Blog

  • China astronauts generate rocket fuel, oxygen in space using “artificial photosynthesis”

    China astronauts generate rocket fuel, oxygen in space using “artificial photosynthesis”

    Astronauts aboard China’s Tiangong space station have, for the first time, produced oxygen and ingredients for rocket fuel in orbit using “artificial photosynthesis” technology, in a breakthrough that could support long-term human presence beyond Earth.

    In January 2025, the Shenzhou-19 crew carried out 12 experiments in a drawer-sized device using semiconductor catalysts to convert carbon dioxide and water into oxygen and hydrocarbons, state media and the China Manned Space (CMS) agency said.

    The results mark the first in-orbit demonstration of the process, which mimics plant photosynthesis but functions at room temperature and normal pressure, reducing energy consumption compared with conventional systems, reports NDTV.

    Keep updated, follow The Business Standard’s Google news channel

    Researchers successfully generated ethylene, a hydrocarbon that can be used as rocket fuel, paving the way for sustained crewed missions, including China’s goal of landing astronauts on the moon before 2030, the South China Morning Post reported.

    The experiments also examined gas transport and separation in microgravity and real-time detection of reaction products. Adjusting catalysts could enable the system to produce other fuels such as methane, CMS said.

    “Artificial photosynthesis uses engineered physical and chemical methods to replicate how plants process carbon dioxide, producing oxygen and fuels in confined or extraterrestrial environments,” state broadcaster CCTV said.

    Current life-support systems, such as those aboard the International Space Station, rely on splitting water with electricity from solar panels. While effective, this consumes nearly a third of the station’s energy, according to a 2023 study led by Katharina Brinkert of the University of Bremen.

    By contrast, China’s technology could make long-duration space missions more viable by cutting energy costs and creating locally sourced propellant.


    Continue Reading

  • Very high to exceptionally high water flows likely in Sutlej, Ravi & Chenab – RADIO PAKISTAN

    1. Very high to exceptionally high water flows likely in Sutlej, Ravi & Chenab  RADIO PAKISTAN
    2. Balloki on Ravi, Ganda Singh Wala on Sutlej continue to face ‘exceptionally high’ floods  Dawn
    3. Victims slam ‘showpiece’ camps  The Express Tribune
    4. ‘Exceptionally high floods’ in Ravi, Sutlej, Chenab rivers expected  Business Recorder
    5. Death toll rises to 41 as Punjab braces for fresh wave of floods  Dunya News

    Continue Reading

  • Apple to lower iPhone 12 radio power across EU

    Apple to lower iPhone 12 radio power across EU

    Apple will update software on iPhone 12 handsets across the EU to lower the power of their radio transmitters, it said Monday, after Brussels confirmed the device does not meet health standards.

    The software update, scheduled “in the coming weeks” across the EU, is in line with a 2023 change made to the phones in France based on testing by its ANFR radio frequency authority.

    “We continue to disagree with the French ANFR’s testing approach, (but) respect the European Commission’s decision,” Apple said in a statement.

    “Customers can use their iPhone 12 with full confidence, just as they always have”.

    The ANFR ordered iPhone 12 sales halted in September 2023 over excessive electromagnetic emissions absorbed by the human body when the device is held in the hand.

    Apple quickly released an update to correct the effect, but applied it only in France.

    The European Commission confirmed the ANFR’s findings and subsequent steps in an August 19 decision published Monday in its Official Journal, calling them “justified”.

    Continue Reading

  • Measles, polio return as Indonesian govt struggles with uneven coverage, incomplete immunisation

    Measles, polio return as Indonesian govt struggles with uneven coverage, incomplete immunisation

    JAKARTA – The resurgence of diseases that were once controlled has exposed a weakness in the Indonesian government’s preventive health policy, experts say, following measles outbreaks in multiple regions over the past eight months.

    Incidences of measles, a highly contagious viral disease that was previously under control until 2021, have totalled nearly 3,500 confirmed cases nationwide since January across at least 42 regions, including Jakarta, Banten and East Java’s Sumenep regency.

