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  • Last Night of the Proms 2025

    Last Night of the Proms 2025

    The 2025 BBC Proms season concludes in celebratory style with the Last Night of the Proms on Saturday 13 September at the Royal Albert Hall. This year’s festival finale marks the 50th anniversary of Queen’s iconic Bohemian Rhapsody, with a landmark performance of the opera-inspired song featuring Sir Brian May, Roger Taylor and rising West End star, Sam Oladeinde.

    Comedian Bill Bailey makes his BBC Proms debut, with a performance of Leroy Anderson’s The Typewriter.  

    Conductor Elim Chan leads the BBC Symphony Orchestra, BBC Symphony Chorus and BBC Singers, joined by acclaimed soprano Louise Alder and celebrated trumpeter Alison Balsom. The programme also includes two world premieres commissioned by the BBC: Fireworks by Camille Pépin and The Gathering Tree by Rachel Portman, the latter being the first woman to win an Academy Award for Best Original Score. 

    Audiences can expect a rich programme of music, from symphonic and choral works to opera arias, musical theatre medleys and all the traditional Last Night favourites.

    Katie Derham will present the Last Night of the Proms on TV and BBC iPlayer and will be joined by special guests Nick Mohammed, Golda Schultz and Gareth Malone while Tina Daheley will be reporting on all the backstage excitement. The broadcast will be live in two parts: Part 1 on BBC Two from 6.55pm and the Finale on BBC One at 9pm.

    BBC Radio 3 begins broadcasting live from the Royal Albert Hall from 7pm, hosted by Petroc Trelawny and Georgia Mann.

    Sam Jackson, Controller of Radio 3 and the BBC Proms, says: “This year’s Last Night of the Proms promises to be a true celebration of musical excellence. Our 86-concert season concludes with a stellar line-up of talent and two world premieres: a fitting finale to a summer marked by packed concert halls and record-breaking digital consumption of the Proms on BBC Sounds and iPlayer.”

    Suzy Klein, Head of Arts and Classical Music TV, says: “The BBC Proms 2025 season has been an unprecedented hit with audiences across BBC television and streaming platforms. At the halfway point of the season, TV viewing was up nearly 50% year-on-year, and as of last week, audience figures reached their highest since 2019, at nearly six million. That all points to a growing desire from people across the country to access and enjoy the very finest classical performances, and we are so proud of the range and quality of concerts we’ve broadcast this season. And it’s not over yet – beyond the Last Night, there will be treats well into autumn when audiences can enjoy JADE at Gateshead, St. Vincent and The Traitors Prom.”

    Sir Brian May and Roger Taylor say: “What a splendid way to celebrate a Queen masterpiece in its 50th year: Bohemian Rhapsody performed with a 100-piece BBC Symphony Orchestra and a choir of over 150 singers – on the most prestigious night of the year in The Royal Albert Hall. Freddie will be loving it!”

    Last Night of the Proms Programme 

    Modest Mussorgsky A Night on the Bare Mountain (original version, 1867)

    Johann Nepomuk Hummel Trumpet Concerto in E flat major with Alison Balsom

    Lucy Walker Today with BBC Singers (a cappella)

    Aruthur Benjamin ‘Storm Clouds’ Cantata 1956 – UK premiere with Axelle Saint-Cirel, BBC Singers and BBC Symphony Chorus  

    Charles Gounod Faust – ‘O Dieu! que de bijoux … Ah! je ris de me voir’ (Jewel Song) with Louise Alder

    Franz Lehár The Merry Widow – Es lebt’ eine Vilja’ (Vilja Song) sung in German, with Louise Alder, BBC Singers and BBC Symphony Chorus   

    Camille Pépin Fireworks (BBC commission: world premiere) 

    Paul Dukas The Sorcerer’s Apprentice

    ——–

    Freddie Mercury/Queen, arr. Stuart Morley Bohemian Rhapsody with Sam Oladeinde, Louise Alder, Alison Balsom, BBC Singers, National Youth Choir, BBC Symphony Chorus and special guest appearances from Sir Brian May and Roger Taylor  

