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  • Mercury’s ‘missing’ meteorites may have finally been found on Earth

    Mercury’s ‘missing’ meteorites may have finally been found on Earth

    Most meteorites that have reached Earth come from the asteroid belt between Mars and Jupiter. But we have 1,000 or so meteorites that come from the Moon and Mars. This is probably a result of asteroids hitting their surfaces and ejecting material towards our planet.

    It should also be physically possible for such debris to reach the Earth from Mercury, another nearby rocky body. But so far, none have been confirmed to come from there — presenting a longstanding mystery.

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  • How America’s economy is dodging disaster – The Economist

    How America’s economy is dodging disaster – The Economist

    1. How America’s economy is dodging disaster  The Economist
    2. Economists raise alarm over economy  WCCB Charlotte
    3. The Outlook Really Is Very Cloudy  Bloomberg.com
    4. Economy Enters Second Half Facing Tight Fed, Trump Tariffs – But the Stock Market Is Roaring  U.S. News & World Report
    5. Billionaire Ken Fisher Warns Trump Tariffs Could Trigger Recession  MSN

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  • Pokémon fan goes viral for claiming Pope Leo signed his Popplio card

    Pokémon fan goes viral for claiming Pope Leo signed his Popplio card

    Pope Leo has unexpectedly become a trending topic among Pokémon fans after viral images surfaced claiming he signed a Popplio Pokémon card.

    The surprise moment originated from a social media post on X by user @ItsMeKingTheo, who wrote, “MY HOMIE GOT HIS POPPLIO POKEMON CARD SIGNED BY POPE LEO.”

    The post included three images: one showing a standard Popplio card, another showing a man meeting Pope Leo, and the last appearing to display the Pope’s signature on the card itself.

    While no official confirmation has been made, the internet was quick to respond with a mix of amusement and amazement.

    Popplio, a water-type starter from the seventh generation of Pokémon games, first appeared in Pokémon Sun and Moon on the Nintendo 3DS.

    The card, now allegedly graced by the Pope’s signature, has been dubbed “blessed” by fans in jest.

    It’s unclear what the Vatican’s stance is on Pokémon, but the moment has already sparked countless memes and speculation about which Pokémon might be next to receive papal approval.

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  • Ian Rush Pays Emotional Tribute to Jota Amid Heartbreaking Double Loss

    Ian Rush Pays Emotional Tribute to Jota Amid Heartbreaking Double Loss

    Club Legend Ian Rush Reflects on Tragedy

    Liverpool icon Ian Rush has expressed his deep sorrow following the tragic passing of Diogo Jota and his brother, André Silva. The pair were killed in a car accident in the early hours of Thursday morning, leaving the football world in mourning. Rush, Liverpool’s all-time leading goalscorer, spoke emotionally about the loss, comparing the grief to past tragedies that have tested the unity of the club.

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    Despite being invited to Jota’s funeral in Gondomar, Portugal, Rush was unable to attend due to the passing of his own brother, Gerald. He admitted that juggling his own family loss while processing the death of Jota had been overwhelming. “It hasn’t really hit home yet,” he said. “Diogo was a great player—probably the best finisher at the club—and more importantly, a wonderful person.”

    Mourning a Team-Mate and Friend

    The Liverpool squad flew to Portugal to pay their respects in person, with players and staff attending Jota’s funeral. The sight of so many current and former Reds gathered in Gondomar captured the strength of Liverpool’s sense of family—an ethos long spoken about by players past and present.

    Rush, reflecting on the emotional toll, added: “At Liverpool, we’ve always seen ourselves as one big family. When one of us goes, we rally around. That’s what we’ve always done, and that’s what we’ll do now.”

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    He drew parallels with the unity shown in the aftermath of Hillsborough—an enduring moment in the club’s history—and highlighted how the Liverpool community instinctively comes together in the face of grief. “It doesn’t matter whether you’re a player or a supporter—we all stick together,” he said.

    Jota’s Legacy Beyond the Pitch

    Jota’s impact at Liverpool was clear, not just in his goals and performances but in the way he carried himself. Rush was unequivocal in his praise: “He always gave 100 percent. He could change a game whether he started or came off the bench. He never craved headlines, and that was just as true off the pitch.”

