancing situational awareness of ice cover and other conditions around Arctic seas.” Losing this capability, Bergin argues, means losing the upper hand. “We’re completely blind to not only what they’re doing, but we lose our decision advantage.”

    But protecting people isn’t just about military advantage; it’s also about safeguarding against infrastructure failure and natural disasters. Battalio says that government agencies from the USDA to the departments of Energy and Commerce depend on NASA’s observations. “NASA observations help farmers plan for droughts and floods so that we can feed ourselves, even with increasingly devastating natural disasters from our warming climate,” he says. “FEMA organizes aid based on NASA satellite imagery. The EPA uses NASA observations to monitor pollution and keep American citizens healthy.” 

    Bergin likens this to essential infrastructure, like the power grid or a bridge. “You don’t think about your power grid until you can’t turn your lights on,” she says. “Space is infrastructure. It’s critical infrastructure. It just happens to be above our planet.” This unseen infrastructure underpins modern life in countless ways. The ability to predict solar storms, a key function of Earth and space science, is crucial for protecting the GPS satellites that enable navigation and credit card transactions. 

    This support for the U.S. economy also extends to resource management. According to NASA, its data provides a “competitive advantage to American businesses” by aiding in tasks like “mapping rare Earth minerals” for the energy and technology sectors and helping farmers with “continuous measurements of water resources, crop health, and global production.” 

    And the data from Earth-observing satellites is essential for logistics. As Bergin notes, “Earth observation is critical to you getting your Amazon package.”

    Look to what you know

    The argument for shifting NASA’s focus to exploration rests on the premise that studying Earth and exploring space are two separate, competing missions. However, many scientists contend that the two are fundamentally intertwined. “We have no hope of understanding other planets if we do not understand the planet that we inhabit,” says Battalio.

    He explains that our knowledge of Earth provides the essential baseline for all planetary science. “When Mars rovers discover minerals that point to the presence of liquid water in the past, we know that is the case because we study Earth,” he says. “Everything we know about every planet and exoplanet is informed or interpreted against our knowledge of Earth.” 

    He cites his own work on martian dust storms, which was directly inspired by research on Earth’s climate patterns made possible by NASA observations. “Without NASA observing Earth, climatologists would not have discovered this variability, and I would not have known to look for it on Mars.”

    This synergy is at the heart of the scientific pushback against Duffy’s comments. Bergin points out the irony of searching for other worlds while deemphasizing our own. “People always ask me what’s your favorite planet? Earth obviously, right? It’s like so unique, like seriously we haven’t found anything like it,” she says. The scientific value of such a unique planet is immeasurable. “Why are we exploring if not to benefit life on Earth?” she asks. “It’s all to improve humanity, and humanity is never going to leave Earth. And so it all funnels back to Earth.”

    More than budget cuts

    Ultimately, the conversation sparked by Duffy’s comments reveals a fundamental choice about NASA’s identity. The path forward pits a vision of a streamlined agency, singularly focused on the outward push of exploration, against the view that NASA’s mission begins at home — that studying Earth is a foundational part of its mandate, a national security imperative, and a scientific necessity for the very exploration it seeks to champion. While the administration has proposed deep cuts, Congress has signaled resistance, leaving the final budget — and thus, the agency’s direction — in a state of negotiation.

    For some scientists, this debate extends beyond NASA’s budget, reflecting a broader pattern. Kopp sees a parallel between the proposed shift at NASA and what he calls “’science’ being manufactured to serve a political end,” arguing that “shutting down research to slow the growth of scientific understanding would be in line with that.” This perspective frames the choice facing NASA not just as a strategic decision, but as a political one with implications for the role of independent science in public policy.

    For observers like Bergin, the outcome is not predetermined. She argues that public awareness and engagement are crucial. “Even though you are one person, one voice, your voice does matter,” she says, encouraging people to stay informed and talk to others in their community. The resolution of this debate, which will be decided in the halls of Congress but influenced by public sentiment, will define not just NASA’s priorities, but its very purpose for a generation to come.