    Dmitri Shostakovich Festive Overture 

    Alan Jay Lerner & Frederick Loewe, arr. Paul Campbell My Fair Lady – medley (Wouldn’t it be Loverly – Without You – On the Street Where you Live – Show Me – I Could Have Danced All Night) with Louise Alder and BBC Singers  

    Leonard Bernstein, arr. Simon Wright Prelude, Fugues and Riffs – Riffs with Alison Balsom  

    Leroy Anderson, arr. Alasdair Malloy The Typewriter with Bill Bailey

    Rachel Portman and text: Nick Drake The Gathering Tree (BBC commission: world premiere) with BBC Singers and BBC Symphony Chorus

    Trad., arr. Henry Wood Fantasia on British Sea Songs  

    Thomas Arne, arr. Malcolm Sargent Rule, Britannia! Verses 1, 3, 6 with Louise Alder

    Edward Elgar Pomp and Circumstance March No. 1   

    Hubert Parry, arr. Edward Elgar Jerusalem           

    arr. Benjamin Britten The National Anthem 

    Trad., arr. Paul Campbell Auld Lang Syne  

    Performers 

    Louise Alder soprano  

    Alison Balsom trumpet

    Axelle Saint-Cirel mezzo soprano (Storm Clouds Cantata)

    Bill Bailey typewriter

    Sam Oladeinde tenor (Bohemian Rhapsody)

    Sir Brian May and Roger Taylor (Bohemian Rhapsody)

    National Youth Choir

    BBC Symphony Orchestra

    BBC Symphony Chorus (chorusmaster: Neil Ferris)

    BBC Singers

    Elim Chan conductor

    The Last Night of the Proms takes place on Saturday 13 September live on BBC Radio 3 and BBC iPlayer and in two parts: Part 1 on BBC Two from 6.55pm, and the Finale on BBC One at 9pm.

    Now in its final week, the BBC Proms 2025 season has spanned eight weeks and featured 86 concerts, with 25 Proms programmes televised. So far, more than 6 million people have watched Proms content on TV, the biggest overnight audience at this point of the season since 2019.

    Close to 290,000 tickets to Proms at the Royal Albert Hall and venues across the UK have been purchased so far. Over 6,000 people attended the BBC Proms in the North East, including over 4,500 experiencing a Prom for the first time. The season had a record-breaking opening weekend online, with over half a million streams alongside records for accounts and hours.

    18 Proms programmes are currently available on BBC iPlayer. The JADE, St. Vincent and Traitors Proms will be broadcast on TV and iPlayer after the season.

    JH/FE

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  • Team USA “have potential to sweep” women’s pole vault in Tokyo

    Team USA “have potential to sweep” women’s pole vault in Tokyo

    Moon on returning to Tokyo — and competing in an event popularised by Mondo Duplantis

    Moon is one of a few athletes on the U.S. team who were in Tokyo four summers ago. Back then, competing under her maiden name of Katie Nageotte, she cleared 4.90m to take her first major global title. Since then, she has added the world titles in Oregon in 2022 and Budapest in 2023. She won silver behind Kennedy at Paris 2024.

    “I had such a good experience with no fans,” Moon said of 2021, when the Olympics were held behind closed doors due to the Covid pandemic. “So having fans there, I think is going to be really incredible.

    “More than anything, my family will get to be there. Anytime I get to compete and they’re in the stands, I tend to do better — knock on wood. I’m just excited to be back and to see that stadium filled with people is going to be pretty special.”

    If anything else has changed in those four years, it’s the surging popularity of her event, thanks to her fellow Olympic champion from Tokyo 2020, Mondo Duplantis in the men’s event. The Swede has made vaulting a must-watch, threatening to break the world record each time he competes.

    “I think we can all see it,” Moon said. “What he’s doing for the sport is incredible and just seeing him get to do even opportunities outside of the sport because of pole vaulting is awesome — it’s bringing light to an event that maybe didn’t have the attention on it before him.

    “I wouldn’t say I’m at the level that he is, where I can vault maybe as few times as he does (in competition). He’s got his jump dialled in, and so now he’s become the best athlete you can.

    “To some extent, that is what we do — I have not jumped since I got here and I won’t jump until the prelim. That’s how I’ve done it every Championships; I’m very much less is more when it comes to my vaulting as well, but if I’m fast and strong and powerful, that’s really what it comes down to.”