    Described as a “real gent” by those who knew him, Jota was someone who earned respect quietly. His work ethic, humility, and professionalism left a mark on the dressing room, making his death all the more difficult for those preparing to return for pre-season.

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    “It’s hard to just get back to training and act like everything is normal,” Rush said. “Footballers are human too. For some, it’ll take time for the full weight of this tragedy to be felt.”

    Pain Shared Across the Liverpool Family

    As the days go on, the Liverpool squad—alongside staff, fans, and club legends—will try to process the loss of a team-mate, a brother, and a friend. Rush believes that while grief often comes in waves, the bond between those in the Liverpool family will be the difference in helping people heal.

    “You try to move on, but it’s not easy,” he concluded. “Diogo will never be forgotten. He truly embodied everything Liverpool stands for.”

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    This tragedy has shaken Liverpool to its core, but in the spirit of solidarity that defines the club, the memory of Diogo Jota will continue to inspire those who wear the shirt he once wore with pride.

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  • Ringo Starr reveals changes he made to Sam Mendes’s Beatles script

    Ringo Starr reveals changes he made to Sam Mendes’s Beatles script

    Written by Jez Butterworth, Peter Straughan and Jack Thorne, the films will explore many elements of each Beatles member’s personal lives, including the relationship between Starr and his first wife, Maureen Starkey Tigrett.

    Harris Dickinson, Paul Mescal, Barry Keoghan and Joseph Quinn. Sony

    On that relationship, Starr claimed he asked for certain elements of the story to be changed so that they better reflected reality.

    “He had a writer — very good writer, great reputation, and he wrote it great, but it had nothing to do with Maureen and I,” Starr told The New York Times.

    “That’s not how we were. I’d say, ‘We would never do that.’”

    After some tweaks, Starr admits he is now happy with the script, which will see Irish actor Barry Keoghan portray the Liverpudlian.

    While some have argued that the roles could have gone to lesser-known actors – particularly those with strong links to the city of Liverpool – Starr has started working closely with Keoghan to help his portrayal of the drummer.

    Speaking on Jimmy Kimmel Live!, Keoghan revealed: “I met Ringo the other day, in his house. I didn’t just meet him at his house, had to go up, and he let me in.

    “I met him at his house and he played the drums for me. He asked me to play, but I wasn’t playing the drums for Ringo.

    “It was sort of just one of those moments where you’re just in awe and you’re just frozen.”

    Playing the other Beatles will be Paul Mescal as Paul McCartney, Harris Dickinson as John Lennon, and Joseph Quinn as George Harrison.

    Mendes has confirmed that the four separate biopics will all be released in April 2028.

    The Beatles films will be released in April 2028.

    Check out more of our Film coverage or visit our TV Guide and Streaming Guide to find out what’s on. For more from the biggest stars in TV, listen to The Radio Times Podcast.

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  • After 9,000 Layoffs, Microsoft Boss Has Brutal Advice for Sacked Workers

    After 9,000 Layoffs, Microsoft Boss Has Brutal Advice for Sacked Workers

    Microsoft has laid off about 9,000 workers in the midst of a newly-announced $80 billion AI investment — and apparently, those who just lost their jobs should be talking to ChatGPT about it.

    As Aftermath reports, an executive producer at Microsoft-owned Xbox ended up with egg on his face after suggesting that laid off workers pour their hearts out to AI.

    “These are really challenging times, and if you’re navigating a layoff or even quietly preparing for one, you’re not alone and you don’t have to go it alone,” that producer, Matt Turnbull, said in a since-deleted LinkedIn post that Aftermath thankfully screenshotted for posterity. “No AI tool is a replacement for your voice or your lived experience. But at a time when mental energy is scarce, these tools can help get you unstuck faster, calmer, and with more clarity.”

    “I know these types of tools engender strong feelings in people, but l’d be remiss in not trying to offer the best advice I can under the circumstances,” he continued. “I’ve been experimenting with ways to use [large language model] Al tools (like ChatGPT or Copilot) to help reduce the emotional and cognitive load that comes with job loss.”

    Yes, you read that right: a Microsoft boss was telling those just laid off by the tech giant that they should use chatbots — run or funded by the company that just fired them — to avoid crying on a company shoulder.