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  • Apple’s Siri upgrade could reportedly be powered by Google Gemini

    Apple’s Siri upgrade could reportedly be powered by Google Gemini

    Apple’s Siri overhaul may include an AI-powered web search tool with technology powered by Google’s Gemini, according to a new report from Bloomberg’s Mark Gurman. The iPhone maker, which has been criticized for falling behind in the AI race, delayed its long-awaited Siri update until 2026. In the meantime, the company has been scrambling to determine whether its own AI models alone will work well enough to make its upgraded Siri competitive with the AI answer engines available today from tech companies like OpenAI, Perplexity, and Google.

    Per Bloomberg, Apple could be turning to Google for a solution to its problems. The report claims that Apple and Google reached a formal agreement this week that will see Apple testing a Google AI model in Siri. If successful, the technology could also be used in other areas of iPhone software, including the Safari browser and Spotlight search, which is available on the Home Screen.

    In previous years, Spotlight seemed to be ramping up to become a rival of sorts to Google, as it allowed iPhone users to bypass web searches to get basic answers about popular topics, like information about actors, musicians, TV shows, and movies, among other things. With AI chatbots, however, consumers can now source quick answers about a wide range of topics beyond those that could be found on Wikipedia.

    The report suggests that the upgraded search experience’s interface will use a combination of text, photos, videos, and local points of interest, as well as an AI-powered summarization feature. It will also be able to tap into users’ personal data and let them navigate their devices via voice.

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  • Jack Osbourne has a fiery response to Roger Waters’ diss of Ozzy

    Jack Osbourne has a fiery response to Roger Waters’ diss of Ozzy

    Jack Osbourne fired back this week at the insults that Roger Waters hurled last month at his late father Ozzy Osbourne, who died in July at the age of 76.

    During an interview with the Independent Ink, Waters had expressed his feelings about the “Prince of Darkness” and his music.

    “Ozzy Osbourne, who just died, bless him in his whatever that state that he was in his whole life,” the 81-year-old rocker told host Dwayne Booth. “We’ll never know. The music, I have no idea, I couldn’t give a f—.”

    He added: “I don’t care about Black Sabbath, I never did. Have no interest in biting the heads of chickens or whatever they do. I couldn’t care less, you know.”

    Osbourne’s son, Jack, caught wind of Waters’ words and turned on the war machine. He took to his Instagram on Tuesday to defend his dad.

    “Hey Roger Waters F— You,” Jack posted on his page, using white lettering on a red background. “How pathetic and out of touch you’ve become.”

    Waters, who co-founded the band Pink Floyd in 1965 and has toured as a solo act since 1999, typically posts politically driven messages in a similar style on his account.

    “The only way you seem to get attention these days is by vomiting out b— in the press. My father always thought you were a c— thanks for proving him right,” he added. He ended the post with a clown emoji.

    The youngest of the Osbourne clan appeared alongside his father in the MTV reality series “The Osbournes” from 2002 through 2005 and the History Channel’s “Ozzy & Jack’s World Detour” from 2016 through 2018.

    The Black Sabbath frontman revealed to David Letterman in an episode of “Late Night” in 1982 that he had beheaded a bat onstage by accident, a feat that had added to the considerable lore built around the heavy metal legend.

    Ozzy Osbourne made his last public appearance during the band’s farewell concert, “Back to the Beginning,” on July 5 at their hometown of Birmingham, England. He died on July 22 of a heart attack.


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  • LeBron 23 Official Images — NIKE, Inc.

    LeBron 23 Official Images — NIKE, Inc.

    Fit for the Forever King. Built to power future greats.

    Nike is introducing the LeBron XXIII, an innovative game shoe that honors the unparalleled career of the Forever King while fueling the rise of future generations.

    The new silhouette pairs Nike’s industry-defining technology with unmatched storytelling that pays homage to 23 stories of greatness — each one revealing a piece of the legend and the man behind it. One way that innovation and narrative converge: the Crown, a LeBron-only symbol that doubles as a technological feature within the shoe. 