    How to watch Katie Moon in women’s pole vault at World Athletics Championships Tokyo 25

    Women’s pole vault qualification takes place from 9:05 am local time on Monday 15 September (8:05 pm ET Sunday 14 September), with the final from 8:10 pm local time on Wednesday 17 September (7:10 am ET).

    In the U.S., fans can watch the World Athletics Championships on NBC/Peacock.

    Find your local broadcaster here.

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  • ATC extends interim bail of Aleema, Uzma Khan in Oct 5 police assault, arson case

    ATC extends interim bail of Aleema, Uzma Khan in Oct 5 police assault, arson case




    LAHORE (Dunya News) – An anti-terrorism court (ATC) in Lahore on Friday extended the interim bail of PTI founder Imran Khan’s sisters Aleema Khan and Uzma Khan in the October 5 police assault and arson case.

    The hearing was conducted by ATC Judge Manzar Ali Gill on the bail petitions filed by PTI founder’s sisters.

    During the proceedings, the defence submitted an application seeking one-day exemption from personal appearance for Aleema Khan and Uzma Khan.

    The application stated that both sisters were in Islamabad to meet the PTI founder and attend hearings related to his cases.

    Subsequently, due to non-submission of the case record, the court adjourned the hearing till October 17, extended their interim bail until the same date, and also accepted their request for exemption from attendance.

     


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  • Study shows benefits to children of mobility assistance dogs – The Irish Times

    Study shows benefits to children of mobility assistance dogs – The Irish Times

    A study of children with walking impairments has highlighted the many benefits of living with the aid of a mobility assistance dog. Led by Trinity College Dublin (TCD), it found that children aged six to 12 gained significant improvements in physical activity, social engagement and family life.

    The parents of children who took part in the study report that it helped their children walk for longer periods, with greater endurance and increased steadiness and balance.

    Louis Geary (14) from Cork, who has kabuki syndrome, a genetic condition affecting one in 40,000, participated in the study. Louis has poor gross and fine motor skills, as well as low muscle tone, visual-spatial issues and hypermobility. This is where joints are stretched too far.

    “He missed all his major milestones,” said his mother, Marisa Geary. “He didn’t start walking until after his third birthday and even then, he was never a stable walker.”

    Louis relied on leg braces and constant support from his parents to avoid falls, especially on uneven pavements or in crowded places. “If I wasn’t holding his hand, he would fall,” said Ms Geary. “It got to the point where he didn’t want to go out at all.”

    The Gearys approached Irish Dogs for the Disabled and learned about a TCD study focusing on mobility assistance dogs for children. It was headed up by Dr Heather Kennedy.

    Dr Kennedy, along with TCD colleagues Michelle Spirtos and Professor Ciaran Simms, designed the study so that it was “fun” for children while also involving family and promoting fitness and function.

    “Children with physical impairments often participate in significantly lower levels of habitual physical activity than their peers, below recommended guidelines,” said Dr Kennedy.

    Louis’s parents signed him up and were assigned Maisie, a poodle pup, to receive assistance training with Louis and his mother.

    “Maisie was matched specifically for Louis’s needs,” said Ms Geary. “She was trained to help him with steps, uneven surfaces and to provide the stability he desperately needed.”

    The impact on Louis’s life was immediate and lasting, she confirmed.

    “Since walking with Maisie, Louis hasn’t fallen once. He stands taller, looks ahead and is more aware of his surroundings. Maisie gives him the confidence to go places he never wanted to before – the beach, shopping centres, even crowded supermarkets.”

    Maisie has also brought Louis social benefits. “People see Louis now, thanks to Maisie. He’s become an ambassador for Dogs for the Disabled and people engage with him in ways that they never did before. It’s done wonders for his confidence and social skills.”

    Maisie is now six and will retire when she is about 10. The Gearys are grateful for every day she spends with Louis.

    “She’s part of the family,” said Ms Geary. “I would encourage any parent in a similar situation to consider a mobility assistance dog. It’s the best decision we ever made.”

    The findings are published in the journal Physical Therapy Reviews.

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  • Thal Limited Announces Wholly Owned Subsidiary for Grain Storage and Milling

    Thal Limited Announces Wholly Owned Subsidiary for Grain Storage and Milling

    Thal Limited has unveiled plans to establish a state-of-the-art grain storage and milling facility in Muzaffargarh, Punjab.

