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  • Drag Race Winner Ginger Minj on All Stars 10, Trixie Mattel’s Advice

    Drag Race Winner Ginger Minj on All Stars 10, Trixie Mattel’s Advice

    For Ginger Minj, the fourth time on RuPaul’s Drag Race was the charm.  

    After making her debut in 2015 on the seventh season of the RuPaul Charles-led drag show, the Florida native nearly won the title of America’s Next Drag Superstar, but came up short. Then, she returned a year later to compete in the second season of the All Stars spinoff. And again for All Stars season six, where similarly to her run on season seven, she made it to the finale but did not win the show.

    It came as a surprise to some viewers when Ginger was announced as part of the cast of All Stars season 10, considering she’d already competed a total of three times before and almost won on two separate occasions. Despite disdain from Drag Race’s fandom (which is known to be rather toxic), the drag artist tells The Hollywood Reporter that her homecoming resembles that of the drag pageant world. 

    “It’s kind of nice that Drag Race is catching up to actual in-person, real-life drag by throwing back to old school drag pageantry where you do go as many times as it takes,” she says, a sentiment that executive producer Tom Campbell echoed to THR ahead of the show’s premiere.

    Plus, Ginger says landing in the hospital before she got the call to return to the competition influenced her decision to say yes to battle for the crown for a fourth time. 

    “I was at my worst mental and physical health. … I didn’t know if I was going to really pull through, and I felt like, what is there to live for?” she says. “And then once I pulled myself out of that and started to take my life back, it made me go, you know what? If you’re ever gonna do anything, why don’t you take this opportunity to go back and show yourself how much you can grow?” 

    To commemorate her win, Ginger chatted with THR about the mixed fan reception to her taking home the crown, why she thought All Stars 10 would end in a double crowning between herself and Jorgeous, and what advice her season seven sister Trixie Mattel gave her for navigating her reign. 

    ***

    Congratulations on your win, Ginger. It’s only been a few days since you were officially crowned, but has it sunk in that you won All Stars season 10?

    To be honest with you, no. There are still moments where I glance over at the crown and scepter just sitting there on the shelf, and I’m like, “Oh, wow, it really happened. It finally happened,” and I get that wave of every emotion that you could imagine all over again.

    What has the reception to your win felt like so far?

    It’s felt really good, simply because I am an artist, and when you create [art], it is something that’s so subjective, so whether it’s good or bad, it’s evoking some kind of massive emotion amongst the entire fan base around the world, and I feel that that is really kind of a testament to how much hard work that I’ve put in to create something very special. 

    Why do you think that right now, with All Stars 10 and it being your fourth time coming back on Drag Race, was the right time for you to win?

    Listen, I would not have appreciated this nearly as much if I had won any of my previous seasons, because I just wasn’t in the right headspace to receive anything positive. I was at my worst mental and physical health, and it wasn’t until right before I even got the call to come back to All Stars 10, I was in the hospital. I didn’t know if I was going to really pull through, and I felt like, what is there to live for? It sounds so morbid and so awful, especially looking back on it. And then once I pulled myself out of that and started to take my life back, it made me go, you know what? If you’re ever gonna do anything, why don’t you take this opportunity to go back and show yourself how much you can change and how much you can grow and how much better you can be? So I did this for myself for the first time. Out of all of my seasons of Drag Race, I did [All Stars 10] solely for me and to really solidify the fact that I can trust myself, and I did, and that’s how I played the game this time. Instead of worrying about what all the other girls were doing, I just lived in every moment and tried to do the best with what was given to me. And I think that’s why I was successful, and why I can sit back and appreciate it so much.

    Your weight loss was highlighted on the show, but I didn’t know that you were experiencing health issues prior to All Stars 10. When you were announced as part of the cast, there was some controversy with that, and with every winner, there’s always backlash, but do you think that if more of your personal health journey would have been highlighted on the show, as opposed to just noting that you had lost weight, that viewers would have better understood your journey on All Stars 10? 

    I think it’s a double-edged sword. I think that the people who want to know more about me personally are invested enough to find out that information outside of the competition. But I also feel like I did the competition to kind of prove some things to myself. So I don’t know that I would have really wanted my health journey to overshadow the artistic journey that I took on the season.

    Some fans argued that you and Jorgeous shouldn’t have been on the season because you’ve already done All Stars, but you were the top two [queens] of the season. What do you think that says about returning All Stars coming back for another shot at the competition? Do you think it’s fair?

