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iPhone 17e, iPads, MacBooks; Apple to launch new devices in 2026 – ARY News
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Oasis crowd boos Man City boss Pep Guardiola at Heaton Park
Some Oasis fans weren’t quite “mad fer it” when the band dedicated a song to Manchester City coach Pep Guardiola at their homecoming concert in Manchester.
A smattering of boos followed Liam Gallagher dedicating ‘D’You Know What I Mean?’ to who he called “the greatest manager of all time, the one and only Pep Guardiola,” — who was in attendance.
Oasis dedicated the song to Guardiola on Friday night at Heaton Park during the band’s first concert in Manchester in 16 years as part of its reunion tour.
Noel Gallagher then asked: “Who you f—ing booing?”
The brothers grew up in Manchester and are longtime City fans, and have attended many games over the years watching as Guardiola has led the club to six Premier League titles — among an array of other trophies.
Guardiola, who received some respectful applause as well, didn’t seem to mind the reception — likely from crosstown Manchester United fans at the show — and joined the rest of the 70,000-plus fans in singing “Don’t Look Back in Anger.”
It was the first of five sold-out shows at Heaton Park for the British band, who opened their tour last week in Cardiff, Wales.
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Sweden 4-1 Germany (12 Jul, 2025) Game Analysis
Sweden handed Germany their biggest-ever defeat at a Women’s European Championship, with a 4-1 win to secure top spot in Group C.
Germany, who also go through to the quarterfinals as runners-up, were hampered by a first-half red card for Carlotta Wamser.
The Swedes finished top of the group with a perfect nine points from their three games and will take on the runners-up in Group D — which features France, England, Netherlands and Wales — with the Germans taking on the winners of that group.
Germany defender Wamser set up Jule Brand for her side’s opener in the seventh minute, but the Swedes hit back through Stina Blackstenius five minutes later and they took the lead through a fortuitous goal from fullback Smilla Holmberg in the 25th minute.
Wamser’s red card for a deliberate handball in the box in the 32nd minute allowed Fridolina Rolfö to confidently slot home the resulting penalty, and substitute Lina Hurtig rubbed salt in Germany’s wounds with an 80th-minute goal to seal an emphatic win.
Germany had previously only lost one match by multiple goals at a Women’s Euro, with a 3-1 defeat to Denmark in 1993’s third-place match.
Information from Reuters and ESPN Research was used in this report.
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Sweden prove they are contenders with scintillating display against Germany
Sweden show they can have a tilt at the title
Kosovare Asllani was right – Sweden are real contenders at EURO 2025.
Inaugural winners in the first edition of the European Championships back in 1984, it was the last major title the Scandinavians have won.
They’ve gone on to finish runners-up three times, while making the semi-finals on a further five occasions.
Yet even with such an impeccable record, they are not necessarily the first name in the hat when it comes to competition favourites.
Germany, England, France, Spain… all names that are likely to be named before them.
Where others fail to recognise their potential, though, captain Asllani does not.
“In Sweden, we have a lot of expectations – we’re always a contender,” she told Olympics.com.
“That’s always our goal in every tournament that we are in. We have won Olympic silver medals, World Cup bronze… but we don’t like that we don’t have a gold, so I would love one for sure.”
There is still plenty of football to be played, but there’s no denying that the Swedes have put their name firmly in contention with tonight’s thumping win.
It is the first time in this tournament that they have beaten their German opponents, falling short on six previous occasions.
Better yet, they are the first side since themselves in 2015 to put four past the eight-time winners – the first nation to do so in EUROs history.
Peter Gerhardsson’s team were utterly scintillating. Despite going behind early on, they remained relentless in pursuit of an equaliser, going on to run away with the game inside the first 45 minutes.
Impressively, they have only conceded one goal, the fewest of any side so far with defence often regarded as the catalyst for any title winning side.
First to every ball, pressing every German move, carving open a nation tipped for the title with some ease; it felt like a Sweden team with a point to prove.
This was a statement win – now they face the task of living up to the marker laid down in Zurich.
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Facilitators and Barriers to Community-Based Patient Navigation and the Role of Quality of Life
6 Peer Support Programming Among Women At-Risk for Surviving Breast Cancer: Facilitators and Barriers to Community-Based Patient Navigation and the Role of Quality of Life
Background/Significance
Peer support programs offer care to women at-risk for and surviving breast cancer to improve their quality of life. This study evaluated a national, cancer-focused community-based organization’s (CBO) 1-on-1 and no-cost peer support program to identify its uptake and outcomes.