    The announcement was made following a Board of Directors meeting held on September 11, 2025.

    The company will incorporate a wholly owned subsidiary under the Companies Act 2017 to spearhead this initiative. The facility will focus on the storage of major grains such as wheat and corn, while also integrating advanced milling solutions to enhance grain processing and quality, stated a notification to the Pakistan Stock Exchange (PSX).

    Thal Limited has committed an investment of up to $16 million (or its equivalent in Pakistani Rupees) for the project, which will be executed in phases. The project is expected to be completed within 20 months, marking a significant step toward bolstering Pakistan’s food security.

    “This initiative reflects our commitment to addressing the critical need for high-quality grain storage and processing infrastructure in Pakistan,” stated the notification. “We believe this project will contribute to improving food security and adding value to the agricultural sector.”


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  • 20 Times Jennifer Aniston Was the Poster Girl for Low Key ’90s Style

    20 Times Jennifer Aniston Was the Poster Girl for Low Key ’90s Style

    Before her Friends character gave her name to one of the most famous haircuts of the ’90s (The Rachel, of course), Jennifer Aniston had already perfected the art of effortless style. Whether in slinky slip dresses, bandeau gowns, or barely-there strappy sandals, her approach to fashion was simple but undeniably impactful—remaining a mainstay on Pinterest boards and throwback Instagram accounts several decades later.

    From Picture Perfect to Object Of My Affection, she rocked up to premieres in minimalist floor-sweeping gowns (usually black), worn with natural hair, and a smattering of diamonds. When off-duty, she embodied California cool in easy tank tops and the occasional flip-flop. (How that has come back around, huh?). Easy glamour was her calling card—Aniston is a laidback Los Angeles girl, through and through.

    Fast forward a few decades, and her influence hasn’t faded. The new wave of it girls—Kaia, Bella, Gigi, and Hailey—have all been spotted channelling her fuss-free approach to dressing, proving that Aniston’s signature ’90s style is just as relevant today as it ever was. Aniston herself continues to evolve both her personal brand and sartorial formula too: whether that’s as the founder of haircare brand LolaVie, or in her glam red carpet appearances or starry engagements for her modern franchise phenom, The Morning Show.

    We’re rolling it back and taking inspiration from the pro. Below, see 20 times Jennifer Aniston aced strappy minidresses, monochrome basics, and micro shades.

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  • The Sky Today on Friday, September 12: Mars moves past Spica

    The Sky Today on Friday, September 12: Mars moves past Spica

    The Red Planet passes due north of Virgo’s bright star Spica; the pair is visible for a short time after sunset in the evening sky.

    • Mars and Spica will appear in close proximity (2° separation) in the evening western sky shortly after sunset, setting before 9 PM local daylight time.
    • Observations of Mars and Spica are best conducted using binoculars or a telescope’s finder scope after sunset, with optimal viewing conditions achieved with a clear western horizon and higher elevation.
    • The waning gibbous Moon (70% illuminated) will pass 5° north of Uranus around 10 PM EDT, coinciding with their rising time for the U.S. East Coast.
    • Times for sunrise (6:38 AM), sunset (7:13 PM), moonrise (9:56 PM), and moonset (12:37 PM) are provided, based on a specific location (40° N 90° W).

    Mars passes 2° north of Virgo’s bright alpha star Spica at 4 A.M. EDT. Neither is visible at that time, but you can catch them in the evening sky shortly after sunset. You’ll want to be quick, though — they set before 9 P.M. local daylight time and are already low in the west 40 minutes after sunset. At that time, the pair is 5° high, with Mars sitting to the upper right of Spica. Mars is magnitude 1.6, slightly fainter than magnitude 1.0 Spica. They are still 2° apart, visible together in the same field of view when using binoculars or your telescope’s finder scope. If you do look for them with optical aid, make sure you wait to pull out your equipment until the Sun is fully below the horizon from your location, which may occur at a slightly different time than that given below. The clearer your western horizon, the better, and you may want to try to get to a location slightly higher than your surroundings as well.

