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  • Using pollen to make paper, sponges and more

    Using pollen to make paper, sponges and more

    Using pollen to make paper, sponges and more

    At first glance, Nam-Joon Cho’s lab at Singapore’s Nanyang Technological University looks like a typical research facility — scientists toiling away, crowded workbenches, a hum of machinery in the background. But the orange-yellow stains on the lab coats slung on hooks hint at a less-usual subject matter under study.

    The powdery stain is pollen: microscopic grains containing male reproductive cells that trees, weeds and grasses release seasonally. But Cho isn’t studying irksome effects like hay fever, or what pollen means for the plants that make it. Instead, the material scientist has spent a decade pioneering and refining techniques to remodel pollen’s rigid outer shell — made of a polymer so tough it’s sometimes called “the diamond of the plant world” — transforming the grains to a jam-like consistency, Knowable Magazine reports.

    This microgel, Cho believes, could be a versatile building block for many eco-friendly materials, including paper, film and sponges.

    A lot of people think of pollen, when it’s not fertilizing plants or feeding insects, as useless dust, but it has valuable applications if you know how to work with it, says Cho, who coauthored an overview of pollen’s prospective applications in the 2024 “Annual Review of Chemical and Biomolecular Engineering.” He’s not the only scientist to think so. Noemi Csaba, a nanotechnology and drug delivery researcher at the University of Santiago de Compostela in Spain, wants to develop hollowed-out pollen shells into protective vehicles to deliver drugs to the eyes, lungs and stomach.

    Researchers studying pollen’s usefulness to people are a rare breed, Csaba says. “I find it a bit surprising,” she says. “Pollen is a very, very interesting biomaterial.”

    Softening the shell

    To begin working with pollen, scientists can remove the sticky coating around the grains in a process called defatting. Stripping away these lipids and allergenic proteins is the first step in creating the empty capsules for drug delivery that Csaba seeks. Beyond that, however, pollen’s seemingly impenetrable shell — made up of the biopolymer sporopollenin — had long stumped researchers and limited its use.

    A breakthrough came in 2020, when Cho and his team reported that incubating pollen in an alkaline solution of potassium hydroxide at 80 degrees Celsius (176 degrees Fahrenheit) could significantly alter the surface chemistry of pollen grains, allowing them to readily absorb and retain water.

    The resulting pollen is as pliable as Play-Doh, says Shahrudin Ibrahim, a research fellow in Cho’s lab who helped to develop the technique. Before the treatment, pollen grains are more like marbles: hard, inert and largely unreactive. After, the particles are so soft they stick together easily, allowing more complex structures to form. This opens up numerous applications, Ibrahim says, proudly holding up a vial of the yellow-brown slush in the lab.

    When cast onto a flat mold and dried out, the microgel assembles into a paper or film, depending on the final thickness, that is strong yet flexible. It is also sensitive to external stimuli, including changes in pH and humidity. Exposure to the alkaline solution causes pollen’s constituent polymers to become more hydrophilic, or water-loving, so depending on the conditions, the gel will swell or shrink due to the absorption or expulsion of water, explains Ibrahim.

    Infographic showing pollen processing for technical applications; first pollen grains are first stripped of their allergy-inducing sticky coating, in a process called defatting, then treated with acid, they form hollow sporopollenin capsules that can be used to deliver drugs. If treated instead with an alkaline solution, the defatted pollen grains are transformed into a soft microgel that can be used to make thin films, paper and sponges. – Knowable Magazine

    This winning combination of properties, the Singaporean researchers believe, makes pollen-based film a prospect for many future applications: smart actuators that allow devices to detect and respond to changes in their surroundings, wearable health trackers to monitor heart signals, and more. And because pollen is naturally UV-protective, there’s the possibility it could substitute for certain photonically active substrates in perovskite solar cells and other optoelectronic devices.

    Cho’s lab has also demonstrated that paper made from pollen can be printed on. It may be a sustainable alternative to traditional paper for writing, printing and packaging, according to Cho, who has patented the microgel’s production process. Producing traditional paper destroys trees and is resource-intensive, requiring up to 13 liters of water for every page made. Pollen is naturally released in bulk from seed-producing plants, and deriving paper from it requires only a few simple steps. Ink can be removed with a simple alkaline solution wash — a process that lets the paper be reused.