    Continue Reading

  • India markets regulator issues new rules for monitoring intraday derivative positions – Reuters

    1. India markets regulator issues new rules for monitoring intraday derivative positions  Reuters
    2. India Tightens Equity-Options Rules Again After Jane Street Saga  Bloomberg.com
    3. Sebi Outlines New Framework For Monitoring Of Intraday Position Limits For Index Derivatives  Outlook Money
    4. SEBI caps intraday derivatives positions at ₹50,000 crore per entity from October 1  BusinessLine
    5. SEBI re-introduces higher intraday limits for Index Options trading from October 1, but with stricter…  Moneycontrol

    Continue Reading

  • Painting the Sky: Ricoh Inkjet Technology Brings Children’s Visions to Life | Stories | Global

    Painting the Sky: Ricoh Inkjet Technology Brings Children’s Visions to Life | Stories | Global

    Held every March, Tokyo Creative Salon is Japan’s largest festival of fashion and creativity. In 2025, under the theme “QUEST: Exploring Creativity and Aesthetic Awareness,” the program unfolded across ten areas of Tokyo—including Haneda, where Ricoh joined the Colorful Sky community collaboration. We spoke with Kenta Takaya, art director for the Haneda site at Kansai Yamamoto, Inc., and Yuto Moue and Ryota Ochi from RICOH Graphic Communications about how the partnership began and how the event brought Ricoh’s commitment to Fulfillment through Work to life.

    Article summary

    At the Haneda venue, Ricoh turned local elementary school students’ sky-themed drawings into T-shirts for a large-scale installation. With high-resolution inkjet technology and flexible small-lot production, Ricoh reproduced each child’s artwork in vivid detail. The project strengthened community ties and gave employees a meaningful opportunity to experience Fulfillment through Work in action.

    A Community Collaboration Takes Flight with Haneda Elementary School

    As part of Tokyo Creative Salon 2025, the Haneda Sky initiative sought to connect children with the wider world through exhibitions and interactive programs—spanning traditional performing arts and fashion to sustainability—across six venues.

    One of the venues was HANEDA INNOVATION CITY, a mixed-use complex near Haneda Airport. Exhibitions ran from March 13-23, culminating in the one-day Colorful Sky event on March 22, featuring a flea market, a BMX show, and dance performances.

    Ricoh transformed the main street into a ribbon of sky and color. Overhead, T-shirts printed with fourth-graders’ drawings from Haneda Elementary School fluttered in the breeze, creating a vivid installation. On March 22, Ricoh also hosted a live-printing booth where visitors could choose a favorite design and have it printed on an eco-bag to take home. The scene came alive when Haneda Elementary School’s third-graders wore the T-shirts on stage for a spirited dance performance.

    Plans for Ricoh’s participation in the Tokyo Creative Salon Haneda project began to take shape in late 2024.

    “A Tokyo Creative Salon survey of expats in New York, Tokyo, London, Paris, and Milan ranked Tokyo second only to New York as the world’s most creative city,” Takaya explains. “Yet only 26.4% of Tokyo residents considered themselves creative—the lowest share among the cities surveyed. Japanese people are highly skilled and innovative but often lack confidence. By letting children see their drawings become art and fashion, we hoped they would feel the joy and pride of creating.”

    Kenta Takaya
    President and Art Director, Kansai Yamamoto, Inc.

    Inkjet Printing That Brings “Ten People, Ten Colors” to Life

    Takaya adds that the project was also designed to highlight the appeal of HANEDA INNOVATION CITY® —a vibrant hub that blends tech offices with restaurants, foot-bath spas, and live music venues. Because the event held special meaning for Ota Ward, where Ricoh was founded, partnering with the global company felt natural. “We wanted the children to have fun, but we couldn’t do it alone,” he says. “That’s why we turned to Ricoh—its proven commercial printing technology and long-standing connection with Kansai Yamamoto made it an ideal partner.”