    “The LeBron XXIII reflects the deep partnership I have with Nike, pushing the limits of design and innovation to create a new signature shoe that powers my game and tells the story of my career,” says LeBron James. “Over two decades later, we’re still going strong, inspiring the next generation with a shoe that’s made for greatness.”

    For nearly a quarter-century, Nike has partnered with LeBron to push the boundaries of sport science, innovation and design to fuel his performance atop the game, empower the next generation of hoopers and inspire athletes around the world.

    The LeBron XXIII is the latest signature silhouette built in that image, channeling the Forever King’s insights into a game shoe designed to help him, and the athletes who follow in his footsteps, impacting every play and possession all season long.

    For the first time in LeBron’s signature lineage, the LeBron XXIII features a full-length ZoomX drop-in midsole, delivering responsiveness and game-changing court feel. The drop-in midsole, made of Nike’s lightest and most responsive foam, pairs with a new Crown Containment System that delivers stability for high-force movements.

    A carbon fiber shank beneath the midsole and containment system provides torsional support to further accentuate power and speed, and a dynamic, multi-directional traction pattern improves grip for quick cuts.

    All the while, a lightweight engineered upper and soft interior lining offer standout comfort and breathability, keeping athletes cool as the game heats up. 

    “One of the things that’s so powerful about the LeBron XXIII is that the foot engages directly with our ZoomX foam, enabling an unmatched level of connectivity and court feel,” says Ross Klein, Senior Director, Men’s Basketball Footwear Product Design. “There’s nothing that beats ZoomX: The energy return, the responsiveness, the weight, the sensation — it hits every level of what athletes love.”

    Further, Klein says: “From ZoomX foam to a carbon fiber shank and our new Crown Containment System, the LeBron XXIII is really about the best materials, channeling simplicity and reductivity into a design built right for both the Forever King and the next generation.”

    LeBron’s journey to Forever King comes to life through 23 legacy-defining stories, told through unique colorways that reflect the milestones he’s achieved throughout his career. The Uncharted launch colorway, for example, commemorates LeBron’s milestone of becoming the first NBA player to score more than 40,000 points. The second colorway to become available, Miami Twice, recalls his back-to-back NBA titles and Finals MVPs, while the third style, The Chosen One and the One Who Chose, celebrates him and his son, Bronny, becoming the NBA’s first father-son duo to play for the same team on October 22, 2024.

    Nike Basketball apparel teams have designed unique graphic tees highlighting each of the 23 stories that will launch at the same time as its corresponding LeBron XXIII colorway. Each silhouette will come packaged in a unique, crown-molded box from one of three eras of LeBron’s career: “The Chosen 1 Arrives” (2002-2010); “Taking the Throne” (2010-2018); and “Long Live the King,” beginning in 2018. Each box will include a booklet featuring all the stories of the Forever King journey, and each shoe will come with a charm that matches the heel icon of its specific colorway. 

    The LeBron XXIII silhouette is joined by the Forever King apparel collection, which includes premium jerseys and shorts that recall his career with St. Vincent–St. Mary High School, the Cleveland Cavaliers, the Miami Heat and the Los Angeles Lakers. The collection also features elevated apparel styles, including two jackets, a hoodie, pant and short. The sportswear pieces incorporate premium material executions, trim finishes and metal grommets, as well as Forever King drawcord clamps, woven jock tags and lion embroidery. 

    “When it comes to LeBron’s Forever King Signature apparel collection, we knew we had to elevate our offerings to make them fit for a king,” says Wil Green, Senior Director, Basketball Apparel. “We obsessed the styles from past LeBron apparel lines throughout the three eras. What were those styles of shorts, pants, hoodies, jackets, jerseys and shorts that were hot during those eras? We took those insights and modernized the cuts and elevated the finishes to meet LeBron’s standard. Working hand-in-hand with our footwear teams allowed us to create a complete head-to-toe Forever King Collection that blends nostalgia with modern luxury.”