    I come from the pageant world in drag, that’s where I kind of got my footing and learned about being a competitor and what turned me into the queen that I am. It gave me a name and some fame before I even competed on Drag Race [season seven]. And even [season 15 winner] Sasha Colby, she competed half a dozen times at Miss Continental before she won that title. It’s kind of nice that Drag Race is catching up to actual in-person, real life drag by throwing back to old school drag pageantry where you do go as many times as it takes, because you learn something new that you can apply, and by the time you win, you really are the best version of yourself that you’ve ever been. I think that’s why a lot of people have really resonated with my win, because you don’t typically succeed the first or second time you try something big. You have to learn, and you have to get knocked down, and you have to grow before you can really become that best version that is deserving of the reward.

    ‘RuPaul’s Drag Race All Stars’ season 10.

    Paramount/WOW

    Do you think that your win is going to open the door for other past All Stars competitors to want to come back again? Now they see there is a path where you can really come back and [win] no matter how many times you take. 

    I hope it does. I hope so. And it’s like any other competition show, we’ve got people that have gone on to Project Runway several times more than I’ve been back to Drag Race. We’ve even got people that have won Project Runway that then come back and compete again just because they enjoy the competition, they enjoy showing the new techniques that they’ve learned. I don’t think that anybody should ever be discounted or told that they shouldn’t continue to pursue something that they are so passionate about. I truly believe that if you are passionate about something, you should share it with the world, because you never know who it’s going to resonate with. And can we just end the narrative right now that people who do return have an unfair advantage? Because I feel like I and Jorgeous and Jujubee and all of us who have appeared more than two or three times have a disadvantage walking into the competition, because we’ve already shown what we can do to the best of our abilities, and if we don’t at least meet that or exceed it, we’re going to be the ones with egg on our face. We’re going to be the ones that are sent home and look like a fool. We have the most to lose because we’ve already been good.

    You were on season seven and All Stars six. Now, there have been three queens from both of those separate seasons that have gone on to win crowns. Have you heard from fellow winners Violet [Chachki], Trixie [Mattel], Kylie [Sonique Love] or Ra’Jah O’Hara after you were crowned? 

    Yeah, the All Stars six cast is still really, really close, and we talk all the time. Ra’Jah and Kylie were two of the first people in my DMs going, “Oh my god sister, we’re so proud of you! This is so exciting.” All Stars 6 filmed at the height of the pandemic, and we had all been locked up in our houses for so long that we were just so happy to be in a room full of people creating art and doing drag and having a good time, and I think that’s why we’re all still so close. And then Saturday, after the dust had kind of settled a little bit, Trixie called me and we had a long heart-to-heart. And she just said, “I’m so proud of you. You’ve achieved this goal that’s so cool, and you’ve wanted it for so long.” And she said, and “There’s days now, like 10 years later, almost, where I look at my [All Stars three] crown and go, ‘Oh my god, it’s so cool. It’s so cool that I did this thing.’” She said, “But you’re also getting all of the people who are giving you backhanded compliments of, ‘Congratulations on your win, ignore the haters.’” She said, “Just don’t entertain any of it. You know why you did it, you know why you deserve to win and you just kind of have to live in that moment for yourself before you can start entertaining the good or bad from anybody else.” So it was really nice to hear that from somebody that I respect so much. 

    You won four challenges this season. Which one was your favorite, and are there any others that you wish you had won? 

    My favorite challenge was the one that I didn’t win, which was the talent show. And I feel like that’s because people expected me to do well in Snatch Game, and I’ve proven that I could do that several times before. I can do improv challenges, I’ve done sewing challenges where I’ve done well and I’ve done poorly, but I’ve never gotten to show that side of me as an entertainer, and that’s really me at my core is this little Broadway brat, this musical theater kid who got into drag through theater. It was a way for me to give a love letter to that younger version of myself, and I’m so glad that it was so well received by the fandom. That was really the most important challenge to me.

    Going off your love for Broadway, you’ve recently teased that you may be making your Broadway debut in the near future. What can you tease about that?

    It’s going to be happening sooner than we all think, and it’s going to be happening in a very unexpected way.

    Ginger Minj

    Santiago Felipe/Getty Images for Paramount+

    You’ve said that your aesthetic has been changing, but you’ll always be the same performer. In terms of your aesthetic, how would you describe that as a newly crowned All Stars winner?

    Even though I’m still a plus size beauty, and I will continuously remain that way because I’ve found my comfort and my joy in representing the plus size community, now that I have lost weight, I am more comfortable in my skin and I’m feeling sexier. I’m taking a lot more chances when it comes to fashion. I’m enjoying cutting the neckline a little bit lower and the skirts a little bit higher and showing off a little bit more of what I’ve got to offer.

    You looked amazing in your finale episode look.