    Yuto Moue and Ryota Ochi from RICOH Graphic Communications responded to Takaya’s request. Their business unit develops printers for the graphic arts and industrial printing fields. Moue recalls: “I was thrilled when I first heard the idea. It was meaningful to participate in a co-creation project where children could experience our printing technology.”

    For the T-shirts and tote bags, Ricoh used the RICOH Pro D1600, a Direct-to-Film (DTF) inkjet printer launched in Europe in 2024 and scheduled for release in Japan this fall.
    Ochi, who oversees sales, explains: “This system uses heat transfer to print from film sheets. Because it’s inkjet-based, it can output different designs in quick succession with excellent color accuracy. Unlike conventional analog printing, it doesn’t require plates, making it ideal for small-lot, multi-design production on short timelines. Durability is also excellent—perfect for this project.”

    Ryota Ochi
    Industrial Printing Division, RICOH Graphic Communications

    Inspired by the Children’s Boundless Creativity

    Two months before the event, Haneda Elementary School hosted a drawing workshop. Takaya and volunteer professional artists served as special instructors, giving students A3 sheets to draw their personal visions of the sky—and encouraging them to use as many colors as they liked.

    “The children embraced their own ideas of what the sky could be and drew with complete freedom,” says Takaya. “I’ve taught at universities and vocational schools, but this was my first workshop with elementary students. I was a little nervous at first, but by the end of our four sessions they were begging me to come back again. It was a fantastic experience.”

    Takaya also wanted the children to feel pride in their community, so he told them that Ricoh—a global company founded in Ota Ward—would print their artwork on T-shirts.

    Ochi says the Ricoh team’s top priority was accurate reproduction of the children’s drawings. Takaya adds: “Blank or lightly colored areas don’t always print as expected on fabric, so we explained that during the workshop. In the end, the drawings were reproduced faithfully—colors and all.”

    As the T-shirts were printed, Ochi and Moue were struck by the diversity of expression. “Each child approached the same ‘sky’ theme in a completely different way,” Ochi says. “The skies weren’t just blue—they came in every shade imaginable.”
    Some drawings showed skateboarders soaring through the clouds; another depicted the aurora borealis, imagined from a mother’s travel story.

    Although the event period saw bad weather—including snow—the Colorful Sky day opened bright and clear. Children and their families gathered beneath the fluttering T-shirts against the blue sky, cheering at the sight. “The teachers joined in too, finding T-shirts printed with their students’ designs,” Takaya says. “Everyone knew the drawings would become T-shirts, but they didn’t imagine seeing them displayed as art like this. It was a wonderful surprise.”

    On the day, Ricoh staff enjoyed conversations with visitors. “The colorful T-shirts looked spectacular against the blue sky,” Moue recalls. “What stayed with me most was seeing children proudly point out their designs to their parents. One child recognized their design on the T-shirt I was wearing, so I took it off on the spot and gave it to them.”

    Yuto Moue
    Global Sales Division, RICOH Graphic Communications

    How Ricoh’s Printing Technology Strengthened Community Ties

    Reflecting on the collaboration, Takaya says the experience reaffirmed the value of inkjet technology—printing unique items one at a time. “In the fashion world, I believe the era of mass production and mass consumption is over. Going forward, services that can quickly produce small runs with different designs on each piece will be in even greater demand.”

    From their vantage point in the printing business, Moue and Ochi found it both exciting and inspiring to reproduce treasured artwork—and deliver it directly to its young creators.

    For Ochi, the project provided a rare opportunity to follow the entire process—from printing to handing the finished piece to someone directly. “In our regular roles, we focus on delivering printer products, and it’s easy to lose sight of the people who use them or receive the printed materials,” he says. “This time, we saw their reactions firsthand. That perspective is something we’ll carry into everything we do.”

    Rieko Watanabe
    Principal, Haneda Elementary School

    For Moue, the experience embodied Ricoh’s vision of Fulfillment through Work. “Seeing children’s faces light up because of our products and technology filled me with joy and renewed my motivation,” he says. “When I later visited Haneda Elementary School, the principal and teachers told me how excited and engaged the children had been. That feedback was incredibly motivating.”
    For him, it confirmed that giving children the tools to reach for the sky helps their creativity soar even higher.