Materials and Methods
A secondary data analysis was conducted among 1054 women who contacted the CBO for information and support: patient-reported outcomes were assessed 30 days later. Associations between demographic and clinical characteristics and the offer, uptake, and outcomes of peer support were analyzed in a multivariable manner.
Results
In the evaluation sample of women, 49.2% were aged 46 to 64 years, 17.6% were non-White, 78.0% were mothers, and 88.2% were breast cancer survivors. Peer support was offered to 814 (76.7%) women, of whom 305 (37.5%) utilized it. Women offered peer support were younger (t = –2.86, df = 1050, P = .004), and reported higher CBO care (t = –4.57, df = 317, P <.001) and patient navigation quality (t = –3.64, df = 345, P <.001). Among those utilizing peer support, they were more likely to be mothers (χ² = 5.15, P <.05) and breast cancer-free (χ² = 4.24, P <.05), but experienced lower quality of life (t = 2.23, df = 800, P <.05). Among all women, barriers to utilizing peer support included time constraints (17.5%), feeling uncomfortable discussing personal issues (9.8%), and having concerns about peer support meeting their needs (5.7%). Positive outcomes among peer support users (M = 44.37/50, SD = 6.7) were associated with younger age (P <.10), and higher CBO care and parent navigation quality (both P <.001). In logistic regression modeling, the odds of being offered peer support were greater for younger women (OR, 1.26; 95% CI, 1.05-1.50) and those with higher CBO care quality (OR, 1.20; 95% CI, 1.08-1.32); the odds of utilizing peer support were greater for mothers (OR, 1.57; 95% CI, 1.10-2.24), those without a breast cancer diagnosis (OR, 1.59; 95% CI, 1.02-2.47), and lower quality of life (OR, 1.18; 95% CI, 1.02-1.37). In an age-adjusted model, higher-quality CBO care (B = 1.71, P <.001) and parent navigation quality (B = 0.58, P <.001) both contributed significantly to an enhanced peer support experience.
Conclusion
CBO-led peer support programs are well-received by women at risk for and diagnosed with breast cancer, and especially those who are younger and with lower quality of life. High-quality CBO care and parent navigation are important components of peer support as well, and barriers to utilizing peer support could be lowered to extend its reach and impact.
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Facilitators and Barriers to Community-Based Patient Navigation and the Role of Quality of Life
6 Peer Support Programming Among Women At-Risk for Surviving Breast Cancer: Facilitators and Barriers to Community-Based Patient Navigation and the Role of Quality of Life
Background/Significance
Peer support programs offer care to women at-risk for and surviving breast cancer to improve their quality of life. This study evaluated a national, cancer-focused community-based organization’s (CBO) 1-on-1 and no-cost peer support program to identify its uptake and outcomes.
Materials and Methods
A secondary data analysis was conducted among 1054 women who contacted the CBO for information and support: patient-reported outcomes were assessed 30 days later. Associations between demographic and clinical characteristics and the offer, uptake, and outcomes of peer support were analyzed in a multivariable manner.
Results
In the evaluation sample of women, 49.2% were aged 46 to 64 years, 17.6% were non-White, 78.0% were mothers, and 88.2% were breast cancer survivors. Peer support was offered to 814 (76.7%) women, of whom 305 (37.5%) utilized it. Women offered peer support were younger (t = –2.86, df = 1050, P = .004), and reported higher CBO care (t = –4.57, df = 317, P <.001) and patient navigation quality (t = –3.64, df = 345, P <.001). Among those utilizing peer support, they were more likely to be mothers (χ² = 5.15, P <.05) and breast cancer-free (χ² = 4.24, P <.05), but experienced lower quality of life (t = 2.23, df = 800, P <.05). Among all women, barriers to utilizing peer support included time constraints (17.5%), feeling uncomfortable discussing personal issues (9.8%), and having concerns about peer support meeting their needs (5.7%). Positive outcomes among peer support users (M = 44.37/50, SD = 6.7) were associated with younger age (P <.10), and higher CBO care and parent navigation quality (both P <.001). In logistic regression modeling, the odds of being offered peer support were greater for younger women (OR, 1.26; 95% CI, 1.05-1.50) and those with higher CBO care quality (OR, 1.20; 95% CI, 1.08-1.32); the odds of utilizing peer support were greater for mothers (OR, 1.57; 95% CI, 1.10-2.24), those without a breast cancer diagnosis (OR, 1.59; 95% CI, 1.02-2.47), and lower quality of life (OR, 1.18; 95% CI, 1.02-1.37). In an age-adjusted model, higher-quality CBO care (B = 1.71, P <.001) and parent navigation quality (B = 0.58, P <.001) both contributed significantly to an enhanced peer support experience.