    Additionally, freeze-dried pollen microgel forms porous sponges. These could be made into such things as scaffolds for tissue engineering, or used to stem bleeding or to absorb oil spills.

    Cho’s team usually works with sunflower and camellia pollen that they purchase inexpensively as a bee pollen mixture, mainly from China. But they say their alkaline hydrolysis method would work well with a broad swath of plant species. Pollen is abundant, Cho adds — a single floret of the common sunflower, for instance, produces 25,000 to 67,000 grains every summer. Moreover, it’s easy to collect from bees in commercial hives.

    Pollen-based products have some way to go before reaching the market, Ibrahim adds; the key right now is to predict challenges and devise sustainable solutions. With other biomaterials researchers are working on, such as chitosan and cellulose, a crustacean or a tree must be destroyed. Compared with that, pollen is considerably less resource-intensive: “We’re not destroying the plant,” he says. “We’re not even destroying the flowers.”

    This story was produced by Knowable Magazine and reviewed and distributed by Stacker.

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  • Rosalind Franklin Astrobiology Rover May Find Martian Biosignatures Uncovered By Rockfalls And Ancient Floods

    Rosalind Franklin Astrobiology Rover May Find Martian Biosignatures Uncovered By Rockfalls And Ancient Floods

    Image from the HiRISE camera on NASA’s Mars Reconnaissance Orbiter showing rockfalls and their trails in the Oxia Planum region. Image credit: Aleksandra Sokołowska (Imperial College)/NASA/HiRISE/University of Arizona. Larger image

    The Rosalind Franklin mission’s chance of finding evidence of past life on Mars has been boosted by two studies that show that the rover won’t have to travel far to find materials potentially laden with organic molecules. Instead, natural processes could bring those materials to the rover, as revealed in two separate presentations at the EPSC–DPS2025 Joint Meeting in Helsinki this week.

    Rosalind Franklin is a European Space Agency (ESA) mission currently scheduled to blast off to Mars in 2028. The rover will land in Oxia Planum, which is a large plain rich in clay minerals that formed in water billions of years ago.

    ESA/NASA Rosalind Franklin rover -- ESA
    ESA/NASA Rosalind Franklin rover — ESA

    The first study presented at EPSC–DPS2025, by Dr Aleksandra Sokołowska of Brown University in the USA and Imperial College London, describes how the identification of 258 rockfalls in the region of the landing site provides the opportunity for the rover to explore previously inaccessible material.

    The second study, presented by Ananya Srivastava of the University of Western Ontario in Canada, reveals how organic-rich clays in Oxia Planum may have originated from elsewhere on Mars and been deposited through a series of floods over 3.5 billion years ago.

    Will Rosalind Franklin See the Rolling Stones?

    Identifying the rockfalls at Oxia Planum requires the highest resolution imagery from the HiRISE camera on NASA’s Mars Reconnaissance Orbiter, which can resolve objects as small as one metre. Many of the boulders brought to the ground by rockfalls are smaller than 2.5 metres and the largest is up to eight metres across. What really gives them away are their tracks, which can be metres deep and run for 500 metres.

    Sokołowska and her colleagues identified the rockfalls at 48 sites thanks to a semi-automatic process, with deep-learning algorithms spotting candidate rockfalls that were then followed-up by a human being for verification. Most rockfalls were found on the steep slopes of craters, mounds and cliffs.

    “We have reasons to believe that fresh rockfalls could be very common,” said Sokołowska. “More rockfalls are likely waiting to be found, as our manual follow-ups on small areas revealed many more than our semi-automatic search over the whole Oxia Planum region.”

    The chance of Rosalind Franklin finding itself in the path of an onrushing rockfall is slim. Instead, the rover will be able to use them to its advantage.