    Feedback on the article

    Continue Reading

  • Belgium to recognise Palestinian state at UN General Assembly – Reuters

    1. Belgium to recognise Palestinian state at UN General Assembly  Reuters
    2. Palestinian foreign ministry welcomes Belgium’s announcement  Dawn
    3. Recognition of Palestinian state could spark sprint to two-state solution, envoy says  trtworld.com
    4. ‘No ambiguity’ about interpretation of Gaza deal, says Foreign minister  belganewsagency.eu
    5. A Palestinian State Would Be Good for Israel  Foreign Affairs

    Continue Reading

  • 2025 ARKO DAY: The Long Tail – Announcements

    2025 ARKO DAY: The Long Tail – Announcements

    ARKO Art Center presents 2025 ARKO DAY, an event that offers a multidimensional view of Korean art across its layers. ARKO DAY features the Artist Lounge: Contact Feed and Artist Presentations, showcasing the diverse practices of emerging artists who are shaping the future, along with a Networking Party that brings participants together.

    Running alongside ARKO DAY, ARKO Art Center presents Undoing Oneself, an exhibition spotlighting the works of mid-career artists. This convergence of emerging and mid-career artists offers a meaningful opportunity to witness their artistic worlds meeting and unfolding into new possibilities.

    Program

    Artist lounge: Contact feed
    – Date: August 26 (Tuesday) – September 7 (Sunday) 11am–7pm *Closed on Mondays
    – Place: ARKO Art Center Open Space
    – Participating artists: Greem Kim, Suhwa Kim, Jaea Kim & Hyunjin Park, Daseul Song, Minjun Shin & Kang Mina, Byeori Ahn, Jihoon Yang, OZO, Miru Yoo, Daewon Yun, Hyejeong Yun, Lijung, Haevan Lee, HOSU LEE, Dawha Jeon, Kaliens (Minjung Park & Yeyoon Avis Ann), Sulme&Jae-Nder Fluid (Yeosulme Kang & Jaehwa Baek)

    2025 ARKO Art Center invitational exhibition undoing oneself docent tour
    – Date: September 5 (Friday) 3–3:30pm *The exhibition runs from August 22 (Friday) to October 26 (Sunday).
    – Place: ARKO Art Center Gallery 1, 2
    – Participating artists: Kang Hong-hoo, Nayoungim & Gregory Maass, Oksun Kim, Kim Jipyeong, Ha Cha Youn

    Artist presentation & party
    – Date: September 5 (Friday) 4–9pm
    – Place: ARKO Arts Theater Grand Theater
    – Participating artists: Sangha Khym, Kim Jinju, Areumbit Park, JungYeon Park, Seo Minwoo, WONJEONG DEPARTMENT STORE, Seunga You, Eunju Hong, Chang Younghae, Yezoi Hwang

    *Register and pick up your name tag at the ARKO Arts Theater lobby info desk from 2pm on September 5 (Friday)
    *Korean–English simultaneous interpretation and open captions will be provided during the artist presentation on September 5 (Friday).
    *Audience entry during the presentation is allowed only during stage transitions between each session. Please follow the on-site staff instructions when entering the theater.

    Notice
    – The networking party and artist lounge are open to all with no registration required.
    – Shuttle bus seats can be reserved in advance through the RSVP form.
    – 2025 Art Space Map, featuring nonprofit art spaces and creative centers across Korea, is now live. For more information, visit here.
    – Photos and videos will be taken during the event for nonprofit use and may be shared by the Arts Council Korea and ARKO Art Center on platforms such as Instagram and YouTube.