    Thank you so much. I appreciate it, and I felt good. That’s the thing — I never set out to lose weight as an aesthetic goal. I was pre-diabetic, my blood pressure was through the roof, my sugar levels were ridiculous, I had horrible sleep apnea, so I never got any kind of restful sleep. I was on the verge of a heart attack, like all of these things went into me going on this health journey and losing weight. But also aesthetically, I just am starting to feel more like who I’ve always wanted to be. I’ve always felt really beautiful on the inside. I think it’s finally reflecting on the outside.

    In the video of you winning, you just seemed so excited, happy [and shocked]. Can you take me through what that moment specifically felt like?

    I was fully prepared for the disappointment of losing again, especially since Jorgeous is such a fierce competitor and I’m such a fan of Jorgeous that, you know, much like when Kylie won All Stars six, I could be super happy for her and also very disappointed for myself at the same time. Those two things can coexist, and it’s kind of the opposite this time. I was very happy for me, but super disappointed for my sister. I didn’t know if maybe it would be a double crowning. To me, that would have been the most exciting thing, because I think we both represent two completely opposite ends of drag, and together, we kind of encompass all the beautiful things about what drag has to offer. But having gotten so close two times before and not getting it, I had prepared myself that it wasn’t going to happen. And when it did it, it awakened so many other emotions that I hadn’t prepared myself for. So I think that’s why my first inclination was to check in with Jorgeous and be like, “Are you okay?” Like, I know that I’m not okay, and I just won. Because I’m concerned about you, but I’m also really happy for me, and I don’t quite know how to process this moment from this perspective, because I’ve never had to do it before. It was shocking and exhilarating, and I was happy and I was sad, and I kind of experienced every emotion that you could imagine at one time.

    You’re heading out on your Hocus Pocus Live! tour this fall. What else can we expect to see from you during your reign?

    I just signed a contract to star in a brand new Universal Pictures movie that’s going to movie theaters, directed by Adam Shankman. I’ll get to act and sing and dance and be silly and fun in front of your movie screens all around the world! I’ve got a couple of other really fun big things in the works. My book Southern Fried Sass is out there for anybody who wants to learn a little bit more about me as a person in my life, as well as cook some delicious Southern recipes. Just keep your eyes peeled. There’s music, there’s Broadway, there’s movies, there’s everything!

    ***

    RuPaul’s Drag Race All Stars season 10 is available to stream on Paramount+. 

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  • Princess Anne wants Prince William to earn ‘bread and butter’

    Princess Anne wants Prince William to earn ‘bread and butter’

    Princess Anne wants Prince William to earn ‘bread and butter’ 

    Princess Anne wants Prince William to take a step up and work towards more responsibilities.

    The Princess Royal wants her eldest nephew to do more engagements that are related to ‘bread and butter’ as she wishes more participation of the Prince of Wales on Investitures.

    A source close to Anne told the The Times: “She’s still doing most of the investitures [at Windsor] even though William lives there. It annoys her.”

    They add : “Investitures also happen occasionally at the Palace of Holyroodhouse in Edinburgh, or overseas during State or Royal visits. Investitures are hosted by The King, The Princess Royal and The Prince of Wales.”

    This comes as the seriousness of Princess Anne’s horse back fall was laid bare by a close friend.

    A source, who is close to the princess, told The Times: “Her accident was so much worse than anyone let on and it took quite a while for her to feel herself again.”

    Anne said: “You’re jolly lucky… if you can continue to be more or less compos mentis and last summer I was very close to not being. Take each day as it comes, they say.”


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  • Black Ferns Rugby World Cup Squad Naming » allblacks.com

    Black Ferns Rugby World Cup Squad Naming » allblacks.com

    The Black Ferns unveil their 33-player squad for the 2025 tournament in England at 5.05pm NZT on Friday 25 July.

    Tune in on YouTube from 5.05pm NZT on Friday 25 July, as the Black Ferns announce the squad set to defend their Rugby World Cup crown in England.

    The Rugby World Cup will take place in between 22 August and 27 September 2025, with the Black Ferns drawn in Pool C alongside Ireland, Japan and Spain. 


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  • Global commercial insurance rates fall 4% in Q2 2025, marking the fourth consecutive quarterly decrease

    London | 24 July, 2025

    According to the latest Global Insurance Market Index released today by Marsh, the world’s leading insurance broker and risk advisor and a business of Marsh McLennan (NYSE: MMC),  global commercial insurance rates fell 4%, on average, in the second quarter of 2025 following a 3% decline in Q1 2025. Increasing insurer competition, is currently the main catalyst behind rising market capacity, more favorable rates, and broader coverage options.