    Image from the HiRISE camera on NASA’s Mars Reconnaissance Orbiter showing rockfalls and their trails in the Oxia Planum region. Image credit: Aleksandra Sokołowska (Imperial College)/NASA/HiRISE/University of Arizona. larger image

    “The discovery of rockfalls in Oxia Planum opens up the exciting possibility for the rover to increase the diversity of its samples with material that would otherwise be inaccessible,” said Sokołowska.

    Fragments of rock that had been embedded on slopes of mounds, crater walls and other steep cliff-faces before falling would have been partly shielded from the radiation that drenches Mars from space. This, in theory, will improve the chances of organic molecules surviving intact in them. The dirt displaced from metres below the surface by the tracks gouged out by the rockfalls could also provide a new source of accessible samples for the rover to examine.

    Sokołowska’s work shows that impact craters play an important role in creating the conditions for the rockfalls, in terms of fracturing the ground and distributing loose material on slopes. She further explains that “Other factors that contributed to the development of rockfalls could include thermal stresses or early fluvial erosion, but a tectonic origin seems unlikely.

    The impacts themselves do not necessarily trigger the rockfalls, however. “In terms of triggers, we found no link with recent marsquakes or new impact craters,” said Sokołowska.

    Martian clays reveal episodic flooding on ancient Mars

    Image from the HiRISE camera on NASA’s Mars Reconnaissance Orbiter showing rockfalls and their trails in the Oxia Planum region. Image credit: Aleksandra Sokołowska (Imperial College)/NASA/HiRISE/University of Arizona. larger image

    Clays are a prime target for Rosalind Franklin because they can preserve organic molecules, many of which are precursors to the building blocks of life. The clay-bearing geological units in Oxia Planum have compositionally different lower and upper sections (presented in false-colour infrared maps as orange and blue, respectively). It was previously suggested that these represent a single extensive clay unit, with an orange unit at the base overlain by a blue one, consistent with an in-situ formation of the clays.

    Srivastava and her team studied clay units exposed in crater walls and found that, throughout Oxia Planum, there are multiple layers of alternating orange and blue sections. Furthermore, by comparing compositional data from NASA’s Mars Reconnaissance Orbiter (MRO) and ESA’s Mars Express missions with high-resolution imagery from MRO and ESA’s Trace Gas Orbiter, Srivastava’s team found a pattern. Craters at lower elevations tend to have thicker orange and blue layers than those at higher elevations, and overall the average thickness of these layers increases downslope of ancient highlands to the north-west of Oxia Planum.

    An image of a crater in Oxia Planum, presented in false colour from the HiRISE camera on the Mars Reconnaissance Orbiter. The blue and oranges sections show multiple layers of clay units deposited in Oxia Planum and revealed at the crater wall. Image credit: Ananya Srivastava (University of Western Ontario) /NASA/HiRISE/University of Arizona. Larger image

    “These results, particularly the variation in the layer thickness, imply that the clays may have originated elsewhere before being transported and deposited in the Oxia basin,” said Srivastava.

    The clays were likely brought to Oxia Planum by rivers running from the highlands, the dried-out valley networks of which are still visible. The multiple layers indicate that there may have been cyclical or transient bursts of water that spilled into Oxia Planum about 3.5 billion years ago, before Mars completely lost its liquid water. The repeated clay-bearing layers may therefore be a signature of Mars’s ancient climate and geological conditions, offering clues as to how Mars evolved early in its history.

    “The clays could record a far wider range of ancient Martian climatic conditions than previously believed if they came in multiple pulses from various source regions,” said Srivastava. “This diversity of environments improves the prospect that organic molecules were preserved under favourable conditions, strengthening the chances of uncovering the most thrilling discovery – clues for life beyond Earth.”

    Further information

    Aleksandra Sokołowska, Ingrid Daubar, Ariyana Bonab, Ian Haut, Valentin Bickel, Peter Fawdon, Peter Grindrod, and Susan Conway, https://doi.org/10.5194/epsc-dps2025-1727

    Paper: Sokołowska, A. J., Daubar, I. J., Bonab, A., et al, ‘Fresh Rockfalls Near the Landing Site of ExoMars Rosalind Franklin Rover: Drivers, Trafficability and Implications’, npj Space Exploration, 1, 5 (2025) https://doi.org/10.1038/s44453-025-00008-7

    This work was funded by the NASA MDAP grant #80NSSC22K1086.