    The now-waning Moon passes 5° north of Uranus at 10 P.M. EDT, around the time the pair is rising for those on the U.S. East Coast. The Moon lies to the lower left of the Pleiades star cluster — a few hours earlier, our satellite occulted several stars in this cluster, visible from parts of Europa, Asia, and the Middle East.

    Sunrise: 6:38 A.M.
    Sunset: 7:13 P.M.
    Moonrise: 9:56 P.M.
    Moonset: 12:37 P.M.
    Moon Phase: Waning gibbous (70%)
    *Times for sunrise, sunset, moonrise, and moonset are given in local time from 40° N 90° W. The Moon’s illumination is given at 12 P.M. local time from the same location.

    For a look ahead at more upcoming sky events, check out our full Sky This Week column. 

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  • Low-emissions hydrogen projects are set to grow strongly despite wave of cancellations and persistent challenges – News

    Low-emissions hydrogen projects are set to grow strongly despite wave of cancellations and persistent challenges – News

    Amid steady rise in world hydrogen demand, global pipeline for low-emissions projects has shrunk, but robust expansion to 2030 still expected

    Despite a recent wave of project delays and cancellations, low-emissions hydrogen production is still set to see robust growth to 2030 as the nascent sector continues to develop – though at a slower pace than the burst of announcements earlier this decade had previously signalled – according to the latest IEA analysis.

    The 2025 edition of the IEA’s annual Global Hydrogen Review, published today, tracks developments across the hydrogen sector worldwide, with particular attention to the fast-moving developments in the emerging technologies around low-emissions hydrogen.

    Worldwide hydrogen demand increased to almost 100 million tonnes in 2024, up 2% from 2023 and in line with overall energy demand growth, according to the report. The vast majority of this was met by hydrogen produced from fossil fuels without measures in place to capture associated emissions. Sectors that have traditionally used hydrogen, such as oil refining and industry, remained the biggest consumers. 

    Globally, it remains much cheaper to produce hydrogen from fossil fuels. The gap has widened lately due to recent declines in natural gas prices and an increase in the price of electrolysers due to inflation and slower-than-expected deployment of the technology. However, the report sees the cost gap narrowing by 2030 due to declining technology costs – and, in some regions, strong renewables growth and the enactment of new regulations.

    Low-emissions hydrogen uptake is not yet meeting expectations set by industry and governments in recent years. Growth is being restrained by high costs, demand and regulatory uncertainty, and slow infrastructure development. Production projects have been particularly exposed to these headwinds. New analysis of announced projects finds that low-emissions hydrogen production by 2030 now has the potential to reach up to 37 million tonnes per year. That is down from a potential 49 million tonnes per year, based on announced projects a year earlier.

    Not all projects that are announced end up coming to fruition; as a result, actual capacity is likely to be much lower. Even so, low-emissions hydrogen production is expected to see a sizable expansion by the end of the decade compared with where it stands today, according to the new report. Projects that are operational, under construction or have reached a final investment decision by 2030 are set to increase more than fivefold from 2024 levels to more than 4 million tonnes per year. An additional 6 million tonnes per year also has strong potential to become operational by 2030 if effective policies to ensure demand are implemented.

    “Investor interest in hydrogen jumped at the start of this decade thanks to its potential to help countries deliver on their energy goals,” said IEA Executive Director Fatih Birol. “The latest data indicates that the growth of new hydrogen technologies is under pressure due to economic headwinds and policy uncertainty, but we still see strong signs that their development is moving ahead globally. To help growth continue, policy makers should maintain support schemes, use the tools they have to foster demand, and expedite the development of necessary infrastructure.”

    According to the report, China is the driving force today in the deployment of electrolysers to produce low-emissions hydrogen. The country accounts for 65% of global electrolyser capacity that has been installed or reached a final investment decision, and it is home to nearly 60% of the world’s electrolyser manufacturing capacity. Elsewhere, manufacturers have come under financial pressure due to rising costs and slower-than-expected uptake. Chinese manufacturers could also face challenges in the future, though, since existing manufacturing capacity of more than 20 gigawatts per year is significantly above current demand levels.

    The report also includes an analysis of the cost of installing Chinese electrolysers outside China. It finds that the cost is not significantly lower than installing those made by other producers when all factors, including transport costs and tariffs, are considered.