    All global regions experienced year-over-year composite rate decreases in Q2 – of between 4% and 11% – except for the US, where the rate was flat. Q2 is the fourth consecutive global quarterly decrease following seven years of quarterly increases and is a continuation of the moderating rate trend first recorded in Q1 2021.

    The Pacific and the UK regions experienced the largest composite rate decreases, at 11% and 6%, respectively. Rates declined in Asia; Latin America and the Caribbean (LAC); and India, Middle East, and Africa (IMEA) by 5%; and in Canada and Europe by 4%.

    Other findings included:

    • Property rates declined by 7% globally following a 6% decline in Q1, with rate movement varying by region. The US and Pacific regions experienced the largest decreases, at 9% and 13% respectively, while all other regions declined between 4% and 7%.
    • Casualty rates increased 4% globally, which was led by a 9% increase in the US due largely to the frequency and severity of casualty claims, many of which are characterized by large (so-called “nuclear”) jury awards.
    • Financial and professional lines rates continued to moderate and decreased by 4% globally in the second quarter compared to a 6% decrease in Q1 2025. Rates declined in every region, except the US, where rates remained flat.
    • Cyber insurance rates decreased by 7%, with declines seen in every region, including 17% in LAC and 15% in Europe.

    Commenting on the report, John Donnelly, President, Global Placement, Marsh, said: “Mounting competition among insurers with ambitious growth targets is providing reduced pricing and broader coverage options. Against this backdrop, rising US casualty rates are a concern for clients. As geopolitical issues, including tariffs and cross-border conflicts, create new challenges and uncertainties, organizations now have access to many attractive traditional and alternative financing strategies to manage their risks. Clients should work closely with Marsh to assess exposures and risk appetite and to find areas where it may be possible to broaden coverage compared to what was available in recent years.”

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  • Saiyaara Full Movie Collection: ‘Saiyaara’ box office collection day 6: The Ahaan Panday, Aneet Padda movie directed by Mohit Suri crosses Rs 150 crore despite a slight drop in the business on Wednesday |

    Saiyaara Full Movie Collection: ‘Saiyaara’ box office collection day 6: The Ahaan Panday, Aneet Padda movie directed by Mohit Suri crosses Rs 150 crore despite a slight drop in the business on Wednesday |

    After created history with its opening weekend numbers, as it’s the highest grossing love story, ‘Saiyaara’ has continued its phenomenal run at the box office even during the weekdays. The film which made two newcomers into stars overnight – Ahaan Panday and Aneet Padda has already overtaken many big movies when it comes to the numbers. The Mohit Suri directorial saw a drop on Wednesday, day 6, but crossed Rs 150 crore.Saiyaara Movie ReviewWhile on Saturday, it made Rs 25 crore, the number on day 3 which is Sunday saw a growth further. The movie made Rs 35.75 crore on day 3. On Monday, a drop in the numbers was expected as compared to Sunday and that’s normal. Yet it crossed Rs 20 crore mark on a Monday is commendable. The film minted Rs 24 crore on day 4. On Tuesday, day 5, there was a slight growth as compared to Monday. The numbers on Tuesday could be higher as many theatres have lower ticket prices, thus, there may have been a higher footfall in theatres. Thus, the movie made Rs 25 crore. Now on day 6,, ‘Saiyaara’ has collected Rs 21.00 crore. The Wednesday numbers have seen a slight drop as compared to Tuesday. However, that was also expected since there were more footfalls on Tuesday due to discounted ticket prices in some national chains. The film’s total collection so far, according to Sacnilk, is Rs 153.25 Cr crore.Even Salman Khan’s ‘Sikandar’ had failed to cross Rs 100 crore in its first four days. Thus, it has surely done better than many big movies. According to Box Office Inda, in the Delhi/UP circuit, Saiyaara pulled off a stunning feat on Tuesday, raking in more than twice the collections of Chhaava. Even more impressively, it’s set to surpass the first Tuesday numbers of Pushpa 2 in the region—an achievement that speaks volumes. What makes this even more remarkable is that Saiyaara managed a stronger Tuesday than some of post-pandemic Bollywood’s biggest blockbusters, including Jawan and Pathaan. Being a top Tuesday of all time is a huge feat and the film has continued to hold steady even on Wednesday.It will be able to continue its run at the box office as there is no major competition even this coming Friday. ‘Son Of Sadaar 2’ has been pushed to August 1 release thus, this week also ‘Saiyaara’ will continue to dominate the box office. But from next Friday onwards, ‘Son Of Sardaar 2’ and ‘Dhadak 2’ both are clashing together but till then, the ‘Saiyaara’ euphoria might just continue. Day wise collection of the film:Day 1 [1st Friday]₹ 21.5 Cr-Day 2 [1st Saturday]₹ 26 CrDay 3 [1st Sunday]₹ 35.75 CrDay 4 [1st Monday]₹ 24 CrDay 5 [1st Tuesday]₹ 25 CrDay 6 [1st Wednesday] ₹ 21.00 CrTotal₹ 153.25Cr