    Ananya Srivastava, Livio Tornabene, Gordon Osinski, Christy Caudill, Vidhya Ganesh Rangarajan, Peter Fawdon, Joe McNeil, Peter Grindrod, Ernst Hauber, Joel Davis, and Maurizio Pajola, https://doi.org/10.5194/epsc-dps2025-1001

    Astrobiology,

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  • Key Link Found in Ropeginterferon Treatment for Polycythemia Vera

    Key Link Found in Ropeginterferon Treatment for Polycythemia Vera

    A recent study observed an association between complete hematologic response (CHR) and molecular response (MR) in patients with polycythemia vera (PV) treated with ropeginterferon.

    Thrombosis is a major complication in patients with polycythemia vera and a leading cause of death in this patient population.

    “To prevent thrombosis in patients with PV, achieving CHR is highly recommended in practice. In addition, a reduced JAK2 V617F mutation burden is expected to have a disease-modifying effect, and its MR is currently of significant interest,” wrote the authors, led by Seug Yun Yoon of the Division of Hematology and Medical Oncology in the Department of Internal Medicine at Soonchunhyang University Seoul Hospital in South Korea. Therefore, they sought to elucidate any association between CHR and MR in patients with PV after treatment with ropeginterferon alfa-2b.

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  • a powerful film about the real struggles of deaf families navigating medical institutions and parenthood

    a powerful film about the real struggles of deaf families navigating medical institutions and parenthood

    Deaf is a deeply emotional examination of what having a baby can mean for a mixed deaf and hearing couple. Spanish director Eva Libertad’s film explores where access, language and trying to keep a family together under the extreme pressure of new parenthood and social expectations come to a point.

    Throughout the film, there is a clear divide in deaf and hearing spaces, and clear differences in how people are treated in each one. A key element of this is the thoughtful effort to facilitate communication by adapting to people’s different abilities.

    At home, Ángela (played by deaf actor Miriam Garlo) and her partner Héctor (Álvaro Cervantes) communicate easily and comfortably in a mixture of sign and speech. Ángela’s experience in work is similar. While her work colleagues don’t sign fluently, they obviously value her and care about her and put effort into their communication and relationships. This care is reflected in the baby mobile they give Ángela, which has carefully moulded hands in different configurations so that Ángela’s language is represented in her baby’s toys.

    Ángela is made to feel safe and valued at home and work thanks to the care and respect everyone shows to each other when communicating, whether in speech, sign or a mixture of both. The same is true of the deaf communities in which she and Héctor are involved – Héctor is embraced, teased, accepted and treated as an equal. But when their relationship encounters the hearing world, this all changes.

    Despite Héctor’s efforts to help Ángela communicate with healthcare staff, the indifferent medical system and emotional strain take their toll on him.

    The issue comes to a head when the gynaecologist demands that he stops interpreting and moves out of Ángela’s line of sight while Ángela is giving birth. This leaves her alone, scared and with her hands restrained by anonymous medical professionals whom she can’t understand.

    This deeply traumatic experience of giving birth is something that is very common for deaf women, which makes it extremely uncomfortable to watch on screen. It’s an impossible decision that is forced on Héctor: does he insist on staying when the full power of the medical institution is drawn against him, possibly putting Ángela in further danger? Or does he acquiesce and leave his partner alone during this horribly traumatic ordeal?

    It’s a choice that colours their relationship. It is also a taste of what is to come. Together, they will have to make similarly impossible compromises, which are forced upon them by the discriminatory institutions and attitudes that surround them and their own emotions and beliefs.

    The separation of the environments in which Ángela feels able to exist as a mother becomes increasingly stark as the film progresses. Her lack of access to speech and the lack of accommodations offered to her are cruelly highlighted in several of the interactions she has with hearing people, resulting in her growing alienation and isolation from the other parents in her daughter Una’s nursery.

    The speech- and hearing-centred expectations of the parent group and the nursery itself make her feel unable to be a competent mother in that environment. She is unable to join in with the simplest games and activities the nursery leader does with Una and the other children, as they are all based around sound.