    Directions
    – Subway: Line 4, Hyehwa Station, Exit 2
    – Bus Stops: Hyehwa Station Exit 2, Marronnier Park, Hyehwa Station Exit 3, Seoul National University Hospital Entrance
    – Parking: Parking is unavailable, so please use public transportation.
    – Shuttle Bus: Coex North Exit (Departure: September 5, 2pm) → ARKO Art Center

    Contact
    +82 2 760 4774 / arkoday@arko.or.kr

    Hosted by ARKO Art Center
    Co-curated by Taehyun Kwon, Lost Air, apparat/us

    In collaboration with
    2025 Korea Art Festival
    Kiaf
    Frieze Seoul

    Continue Reading

  • Lee Bul: From 1998 to Now – Announcements

    Lee Bul: From 1998 to Now – Announcements

    Leeum Museum of Art presents a major survey exhibition of Lee Bul, one of the most influential figures in the development of Korean contemporary art. Since her sensational debut in the late 1980s with experimental works that responded to Korea’s turbulent sociopolitical context, Lee has, over the past four decades, established herself as a central voice in the global art scene through a multifaceted practice spanning performance, sculpture, installation, and two-dimensional works. Lee’s work broadly investigates the shifting relationships between body and society, humanity and technology, nature and civilization, as well as the mechanisms of power that shape them. Through this expansive inquiry, her ever-evolving oeuvre reflects deeply on the past and present of humanity, while offering speculative visions of possible futures.

    Lee Bul: From 1998 to Now offers a comprehensive overview of the important trajectories in Lee’s practice from the late 1990s to the present, bringing together approximately 150 works. The exhibition features a selection of her early Cyborg and Anagram series, along with a karaoke installation—works first introduced in major museum exhibitions and international biennales in the late 1990s, marking Lee’s rise to international prominence. Despite their radical differences in form, these works share a conceptual throughline: an inquiry into the human body within a technologically-mediated posthuman condition, and humanity’s enduring pursuit of immortality and perfectibility. In Black Box, these early works collide with Civitas Solis II, a large-scale mirrored installation, giving rise to a landscape of infinite reflections that serves as a disorienting and melancholic prelude to the exhibition.

    At the core of this exhibition is Mon grand récit, an ongoing series of architecturally scaled sculptural installations that Lee has developed since 2005. Through this body of work, Lee delves into the legacies of modernity and its lingering resonances, probing the paradoxes inherent in utopian aspirations and its inevitable disillusionment. The title alludes to Jean-François Lyotard’s notion of the collapse of the “grand récit,” which Lee reconfigures with irony and complexity. Drawing from a dense constellation of references—including autobiographical memories, historical narratives, and a wide array of sociocultural and political discourses—she constructs intricate allegorical topographies. These references span the Russian avant-garde and Constructivism, the visionary projects of Bruno Taut and other Expressionist architects, utopian literature, Romantic landscape paintings, and the historical context of modern and contemporary Korea. On view in Ground Gallery are landmark installations from Mon grand récit series, alongside numerous drawings and maquettes that provide insight into the artist’s imaginative and exploratory process. Also presented are two-dimensional works from her Willing To Be Vulnerable and Perdu series, both developed since the mid-2010s.

    The exhibition unfolds as an unpredictable landscape that invites open-ended, multilayered encounters with Lee’s artistic world. This landscape reveals itself through nonlinear paths, enabling a journey that is at once physical, psychological, and speculative. Along the way, we come across fragile, hardened, or glistening surfaces; suspended, severed, and fractured structures; metropolitan ruins; bunkers and towers; mirrored labyrinths; a monumental metallic airship hovering in midair; distant stars; and imagined realms—coalescing into a richly layered experience that spans multiple dimensions of time and space.

    Co-organized by Leeum Museum of Art and M+

    Curated by June Young Kwak, Head of Exhibitions at Leeum, and Doryun Chong, Artistic Director and Chief Curator at M+, with Heyeon Kim, Curator at Leeum and Sunny Cheung, Curator of Design and Architecture at M+.

    The exhibition at Leeum Museum of Art is held in partnership with Samsung Card. 

    Press contact, Minsun Park (Communication Team minsunn.park@samsung.com)

    Continue Reading

  • Fall 2025 exhibitions and programs – Announcements

    Fall 2025 exhibitions and programs – Announcements

    How do you throw a brick through the window… 
    September 2–November 9, 2025 
    Reception: Thursday, September 4, 6–8pm. TUAG / Boston SMFA at Tufts.  