    LeBron unveiled his latest signature silhouette during his Forever King Tour of China, which serves to deepen his connection with some of the world’s most passionate hoopers and basketball fans.

    The tour marks LeBron’s 15th trip to China as a Nike signature athlete and the 20th anniversary of his first Nike tour of Asia, underscoring a shared, longstanding commitment to giving back to the game around the world by championing athletes, inspiring the next generation, and fueling global basketball culture. The tour also reflects a shared belief in the power of basketball to build bridges between countries, challenge young athletes to chase their dreams, and create lasting impact among athletes and fans.

    The LeBron XXIII will become available in the Uncharted launch colorway in China beginning September 25 before launching globally at nike.com and select retail locations October 3. Additional colorways will become available over the coming months. The Forever King apparel collection launches ahead of the upcoming holiday season.

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  • Megan Fox, Brian Austin Green’s kids celebrate his son’s milestone

    Megan Fox, Brian Austin Green’s kids celebrate his son’s milestone

    Megan Fox and Brian Austin Green’s blended family is supporting their youngest member’s latest milestone.

    In a Sept. 2 Instagram post, Green and fiancée Sharna Burgess documented their 3-year-old son Zane’s first day of pre-kindergarten with photos and videos that also featured Zane’s half-siblings.

    At one point in the video, Green’s children with Fox – Noah, 12, Bodhi, 11, and Journey, 6 – posed with Zane and his sign announcing his first day of school.

    “My big boy is still little… but today when he woke up he felt a little bigger, a little more grown, and a little bit less my baby. I am not well. And yet I couldn’t be more proud,” Burgess captioned the post. “His siblings hyped him up this morning as you can hear, and we all went to support his first morning drop off. My blended tribe is my everything. We are so lucky ♥️”

    Green confirmed he and Fox were officially splitting after nearly 10 years of marriage in May 2020, and Fox filed for divorce several months later. The following year, he went Instagram official with Burgess, a “Dancing with the Stars” pro dancer.

    In 2022, Fox and Machine Gun Kelly announced their engagement, but by March 2024, the “Jennifer’s Body” star revealed they’d called it quits. The on-and-off couple welcomed their first child, Saga Blade Fox-Baker, in March.

    Green was not so complimentary toward MGK, whose real name is Colson Baker, after the breakup. In December, the “Beverly Hills, 90210” alum replied to a TMZ paparazzo who brought up rumors about his ex-wife and Machine Gun Kelly.

    “How old is he? … He’s in his 30s, isn’t he?” he quipped, before telling MGK “to grow up” because “she’s pregnant.”

    He continued: “I just want the best for her. I want the best for the baby. I want the best for our kids. That’s a shame.”

    Green noted he didn’t “know the facts,” but said: “If that’s the case, that’s a tragic situation, and I wouldn’t wish that on anybody.”

    Contributing: Jay Stahl, USA TODAY


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  • Cardi B Throws Pen at Reporter Asking If She’s Pregnant With Offset’s Baby Amid Stefon Diggs Romance

    Cardi B Throws Pen at Reporter Asking If She’s Pregnant With Offset’s Baby Amid Stefon Diggs Romance

    Cardi B shut down a reporter for asking her if she’s pregnant once again with Offset’s child. While leaving the courthouse on Tuesday (Sept. 2), the Am I the Drama? rapper was captured interacting with a reporter who asked her about rumors that she is expecting her fourth child.

    “Insiders are claiming that Offset is publicly bragging about getting you pregnant for the fourth time,” asked the reporter, as seen in a clip circulating online. “Do you foresee any paternity issues with Stefon Diggs?”

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    Cardi grabbed a marker pen from an autograph seeker and threw it—presumably in the direction of the reporter who asked the question.

    “Stop disrespecting me,” Cardi said, as her bodyguard moved her away from the crowd.

    “I still love you even though you just threw some stuff at me,” the reporter responded.