    Ángela and Héctor’s home was a safe space but, after the birth, it becomes more complicated.
    Distinto Films Nexus

    While she is still embraced as herself by the deaf community, she finds it difficult to be a mother in those settings as well. She finds it difficult to integrate the compromises she is having to make at home with who she sees herself to be, and this is affecting every part of her life.

    In their home, where previously Ángela and Héctor were able to build a haven of communication based on equality, the invasion of Ángela’s parents and Héctor’s friends, none of whom sign well, unbalances the status quo they have carefully constructed. This disrupts the linguistic care work they each do for the other to the point that their relationship creaks under the strain.

    This film isn’t just about being deaf, although that is a huge part of Ángela’s life, and the heartbeat of the film. It will also resonate with those who have multilingual families. It highlights the compromises, the guilt, the heartbreak and the joy that raising kids in multilingual and multicultural contexts can bring, and the huge amount of emotional work that goes with that. It’s an important film, one that takes authenticity and representation seriously, and is one that anybody who works with deaf people at any stage of pregnancy and parenthood should watch.


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  • ‘Big LIttle Lies’ Season 3 Officially in the Works at HBO

    ‘Big LIttle Lies’ Season 3 Officially in the Works at HBO

    A third season of Big Little Lies is ramping up at HBO, as the cable and streaming outlet has hired Mr. & Mrs. Smith co-creator Francesca Sloane to write a first episode of the show.

    Sloane has also signed a two-year overall deal with HBO, where she’ll also develop and produce other material. Big Little Lies is now formally in development again there, following years of speculation about a potential third season — a good bit of which came from its core cast and creative team.

    The series, based on Liane Moriarty’s novel of the same name, last aired in 2019. Stars and executive producers Reese Witherspoon and Nicole Kidman, along with other members of the cast, have mused about a third season a number of times since then. In June, series creator David E. Kelley said he was “hopeful” another season would happen.

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    Moriarty also announced late last year that she was working on a sequel to her book that would jump ahead several years. The show’s first season more or less followed the plot of the book, while season two chronicled the aftermath of season one’s mystery.

    Sloane will executive produce Big Little Lies season three along with Kelley, Witherspoon and Kidman. She co-created Mr. & Mrs. Smith with Donald Glover and was the showrunner on season one and earned Emmy nominations for writing and as an EP on the show’s best drama series nomination. Production on show’s second season has been paused, however.

    Sloane’s credits also include FX’s Atlanta and Fargo and Netflix’s Seven Seconds.

    Deadline first reported the news.

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  • Vuelta a Espana: Filippo Ganna wins shortened time trial as Joao Almeida closes on Jonas Vingegaard

    Vuelta a Espana: Filippo Ganna wins shortened time trial as Joao Almeida closes on Jonas Vingegaard

    Italy’s Filippo Ganna won a shortened individual time trial on stage 18 of the Vuelta a Espana as Britain’s Tom Pidcock retained his third place in the overall standings.

    UAE Team Emirates-XRG’s Joao Almeida, who is second in the general classification, took 10 seconds off the advantage of overall race leader Jonas Vingegaard.

    The stage was reduced from 27.2km to 12.2km to ensure “greater protection” for riders because of security concerns resulting from a series of pro-Palestinian protests during the three-week race.

    Police numbers were also ramped up, with hundreds of protestors waving flags along the route and whistling riders from Israel-Premier Tech.

    And French news agency AFP reported that two protestors were detained for trying to jump over barriers.

    Two-time world time trial champion Ganna, 29, lived up to his billing as the favourite, with the Ineos Grenadiers rider edging out Australian Jay Vine by a second in Valladolid.

    “Obviously, with the news of the change in the parcours [route] last night it was a bit strange, but I tried to do the best today,” said Ganna, who was 10 seconds quicker than anyone else over the final four kilometres.

    “The first part I didn’t find the correct rhythm and in the final I tried to push over without thinking of the numbers. I am really happy for today.”

    While Ganna’s fast finish ensured he pipped Vine, all eyes were focused on the battle at the top of the general classification.