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  • Aether Haus launches in Vancouver, offering social wellness with the Wim Hof method

    Aether Haus launches in Vancouver, offering social wellness with the Wim Hof method

    Aether Haus offers a cold plunge experience led by in-house instructors who are certified in the breathing and cold exposure practice known as the Wim Hof method

    Guests can take part in 90-minute semi-guided programmes to experience the facilities

    The property has a large Himalayan salt sauna, group cold plunge pools in varying temperatures and a tea lounge

    The space is a phone-free environment

    Aether Haus, a 31,000sq ft contrast bathing facility, has opened to the public and members in the West End of Vancouver, minutes from English Bay Beach, Canada.

    Owned by founder Kevin Frank, the studio has been designed as an inclusive space with an ethos of warm hospitality.

    Aether Haus offers a range of semi-guided and self-guided sessions in addition to a cold plunge programme led by certified instructors.

    In order to foster connection and allow guests to create deeper relationships with themselves and the community, the space is a phone-free environment. This is an intentional choice, to provide a no-pressure and no-pretence environment.

    Frank said: “We created Aether Haus to welcome everyone, not just the hyper health-conscious. This is a space for people to simply show up as they are and experience the power of stillness.”

    The name is based on the Greek mythological essence that gods breathed, called ‘aether’. ‘Haus’ comes from the German word for ‘house’, which evokes a sense of belonging and shared experience. Together, the words represent a home for the elements and connection.

    A spokesperson told Spa Business that Aether Haus would like to expand across British Columbia and is aiming to open a second location in 2027.

    Facilities

    The property has a large Himalayan salt sauna (supplied by Vancouver Sauna), group cold plunge pools in varying temperatures by Joe Chill Ice Works and a tea lounge.

    Pacific Solution worked on the construction, with Karina Hamnan who designed the studio. An artist, Ronan Boyle, created the facility’s ice cave and rock wall and Inform Interiors designed the lighting.

    Programmes

    Aether Haus offers a cold plunge experience led by in-house instructors who are certified in the breathing and cold exposure practice known as the Wim Hof method.

    Instructors Dave Gu and Jon West have trained the Aether Haus guide team to provide advice that can be adapted depending on contrast bathers’ level of experience.

    In addition to free-flow sessions that allow for different preferences and moods (group/ silent/ ambient sessions), guests can take part in 90-minute semi-guided programmes to experience the facilities.

    • Haus Classic – This is an Aufguss-inspired sauna ritual that uses darkness, curated playlists and high heat for guests to experience self reflection.

    • Sound Journey – Skilled musicians play singing bowls, the flute, guitar, percussion and other instruments live during a meditative practice to promote relaxation.

    • Breath and Sound – Similar to the above Sound Journey, this experience features live music, vocal expressions and breathwork.

    • Yin Stretch – Aether Haus’ in-house yoga teacher leads a grounding session via a series of deep stretches, gentle twists and breathing exercises.

    • The Cold Enthusiast – This session provides practical tools and expert guidance to deepen guests’ cold exposure practice for a more intentional connection with the cold.

    • The Pause – This experience emphasises stillness and silence, with three silent meditations.

    • The Release – Gentle movement, breathwork, vocal release and towel waving are all used to help guests release tension and reset themselves emotionally.

    • The Space Within – This is a guided meditation journey using music and visualisation prompts.

    Business model

    The studio offers a hybrid model, offering both session-based pricing and recurring memberships for more consistent access.

    A single drop-in session costs CA$48 (US$35, €30, £26) and a 10-session pass costs CA$440 (US$321, €275, £238). Off-peak prices are also on offer.

    Various membership packages are available. An unlimited membership costs CA$275 (US$201, €172, £149) per month.

    The company also advertises private sessions for team building, which could suit corporate wellbeing retreats. Though the studio does not have treatment rooms for massage, Aether Haus offers the Russian Banya massage ritual to these group sessions. This involves a therapy of vigorously applying veniks (a bundle of leafy twigs) to the body to improve circulation and open pores.