    Additionally, the report examines in detail what would be required for the shipping sector to adopt hydrogen-based fuels more widely. It finds that greater efforts would be needed to deploy compatible technologies and ensure ports are sufficiently equipped. In many cases, though, existing bunkering infrastructure used to fuel ships is proximate to low-emissions hydrogen production, revealing early opportunities. Nearly 80 ports have well-developed expertise in managing chemical products, indicating a strong readiness to also handle hydrogen-based fuels.

    This year’s Global Hydrogen Review includes a special focus on Southeast Asia, which is emerging as a significant and growing hydrogen market. It finds that based on announced projects, low-emissions hydrogen production in the region could reach 430 000 tonnes per year by 2030, up from just 3 000 tonnes per year today. However, many projects remain at very early stages of development – requiring faster deployment of renewables to reduce production costs, targeted policies, and an expansion of expertise-building pilot projects in order to match this potential.

    The report is complemented by an updated Hydrogen Production and Infrastructure Projects Database – plus the launch of a major new online tracker. This tracker allows users to explore announced projects for low-emissions hydrogen production and infrastructure deployment, hydrogen production costs by region and technology, and the more than 1 000 hydrogen policy measures that have been announced or implemented worldwide since 2020.

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  • Steven Spielberg reflects on Jaws at 50: ‘I thought my career was over’ | Steven Spielberg

    Steven Spielberg reflects on Jaws at 50: ‘I thought my career was over’ | Steven Spielberg

    Before Jaws became a cinematic classic, and the very first American “summer blockbuster”, director Steven Spielberg thought the 1975 film would be the last one he would be allowed to make.

    Spielberg, who was just 26, had decided to shoot his second film, a thriller about a killer shark, on location on the east coast island of Martha’s Vineyard.

    “My hubris was that we could take a Hollywood crew, go out 12 miles into the Atlantic Ocean, and shoot an entire movie with a mechanical shark. I thought that was going to go swimmingly,” Spielberg told an audience of journalists at the Academy Museum in Los Angeles this week, where an exhibit marking the 50th anniversary of Jaws is opening on Sunday.

    “I thought my career was virtually over halfway through production on Jaws, because everybody was saying to me, ‘You are never going to get hired again,” Spielberg recalled.

    Jaws, the Academy Museum’s first exhibit focused on a single film since the museum opened in 2021, traces the film’s colorful struggles, including the many mechanical failures of the titular prop shark, along with the artistic collaborations that led to its ultimate success. Film editor Verna Fields won an Oscar for her work shaping the film’s legendary scenes of suspense. So did composer John Williams, whose ominous “dun-dun” theme song has become one of the most recognizable movie soundtracks. The $260.7m success of the film with domestic audiences also launched Spielberg’s career as one of the most influential American directors.

    But in 1974, as the production was filming on Martha’s Vineyard, it was far from clear that the movie would secure a place in Hollywood history – or even that the film would actually be finished at all. Spielberg’s attempt to shoot on the actual ocean soon put the production massively over budget and behind schedule, he said, due to constant problems with “the shark, the weather, the currents, the regattas”.

    “I’ve never seen so much vomit in my life,” Spielberg said of people’s queasiness at sea, to laughter. “I haven’t! In the six months out to sea, I have never seen so many people getting sick.”

    Spielberg himself “never got seasick”, he said – “and I think that is only because I had the weight of this production on my shoulders and I didn’t have time to get sick.”

    The sole surviving full-scale model of Bruce, the shark from the film, at the Academy Museum. Photograph: Chris Pizzello/Invision/AP

    Filming on the ocean caused non-stop challenges, many of which are highlighted in the new exhibit, which focuses on the value of artistic problem-solving. At one point, a speedboat pulling the Orca, the small boat the main characters use to hunt the great white shark, went too fast and pulled out the boat’s planking, sending John Carter, the film’s Academy Award-winning sound director, into the water, his recorder still in his hands.

    While the Amity Island Regatta is a key plot point in the films, the actual boat races around Martha’s Vineyard caused endless headaches for Spielberg’s wide-lens ocean shots.