    Almeida finished strongly to put time into Visma-Lease A Bike’s Vingegaard and the Portuguese rider now sits 40 seconds behind the Dane with two competitive stages of racing remaining.

    Q36.5 Pro Cycling’s Pidcock finished 29 seconds behind Ganna but managed to extend his advantage over Australian Jai Hindley in the battle for the final podium spot by three seconds.

    With a relatively flat 161.9km run from Rueda to Guijuelo scheduled for Friday, it raises the prospect of a huge day in the mountains on Saturday’s penultimate stage with a summit finish on the Bola del Mundo.

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  • Prince Harry ‘has loved being back in UK’ – The Times

    Prince Harry ‘has loved being back in UK’ – The Times

    1. Prince Harry ‘has loved being back in UK’  The Times
    2. Harry’s tea with Charles could be small but significant step to reconciliation  BBC
    3. Prince Harry says King is ‘great’ after they have private tea in first meeting for 19 months  Sky News
    4. King Charles and Prince Harry finally reunite after 19 months apart  CNN
    5. Prince Harry friends make shocking revelations about the Duke  Geo.tv

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  • Donnarumma hungry to help City make history – Manchester City FC

    1. Donnarumma hungry to help City make history  Manchester City FC
    2. Donnarumma message to Manchester City fans: ‘Make history together’  Football Italia
    3. Gianluigi Donnarumma’s nine-figure Manchester City bonus structure revealed  OneFootball
    4. Gianluigi Donnarumma keen to test himself in the ‘best league in the world’  Andover Advertiser
    5. Gianluigi Donnarumma looks past Manchester derby to challenge Man City to ‘dream’ win  The Mirror

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  • Dragon Is The Latest, And Final, Craft To Reboost ISS

    Dragon Is The Latest, And Final, Craft To Reboost ISS

    The International Space Station has been in orbit around the Earth, at least in some form, since November of 1998 — but not without help. In the vacuum of space, an object in orbit can generally be counted on to remain zipping around more or less forever, but the Station is low enough to experience a bit of atmospheric drag. It isn’t much, but it saps enough velocity from the Station that without regular “reboosts” to speed it back up , the orbiting complex would eventually come crashing down.

    Naturally, the United States and Russia were aware of this when they set out to assemble the Station. That’s why early core modules such as Zarya and Zvezda came equipped with thrusters that could be used to not only rotate the complex about all axes, but accelerate it to counteract the impact of drag. Eventually the thrusters on Zarya were disabled, and its propellant tanks were plumbed into Zvezda’s fuel system to provide additional capacity.

    An early image of ISS, Zarya module in center and Zvezda at far right.

    Visiting spacecraft attached to the Russian side of the ISS can transfer propellant into these combined tanks, and they’ve been topped off regularly over the years. In fact, the NASA paper A Review of In-Space Propellant Transfer Capabilities and Challenges for Missions Involving Propellant Resupply, notes this as one of the most significant examples of practical propellant transfer between orbital vehicles, with more than 40,000 kgs of propellants pumped into the ISS as of 2019.

    But while the thrusters on Zvezda are still available for use, it turns out there’s an easier way to accelerate the Station; visiting spacecraft can literally push the orbital complex with their own maneuvering thrusters. Of course this is somewhat easier said than done, and not all vehicles have been able to accomplish the feat, but over the decades several craft have taken on the burden of lifting the ISS into a higher orbit.

    Earlier this month, a specially modified SpaceX Cargo Dragon became the newest addition to the list of spacecraft that can perform a reboost. The craft will boost the Station several times over the rest of the year, which will provide valuable data for when it comes time to reverse the process and de-orbit the ISS in the future.

    Reboosting the Russian Way

    By far the easiest way for a visiting spacecraft to reboost the ISS is to dock with the rear of the Zvezda module. This not only places the docked spacecraft at what would be considered the “rear” of the Station given its normal flight orientation, but puts the craft as close as possible to the Station’s own thrusters. This makes it relatively easy to compute the necessary parameters for the thruster burn.