    Following that phoned-in introduction, Turnbull offered a few potential prompts for AI as a job loss grief counselor, including those that help with career planning, resume-building, networking, and, our personal favorite, “emotional clarity [and] confidence.”

    “I’m struggling with imposter syndrome after being laid off,” Turnbull’s “clarity” prompt reads. “Can you help me reframe this experience in a way that reminds me what I’m good at?”

    It comes as little surprise, given how absolutely tone-deaf those suggestions are, that folks on social media had quite a lot to say to the Xbox executive.

    “The new Severance season is insanely good,” joked one commentator on X-formerly-Twitter.

    As another irked observer wrote on the r/gaming subreddit, “anyone that tells people who were fired to talk to a computer chat algorithm for therapy is insane.”

    Indeed, gamers seem to be the most affronted by Turnbull’s attempt at sensitivity and advice, with another X commentator remarking that his response to those layoffs was one of “the most tone-deaf and cruelest things” they’d ever seen.

    “I hope this finally shatters the illusion for some people that Xbox is not your good buddy,” that same user quipped.

    Though it’s hard to say whether the Xbox producer’s sentiments were sincere or not, it’s clear from the subsequent deletion of the post that he was made to feel some type of way about it after putting it out into the world — and honestly, that potential embarrassment is the most we can hope for with these sorts of tech bros.

    More on AI: Journalists Just Roasted Sam Altman To His Face

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  • Experts call for integration of Physical Medicine and Rehabilitation into standard stroke care – Press Trust of India

    1. Experts call for integration of Physical Medicine and Rehabilitation into standard stroke care  Press Trust of India
    2. Neuroplasticity After Stroke: How The Brain Rewires And Why Rehab Timing Matters  OnlyMyHealth
    3. Experts Urge Timely Rehabilitation Within 90 Days of Stroke; Call for Integration of Physical Medicine and Rehabilitation into Standard Stroke Care  Newspatrolling.com

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  • Tour de France 2025: stage two – live | Tour de France 2025

    Tour de France 2025: stage two – live | Tour de France 2025

    Key events

    As promised, here is William Preston’s email:

    Looks proper wet, doesn’t it?

    It’s only stage two but I fear the fever dream I had shall not come to pass: Visma using Vingegaard as a stalking horse against Pogacar as Yates sits quietly a minute or so behind in the GC ranking before getting a stomp on up the mountains to win it all. After his thrilling heroics in Italy, he deserves a second grand tour win.

    However, this year looks set to be an absolute corker, with Visma redefining super domestique riders to topple Pogacar’s crown.

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  • Mars orbiter learns new tricks in search for water

    Mars orbiter learns new tricks in search for water

    View larger. | Artist’s illustration of the Mars Reconnaissance Orbiter (MRO). The Mars orbiter is using a new rolling maneuver – turning it essentially upside down – to help it search for ice and liquid water beneath Mars’ surface. Image via NASA/ JPL-Caltech.
    • NASA’s Mars Reconnaissance Orbiter has been observing Mars since 2005. It has helped revolutionize our knowledge about the red planet.
    • The spacecraft sometimes “rolls over” in its orbit by varying degrees so it can point its different instruments at the Martian surface.
    • The orbiter has now rolled over by a whopping 120 degrees in its latest maneuver. This will help its onboard radar to peer deeper into the subsurface to look for water ice or even liquid water.

    Mars orbiter rolls around to look for water

    NASA’s Mars Reconnaissance Orbiter (MRO) has been studying the red planet since late 2005. And now, it is trying something new. Researchers from the Planetary Science Institute in Tucson, Arizona, and other institutions said on June 26, 2025, that the orbiter is performing a new roll maneuver – up to 120 degrees – so the spacecraft is essentially upside down. Why is it doing this? The rolling maneuver will help the orbiter look deeper beneath the surface with its SHARAD radar instrument for water ice or perhaps even liquid water.

    MRO can peer into the shallow subsurface of Mars, up to about a mile deep. With the new rolling maneuver, it will be able to look a bit deeper and obtain clearer radar images.

    The researchers published their peer-reviewed findings in The Planetary Science Journal on June 11, 2025.

    Teaching an old spacecraft new tricks

    In the new maneuver, MRO rolls over so it’s basically upside down. The process involved three rolls, which the spacecraft performed between 2023 and 2024. Gareth Morgan at the Planetary Science Institute is an author on the new paper and said:

    Not only can you teach an old spacecraft new tricks, you can open up entirely new regions of the subsurface to explore by doing so.