    For the Fall 2025 season, Tufts University Art Galleries (TUAG) is pleased to present two exhibitions and accompanying public art commissions which explore and expand on representations of marginalized bodies while complicating boundaries of power, protest, and visibility.

    With Beverly Semmes: Boulders / Flag / Flip / Kick, Tufts University Art Galleries presents the most comprehensive survey of the artist’s work to date: beginning in her student days at Tufts, where she tested ideas of ephemerality, scale, and representation in the itinerate installation Boulders, to her most recent fabric installations, ceramics, and paintings that continue to explore issues of visibility and presence.  

    Over three decades, Semmes (BA/BFA ’82) has built an extensive practice in sculpture, painting, film, performance, and fashion that probes the paradoxes and complexities of the body and its representation. Best known for her oversized dress sculptures, begun in the early 1990s—followed by her FRP (Feminist Responsibility Project) series of over-painted pornographic images and clay sculptures—Semmes has played with the scale, exposure or covering, and abstraction of the female form. 

    While Semmes has worked in just about every medium, there remains a perpetual friction between presence and absence—be it a room-sized installation of empty gowns in wispy organza, a haunting performance video, or hollow, human-sized clay vessels. Throughout her wide-ranging oeuvre, Semmes offers a material corollary to the internal and public tensions over who in our society takes up space, and in what form.  

    Beverly Semmes: Boulders / Flag / Flip / Kick is curated by Dina Deitsch, TUAG Director, with the artist Beverly Semmes, Camilo Alvarez, and Deniz Bora, and generously supported by The Andy Warhol Foundation for the Visual Arts.

    How do you throw a brick through the window… at TUAG / Boston presents new commissions and recent works of art exploring how individuals with disabilities, chronic illnesses, and neurodivergence navigate forms of protest despite the normalization of ableism in public spaces. 

    Now on view at TUAG through November 9, 2025 and on view at the John Michael Kohler Arts Center (JMKAC)  March 14–October 4, 2026, the exhibition is part of a two-year research initiative co-organized by TUAG and JMKAC that began in 2024.

    How do you throw a brick through the window… features the work of seven artists—Yani aviles, Chloe P. Crawford, Nat Decker, Jeff Kasper, Carly Mandel, Jeffrey Meris, and Libby Paloma—who engage the radical questioning of Korean-American writer, artist, and musician Johanna Hedva: “How do you throw a brick through the window of a bank if you can’t get out of bed?” 

    This long-term research project, which includes a symposium, artist-led workshops, publication, and the group exhibition, responds to calls for reconsideration of public streets as de-facto sites for civic action and able-bodied action as the measure of protest. Participating artists offer works reimagining embodied dissent informed by disabled, sick, mad, and healing frameworks. 

    The exhibition is co-organized by TUAG Curator Laurel V. McLaughlin and JMKAC Associate Curator Tanya Gayer in dialogue with the artists.

    Generous support for this TUAG exhibition and programming is provided by The Andy Warhol Foundation for the Visual Arts, Teiger Foundation, The Office of the Vice Provost for Institutional Inclusive Excellence and the Theatre Dance and Performance Studies Department at Tufts University, as well as an anonymous donor. The accompanying symposium and pre-exhibition programming at TUAG were supported by a Warhol Curatorial Research Fellowship for Laurel V. McLaughlin. 

    The SMFA Billboard Project I want more celebrations… (2025) is contributed by Gabriel Sosa and Maverick Landing Youth as part of Sosa’s project Ñ Press and the Boston Public Art Triennial. How do you throw a brick through the window… continues at TUAG / Medford’s Jackson Lot space with a mural project by contributing artist Libby Paloma, Whether up river, up stream, or up a tree…don’t take the bait. Find the other rainbow fish and swim. (2025).

    TUAG / Medford Aidekman Arts Center  
    40 Talbot Avenue, Medford, Massachusetts 02155

    Continue Reading