A Windrush exhibition in south London aimed at honouring the history, legacy, and contributions of the Windrush Generation to British society has been vandalised.
Portraits featured in the Windrush Untold Stories exhibition, currently installed in Windrush Square in Brixton, were damaged on Thursday.
Friends of Windrush Square said the “deliberate vandalism” was “not only an attack on public art, but a blatant act of racial hatred directed at a community that has given so much to the life and spirit of the UK”.
The Metropolitan Police has been contacted for comment.
The exhibition features 20 portraits and first-hand accounts of those who arrived in the UK from the Caribbean between the late 1940s and 1970s.
Friends of Windrush Square said the vandalism had caused “considerable distress” to local residents, artists, volunteers, and project partners, “many of whom are directly connected to the Windrush legacy”.
Ros Griffiths, chair of Friends of Windrush Square, said: “This is a deeply upsetting and shocking act of racial disrespect.
“Windrush Untold Stories was created to celebrate the contributions and resilience of the Windrush Generation, whose story is central to the fabric of British life.
“That it should be targeted in such a hateful way is a stark reminder of the ongoing challenges we face in building an inclusive and respectful society.”
Bavaria Media and Beta Film have joined forces on Mozart Mozart, a six-hour drama that reimagines the legacy of Wolfgang Amadeus Mozart through the eyes of his (real-life) sister, Maria Anna Mozart.
The series, from the creators of German costume drama hit Sisi, has received a first-season commission from German public broadcaster ARD and Austria’s ORF.
Set in the late 18th century, the series centers on Amadeus’ sister, Maria Anna Mozart, portrayed by Havana Joy (Love Sucks), who steps into her brother’s shoes after his dismissal from the Salzburg court threatens the family’s future. When Wolfgang, played by Eren M. Güvercin (Druck, Eldorado), proves too volatile to secure favor at the court of Emperor Joseph II, Maria Anna disguises herself as her brother, captivating Vienna’s elite and drawing the envy of Mozart’s rival, Antonio Salieri. Her deception grows increasingly complex as she attempts to maintain the ruse, protect her family’s reputation and navigate her relationship with Salieri.
The series stands apart from the upcoming English-language series Amadeus, which Sky has commissioned in the U.K., and will see White Lotus actor Will Sharpe play Wolfgang Amadeus Mozart. That drama is a reimagining of Peter Shaffer’s 1979 stage play Amadeus, which inspired Milos Forman’s 1984 Oscar-winning adaptation.
“What we definitely didn’t want to do was a remake of Amadeus,” Mozart Mozart showrunner Andreas Gutzeit, who created the series and co-wrote it with Swantje Oppermann (Dignity), tells The Hollywood Reporter. “The desire is to tell a new story for a younger audience, and to tell the forgotten story of Maria Anna, who was a musical genius of her own, perhaps as talented, or more so, than her superstar brother.”
“Mozart’s sister isn’t a secret, but we don’t know much about her life, other than she was also a child prodigy and that she and Amadeus toured together to every royal court in Europe at the time,” notes Clara Zoë My-Linh von Arnim, who is directing the series. “But she had the misfortune of being a woman and then, when she turned a marriageable age, she was dragged off the stage, in the truest sense of the word. There is a lot of speculation on how big her influence was on Amadeus’ music, on his compositions, over the years.”
Jessica De Rooij, who composed the award-winning music for Sisi, is back for Mozart Mozart, giving Mozart’s iconic compositions a contemporary edge for the show. Gutzeit and Jens Freels (Dignity) serve as executive producers, with Simona Weber producing.
The ensemble cast includes Eidin Jalali (The Swarm, Maxton Hall), Verena Altenberger (Wild Republic), Peter Kurth (Babylon Berlin), Philipp Hochmair (Freud), Sonja Weisser (Maxton Hall), Lisa Vicari (Next Level) and Annabelle Mandeng (Vikings: Valhalla).