    “I don’t care. You’re disrespectful, don’t do that,” Cardi responded. “Do you see women asking those type of questions to me? Why do you feel, as a man, [that] you get to ask me those type of questions? Act like you have some manners. And your mama taught you: respect women.”

    Fans have been speculating that Cardi is pregnant again after she made a swift exit from court on Thursday (August 28) in an oversized suit while holding her stomach.

    The rapper, who is currently in court for a $24 million civil lawsuit filed by her former bodyguard who accused her of assault, left fans wondering if she’s expecting her first child with her boyfriend, Stefon Diggs, when she took a rest during a lunch break on Thursday. In an all-white pantsuit, Cardi carefully left the courtroom and appeared to hold her stomach, TMZ reported.

    She also seemingly needed help from her bodyguard, who assisted her as she signed a few autographs and then climbed into the backseat of an SUV.

    The speculation comes not long after she responded to comments about her potentially being pregnant during an Instagram Live session earlier this month. “‘Look thirty weeks pregnant’? No, you stupid bitch,” Bardi said, responding to a comment. “I’m just fucking out of breath ’cause I have asthma… Stop fucking being fucking funny in this b**chsbefore you get motherfucking blocked, bitch. Stupid ass comment, don’t put that s**ton me, bitch.”

    Cardi, who has three children with her ex-husband Offset, faced similar rumors in January when a fan asked if she was “pregnant again.” In a sly response, she wrote, “Not yet.” She celebrated her six-month anniversary with Stefon Diggs in June when they went Instagram official. There’s been speculation that the two have split up on two different occasions, but they’ve both shut it down on social media.

    The rapper might in court at the moment, but she’s gearing up to release her long-awaited second studio album, Am I the Drama

    ComplexCon returns to Las Vegas on October 25–26, 2025, with over 300 brands and live performances by Young Thug, YEAT & Friends, Peso Pluma, Central Cee, Ken Carson, and more. Get your tickets now.

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  • Meet the New “SNL” Cast Members (Including Two Viral TikTok Stars!)

    Meet the New “SNL” Cast Members (Including Two Viral TikTok Stars!)

    NEED TO KNOW

    • Saturday Night Live announced on Sept. 2 that five new comedians would be added to the cast for season 51

    • One of those young stars, Ben Marshall, has been a writer on SNL since 2021 and appeared in multiple skits on the show with his comedy trio, Please Don’t Destroy

    • The new additions were shared days after multiple SNL cast members announced their exits

    Season 51 of Saturday Night Live will feature some new faces.

    Following a string of cast shakeups that saw alums like Heidi Gardner and newcomer Emil Wakim depart, NBC announced on Sept. 2 that five comedians are joining the cast as featured players: Tommy Brennan, Jeremy Culhane, Ben Marshall, Kam Patterson and Veronika Slowikowska.

    In addition to the newcomers, returning cast members include Kenan Thompson, who alluded to “a lot of change” in the show’s future after the SNL season 50 finale.

    “You want everyone to stay forever, knowing that people may be making decisions over the summer … it’s always like you want your kids to stay young,” the comedian told Page Six in May 2025. “You just never know what the future holds.”

    Colin Jost, Michael Che, Bowen Yang, Chloe Fineman, Marcello Hernandez, Andrew Dismukes, Mikey Day, Ego Nwodim, Sarah Sherman and James Austin Johnson will also return for season 51, which is set to premiere on Oct. 4.

    So, who are SNL’s newest cast members? Here’s everything to know about Tommy Brennan, Jeremy Culhane, Ben Marshall, Kam Patterson and Veronika Slowikowska.

    01 of 05

    Tommy Brennan

    Rosalind O’Connor/NBC via Getty

    Tommy Brennan performs on The Tonight Show on June 12, 2025.

    Since quitting his career in corporate sales to pursue stand-up comedy in 2017, Brennan has been performing in the Chicago area, per The Curve Magazine’s podcast Small Talk.

    The Minnesota native was named a Just for Laughs New Face of Comedy in 2023 and made his debut on The Tonight Show Starring Jimmy Fallon in June 2025.