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  • Crested Diapsid Reptile from Middle Triassic Shakes Up Feather Evolution Theories

    Crested Diapsid Reptile from Middle Triassic Shakes Up Feather Evolution Theories

    Paleontologists have described a new genus and species of Triassic drepanosauromorph diapsid with striking integumentary appendages — which are neither feathers nor skin — based on two well-preserved skeletons and associated specimens. Their findings demonstrate that feathers or hair-like protrusions are not unique to birds and mammals.

    Mirasaura grauvogeli in its natural forested environment, hunting insects. Image credit Gabriel Ugueto.

    Feathers and hair are examples of complex appendages on the outer bodies of vertebrate animals and have important functions such as forming insulation, aiding sensation, providing displays and contributing to flight.

    Feathers and hair have their origins in stem lineages of birds and mammals, respectively.

    However, the genetic toolkit for the development of these appendages is likely to have deeper roots among amniotes — the branch of animals that encompasses reptiles, birds and mammals.

    A Triassic reptile species described by Dr. Stephan Spiekman from the Staatliches Museum für Naturkunde Stuttgart and his colleagues had a distinctive crest of appendages up to 15.3 cm (6 inches) long along its back.

    Named Mirasaura grauvogeli, this strange creature lived in what is now Europe some 247 million years ago.

    Although the species had a superficially bird-like skull, it belonged to a group of diapsids called Drepanosauromorpha.

    The anatomy of Mirasaura grauvogeli. Image credit: Spiekman et al., doi: 10.1038/s41586-025-09167-9.

    The anatomy of Mirasaura grauvogeli. Image credit: Spiekman et al., doi: 10.1038/s41586-025-09167-9.

    Two well-preserved skeletons and 80 specimens with isolated appendages and preserved soft tissues of Mirasaura grauvogeli were found in northeastern France in the 1930s but remained unidentified until further preparation was undertaken in recent years.

    “This allowed the crests and skeletal remains to be associated to each other,” the paleontologists explained.

    “The tissues preserved within the appendages contain melanosomes (pigment-producing cells found in skin, hair and feathers) that are more similar to those seen in feathers than in reptilian skin or mammalian hair, although they lack the typical branching patterns seen in feathers.”

    “These findings suggest that such complex appendages already evolved among reptiles before the origin of birds and their closest relatives, which may offer new insights into the origin of feathers and hair.”

    “Considering the function of the appendages seen in Mirasaura grauvogeli, we ruled out roles in flight or camouflage and instead suggest a possible role in visual communication (signaling or predator deterrence).”

    The team’s paper was published today in the journal Nature.

    _____

    S.N.F. Spiekman et al. Triassic diapsid shows early diversification of skin appendages in reptiles. Nature, published online July 23, 2025; doi: 10.1038/s41586-025-09167-9

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  • Guided Nanoparticles Reconnect Brain Cells, Raising Hopes For Parkinson’s Treatment : ScienceAlert

    Guided Nanoparticles Reconnect Brain Cells, Raising Hopes For Parkinson’s Treatment : ScienceAlert

    Broken connections between brain cells play a critical role in multiple neurodegenerative conditions, including Parkinson’s disease. Scientists have now come up with a novel way of repairing our neural wiring.

    A team led by University of Pisa biologist Sara De Vincentiis used mini-brains grown in a lab to test a technique they’re calling “nano-pulling”, using tiny magnetic particles controlled by magnetic fields to guide axons (connective nerve fibers) into place.

    With further development, the researchers believe this approach could help restore the nigrostriatal pathway, a vital connection in motor control that is compromised in Parkinson’s patients.

    “This study demonstrates the potential of nano-pulling as an emerging technique to promote directed reinnervation within the central nervous system,” the researchers write in their published paper.

    Related: Parkinson’s Discovery Suggests We Could Have an FDA-Approved Treatment Already

    Parkinson’s disease is partially the result of damage to brain cells that make the chemical messenger dopamine. Transplanting dopamine-producing tissue has shown some promise as a therapy, but these new cells struggle to hook themselves up to host brain tissue once they’re in place.

    Some gentle coaxing with magnetic particles could help fix that problem, and get us another step closer to effective treatments.

    Mini-brains were used to test the effects of nano-pulling. (De Vincentiis et al., Adv. Sci., 2025)

    Nano-pulling was shown to increase axon length and get connectors moving in the right direction. It also made the cells more stable, and produced more of the axon branches and synaptic vesicles (tiny packages of neurotransmitters) that are required to build neuron links and eventually restore the nigrostriatal pathway.

    As an added bonus, the magnetic particles used in the experiment have been approved safe for use in medical procedures, including MRI scans. No damage was seen in the mini-brains used by the researchers.