Conclusion
CBO-led peer support programs are well-received by women at risk for and diagnosed with breast cancer, and especially those who are younger and with lower quality of life. High-quality CBO care and parent navigation are important components of peer support as well, and barriers to utilizing peer support could be lowered to extend its reach and impact.
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Indian women’s cricket team loses final match of England series
The Indian women’s cricket team lost to England by five wickets in the fifth and final game of the ENG-W vs IND-W T20 2025 series at Edgbaston, Birmingham, on Saturday.
Despite the loss, India will head back home with a 3-2 series win, having come into the final game with an unassailable 3-1 lead. This also caps off India’s first-ever bilateral T20 series win against England in women’s cricket history.
They had lost all six of their previous multi-game bilateral series’ in the format against the English. India did win a one-off T20 against England at Derby back in 2006, which was also the first-ever meeting between the two teams in the format.
The match also saw Indian T20 captain Harmapreet Kaur play her 334th international match for India, taking her past former skipper Mithali Raj as the most-capped Indian woman in cricket history.
Sent in to bat first by the hosts, India lost opener Smriti Mandhana and Jemimah Rodrigues early with the scoreboard reading 19/2 midway through the third over.
However, Shafali Verma and Harmanpreet Kaur steadied the ship with a 66-run stand for the third wicket before the Indian captain’s stumps were rattled by Charlie Dean.
Shafali, meanwhile, scored her 11th T20I half-century in just 23 balls, making it the second-quickest ever in the format by any Indian on the heels of Richa Ghosh’s 18-ball fifty against the West Indies last year.
Dean played spoilsport again as she dismissed the Indian opener for 75 after Maia Bouchier took a brilliant catch in the deep to affect the dismissal.
Shafali’s exit derailed the Indian innings for a bit but cameos by Richa (20 off 14), Radha Yadav (14* off 14) and Arundhati Reddy (9* off 5) saw India post a very credible 167/7 in their 20 overs.
England openers Sophia Dunkley and Danni Wyatt-Hodge got the hosts’ chase to a flying start and put up 57/0 on the board in the powerplay overs.
Wyatt-Hodge, making her 300th international appearance for England, raced to her 21st T20I fifty in just 32 deliveries.
Radha Yadav gave India the breakthrough in the 11th over after castling Dunkley four short of her fifty. England were at 101/1 at the time.
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This 11-port monster claims to support 8K gaming and creative work without breaking a sweat
- AV Access KVM docking station promises 8K gaming performance on a dual-monitor, dual-computer switch dock
- Eleven ports aim to consolidate your mess of hubs, docks, and splitters into one device
- 100 watts of charging power puts this dock in serious workstation territory, not just convenience
In a market crowded with accessories claiming to streamline your setup, AV Access has announced a new contender: the iDock B10.
The new KVM docking station is marketed as an all-in-one solution for dual-computer setups, offering support for two 8K monitors at 60Hz or ultra-high refresh rates up to 240Hz.
This level of resolution may not be essential for most users, but AV Access is targeting performance-conscious professionals and gamers who prioritize both speed and visual clarity.
Built for switching ease and intense workloads
This device offers more than the best USB hub and even some laptop docking stations by combining high-speed USB expansion, video output, and Ethernet connectivity with integrated KVM functionality.
The iDock B10 includes 11 ports: USB 3.0, HDMI, DisplayPort, Gigabit Ethernet, an SD card slot, and a 3.5mm headphone jack.
It also delivers 100W of power, enough to charge a high-performance laptop during extended use.
Its core function allows users to control both a laptop and a desktop with a single keyboard, mouse, and monitor, switching between them using either a front panel button or a wired remote.
“In today’s hybrid work environment, flexibility is essential, especially for professionals such as graphic designers, software developers, and gaming enthusiasts,” said Bill Liao, CTO of AV Access.