Produced by Gutzeit’s Story House Pictures in co-production with ARD, ORF and The Dreaming Sheep Company, Mozart Mozart is being sold internationally by Bavaria Media and Beta Film.
Check out the teaser trailer for Mozart Mozart below.
Astronomers have teamed up with citizen scientists to discover a brand-new exploding star that’s greedily feeding on a stellar companion.
The newly observed binary system features a cataclysmic variable star, designated GOTO0650, which is in a rarely seen late stage of its evolution. This was also the first major discovery for the citizen astronomy project Kilonova Seekers.
The exploding star was detected when the general public was invited to play a game of cosmic “spot the difference.” This involved comparing images of the same patch of night sky to detect light changes that could indicate powerful and violent events.
GOTO0650 was spotted when a patch of sky brightened by a factor of around 2,500 compared to its previous brightness just days earlier.
The rapid response of the citizen scientists allowed astronomers to classify the object as a cataclysmic variable star. These are binary systems in which one object, a dense stellar corpse known as a white dwarf, is stripping material from a companion star. The stolen matter from the companion forms a flattened cloud of material around the white dwarf called an accretion disk.
As the accretion disk gradually feeds the white dwarf, accumulated matter builds up and eventually triggers a runaway nuclear explosion, which destroys the white dwarf. However, before this happens, material in the accretion disk can reach a critical density and temperature. This causes the disk to dramatically brighten until it eventually cools and returns to a quiescent state.
These events were originally called “novae,” meaning “new” in Latin, as they were believed to represent the birth of a new star.
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Animation of the GOTO0650 outburst, made from GOTO’s all-sky survey images. (Image credit: GOTO, T. Killestein and K. Ulaczyk )
“Kilonova Seekers is a unique opportunity for members of the public to take part in true real-time astrophysics,” Kilonova Seekers team co-leader Tom Killestein, a researcher at the University of Warwick in England, said in a statement.
“Remarkably, public volunteers identified this star as an object of interest within 3.5 hours of the image being taken by the GOTO telescopes,” he added, referring to the Gravitational-wave Optical Transient Observer project, which employs telescope arrays in Spain and Australia. “This discovery could have been missed among many other objects without their efforts.”
This fast response allowed astronomers to get a comprehensive dataset regarding GOTO0650 before it returned to a quiet state.
“The involvement of the volunteers didn’t stop there, as there was a huge follow-up response from the public,” Killestein continued.”It was flagged for further observations from the Swift and Einstein Probe space observatories, and GOTO0650 was bright enough for amateur astronomers to take impressively high-quality observations of it with their own equipment, which formed a key part of the paper and really helped us understand the object.”
X-ray and ultraviolet data revealed that GOTO0650 is a “period bouncer,” one of two possible final states of a cataclysmic variable star. During this stage, mass loss from the donor star causes the orbital period of the binary system to increase, with the white dwarf and companion star moving away from each other.
It’s rare to spot a cataclysmic variable star in its final bouncer stage, making the discovery of GOTO0650 even more special. That’s especially true for the citizen scientists who played a key role in its discovery.
“I literally screamed with joy when I saw that I was going to be a co-author of the research paper,” Kilonova Seekers VolunteerSvetoslav Alexandrov said in the same statement. “I’m certain that people on the street raised their eyebrows when they saw me screaming and dancing, but I didn’t care. I knew I am a co-discoverer of something significant, and this was all that mattered.”
The team’s research was published on Tuesday (July 1) in the journal Astronomy & Astrophysics.
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Brentford have completed the signing of Antoni Milambo from Eredivisie club Feyenoord, subject to international clearance.
The 20-year-old midfielder has put pen to paper on a five-year contract with a club option of an additional year.
Milambo arrives in west London following a highly impressive 2024/25 campaign.
The Dutchman made 42 appearances for Feyenoord in all competitions, scoring seven goals and assisting eight. This included nine matches and four goal involvements (3G, 1A) in the UEFA Champions League.
A Netherlands Under-21 international, Milambo represented his nation on three occasions at the UEFA European Under-21 Championship in Slovakia this summer.