    “We successfully achieved guided neurite growth, resulting in increased neurite length and branching, thereby reinforcing the versatility and potential therapeutic applications of this technique,” write the researchers.

    There’s no cure yet for Parkinson’s disease, but we’re getting better at understanding how it gets started and the different risk factors involved. Like Alzheimer’s, it’s a complex disease, and it can be difficult to distinguish between causes and the consequences of having it.

    Work continues to find treatments that can stop Parkinson’s or slow it down. As with this latest study, a lot of the focus is on protecting the brain from damage, and trying to get dopamine production back up and running.

    “Parkinson’s disease is the second most frequent age-related neurodegenerative disease globally,” write the researchers.

    “Parkinson’s disease prevalence has doubled over the past 25 years, with an alarming rise to 13 million patients projected by 2040.”

    The research has been published in Advanced Science.

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  • Michael Jackson Biopic ‘Michael’ Moves to April 2026

    Michael Jackson Biopic ‘Michael’ Moves to April 2026

    EXCLUSIVE: Lionsgate and Universal‘s Michael Jackson biopic Michael is officially moving to Friday, April 24, and that’s a global theatrical release.

    At the same time, we hear that a second movie about Jackson remains in development.

    We told you at CinemaCon there were distribution plans afoot for the feature directed by Antoine Fuqua and produced by Graham King. Michael also will get a release on Imax screens.

    The delay with Michael has been twofold, one being its length — there was a first cut in excess of 3½ hours. There also have been reports that the initial cut of the movie made references to 13-year old Jordan Chandler, who accused Jackson of molestation and who the pop singer settled with for $20M in 1994 with no admission of guilt. While the screenplay by three-time Oscar nominee John Logan was developed, approved by the estate and shot to include Chandler, after production wrapped, it was revealed there was an agreement for him not to be included. Hence the production had to go back and re-approach the material. Jackson’s nephew, Jaafar Jackson, plays the King of Pop.

    There aren’t any major studio wide entries on April 24 at this stage, hence a great choice for Lionsgate. Michael will open in the wake of New Line/Blumhouse’s Lee Cronin’s The Mummy and Amazon MGM Studios/Miramax’s Liam Neeson pic 4 Kids Walk Into a Bank from director Frankie Shaw on April 17. Michael also will precede the May 1 release of 20th Century Studios’ The Devil Wears Prada 2 and Warner Bros/Legendary’s Animal Friends.

    This is the third time that Michael has moved. The pic’s first release date was April 18, 2025, then October 3.

    RELATED: First Photo From Michael Jackson Biopic ‘Michael’ Unveiled As King Of Pop’s Nephew Takes The Stage

    Oscar winner King’s previous music biopic, Bohemian Rhapsody, won four Oscars and grossed over $910M at the worldwide box office.

    Kino Films is releasing Michael in Japan, while Universal has the rest of the world.

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  • NASA Launches Mission to Study Earth’s Magnetic Shield

    NASA Launches Mission to Study Earth’s Magnetic Shield

    NASA’s newest mission, TRACERS, soon will begin studying how Earth’s magnetic shield protects our planet from the effects of space weather. Short for Tandem Reconnection and Cusp Electrodynamics Reconnaissance Satellites, the twin TRACERS spacecraft lifted off at 11:13 a.m. PDT (2:13 p.m. EDT) Wednesday aboard a SpaceX Falcon 9 rocket from Space Launch Complex 4 East at Vandenberg Space Force Base in California.

    “NASA is proud to launch TRACERS to demonstrate and expand American preeminence in space science research and technology,” said acting NASA Administrator Sean Duffy. “The TRACERS satellites will move us forward in decoding space weather and further our understanding of the connection between Earth and the Sun. This mission will yield breakthroughs that will advance our pursuit of the Moon, and subsequently, Mars.”

    The twin satellites will fly one behind the other – following as closely as 10 seconds apart over the same location – and will take a record-breaking 3,000 measurements in one year to build a step-by-step picture of how magnetic reconnection changes over time.

    Riding along with TRACERS aboard the Falcon 9 were NASA’s Athena EPIC (Economical Payload Integration Cost), PExT (Polylingual Experimental Terminal), and REAL (Relativistic Electron Atmospheric Loss) missions – three small satellites to demonstrate new technologies and gather scientific data. These three missions were successfully deployed, and mission controllers will work to contact them over the coming hours and days.

    Ground controllers for the TRACERS mission established communications with the second of the two spacecraft at 3:43 p.m. PDT (6:43 p.m. EDT), about 3 hours after it separated from the rocket. During the next four weeks, TRACERS will undergo a commissioning period during which mission controllers will check out their instruments and systems.