At $224.99, with a 10% launch discount, the iDock B10 isn’t cheap, but it attempts to replace what would typically require multiple devices.
For users who need a dual-monitor setup capable of shifting between two computers without signal dropouts or peripheral lag, the B10 could be a worthwhile investment.
However, the dual-8K support, equivalent to 66 million pixels, is still an extreme proposition, especially when most creative professionals work with 4K displays at best.
AV Access has also launched a 4K version, called the iDock M10, for MacBook users, and is offering summer discounts on other models such as the C10 and C20.
Via TechPowerUp
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How on-screen portrayals of mental illness have changed since One Flew Over the Cuckoo’s Nest
SCOTT DETROW, HOST:
Nearly 50 years ago, theatergoers were introduced to Milos Forman’s film “One Flew Over The Cuckoo’s Nest.” It was based on Ken Kesey’s best-selling novel, and it starred Jack Nicholson as a new patient at a state psychiatric hospital.
(SOUNDBITE OF FILM, “ONE FLEW OVER THE CUCKOO’S NEST”)
JACK NICHOLSON: (As Randle Patrick McMurphy) If that’s what being crazy is, then I’m senseless, out-of-it, gone-down-the-road wacko.
DETROW: “One Flew Over The Cuckoo’s Nest” won multiple Oscars, including best picture, at the 1976 Academy Awards. As NPR’s Mandalit del Barco reports, a restored version will be screening at theaters tomorrow and on Wednesday, July 16.
(SOUNDBITE OF FILM, “ONE FLEW OVER THE CUCKOO’S NEST”)
NICHOLSON: (As Randle Patrick McMurphy, laughter) Whoo. Hoo-hoo-hoo (ph).
MANDALIT DEL BARCO, BYLINE: In “One Flew Over The Cuckoo’s Nest,” Jack Nicholson’s character, R.P. McMurphy, has been convicted of rape, but he avoids time on a prison work farm by faking mental illness. He’s portrayed as a charismatic rebel, butting heads with the controlling Nurse Ratched, and he inspires a rebellion by the other patients who, unlike him, are in the institution voluntarily.
(SOUNDBITE OF FILM, “ONE FLEW OVER THE CUCKOO’S NEST”)
NICHOLSON: (As Randle Patrick McMurphy) How about it, you creeps, you lunatics, mental defectives?
DEL BARCO: Actor Danny DeVito played a patient named Martini.
DANNY DEVITO: Real harmless, really sweet guy.
DEL BARCO: DeVito first played the character in an off-Broadway production. He says to prepare for that role, he and the stage cast visited the state-run psychiatric institution on Wards Island in New York. The film was shot on location at a mental health facility in Salem, Oregon. And he says the casting was perfect.
DEVITO: They found this guy to play McMurphy – ha, ha, ha – this brilliant guy, Jack Nicholson. He was, like, just a trip, man. He was, like, the best.
DEL BARCO: In the film, Nicholson’s character is held down to undergo electroshock therapy.
(SOUNDBITE OF FILM, “ONE FLEW OVER THE CUCKOO’S NEST”)
UNIDENTIFIED ACTOR #1: (As character) Here we go.
(SOUNDBITE OF ELECTRICITY)
NICHOLSON: (As Randle Patrick McMurphy, groaning).
DEL BARCO: He ends up with a lobotomy.
KEN DUCKWORTH: The meta message that you could be punished, lobotomized, held down against your will isn’t a great message for help-seeking in terms of the mental health field.
DEL BARCO: Ken Duckworth is a psychiatrist and the chief medical officer for the National Alliance on Mental Illness. He remembers seeing “One Flew Over The Cuckoo’s Nest” at a theater in 1975 when he was 17.
DUCKWORTH: And believe it or not, my father was in and out of a state hospital for very bad bipolar disorder. When I visited him, the industrial, institutional coldness of it all felt familiar to me in the film.
DEL BARCO: Duckworth says it’s a brilliant film with kernels of truth about the overcrowded institutions of the 1960s, when the story was set. But he says it left a lasting impression.
DUCKWORTH: You talk to somebody with major depression. They’d be on multiple meds. You say, were you ever exposed to electroconvulsive therapy or shock therapy? Oh, no. I saw what happened to Jack Nicholson. I’m not letting them do that.