Milambo was in from the start as Michael Reiziger’s side lost 2-1 to eventual winners England in the semi-final.
“We are all very excited by the arrival of Antoni Milambo,” said technical director Lee Dykes.
“The recruitment department have followed Antoni for a few years now and have closely monitored his development at Feyenoord into the first team.
“We believe that Antoni has all the attributes needed to be a very good Premier League player and feel he has the potential to develop his game to a high level here in England.
“Antoni is a skilful, forward-thinking midfield player capable of scoring all types of goals as proven through his youth development phase, in the Eredivisie and in the Champions League.
“I would like to place on record our appreciation to the senior management team at Feyenoord for their assistance with our interest in Antoni and their professionalism throughout the transfer process.”
Head coach Keith Andrews added: “Antoni has played a lot of football in the last 12 months and really shot to prominence.
“He’s had experience in the Eredivisie, Champions League and most recently the Under-21 Euros with the Netherlands.
“I love the way that Antoni takes the ball and drives; he has the ability to go past players and he’s a goal threat. He will complement the midfielders we have in the building.
“Now it’s just a case of getting him used to the intensity and rhythm of the Premier League and our own intensity levels. I am looking forward to working with him.”
Milambo made his professional debut for Feyenoord in a 3-0 UEFA Europa Conference League victory over Luzern in August 2021. At 16 years and 131 days, he became the club’s youngest-ever player, taking the record from Georginio Wijnaldum.
He made his Eredivisie debut in April 2023, coming on as a substitute in a 3-1 win over Sparta Rotterdam. Milambo went on to play two more league games that season as Feyenoord earned their 16th title.
Milambo’s involvement increased during the 2023/24 campaign. He made 13 senior appearances and was on the bench as Feyenoord won the KNVB Cup by beating NEC 1-0 in the final in April 2024.
The following August, Milambo scored in a 4-4 draw with PSV in the Johan Cruyff Shield, before Feyenoord won the trophy on penalties.
In October, the midfielder was named Player of the Match after scoring twice in Feyenoord’s 3-1 away win over Benfica in the Champions League.
Milambo departs Feyenoord having registered 17 goals involvements (8G, 9A) in 60 senior appearances. He is Brentford’s third first-team signing of the summer following the arrival of goalkeeper Caoimhin Kelleher from Liverpool and the permanent transfer of full-back Michael Kayode from Fiorentina.
The producer of a film about medics in Gaza that was dropped by the BBC has accused the corporation of trying to gag him and others over its decision not to show the documentary.
Gaza: Doctors under Attack, which was finally broadcast on Channel 4 on Wednesday night, recounts how hospitals in the territory have been overwhelmed, bombed and raided. Medics recount being detained and claim to have been tortured. It had originally been due to run on the BBC.
Ben de Pear, the programme’s executive producer and a former Channel 4 News editor, accused the BBC of attempting to stop him talking about its “painful journey” to the screen with the use of legal gagging clauses.
“I rejected and refused to sign the double gagging clause the BBC bosses tried multiple times to get me to sign,” he said in a post on LinkedIn. “Not only could we have been sued for saying the BBC refused to air the film (palpably and provably true) but also if any other company had said it, the BBC could sue us.
“Not only could we not tell the truth that was already stated, but neither could others. Reader, I didn’t sign it.”
Instead, he said, he spoke out, criticising the BBC’s director general, Tim Davie, at a conference in Sheffield over the decision to pull the film. “All the decisions about our film were not taken by journalists, they were taken by Tim Davie,” he said at the time. “He is just a PR person. Tim Davie is taking editorial decisions which, frankly, he is not capable of making.
“The BBC’s primary purpose is TV news and current affairs, and if it’s failing on that it doesn’t matter what drama it makes or sports it covers. It is failing as an institution. And if it’s failing on that then it needs new management.”
The BBC did not comment on the accusations. An insider said Basement Films, De Pear’s production company, had only been asked to sign a standard clause obliging producers to have the corporation’s permission before engaging in publicity around one of its shows. It is understood this is disputed by Basement Films.