    “I cannot tell you how nerve-racking it is to get the cameras in position. The tides are slack. We don’t have currents dragging our anchors. The picture boat moves away from the Orca, moves away from the electrical barge, and we’re finally ready to shoot. Everybody’s ready. And all of a sudden, the first white sail appears on the horizon, followed by another one, followed by 25 white sails, little regattas going through the frame,” Spielberg said.

    Because it was 1974, there were no simple tools to erase the sails from the film post-production. “So, most of the time, we just waited,” Spielberg said. “People played cards. A lot of people vomited.”

    Then there were all the technical problems with the three animatronic sharks, which Spielberg nicknamed Bruce, after his lawyer, Bruce Ramer.

    A replica of the Orca fishing boat at a press preview at the Academy Museum. Photograph: Chris Pizzello/Invision/AP
    A woman seen through a set of great white shark jaws used for research and set decoration. Photograph: Chris Pizzello/Invision/AP

    The sharks, which were powered by pneumatic and hydraulic systems, had to be assembled on a very rapid timeline after the film studio moved up Jaws’s production schedule to better capitalize on the bestselling success of the novel on which it was based, exhibit curator Jenny He told the Guardian. Many special effects experts refused the assignment, saying the sharks would take years to create.

    “The special effects team who designed and constructed the shark never had a chance to test it in salt water,” He said. “The first time they put it in the ocean was in Martha’s Vineyard.”

    As she noted, wryly, “mechanics and salt water really didn’t mix”. The pressurized air systems designed to manipulate the sharks used long underwater tubes, which sometimes got unplugged, or filled with oil, or simply malfunctioned because of the distances they had to snake through the sea.

    As the filming dragged on, “I was offered, actually, several times, a chance to gracefully bow out of the film, not to be replaced by another director, but for the film to be shut down,” Spielberg said. He refused.

    The rest of his production team, crucially, stood by him, even as the long delay put a strain on the whole crew: “Every week, I’d have five or six people come over to me to say: ‘I haven’t seen my family. I’ve been here for five months. Just give me an incentive to keep working on your movie. Give me a date, a guarantee of when you’re going to wrap.’ And I didn’t know when we were going to wrap.”

    What got the cast and crew through it all, Spielberg said, “was being in the company of each other … the camaraderie that happens when you’re just trying to survive something.”

    A visitor looks at a wall of photographs at the museum. Photograph: Chris Pizzello/Invision/AP

    While it would likely have been easier to film the prop sharks in a controlled tank environment, the curator said, Spielberg’s choice to shoot on location in Martha’s Vineyard was crucial to the film’s artistic power: “He made you feel that you could encounter Bruce in the ocean,” she said. “Even though there were challenges, without those challenges, I don’t think Jaws would have been as successful.”

    Spielberg, who has since been nominated for nearly two dozen Academy Awards, praised the new exhibit and said he was amazed to see the more than 200 objects the museum curators “have so ingeniously assembled” from a film that finished production more than a half century ago.

    “Why would anybody, when we shot the opening scene of Chrissie Watkins being taken by the shark, and we had a buoy floating in the water – how did anybody know to take the buoy and take it home and sit on it for 50 years and then loan it to the Academy?”

    “How did they know? I didn’t know!” Spielberg said.

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  • MPs raise concerns over Asda’s link to app offering high-interest loans to staff | Asda

    MPs raise concerns over Asda’s link to app offering high-interest loans to staff | Asda

    An influential group of MPs has sought assurances that Asda is not “squeezing staff” to drive profit after it emerged they are being offered high-interest loans by Wagestream, a company in which the retailer’s owner has a stake.

    The business and trade select committee has written to Asda over its links to the “financial wellbeing app” that recently began offering the supermarket’s staff loans of up to £25,000. The default arrangements for Wagestream’s “workplace loans” involve debt repayments being directly deducted from workers’ pay packets.

    A holding company controlled by Asda’s private equity owner TDR Capital is a shareholder in Wagestream, which has been offering Asda workers a range of other services, including savings pots and wage advances, since 2023.

    Documents filed at Companies House show that the holding company – Bellis Financial Investments 2 –is one of a number of shareholders in Wagestream, alongside former Wonga payday loan investor Balderton Capital, and social impact investors including the Joseph Rowntree Foundation via the Fair by Design Fund.