    Once cleared, the twin satellites will begin their 12-month prime mission to study a process called magnetic reconnection, answering key questions about how it shapes the impacts of the Sun and space weather on our daily lives.

    “NASA’s heliophysics fleet helps to safeguard humanity’s home in space and understand the influence of our closest star, the Sun,” said Joe Westlake, heliophysics division director at NASA Headquarters in Washington. “By adding TRACERS to that fleet, we will gain a better understanding of those impacts right here at Earth.”

    The two TRACERS spacecraft will orbit through an open region in Earth’s magnetic field near the North Pole, called the polar cusp. Here, TRACERS will investigate explosive magnetic events that happen when the Sun’s magnetic field – carried through space in a stream of solar material called the solar wind – collides with Earth’s magnetic field. This collision creates a buildup of energy that causes magnetic reconnection, when magnetic field lines snap and explosively realign, flinging away nearby particles at high speeds.

    Flying through the polar cusp allows the TRACERS satellites to study the results of these magnetic explosions, measuring charged particles that race down into Earth’s atmosphere and collide with atmospheric gases – giving scientist the tools to reconstruct exactly how changes in the incoming solar wind affect how, and how quickly, energy and particles are coupled into near-Earth space.

    “The successful launch of TRACERS is a tribute to many years of work by an excellent team,” said David Miles, TRACERS principal investigator at the University of Iowa. “TRACERS is set to transform our understanding of Earth’s magnetosphere. We’re excited to explore the dynamic processes driving space weather.”

    Small Satellites Along for Ride

    Athena EPIC is a pathfinder mission that will demonstrate NASA’s use of an innovative and configurable commercial SmallSat architecture to improve flexibility of payload designs, reduce launch schedule, and reduce overall costs in future missions, as well as the benefits of working collaboratively with federal partners. In addition to this demonstration for NASA, once the Athena EPIC satellite completes its two-week commissioning period, the mission will spend the next 12 months taking measurements of outgoing longwave radiation from Earth.

    The PExT demonstration will test interoperability between commercial and government communication networks for the first time by demonstrating a wideband polylingual terminal in low Earth orbit. This terminal will use software-defined radios to jump between government and commercial networks, similar to cell phones roaming between providers on Earth. These terminals could allow future missions to switch seamlessly between networks and access new commercial services throughout its lifecycle in space.

    The REAL mission is a CubeSat that will investigate how energetic electrons are scattered out of the Van Allen radiation belts and into Earth’s atmosphere. Shaped like concentric rings high above Earth’s equator, the Van Allen belts are composed of a mix of high-energy electrons and protons that are trapped in place by Earth’s magnetic field. Studying electrons and their interactions, REAL aims to improve our understanding of these energetic particles that can damage spacecraft and imperil astronauts who pass through them. 

    The TRACERS mission is led by David Miles at the University of Iowa with support from the Southwest Research Institute in San Antonio, Texas. NASA’s Heliophysics Explorers Program Office at the agency’s Goddard Space Flight Center in Greenbelt, Maryland, manages the mission for the Heliophysics Division at NASA Headquarters in Washington. The University of Iowa, Southwest Research Institute, University of California, Los Angeles, and the University of California, Berkeley, all lead instruments on TRACERS.

    The Athena EPIC mission is led by NASA’s Langley Research Center in Hampton, Virginia, and is a partnership between National Oceanic and Atmospheric Administration, U.S. Space Force, and NovaWurks. Athena EPIC’s launch is supported by launch integrator SEOPS. The PExT demonstration is managed by NASA’s SCaN (Space Communications and Navigation) program in partnership with Johns Hopkins Applied Physics Laboratory, with launch support by York Space Systems. The REAL project is led by Dartmouth College in Hanover, New Hampshire, and is a partnership between Johns Hopkins Applied Physics Laboratory, Montana State University, and Boston University. Sponsored by NASA’s Heliophysics Division and CubeSat Launch Initiative, it was included through launch integrator Maverick Space Systems.

    NASA’s Launch Services Program, based at the agency’s Kennedy Space Center in Florida, manages the VADR (Venture-class Acquisition of Dedicated and Rideshare) contract.

    To learn more about TRACERS, visit:

    https://nasa.gov/tracers

    -end-

    Abbey Interrante / Karen Fox
    Headquarters, Washington
    301-201-0124 / 202-358-1600
    abbey.a.interrante@nasa.gov / karen.c.fox@nasa.gov

    Sarah Frazier
    Goddard Space Flight Center, Greenbelt, Maryland
    202-853-7191
    sarah.frazier@nasa.gov

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