(SOUNDBITE OF FILM, “THE SNAKE PIT”)
UNIDENTIFIED ACTOR #2: (As character) Don’t be afraid, Mrs. Cunningham.
DEL BARCO: Before “Cuckoo’s Nest,” the 1948 film “The Snake Pit” was set in a psych ward. Olivia de Havilland earned an Oscar nomination for portraying a woman who has a nervous breakdown and undergoes shock therapy.
(SOUNDBITE OF FILM, “THE SNAKE PIT”)
OLIVIA DE HAVILLAND: (As Virginia Cunningham, groaning).
DEL BARCO: These days, electroconvulsive therapy happens under anesthesia, lobotomies are almost never performed and patients are no longer being warehoused in large mental institutions. Duckworth says, increasingly, films and TV shows offer more humanistic and empathetic portrayals.
(SOUNDBITE OF FILM, “SILVER LININGS PLAYBOOK”)
BRADLEY COOPER: (As Patrizio Solitano) I used to be on lithium and Seroquel and Abilify, but I don’t take them anymore, no.
DEL BARCO: In the 2012 film “Silver Linings Playbook,” Bradley Cooper’s and Jennifer Lawrence’s characters compare meds.
(SOUNDBITE OF FILM, “SILVER LININGS PLAYBOOK”)
COOPER: (As Patrizio Solitano) You ever take Klonopin?
JENNIFER LAWRENCE: (As Tiffany Maxwell) Klonopin? Yeah.
COOPER: (As Patrizio Solitano) Right?
LAWRENCE: (As Tiffany Maxwell) Jesus.
COOPER: (As Patrizio Solitano) Like, I said what?
LAWRENCE: (As Tiffany Maxwell) Yeah (laughter).
COOPER: (As Patrizio Solitano) What day is it?
DEL BARCO: Series like “Shrinking” feature caring therapists with their own vulnerabilities. And even “The Sopranos” showed everyone could use talk therapy, says DeVito.
DEVITO: Yeah. Like, Tony Soprano’s not going to lay down for a lobotomy, right? Nah.
DEL BARCO: Like that HBO classic, “One Flew Over The Cuckoo’s Nest” remains a cultural touchstone. Mandalit del Barco, NPR News. Transcript provided by NPR, Copyright NPR.
NPR transcripts are created on a rush deadline by an NPR contractor. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of NPR’s programming is the audio record.
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How on-screen portrayals of mental illness have changed since One Flew Over the Cuckoo’s Nest : NPR
As the Academy Award-winning film One Flew Over the Cuckoo’s Nest marks its 50th anniversary, on-screen portrayals of mental illness and treatment have evolved.
SCOTT DETROW, HOST:
Nearly 50 years ago, theatergoers were introduced to Milos Forman’s film “One Flew Over The Cuckoo’s Nest.” It was based on Ken Kesey’s best-selling novel, and it starred Jack Nicholson as a new patient at a state psychiatric hospital.
(SOUNDBITE OF FILM, “ONE FLEW OVER THE CUCKOO’S NEST”)
JACK NICHOLSON: (As Randle Patrick McMurphy) If that’s what being crazy is, then I’m senseless, out-of-it, gone-down-the-road wacko.
DETROW: “One Flew Over The Cuckoo’s Nest” won multiple Oscars, including best picture, at the 1976 Academy Awards. As NPR’s Mandalit del Barco reports, a restored version will be screening at theaters tomorrow and on Wednesday, July 16.
(SOUNDBITE OF FILM, “ONE FLEW OVER THE CUCKOO’S NEST”)
NICHOLSON: (As Randle Patrick McMurphy, laughter) Whoo. Hoo-hoo-hoo (ph).
MANDALIT DEL BARCO, BYLINE: In “One Flew Over The Cuckoo’s Nest,” Jack Nicholson’s character, R.P. McMurphy, has been convicted of rape, but he avoids time on a prison work farm by faking mental illness. He’s portrayed as a charismatic rebel, butting heads with the controlling Nurse Ratched, and he inspires a rebellion by the other patients who, unlike him, are in the institution voluntarily.
(SOUNDBITE OF FILM, “ONE FLEW OVER THE CUCKOO’S NEST”)
NICHOLSON: (As Randle Patrick McMurphy) How about it, you creeps, you lunatics, mental defectives?
DEL BARCO: Actor Danny DeVito played a patient named Martini.