    However, the Guardian understands that the retailer did not flag its financial link to Wagestream to staff when it initially launched the service to workers two years ago. Wagestream started offering “workplace loans” to Asda staff earlier this year.

    Liam Byrne, the chair of the business and trade committee, said he had written to Asda “to ask them to reassure us that frontline workers aren’t left facing sky-high interest rates, and that its workplace lending is compliant with Asda’s legal requirements under employment law”.

    “Asda is one of Britain’s most important employers with over 150,000 workers and is at the heart of our grocery market,” he said.

    “Our concern today is that instead of easing Asda’s debts, its parent company may be piling pressure on Asda’s people – squeezing staff to service liabilities and drive profit to its financial investments. If this is the case, it raises serious questions as to Asda’s responsible stewardship, and the long-term financial sustainability of the business as a whole.”

    Asda’s finance director, Michael Gleeson, told the committee in 2023 that a £100m investment in Wagestream and two other financial services businesses, had been funded out of proceeds from the £1.7bn sale of Asda’s warehouses which the company now has to pay rent on under a leaseback deal. “We are part owners of each of those three companies,” he told MPs. Bellis is understood to hold a 4% stake in Wagestream.

    Asda said it does not pay Wagestream for any services or receive any financial benefit if a member of staff chooses to use the app. However, as a shareholder, Asda’s parent group has a direct interest in itssuccess and would have the right to share of any future dividend payments or from the sale of the group.

    Wagestream is yet to pay a dividend and remains loss-making, having last reported a £22.2m pre-tax loss in 2024.

    That could change before long, however, with revenues having grown by more than two-thirds, 64%, to £36.9m last year, when it handed out 20.6m wage advances worth a total of £1.5bn.

    The rollout of workplace loans could propel earnings, which have so far relied on fees linked to its wage advance product. Wagestream said a rise in revenues in the upcoming year would probably outpace costs and start “moving the business towards profitability in future periods”.

    A spokesperson for Asda, which is the UK’s third largest supermarket, said: “Asda offers colleagues access to a range of established financial products through a partner regulated by the Financial Conduct Authority (FCA). These include salary advances, workplace loans and savings products paying a competitive interest rate of 4.33%, which is currently used by more than 18,000 colleagues.

    “Many other large employers, including all of Asda’s direct competitors in the grocery sector, offer similar products to their employees through the same, or competitor providers.”

    Asda added that all applications for Wagestream’s workplace loans were subject to “robust affordability checks” before being approved. “At present fewer than 2% of Asda colleagues have taken out a loan. The representative APR on these loans is 13.9%.”

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    Wagestream began rolling out the loans to clients like Asda at the end of 2024. Those loans come with a representative APR of between 13.9% and 19.9%, meaning at least 51% of borrowers will get that rate.

    But the ultimate cap is negotiated with each employer, topping out at 34.9% APR. Wagestream insists that its model still saves borrowers an average of £593 a loan, with customers having been charged an average APR of 62% by former lenders before turning to the app.

    Nadine Houghton, a national officer at the GMB union, which represents Asda workers, said it was concerned about the financial links between Asda and Wagestream: “It leaves a sour taste in the mouth that TDR has a financial interest in the app that facilitates Asda workers taking these financial risks while also being the overall decision maker for how much these workers are paid and the hours they are able to work.”

    “We now find out that Wagestream is offering dangerous loans at high interest rates and GMB members working in Asda tell us they have used the app to take advances on their pay which can contribute to a cycle of debt.

    “The bottom line is that employers should pay workers enough to live on, to have savings and to not need to rely on dangerous high-interest loans or advances on their pay just to cover day to day living costs.”

    Wagestream said in a statement that “as a regulated financial services provider, Wagestream has a conflicts of interest policy and has implemented processes to review and monitor conflicts of interest to comply with FCA rules.”

    “TDR Capital’s holding in Wagestream does not create a conflict as it falls well below the thresholds set out by the FCA. As a minority shareholder, TDR Capital does not have operational or day-to-day control of any of Wagestream’s undertakings,” the statement added.

    Wagestream said it considers potential conflicts when deciding on whether to partner with employers, which in turn sign its terms and conditions that require good consumer outcomes and transparency, including around fees.

    TDR declined to comment.

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