    Reid Thomas, MRO’s project manager at NASA’s Jet Propulsion Laboratory in Southern California, added:

    We’re unique in that the entire spacecraft and its software are designed to let us roll all the time.

    MRO was designed with being able to do such maneuvers in mind. It can roll up to 30 degrees in any direction. This helps it point its cameras and other instruments at features of interest, such as craters, potential landing sites for other spacecraft and more. And it uses its radar to search for subsurface ice and liquid water.

    This animation depicts how Mars Reconnaissance Orbiter performs its 120-degree roll maneuvers. Video via NASA/ JPL-Caltech.

    A complicated process

    Rolling the spacecraft might sound simple, but it isn’t. There are multiple operating science instruments on MRO. They all have different requirements in terms of how they are pointed at Mars’ surface. When one instrument is pointed for observations, that means the other instruments are not as ideally suited for their own observations. MRO can roll to use any of the instruments but not all the instruments at the same time.

    With this in mind, NASA plans each roll weeks in advance. An algorithm commands the spacecraft to roll for a particular instrument, as needed. It also commands the spacecraft’s solar arrays to rotate and track the sun and its high-gain antenna to track Earth. This enables MRO to maintain power and communications.

    Sometimes, MRO has to perform even larger rolls, up to 120 degrees. This requires even more planning ahead of time.

    Line drawing of a spacecraft with various instruments, solar panels and antenna labeled.
    This diagram depicts some of the instruments on Mars Reconnaissance Orbiter, and the roll and flight directions of the spacecraft. Image via Putzig et al./ The Planetary Science Journal (CC BY 4.0).

    Peering deep underground with Mars orbiter

    MRO uses its Shallow Radar (SHARAD) instrument to peer deep underground on Mars, from about 1/2 mile to just over a mile (.8 to 1.6 km). It is designed to be able to search for ice, or even liquid water, and distinguish it from rock and sand. But SHARAD isn’t perfect. SHARAD uses two antennas that are mounted on the back of the orbiter. This allows the High-Resolution Imaging Science Experiment (HiRISE) camera as clear a view as possible on the front of MRO.

    The only problem is that other parts of the orbiter can interfere with the radio signals that SHARAD sends to the Martian surface. This can result in less clear radar images. Also, sometimes the mission team wants to look at targets with SHARAD that are a bit too deep below the surface. Morgan said:

    The SHARAD instrument was designed for the near-subsurface, and there are select regions of Mars that are just out of reach for us. There is a lot to be gained by taking a closer look at those regions.

    Gray mountain-like ledge with black sky above it.
    Radargram from SHARAD on Mars Reconnaissance Orbiter taken before the 120-degree roll. Image via NASA/ JPL-Caltech/ ASI/ University of Rome/ PSI/ Smithsonian Institution.
    Gray mountain-like ledge with black sky above it.
    Radargram from SHARAD on Mars Reconnaissance Orbiter, taken after the 120-degree roll. The stronger signal helps provide a brighter, clearer picture of the Martian subsurface. Image via NASA/ JPL-Caltech/ ASI/ University of Rome/ PSI/ Smithsonian Institution.

    Clearer radar images

    This is where the rolling comes in. By rolling MRO up to 120 degrees, the radio waves can more easily reach the surface. This makes the signal about 10 times stronger, meaning clearer radar images and being able to see a little deeper.

    The rolls have their own drawbacks, too, though. During the rolls, the communications antenna is not pointed toward Earth. And the solar arrays can’t track the sun. With this in mind, and the planning needed, the spacecraft only performs these large rolls a couple of times per year. They also require a lot of battery power. Thomas said:

    The very large rolls require a special analysis to make sure we’ll have enough power in our batteries to safely do the roll.

    Smiling man in blue shirt with farmland, trees and and blue sky behind him.
    Gareth Morgan at the Planetary Science Institute is one of the lead authors of the new paper about Mars Reconnaissance Orbiter’s rolling maneuvers. Image via Planetary Science Institute.

    Mars Climate Sounder

    SHARAD isn’t the only instrument to benefit from MRO’s rolling capability. In addition, the Mars Climate Sounder instrument does as well. It is a radiometer that studies Mars’ atmosphere, weather and climate.