    Progress 72 in 2019

    Historically, reboosts from this position have been performed by the Russian Progress spacecraft. Introduced in 1978, Progress is essentially an uncrewed version of the Soyuz spacecraft, and like most of Russia’s space hardware, has received various upgrades and changes over the decades. Progress vehicles are designed specifically for serving long-duration space stations, and were used to bring food, water, propellants, and cargo to the Salyut and Mir stations long before the ISS was even on the drawing board.

    Reboosts could also be performed by the Automated Transfer Vehicle (ATV). Built by the European Space Agency (ESA), the ATV was essentially the European counterpart to Progress, and flew similar resupply missions. The ATV had considerably greater cargo capacity, with the ability to bring approximately 7,500 kg of materials to the ISS compared to 2,400 kg for Progress.

    Only five ATVs were flown, from 2008 to 2014. There were several proposals to build more ATVs, including modified versions that could potentially even carry crew. None of these versions ever materialized, although it should be noted that  the design of the Orion spacecraft’s Service Module is based on the ATV.

    American Muscle

    Reboosting the ISS from the American side of the Station is possible, but involves a bit more work. For one thing, the entire Station needs to flip over, as the complex’s normal orientation would have the American docking ports facing fowards. Of course, there’s really no such thing as up or down in space, so this maneuver doesn’t impact the astronauts’ work. There are however various experiments and devices aboard the Station that are designed to point down towards Earth, so this reorientation can still be disruptive.

    Depending on the spacecraft, simply flipping the Station over might not be sufficient. In the case of the Space Shuttle, which of the American vehicles performed the most reboost maneuvers by far, the entire complex had to be rotated into just the right position so that the thrusters on the spaceplane would be properly aligned with the Stations’ center of mass.

    As described in the “AUTO REBOOST” section of the STS-129 Orbit Operations Checklist, the Shuttle’s computer would actually be given control of the maneuvering systems of the ISS so the entire linked structure can be rotated into the correct position. A diagram in the Checklist even shows the approximate angle the vehicle’s should be at for the Shuttle’s maneuvering thrusters to line up properly.

    With the retirement of the Space Shuttle in 2011, maintaining the Station’s orbit became the sole domain of the Russians until 2018, when the Cygnus became the first commercial spacecraft to perform a reboost. The cargo spacecraft had a swiveling engine which helped get the direction of thrust aligned, but the Station did still need to rotate to get into the proper position.

    After performing a second reboost in 2022, the Cygnus spacecraft was retired. It’s replacement, the upgraded Cygnus XL — is currently scheduled to launch its first mission to the ISS no earlier than September 14th.

    Preparing for the Final Push

    That brings us to the present day, and the Cargo Dragon. SpaceX had never designed the spacecraft to perform a reboost, and indeed, it would at first seem uniquely unsuited for the task as its “Draco” maneuvering thrusters are actually located on the front and sides of the capsule. When docked, the primary thrusters used for raising and lowering the Dragon’s own orbit are essentially pressed up against the structure of the ISS, and obviously can’t be activated.

    Crew Dragon approaching the ISS, note four Draco thrusters around docking port.

    To make reboosting with the Dragon possible, SpaceX added additional propellant tanks and a pair of rear-firing Draco thrusters within the spacecraft’s un-pressurized “trunk” module. This hollow structure is usually empty, but occasionally will hold large or bulky cargo that can’t fit inside the spacecraft itself. It’s also occasionally been used to deliver components destined to be mounted to the outside of the ISS, such as the for the outside of the ISS, such as the International Docking Adapter (IDA) and the roll-out solar panels.

    Additional propellant tanks mounted in the trunk of the Cargo Dragon.

    While the ability to have the Dragon raise the orbit of the International Space Station obviously has value to NASA, the implications of this experiment go a bit farther.

    SpaceX has already been awarded the contract to develop and operate the “Deorbit Vehicle” which will ultimately be used to slow down the ISS and put it on a targeted reentry trajectory sometime after 2030. Now that the company has demonstrated the ability to add additional thrusters and propellant to a standard Dragon spacecraft via a module installed in the trunk, it’s likely that the Deorbit Vehicle will take a similar form.

    So while the development of this new capability is exciting from an operational standpoint, especially given deteriorating relations with Russia, it’s also a reminder that the orbiting laboratory is entering its final days.

