Rigid.PRO has released the OMNIA Universal Cinema Rig Base, a rig that supports nearly any mirrorless setup, with or without a cage. Built around the Arca-Swiss standard, it enables quick transitions between handheld, gimbal, and tripod work, and its sliding baseplate gives you access to your screen even on cameras without flip-out displays. It’s rare to find a rig that offers this level of flexibility without locking you into a specific ecosystem. So let’s have a look!
Rigid.PRO is a small, Melbourne-based company started by filmmakers who were tired of rigs that didn’t fit the way they worked. Their first product, the Rigid.PRO Cinerig Base gave small mirrorless cameras a cinema-style presence, and OMNIA builds on that foundation with broader compatibility and ergonomics. Plus, every rig is machined and assembled in-house, with a focus on real-world function over flash, and a no-sponsorship policy that lets the gear speak for itself.
The secret is in its adaptability
The Rigid.PRO OMNIA rig works with nearly any camera setup, caged or not. It has a quick-release plate that follows the Arca-Swiss standard, so it should be quite easy to move between tripod, gimbal, and handheld work. And for cameras with fixed rear screens, like many Blackmagic Design or SIGMA models, the plate can slide forward, giving you full access without the need for external monitors.
It’s also a power hub
OMNIA comes with four high-current D-Tap outputs, a master power switch, and an LCD voltage display, with V-mount battery support. Crucially, the camera’s hot shoe remains accessible so audio gear, like XLR adapters, can stay connected. The simple layout means you won’t need extra adapters or complicated cable setups.
Built to stay out of the way
The build is straightforward and solid. The OMNIA Universal Cinema Rig weighs 672 g (~1.5 lbs) and is machined from aluminum billets, with no 3D-printed components. The mounting threads are reinforced, and the Arca-Swiss plate fits without play. A felt-lined slot houses the included screen protector, which can be adjusted up or down to suit different screen positions. And because it starts light, you should be able to add accessories without the rig becoming awkward or top-heavy. The significance of rig weight becomes clear when you’re shooting handheld for hours.
What stands out is how much access the design preserves. Where many rigs block the hot shoe or rear screen, the OMNIA Universal Cinema Rig keeps both usable. You can leave XLR adapters or other audio gear attached, and for cameras without flip-out displays, the sliding baseplate helps bring the screen back into view.
Key features
- Four high-current D-tap outlets for powering cameras, monitors, transmitters, microphones, and accessories
- Master power switch that cuts all power from attached batteries, ensuring zero current
draw - LCD voltage display for real-time battery monitoring
- V-Mount battery compatibility for extended shooting sessions
- Multiple 1/4″ and 3/8″ mounting points for limitless rigging possibilities
- Hot shoe access on all cameras through a novel under-mounting design
- Universal screen protector with adjustable positioning for flip-out screens
Who is the OMNIA Universal Cinema Rig for?
The OMNIA is a good fit for filmmakers who want a lightweight, adaptable rig that works across different camera bodies and setups without locking them into a brand-specific system. It’s especially useful for those who work solo or in small crews, who need to move between handheld, gimbal, and tripod shots quickly, or who change cameras often and don’t want to rebuild their rig every time.
Price and availability
The Omnia is priced at $329 and includes the universal base, quick-release mechanism, screen protector, mounting hardware, and documentation. There are also modular accessories available, including handles and more. They ship worldwide from Melbourne, Australia, via DHL Express, and the shipping is free to most countries. For more information, have a look at their website.
How much time do you spend adjusting cages, plates, and cables between setups? What part of your setup slows you down the most? Let us know in the comments!