    He credited John Mulaney with helping him realize that you “don’t have to be some really messed up person” to do stand-up and was mentored by the late Louie Anderson.

    In an Instagram post announcing his new gig, Brennan wrote that it “doesn’t feel real.”

    02 of 05

    Jeremy Culhane

    Roy Rochlin/Getty Jeremy Culhane attends the

    Roy Rochlin/Getty

    Jeremy Culhane attends the “The Sperm Bank” screening on June 10, 2023 in New York City.

    Though he rose to fame for his viral TikTok skits on first dates and running, Culhane has been doing improv comedy since high school, per TCU 360.

    He’s also a regular on Dropout TV and has also performed with the Upright Citizens Brigade in Los Angeles, an improv and sketch comedy troupe founded by Amy Poehler, Matt Besser, Ian Roberts and Matt Walsh in 1996.

    In 2017, he appeared in the Netflix mockumentary American Vandal and has since had roles on Heathers, 9-1-1, The Sex Lives of College Girls and the film Yes Day.

    The comedian, originally from California, shared his SNL news on Instagram with a caption that simply read: “Holy s— I think.”

    03 of 05

    Ben Marshall

    Todd Owyoung/NBC via Getty Ben Marshall during an interview on The Tonight Show on November 6, 2023.

    Todd Owyoung/NBC via Getty

    Ben Marshall during an interview on The Tonight Show on November 6, 2023.

    Since joining the SNL writing staff in 2021, Marshall has appeared on-camera in a few viral sketches with his comedy trio Please Don’t Destroy, which he formed with John Higgins and Martin Herlihy in 2017.

    In addition to their work on the series, the group also released a movie, Please Don’t Destroy: The Treasure of Foggy Mountain, in 2023.

    Sadly, Please Don’t Destroy’s run on SNL came to an end after season 50. Higgins exited the series to pursue other acting projects, and Herlihy stayed on as a writer, per Variety.

    Marshall confirmed on Instagram that the trio will continue to work on other projects outside of SNL and paid tribute to the time they all spent together on the series.

    “I love these boys so much,” he wrote alongside photos with Higgins and Herlihy. “I couldn’t be more grateful to have gotten into this business with my two best friends.”

    He continued, “Getting to write for SNL together and make our own videos for the show was beyond our wildest dreams- and I’m so proud of everything we’ve made so far.”

    The comedian, originally from Savannah, Ga., has also been nominated for four Emmys.

    04 of 05

    Kam Patterson

    Samantha Burkardt/SXSW Conference & Festivals via Getty Kam Patterson at SXSW 2024 Conference and Festivals on March 10, 2024 in Austin, Texas.

    Samantha Burkardt/SXSW Conference & Festivals via Getty

    Kam Patterson at SXSW 2024 Conference and Festivals on March 10, 2024 in Austin, Texas.

    Hailing from Orlando, Fla., Patterson is best known for his appearances on comedian Tony Hinchcliffe’s hit podcast Kill Tony. He’s also set to star alongside Marshall in Kevin Hart’s upcoming Netflix comedy 72 Hours.

    When announcing his SNL debut, Patterson gave a shout-out to Hinchcliffe’s podcast, which airs on Mondays.

    “Monday nights changed my life 💫,” the comedian captioned the post, adding: “let’s see how i do on Saturdays 🫡.”

    05 of 05

    Veronika Slowikowska

    Chris Saucedo/Getty Veronika Slowikowska attends the

    Chris Saucedo/Getty

    Veronika Slowikowska attends the “Tires” Season 2 Premiere on June 04, 2025 in Austin, Texas.

    In addition to her viral skits on TikTok, Slowikowska is best known for playing Shanice in the comedy horror fantasy series What We Do in the Shadows.

    She’s also appeared in Shane Gillis’ comedy show Tires, Homeschooled, Davey & Jonesie’s Locker and Poker Face.

    The Canadian actress shared the casting news on Instagram and captioned the post: “dream come true 🥲 see you Saturdays.”

    Read the original article on People


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