DANNY DEVITO: Real harmless, really sweet guy.
DEL BARCO: DeVito first played the character in an off-Broadway production. He says to prepare for that role, he and the stage cast visited the state-run psychiatric institution on Wards Island in New York. The film was shot on location at a mental health facility in Salem, Oregon. And he says the casting was perfect.
DEVITO: They found this guy to play McMurphy – ha, ha, ha – this brilliant guy, Jack Nicholson. He was, like, just a trip, man. He was, like, the best.
DEL BARCO: In the film, Nicholson’s character is held down to undergo electroshock therapy.
(SOUNDBITE OF FILM, “ONE FLEW OVER THE CUCKOO’S NEST”)
UNIDENTIFIED ACTOR #1: (As character) Here we go.
(SOUNDBITE OF ELECTRICITY)
NICHOLSON: (As Randle Patrick McMurphy, groaning).
DEL BARCO: He ends up with a lobotomy.
KEN DUCKWORTH: The meta message that you could be punished, lobotomized, held down against your will isn’t a great message for help-seeking in terms of the mental health field.
DEL BARCO: Ken Duckworth is a psychiatrist and the chief medical officer for the National Alliance on Mental Illness. He remembers seeing “One Flew Over The Cuckoo’s Nest” at a theater in 1975 when he was 17.
DUCKWORTH: And believe it or not, my father was in and out of a state hospital for very bad bipolar disorder. When I visited him, the industrial, institutional coldness of it all felt familiar to me in the film.
DEL BARCO: Duckworth says it’s a brilliant film with kernels of truth about the overcrowded institutions of the 1960s, when the story was set. But he says it left a lasting impression.
DUCKWORTH: You talk to somebody with major depression. They’d be on multiple meds. You say, were you ever exposed to electroconvulsive therapy or shock therapy? Oh, no. I saw what happened to Jack Nicholson. I’m not letting them do that.
(SOUNDBITE OF FILM, “THE SNAKE PIT”)
UNIDENTIFIED ACTOR #2: (As character) Don’t be afraid, Mrs. Cunningham.
DEL BARCO: Before “Cuckoo’s Nest,” the 1948 film “The Snake Pit” was set in a psych ward. Olivia de Havilland earned an Oscar nomination for portraying a woman who has a nervous breakdown and undergoes shock therapy.
(SOUNDBITE OF FILM, “THE SNAKE PIT”)
OLIVIA DE HAVILLAND: (As Virginia Cunningham, groaning).
DEL BARCO: These days, electroconvulsive therapy happens under anesthesia, lobotomies are almost never performed and patients are no longer being warehoused in large mental institutions. Duckworth says, increasingly, films and TV shows offer more humanistic and empathetic portrayals.
(SOUNDBITE OF FILM, “SILVER LININGS PLAYBOOK”)
BRADLEY COOPER: (As Patrizio Solitano) I used to be on lithium and Seroquel and Abilify, but I don’t take them anymore, no.
DEL BARCO: In the 2012 film “Silver Linings Playbook,” Bradley Cooper’s and Jennifer Lawrence’s characters compare meds.
(SOUNDBITE OF FILM, “SILVER LININGS PLAYBOOK”)
COOPER: (As Patrizio Solitano) You ever take Klonopin?
JENNIFER LAWRENCE: (As Tiffany Maxwell) Klonopin? Yeah.
COOPER: (As Patrizio Solitano) Right?
LAWRENCE: (As Tiffany Maxwell) Jesus.
COOPER: (As Patrizio Solitano) Like, I said what?
LAWRENCE: (As Tiffany Maxwell) Yeah (laughter).
COOPER: (As Patrizio Solitano) What day is it?
DEL BARCO: Series like “Shrinking” feature caring therapists with their own vulnerabilities. And even “The Sopranos” showed everyone could use talk therapy, says DeVito.
DEVITO: Yeah. Like, Tony Soprano’s not going to lay down for a lobotomy, right? Nah.
DEL BARCO: Like that HBO classic, “One Flew Over The Cuckoo’s Nest” remains a cultural touchstone. Mandalit del Barco, NPR News.
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Accuracy and availability of NPR transcripts may vary. Transcript text may be revised to correct errors or match updates to audio. Audio on npr.org may be edited after its original broadcast or publication. The authoritative record of NPR’s programming is the audio record.
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