BBC sources suggested the broadcaster had been attempting to find ways to use the documentary material in news coverage, but a final decision was made to drop the film entirely after De Pear’s public comments in Sheffield. This timeline is also disputed. Once the BBC handed control back to Basement Films, a BBC source said it ceased to be the broadcaster’s film.
They also argued it was untrue the BBC had tried to gag De Pear from speaking about the film, pointing to public statements he made about it. They also pointed to the BBC’s public statement, made last month, clearly stating it had dropped the project.
De Pear’s comments follow the publication of a letter signed anonymously by more than 100 BBC staff criticising the decision to drop the film. The letter also questioned the role of Robbie Gibb, Theresa May’s former spin doctor and a member of the BBC’s board and editorial standards committee.
Gibb led the consortium that bought the Jewish Chronicle in 2020 and, up until August 2024, was a director of Jewish Chronicle Media. The BBC has said he had no “formal role” over the decisions made in relation to the Gaza film.
Before dropping the medics documentary entirely, the BBC said it had delayed its broadcast until a report into the making of another documentary, Gaza: How to Survive a Warzone, had been completed.
That programme was pulled from iPlayer earlier this year after it emerged that its 13-year-old narrator was the son of a Hamas official. The review into its production continues.
Tait was the first recipient of McColgan’s ‘Giving Back to Track’ programme, which was set up three years ago to help young women make their way in athletics.
After plenty of support and encouragement, Tait says breaking her mentor’s record was something she had targeted for a while.
“Eilish has supported and mentored me for a good few years now and she always said she thought I would be the one who would take her record down,” she revealed.
“Eilish really took me under her wing. I am still in touch with her now, we still go back and forth. She always sends me a congratulations message, she is always there to support me and I am really grateful for everything she has done for me.”
Having just completed her studies at West Virginia University, Tait admits she is “still figuring things out” in terms of where she is going to base herself as she prepares for next summer’s Commonwealth Games, which she says is her “priority”.
As a 13-year-old, Tait went to watch the athletics at Hampden Park when the games last visited the city in 2014.
“I just can’t wait to hopefully be a part of it and be part of inspiring the next generation because that was me sitting in the stands watching – so I really hope that can be me on the start line this time,” she added.
King Charles, Prince William’s emotional tribute leaves Harry in tears
King Charles and Prince William’s heartwarming tribute to their heroes, who are protecting the UK and promoting peace overseas, left Prince Harry in tears.
The Duke of Sussex was overwhelmed with emotions after the King and the future monarch used their social media accounts to mark the Armed Forces Day, which is celebrated on the last Saturday in June in the UK.
It’s a day to show support for the men and women who make up the Armed Forces community, including currently serving personnel, veterans, families, and cadets.
To mark the day, the monarch said “he salutes all members of the military.”
A source close to the Duke and Duchess of Sussex, claimed: “King Charles and William’s tribute brought tears to Harry’s eyes, as he too had served in the British Military and even taken part in operations in Afghanistan.”
“The Duke of Sussex served in the British Army for ten years, from 2003 to 2014. He achieved the rank of Captain in the Army Air Corps. The royal was also deployed to Afghanistan twice,” they added.
The King’s statement, shared on the official Instagram account of the royal family, read: “Thank you for your tireless service, protecting the UK and promoting peace overseas. We are hugely grateful for your efforts, often in the face of danger, and those of your loved ones, providing support at home.”
Similarly, the eldest son of King Charles, William also marked the day by sharing his picture taken during a visits in military uniform, stating: “Proud to mark Armed Forces Day. Thank you to everyone serving in the British Armed Forces, and to all veterans, for your courage, dedication and sacrifice.”
It is worth mentioning here that King Charles’ youngest son received several awards and honours for his service, including the Operational Service Medal for Afghanistan. Harry’s dedication to his country and his charitable work, especially with veterans, continue to be notable aspects of his public life.