    The instrument pivots on a gimbal. This way, it can obtain views of the Martian horizon, surface and space. But in 2024, it became unreliable with old age (20 years now in Mars orbit!). So now it uses MRO’s standard rolling maneuvers to compensate for that in its observations. As Mars Climate Sounder’s interim principal investigator, Armin Kleinboehl at JPL, noted:

    Rolling used to restrict our science, but we’ve incorporated it into our routine planning, both for surface views and calibration.

    Bottom line: A NASA Mars orbiter – Mars Reconnaissance Orbiter – is trying out a new maneuver to help it find ice and liquid water beneath Mars’ surface.

    Source: SHARAD Illuminates Deeper Martian Subsurface Structures with a Boost from Very Large Rolls of the MRO Spacecraft

    Via Jet Propulsion Laboratory

    Via Planetary Science Institute

    Read more: Amazing photos in Mars Reconnaissance Orbiter celebration

    Read more: NASA orbiter spots Curiosity rover making tracks on Mars

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  • Le Nozze di Figaro review – astute period staging of Mozart’s masterpiece is as poignant as it is funny | Opera

    Le Nozze di Figaro review – astute period staging of Mozart’s masterpiece is as poignant as it is funny | Opera

    When Glyndebourne opened its doors in 1934, it did so with The Marriage of Figaro, the first in a fabled line of productions of Mozart’s comic masterpiece to grace its stages over the last 90 years. If the director Mariame Clément felt any pressure, it didn’t show. Hers is a nuanced staging that manages to be astute, funny and moving all at once. It’s also extremely well sung.

    The opera is about many things, but a great deal hinges on the ancient concept of droit de seigneur, a barbaric medieval custom whereby a feudal lord was entitled to have sex with a female servant on her wedding night. Mozart’s Count, we learn, has made a show of ending the tradition, though he still hopes to bed the feisty Susanna, maidservant to his estranged Countess. Clément sets the show in its original period, allowing its parallels to resonate across the centuries with today’s audiences, and so they do.

    Sparky … Johanna Wallroth as Susanna, with Charvet’s Cherubino. Photograph: Tristram Kenton/The Guardian

    There is a powerful interrogation of character here: the determination and resourcefulness of Susanna, the aching loneliness of the Countess, and the testosterone-fuelled antagonism that develops between the Count and his increasingly implacable manservant, Figaro. Revolutionary feelings erupt at several points. Whether or not he prevails in his immediate sexual depredations, the Count’s days are plainly numbered. He might join in the final outburst of bonhomie, but as a predator his career is in tatters.

    Clément is clearly blessed with funny bones, as are most of her singers. At the opening of Act III, we hear the Count’s voice, seemingly from off stage. Moments later, as a wriggling foot emerges over its rim, we realise he was submerged in the bathtub all along. The fistfuls of documents concealed under Marcelina’s voluminous skirts, the rogue’s gallery of doddery old men, and a hastily improvised game of rock paper scissors all receive well-earned laughs.

    Elisabeth Boudreault as Barbarina, Alessandro Corbelli as Dr Bartolo and Ru Charlesworth as Don Basilio. Photograph: Tristram Kenton/The Guardian

    Julia Hansen’s rotating sets are a marvel, presenting a labyrinthine succession of pastel-painted rooms, corridors and gardens. Equally eye-catching are her vibrant costumes and Paule Constable’s atmospheric lighting, which never fails to pick out a face. Riccardo Minasi drives the score hard, though his flexible beat is always alert to the drama. The playing of the Orchestra of the Age of Enlightenment is exhilarating, though balance is sometimes an issue.

    The cast is led by Johanna Wallroth’s sparky Susanna and Louise Alder’s radiant Countess. The latter delivers an immaculate account of Porgi amor and a poignantly staged Dove sono. Michael Nagl is an appealingly bumptious Figaro, Huw Montague Rendall a preening, raptor-like Count, and Adèle Charvet engaging and entirely convincing as the reluctantly cross-dressed Cherubino. As Bartolo and Marcelina, Alessandro Corbelli and Madeleine Shaw are surprisingly tender in the paternity scene, another of Clément’s many thoughtful touches.

    At Glyndebourne until 21 August

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