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  • Kenneth Branagh returns to the RSC for The Tempest and The Cherry Orchard | Theatre

    Kenneth Branagh returns to the RSC for The Tempest and The Cherry Orchard | Theatre

    More than 40 years after his star-making performance as Henry V in Stratford-upon-Avon, Kenneth Branagh is to return to the Royal Shakespeare Company. He will appear in The Tempest and, alongside Oscar winner Helen Hunt, in Chekhov’s The Cherry Orchard at the RSC next summer.

    Branagh, 64, began to build a reputation as one of the greatest Shakespearean actors of his generation when he played Henry V, aged 23, in a 1984 season that included roles as Laertes in Hamlet and the King of Navarre in Love’s Labour’s Lost. The following year he wrote and directed the play Tell Me Honestly for the RSC. Branagh went on to both direct and star in acclaimed Shakespeare productions during an illustrious stage and screen career that has included breaking an Oscars record as the first person to be nominated in seven individual Academy Award categories. The Tempest will mark his first role for the RSC since he played Hamlet in 1992 and 1993 (first at the Barbican in London and then in Stratford), directed by Adrian Noble.

    The Guardian’s Michael Billington, who predicted “a rich Shakespearean future for this young actor” in his review of Henry V, wrote that in the role of Hamlet, Branagh captured, “as well as any actor I recall, a deep sense of filial love”. He continued: “This is a fine Hamlet, stamped with rueful sadness, that should dispel any doubt about Branagh’s staying power.”

    Kenneth Branagh in the film Henry V in 1989. Photograph: AJ Pics/Alamy

    The Tempest was the first play Branagh saw as an audience member in Stratford, when he sat in the gods for a 1978 production starring Michael Hordern, David Suchet, Alan Rickman and Ruby Wax. In 2012, wearing a top hat in character as the engineer Isambard Kingdom Brunel, Branagh delivered a speech by Caliban from The Tempest (“the isle is full of noises”) at the opening ceremony for the Olympic Games in London. He will now take on the part of the magician Prospero, who gives the famous “Our revels now are ended” speech, in what is billed as an “epic new staging” of the shipwreck drama directed by Richard Eyre and with a set design by Bob Crowley. The Tempest begins previews on 13 May in the Royal Shakespeare theatre.

    It will be followed, in the smaller Swan theatre, by The Cherry Orchard, which opens in July. Branagh will play Lopakhin alongside Hunt as Madame Ranevskaya in a new version of the play by Laura Wade and directed by Tamara Harvey, who runs the RSC with Daniel Evans. Wade and Harvey are frequent collaborators and recently teamed up for a new version of Somerset Maugham’s The Constant Wife in Stratford. Hunt, who played Viola in Twelfth Night on Broadway in 1998, was last on stage in the UK in Eureka Day at the Old Vic in 2022.

    Joanne Pearce as Ophelia and Kenneth Branagh as Hamlet at the Barbican theatre, London, in 1992. Photograph: Tristram Kenton/The Guardian

    Mark Gatiss will also appear with the RSC next year, making his debut for the company in the lead role of a Chicago mobster, modelled on Hitler, in Bertolt Brecht’s political satire The Resistible Rise of Arturo Ui. Stephen Sharkey’s version of the play will be directed by Seán Linnen in the Swan from April to May. Gatiss called it “Brecht’s most accessible and dynamic work … The play is always timely but to say it’s urgent now is an understatement. With fascism on the march everywhere, the story of how a washed-up nonentity like Hitler could seduce a nation and become the most powerful dictator in the world serves as a terrifying warning.”

    The RSC’s spring season includes, in the Other Place (its third stage in Stratford), actor Martina Laird’s debut as a playwright, Driftwood, about capitalism and colonialism in Trinidad. The play, which was the runner-up for the 2024 Verity Bargate award, will be directed by Justin Audibert and will transfer to the Kiln theatre in London. Also in the Other Place, Rachel Bagshaw will stage a new version of A Midsummer Night’s Dream, edited by Robin Belfield, that will move to Stratford after its run at the Unicorn theatre in London.

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